The Project Gutenberg EBook of The Library, by George Crabbe (#2 in our series by George Crabbe) Copyright laws are changing all over the world. Be sure to check the copyright laws for your country before downloading or redistributing this or any other Project Gutenberg eBook. This header should be the first thing seen when viewing this Project Gutenberg file. Please do not remove it. Do not change or edit the header without written permission. Please read the "legal small print," and other information about the eBook and Project Gutenberg at the bottom of this file. Included is important information about your specific rights and restrictions in how the file may be used. You can also find out about how to make a donation to Project Gutenberg, and how to get involved. **Welcome To The World of Free Plain Vanilla Electronic Texts** **eBooks Readable By Both Humans and By Computers, Since 1971** *****These eBooks Were Prepared By Thousands of Volunteers!***** Title: The Library Author: George Crabbe Release Date: February, 2004 [EBook #5198] [Yes, we are more than one year ahead of schedule] [This file was first posted on June 3, 2002] [Most recently updated: June 3, 2002] Edition: 10 Language: English Character set encoding: ASCII
Transcribed by Mark Sherwood, e-mail mark.sherwood@btinternet.com
“THE LIBRARY”, by GEORGE CRABBE
THE ARGUMENT. {1}
Books afford Consolation to the troubled Mind by substituting a lighter
kind of Distress for its own - They are productive of other Advantages
- An Author’s Hope of being known in distant times - Arrangement
of the Library - Size and Form of the Volumes - The ancient Folio, clasped
and chained - Fashion prevalent even in this Place - The Mode of publishing
in Numbers, Pamphlets &c. - Subjects of the different Classes -
Divinity - Controversy - The Friends of Religion often more dangerous
than her Foes - Sceptical Authors - Reason too much rejected by the
former Converts; exclusively relied upon by the latter - Philosophy
ascending through the Scale of Being to Moral Subjects - Books of Medicine:
their Variety, Variance, and Proneness to System: the Evil of this,
and the Difficulty it causes - Farewell to this Study - Law: the increasing
Number of its Volumes - Supposed happy State of Man without Laws - Progress
of Society - Historians: their Subjects - Dramatic Authors, Tragic and
Comic - Ancient Romances - The Captive Heroine - Happiness in the perusal
of such Books: why - Criticism - Apprehensions of the Author: removed
by the Appearance of the Genius of the Place; whose Reasoning and Admonition
conclude the subject.
When the sad soul, by care and grief oppress’d,
Looks round the world, but looks in vain for rest;
When every object that appears in view
Partakes her gloom and seems dejected too;
Where shall affliction from itself retire?
Where fade away and placidly expire?
Alas! we fly to silent scenes in vain;
Care blasts the honours of the flow’ry plain:
Care veils in clouds the sun’s meridian beam,
Sighs through the grove, and murmurs in the stream;
For when the soul is labouring in despair,
In vain the body breathes a purer air:
No storm-tost sailor sighs for slumbering seas,-
He dreads the tempest, but invokes the breeze;
On the smooth mirror of the deep resides
Reflected woe, and o’er unruffled tides
The ghost of every former danger glides.
Thus, in the calms of life, we only see
A steadier image of our misery;
But lively gales and gently clouded skies
Disperse the sad reflections as they rise;
And busy thoughts and little cares avail
To ease the mind, when rest and reason fail.
When the dull thought, by no designs employ’d,
Dwells on the past, or suffer’d or enjoy’d,
We bleed anew in every former grief,
And joys departed furnish no relief.
Not Hope herself, with all her flattering art,
Can cure this stubborn sickness of the heart:
The soul disdains each comfort she prepares,
And anxious searches for congenial cares;
Those lenient cares, which with our own combined,
By mix’d sensations ease th’ afflicted mind,
And steal our grief away, and leave their own behind;
A lighter grief! which feeling hearts endure
Without regret, nor e’en demand a cure.
But what strange art, what magic can dispose
The troubled mind to change its native woes?
Or lead us willing from ourselves, to see
Others more wretched, more undone than we?
This BOOKS can do; - nor this alone; they give
New views to life, and teach us how to live;
They soothe the grieved, the stubborn they chastise,
Fools they admonish, and confirm the wise:
Their aid they yield to all: they never shun
The man of sorrow, nor the wretch undone:
Unlike the hard, the selfish, and the proud,
They fly not sullen from the suppliant crowd;
Nor tell to various people various things,
But show to subjects what they show to kings.
Come, Child of Care! to make thy soul serene,
Approach the treasures of this tranquil scene;
Survey the dome, and, as the doors unfold,
The soul’s best cure, in all her cares, behold!
Where mental wealth the poor in thought may find,
And mental physic the diseased in mind;
See here the balms that passion’s wounds assuage;
See coolers here, that damp the fire of rage;
Here alt’ratives, by slow degrees control
The chronic habits of the sickly soul;
And round the heart and o’er the aching head,
Mild opiates here their sober influence shed.
Now bid thy soul man’s busy scenes exclude,
And view composed this silent multitude:-
Silent they are - but though deprived of sound,
Here all the living languages abound;
Here all that live no more; preserved they lie,
In tombs that open to the curious eye.
Blest be the gracious Power, who taught mankind
To stamp a lasting image of the mind!
Beasts may convey, and tuneful birds may sing,
Their mutual feelings, in the opening spring ;
But Man alone has skill and power to send
The heart’s warm dictates to the distant friend;
’Tis his alone to please, instruct, advise
Ages remote, and nations yet to rise.
In sweet repose, when Labour’s children sleep,
When Joy forgets to smile and Care to weep,
When Passion slumbers in the lover’s breast,
And Fear and Guilt partake the balm of rest,
Why then denies the studious man to share
Man’s common good, who feels his common care?
Because the hope is his, that bids him fly
Night’s soft repose, and sleep’s mild power defy;
That after-ages may repeat his praise,
And fame’s fair meed be his, for length of days.
Delightful prospect! when we leave behind
A worthy offspring of the fruitful mind!
Which, born and nursed through many an anxious day,
Shall all our labour, all our care repay.
Yet all are not these births of noble kind,
Not all the children of a vigorous mind;
But where the wisest should alone preside,
The weak would rule us, and the blind would guide;
Nay, man’s best efforts taste of man, and show
The poor and troubled source from which they flow;
Where most he triumphs we his wants perceive,
And for his weakness in his wisdom grieve.
But though imperfect all; yet wisdom loves
This seat serene, and virtue’s self approves:-
Here come the grieved, a change of thought to find;
The curious here to feed a craving mind;
Here the devout their peaceful temple choose;
And here the poet meets his favouring Muse.
With awe, around these silent walks I tread;
These are the lasting mansions of the dead:-
“The dead!” methinks a thousand tongues reply;
“These are the tombs of such as cannot die!”
Crown’d with eternal fame, they sit sublime,
“And laugh at all the little strife of time.”
Hail, then, immortals! ye who shine above,
Each, in his sphere, the literary Jove;
And ye the common people of these skies,
A humbler crowd of nameless deities;
Whether ‘tis yours to lead the willing mind
Through History’s mazes, and the turnings find;
Or, whether led by Science, ye retire,
Lost and bewilder’d in the vast desire;
Whether the Muse invites you to her bowers,
And crowns your placid brows with living flowers;
Or godlike Wisdom teaches you to show
The noblest road to happiness below;
Or men and manners prompt the easy page
To mark the flying follies of the age:
Whatever good ye boast, that good impart;
Inform the head and rectify the heart.
Lo, all in silence, all in order stand,
And mighty folios first, a lordly band ;
Then quartos their well-order’d ranks maintain,
And light octavos fill a spacious plain:
See yonder, ranged in more frequented rows,
A humbler band of duodecimos;
While undistinguish’d trifles swell the scene,
The last new play and fritter’d magazine.
Thus ‘tis in life, where first the proud, the great,
In leagued assembly keep their cumbrous state;
Heavy and huge, they fill the world with dread,
Are much admired, and are but little read:
The commons next, a middle rank, are found;
Professions fruitful pour their offspring round;
Reasoners and wits are next their place allowed,
And last, of vulgar tribes a countless crowd.
First, let us view the form, the size, the dress;
For these the manners, nay the mind, express:
That weight of wood, with leathern coat o’erlaid;
Those ample clasps, of solid metal made;
The close-press’d leaves, unclosed for many an age;
The dull red edging of the well-fill’d page;
On the broad back the stubborn ridges roll’d,
Where yet the title stands in tarnish’d gold;
These all a sage and labour’d work proclaim,
A painful candidate for lasting fame:
No idle wit, no trifling verse can lurk
In the deep bosom of that weighty work;
No playful thoughts degrade the solemn style,
Nor one light sentence claims a transient smile.
Hence, in these times, untouch’d the pages lie,
And slumber out their immortality:
They had their day, when, after after all his toil,
His morning study, and his midnight oil,
At length an author’s ONE great work appeared,
By patient hope, and length of days, endear’d:
Expecting nations hail’d it from the press;
Poetic friends prefix’d each kind address;
Princes and kings received the pond’rous gift,
And ladies read the work they could not lift.
Fashion, though Folly’s child, and guide of fools,
Rules e’en the wisest, and in learning rules;
From crowds and courts to “Wisdom’s seat she goes
And reigns triumphant o’er her mother’s foes.
For lo! these fav’rites of the ancient mode
Lie all neglected like the Birthday Ode.
Ah! needless now this weight of massy chain; {2}
Safe in themselves, the once-loved works remain;
No readers now invade their still retreat,
None try to steal them from their parent-seat;
Like ancient beauties, they may now discard
Chains, bolts, and locks, and lie without a guard.
Our patient fathers trifling themes laid by,
And roll’d, o’er labour’d works, th’ attentive
eye:
Page after page the much-enduring men
Explored the deeps and shallows of the pen:
Till, every former note and comment known,
They mark’d the spacious margin with their own;
Minute corrections proved their studious care;
The little index, pointing, told us where;
And many an emendation show’d the age
Look’d far beyond the rubric title-page.
Our nicer palates lighter labours seek,
Cloy’d with a folio-Number once a week;
Bibles, with cuts and comments, thus go down:
E’en light Voltaire is number’d through the town:
Thus physic flies abroad, and thus the law,
From men of study, and from men of straw;
Abstracts, abridgments, please the fickle times,
Pamphlets and plays, and politics and rhymes:
But though to write be now a task of ease,
The task is hard by manly arts to please,
When all our weakness is exposed to view,
And half our judges are our rivals too.
Amid these works, on which the eager eye
Delights to fix, or glides reluctant by,
When all combined, their decent pomp display,
Where shall we first our early offering pay?
To thee, DIVINITY! to thee, the light
And guide of mortals, through their mental night;
By whom we learn our hopes and fears to guide;
To bear with pain, and to contend with pride;
When grieved, to pray; when injured, to forgive;
And with the world in charity to live.
Not truths like these inspired that numerous race,
Whose pious labours fill this ample space;
But questions nice, where doubt on doubt arose,
Awaked to war the long-contending foes.
For dubious meanings, learned polemics strove,
And wars on faith prevented works of love;
The brands of discord far around were hurl’d,
And holy wrath inflamed a sinful world:-
Dull though impatient, peevish though devout,
With wit disgusting, and despised without;
Saints in design, in execution men,
Peace in their looks, and vengeance in their pen.
Methinks I see, and sicken at the sight,
Spirits of spleen from yonder pile alight;
Spirits who prompted every damning page,
With pontiff pride and still-increasing rage:
Lo! how they stretch their gloomy wings around,
And lash with furious strokes the trembling ground!
They pray, they fight, they murder, and they weep,-
Wolves in their vengeance, in their manners sheep;
Too well they act the prophet’s fatal part,
Denouncing evil with a zealous heart;
And each, like Jonah, is displeased if God
Repent his anger, or withhold his rod.
But here the dormant fury rests unsought,
And Zeal sleeps soundly by the foes she fought;
Here all the rage of controversy ends,
And rival zealots rest like bosom-friends:
An Athanasian here, in deep repose,
Sleeps with the fiercest of his Arian foes;
Socinians here with Calvinists abide,
And thin partitions angry chiefs divide;
Here wily Jesuits simple Quakers meet,
And Bellarmine has rest at Luther’s feet.
Great authors, for the church’s glory fired,
Are for the church’s peace to rest retired;
And close beside, a mystic, maudlin race,
Lie “Crumbs of Comfort for the Babes of Grace.”
Against her foes Religion well defends
Her sacred truths, but often fears her friends:
If learn’d, their pride, if weak, their zeal she dreads,
And their hearts’ weakness, who have soundest heads.
But most she fears the controversial pen,
The holy strife of disputatious men;
Who the blest Gospel’s peaceful page explore,
Only to fight against its precepts more.
Near to these seats behold yon slender frames,
All closely fill’d and mark’d with modern names;
Where no fair science ever shows her face,
Few sparks of genius, and no spark of grace;
There sceptics rest, a still-increasing throng,
And stretch their widening wings ten thousand strong;
Some in close fight their dubious claims maintain;
Some skirmish lightly, fly, and fight again;
Coldly profane, and impiously gay,
Their end the same, though various in their way.
When first Religion came to bless the land,
Her friends were then a firm believing band;
To doubt was then to plunge in guilt extreme,
And all was gospel that a monk could dream;
Insulted Reason fled the grov’lling soul,
For Fear to guide, and visions to control:
But now, when Reason has assumed her throne,
She, in her turn, demands to reign alone;
Rejecting all that lies beyond her view,
And, being judge, will be a witness too:
Insulted Faith then leaves the doubtful mind,
To seek for truth, without a power to find:
Ah! when will both in friendly beams unite,
And pour on erring man resistless light?
Next to the seats, well stored with works divine,
An ample space, PHILOSOPHY! is thine;
Our reason’s guide, by whose assisting light
We trace the moral bounds of wrong and right;
Our guide through nature, from the sterile clay,
To the bright orbs of yon celestial way!
’Tis thine, the great, the golden chain to trace,
Which runs through all, connecting race with race;
Save where those puzzling, stubborn links remain,
Which thy inferior light pursues in vain:-
How vice and virtue in the soul contend;
How widely differ, yet how nearly blend;
What various passions war on either part,
And now confirm, now melt the yielding heart:
How Fancy loves around the world to stray,
While Judgment slowly picks his sober way;
The stores of memory, and the flights sublime
Of genius, bound by neither space nor time; -
All these divine Philosophy explores,
Till, lost in awe, she wonders and adores.
From these, descending to the earth, she turns,
And matter, in its various forms, discerns;
She parts the beamy light with skill profound,
Metes the thin air, and weighs the flying sound;
‘Tis hers the lightning from the clouds to call,
And teach the fiery mischief where to fall.
Yet more her volumes teach, - on these we look
As abstracts drawn from Nature’s larger book:
Here, first described, the torpid earth appears,
And next, the vegetable robe it wears;
Where flow’ry tribes, in valleys, fields, and groves,
Nurse the still flame, and feed the silent loves;
Loves where no grief, nor joy, nor bliss, nor pain,
Warm the glad heart or vex the labouring brain;
But as the green blood moves along the blade,
The bed of Flora on the branch is made;
Where, without passion love instinctive lives,
And gives new life, unconscious that it gives.
Advancing still in Nature’s maze, we trace,
In dens and burning plains, her savage race
With those tame tribes who on their lord attend,
And find in man a master and a friend;
Man crowns the scene, a world of wonders new,
A moral world, that well demands our view.
This world is here; for, of more lofty kind,
These neighbouring volumes reason on the mind;
They paint the state of man ere yet endued
With knowledge; - man, poor, ignorant, and rude;
Then, as his state improves, their pages swell,
And all its cares, and all its comforts, tell:
Here we behold how inexperience buys,
At little price, the wisdom of the wise;
Without the troubles of an active state,
Without the cares and dangers of the great,
Without the miseries of the poor, we know
What wisdom, wealth, and poverty bestow;
We see how reason calms the raging mind,
And how contending passions urge mankind:
Some, won by virtue, glow with sacred fire;
Some, lured by vice, indulge the low desire;
Whilst others, won by either, now pursue
The guilty chase, now keep the good in view;
For ever wretched, with themselves at strife,
They lead a puzzled, vex’d, uncertain life;
For transient vice bequeaths a lingering pain,
Which transient virtue seeks to cure in vain.
Whilst thus engaged, high views enlarge the soul,
New interests draw, new principles control:
Nor thus the soul alone resigns her grief,
But here the tortured body finds relief;
For see where yonder sage Arachne shapes
Her subtile gin, that not a fly escapes!
There PHYSIC fills the space, and far around,
Pile above pile her learned works abound:
Glorious their aim- to ease the labouring heart;
To war with death, and stop his flying dart;
To trace the source whence the fierce contest grew,
And life’s short lease on easier terms renew;
To calm the phrensy of the burning brain;
To heal the tortures of imploring pain;
Or, when more powerful ills all efforts brave,
To ease the victim no device can save,
And smooth the stormy passage to the grave.
But man, who knows no good unmix’d and pure,
Oft finds a poison where he sought a cure;
For grave deceivers lodge their labours here,
And cloud the science they pretend to clear;
Scourges for sin, the solemn tribe are sent;
Like fire and storms, they call us to repent;
But storms subside, and fires forget to rage.
These are eternal scourges of the age:
’Tis not enough that each terrific hand
Spreads desolations round a guilty land;
But train’d to ill, and harden’d by its crimes,
Their pen relentless kills through future times.
Say, ye, who search these records of the dead-
Who read huge works, to boast what ye have read;
Can all the real knowledge ye possess,
Or those - if such there are - who more than guess,
Atone for each impostor’s wild mistakes,
And mend the blunders pride or folly makes ?
What thought so wild, what airy dream so light,
That will not prompt a theorist to write?
What art so prevalent, what proof so strong,
That will convince him his attempt is wrong?
One in the solids finds each lurking ill,
Nor grants the passive fluids power to kill;
A learned friend some subtler reason brings,
Absolves the channels, but condemns their springs;
The subtile nerves, that shun the doctor’s eye,
Escape no more his subtler theory;
The vital heat, that warms the labouring heart,
Lends a fair system to these sons of art;
The vital air, a pure and subtile stream,
Serves a foundation for an airy scheme,
Assists the doctor, and supports his dream.
Some have their favourite ills, and each disease
Is but a younger branch that kills from these;
One to the gout contracts all human pain;
He views it raging in the frantic brain;
Finds it in fevers all his efforts mar,
And sees it lurking in the cold catarrh:
Bilious by some, by others nervous seen,
Rage the fantastic demons of the spleen;
And every symptom of the strange disease
With every system of the sage agrees.
Ye frigid tribe, on whom I wasted long
The tedious hours, and ne’er indulged in song;
Ye first seducers of my easy heart,
Who promised knowledge ye could not impart;
Ye dull deluders, truth’s destructive foes;
Ye sons of fiction, clad in stupid prose;
Ye treacherous leaders, who, yourselves in doubt,
Light up false fires, and send us far about;-
Still may yon spider round your pages spin,
Subtile and slow, her emblematic gin!
Buried in dust and lost in silence, dwell,
Most potent, grave, and reverend friends - farewell!
Near these, and where the setting sun displays,
Through the dim window, his departing rays,
And gilds yon columns, there, on either side,
The huge Abridgments of the LAW abide;
Fruitful as vice the dread correctors stand,
And spread their guardian terrors round the land;
Yet, as the best that human care can do
Is mix’d with error, oft with evil too,
Skill’d in deceit, and practised to evade,
Knaves stand secure, for whom these laws were made,
And justice vainly each expedient tries,
While art eludes it, or while power defies.
“Ah! happy age,” the youthful poet sings,
“When the free nations knew not laws nor kings,
When all were blest to share a common store,
And none were proud of wealth, for none were poor,
No wars nor tumults vex’d each still domain,
No thirst of empire, no desire of gain;
No proud great man, nor one who would be great,
Drove modest merit from its proper state;
Nor into distant climes would Avarice roam,
To fetch delights for Luxury at home:
Bound by no ties which kept the soul in awe,
They dwelt at liberty, and love was law!”
“Mistaken youth! each nation first was rude,
Each man a cheerless son of solitude,
To whom no joys of social life were known,
None felt a care that was not all his own;
Or in some languid clime his abject soul
Bow’d to a little tyrant’s stern control;
A slave, with slaves his monarch’s throne he raised,
And in rude song his ruder idol praised;
The meaner cares of life were all he knew;
Bounded his pleasures, and his wishes few;
But when by slow degrees the Arts arose,
And Science waken’d from her long repose;
When Commerce, rising from the bed of ease,
Ran round the land, and pointed to the seas;
When Emulation, born with jealous eye,
And Avarice, lent their spurs to industry;
Then one by one the numerous laws were made,
Those to control, and these to succour trade;
To curb the insolence of rude command,
To snatch the victim from the usurer’s hand;
To awe the bold, to yield the wrong’d redress,
And feed the poor with Luxury’s excess.” {3}
Like some vast flood, unbounded, fierce, and strong,
His nature leads ungovern’d man along;
Like mighty bulwarks made to stem that tide,
The laws are form’d, and placed on ev’ry side;
Whene’er it breaks the bounds by these decreed,
New statutes rise, and stronger laws succeed;
More and more gentle grows the dying stream,
More and more strong the rising bulwarks seem;
Till, like a miner working sure and slow,
Luxury creeps on, and ruins all below;
The basis sinks, the ample piles decay;
The stately fabric, shakes and falls away;
Primeval want and ignorance come on,
But Freedom, that exalts the savage state, is gone.
Next, HISTORY ranks; - there full in front she lies,
And every nation her dread tale supplies;
Yet History has her doubts, and every age
With sceptic queries marks the passing page;
Records of old nor later date are clear,
Too distant those, and these are placed too near;
There time conceals the objects from our view,
Here our own passions and a writer’s too:
Yet, in these volumes, see how states arose!
Guarded by virtue from surrounding foes;
Their virtue lost, and of their triumphs vain,
Lo! how they sunk to slavery again!
Satiate with power, of fame and wealth possess’d,
A nation grows too glorious to be blest;
Conspicuous made, she stands the mark of all,
And foes join foes to triumph in her fall.
Thus speaks the page that paints ambition’s
race,
The monarch’s pride, his glory, his disgrace;
The headlong course, that madd’ning heroes run,
How soon triumphant, and how soon undone;
How slaves, turn’d tyrants, offer crowns to sale,
And each fall’n nation’s melancholy tale.
Lo! where of late the Book of Martyrs stood,
Old pious tracts, and Bibles bound in wood;
There, such the taste of our degenerate age,
Stand the profane delusions of the STAGE:
Yet virtue owns the TRAGIC MUSE a friend,
Fable her means, morality her end;
For this she rules all passions in their turns,
And now the bosom bleeds, and now it burns;
Pity with weeping eye surveys her bowl,
Her anger swells, her terror chills the soul;
She makes the vile to virtue yield applause,
And own her sceptre while they break her laws;
For vice in others is abhorr’d of all,
And villains triumph when the worthless fall.
Not thus her sister COMEDY prevails,
Who shoots at Folly, for her arrow fails;
Folly, by Dulness arm’d, eludes the wound,
And harmless sees the feather’d shafts rebound;
Unhurt she stands, applauds the archer’s skill,
Laughs at her malice, and is Folly still.
Yet well the Muse portrays, in fancied scenes,
What pride will stoop to, what profession means;
How formal fools the farce of state applaud;
How caution watches at the lips of fraud;
The wordy variance of domestic life;
The tyrant husband, the retorting wife;
The snares for innocence, the lie of trade,
And the smooth tongue’s habitual masquerade.
With her the Virtues too obtain a place,
Each gentle passion, each becoming grace;
The social joy in life’s securer road,
Its easy pleasure, its substantial good;
The happy thought that conscious virtue gives,
And all that ought to live, and all that lives.
But who are these? Methinks a noble mien
And awful grandeur in their form are seen,
Now in disgrace: what though by time is spread
Polluting dust o’er every reverend head;
What though beneath yon gilded tribe they lie,
And dull observers pass insulting by:
Forbid it shame, forbid it decent awe,
What seems so grave, should no attention draw!
Come, let us then with reverend step advance,
And greet - the ancient worthies of ROMANCE.
Hence, ye profane! I feel a former dread,
A thousand visions float around my head:
Hark! hollow blasts through empty courts resound,
And shadowy forms with staring eyes stalk round;
See! moats and bridges, walls and castles rise,
Ghosts, fairies, demons, dance before our eyes;
Lo! magic verse inscribed on golden gate,
And bloody hand that beckons on to fate:-
“And who art thou, thou little page, unfold?
Say, doth thy lord my Claribel withhold?
Go tell him straight, Sir Knight, thou must resign
The captive queen; - for Claribel is mine.”
Away he flies; and now for bloody deeds,
Black suits of armour, masks, and foaming steeds;
The giant falls; his recreant throat I seize,
And from his corslet take the massy keys:-
Dukes, lords, and knights, in long procession move,
Released from bondage with my virgin love:-
She comes! she comes! in all the charms of youth,
Unequall’d love, and unsuspected truth!
Ah! happy he who thus, in magic themes,
O’er worlds bewitch’d, in early rapture dreams,
Where wild Enchantment waves her potent wand,
And Fancy’s beauties fill her fairy land;
Where doubtful objects strange desires excite,
And Fear and Ignorance afford delight.
But lost, for ever lost, to me these joys,
Which Reason scatters, and which Time destroys;
Too dearly bought: maturer judgment calls
My busied mind from tales and madrigals;
My doughty giants all are slain or fled,
And all my knignts - blue, green, and yellow - dead!
No more the midnight fairy tribe I view,
All in the merry moonshine tippling dew;
E’en the last lingering fiction of the brain,
The churchyard ghost, is now at rest again;
And all these wayward wanderings of my youth
Fly Reason’s power, and shun the light of Truth.
With Fiction then does real joy reside,
And is our reason the delusive guide?
Is it then right to dream the syrens sing?
Or mount enraptured on the dragon’s wing?
No; ’tis the infant mind, to care unknown,
That makes th’ imagined paradise its own;
Soon as reflections in the bosom rise,
Light slumbers vanish from the clouded eyes:
The tear and smile, that once together rose,
Are then divorced; the head and heart are foes:
Enchantment bows to Wisdom’s serious plan,
And Pain and Prudence make and mar the man.
While thus, of power and fancied empire vain,
With various thoughts my mind I entertain;
While books, my slaves, with tyrant hand I seize,
Pleased with the pride that will not let them please,
Sudden I find terrific thoughts arise,
And sympathetic sorrow fills my eyes;
For, lo! while yet my heart admits the wound,
I see the CRITIC army ranged around.
Foes to our race! if ever ye have known
A father’s fears for offspring of your own;
If ever, smiling o’er a lucky line,
Ye thought the sudden sentiment divine,
Then paused and doubted, and then, tired of doubt,
With rage as sudden dash’d the stanza out;-
If, after fearing much and pausing long,
Ye ventured on the world your labour’d song,
And from the crusty critics of those days
Implored the feeble tribute of their praise;
Remember now the fears that moved you then,
And, spite of truth, let mercy guide your pen.
What vent’rous race are ours! what mighty foes
Lie waiting all around them to oppose!
What treacherous friends betray them to the fight!
What dangers threaten them - yet still they write:
A hapless tribe! to every evil born,
Whom villains hate, and fools affect to scorn:
Strangers they come, amid a world of woe,
And taste the largest portion ere they go.
Pensive I spoke, and cast mine eyes around;
The roof, methought, return’d a solemn sound;
Each column seem’d to shake, and clouds, like smoke,
From dusty piles and ancient volumes broke;
Gathering above, like mists condensed they seem,
Exhaled in summer from the rushy stream;
Like flowing robes they now appear, and twine
Round the large members of a form divine;
His silver beard, that swept his aged breast,
His piercing eye, that inward light express’d,
Were seen, - but clouds and darkness veil’d the rest.
Fear chill’d my heart: to one of mortal race,
How awful seem’d the Genius of the place!
So in Cimmerian shores, Ulysses saw
His parent-shade, and shrunk in pious awe;
Like him I stood, and wrapt in thought profound,
When from the pitying power broke forth a solemn sound:-
“Care lives with all; no rules, no precepts save
The wise from woe, no fortitude the brave;
Grief is to man as certain as the grave:
Tempests and storms in life’s whole progress rise,
And hope shines dimly through o’erclouded skies.
Some drops of comfort on the favour’d fall,
But showers of sorrow are the lot of all:
Partial to talents, then, shall Heav’n withdraw
Th’ afflicting rod, or break the general law?
Shall he who soars, inspired by loftier views,
Life’s little cares and little pains refuse?
Shall he not rather feel a double share
Of mortal woe, when doubly arm’d to bear?
“Hard is his fate who builds his peace of mind
On the precarious mercy of mankind;
Who hopes for wild and visionary things,
And mounts o’er unknown seas with vent’rous wings;
But as, of various evils that befall
The human race, some portion goes to all;
To him perhaps the milder lot’s assigned
Who feels his consolation in his mind,
And, lock’d within his bosom, bears about
A mental charm for every care without.
E’en in the pangs of each domestic grief,
Or health or vigorous hope affords relief;
And every wound the tortured bosom feels,
Or virtue bears, or some preserver heals;
Some generous friend of ample power possess’d;
Some feeling heart, that bleeds for the distress’d;
Some breast that glows with virtues all divine;
Some noble RUTLAND, misery’s friend and thine.
“Nor say, the Muse’s song, the Poet’s
pen,
Merit the scorn they meet from little men.
With cautious freedom if the numbers flow,
Not wildly high, nor pitifully low;
If vice alone their honest aims oppose,
Why so ashamed their friends, so loud their foes?
Happy for men in every age and clime,
If all the sons of vision dealt in rhyme.
Go on, then, Son of Vision! still pursue
Thy airy dreams; the world is dreaming too.
Ambition’s lofty views, the pomp of state,
The pride of wealth, the splendour of the great,
Stripp’d of their mask, their cares and troubles known,
Are visions far less happy than thy own:
Go on! and, while the sons of care complain,
Be wisely gay and innocently vain;
While serious souls are by their fears undone,
Blow sportive bladders in the beamy sun,
And call them worlds! and bid the greatest show
More radiant colours in their worlds below:
Then, as they break, the slaves of care reprove,
And tell them, Such are all the toys they love.”
Footnotes:
{1} Indentation
and punctuation as original.
{2} In ancient
libraries, works of value and importance were fastened to their places
by a length of chain; and might so be perused, but not taken away.
{3} See Blackstone’s
Commentaries, i. 131, 359; iv. 432.
*** END OF THE PROJECT GUTENBERG EBOOK, THE LIBRARY ***
******This file should be named 5198-h.htm or 5198-h.zip******
Project Gutenberg eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the US
unless a copyright notice is included. Thus, we usually do not
keep eBooks in compliance with any particular paper edition.
We are now trying to release all our eBooks one year in advance
of the official release dates, leaving time for better editing.
Please be encouraged to tell us about any error or corrections,
even years after the official publication date.
Please note neither this listing nor its contents are final til
midnight of the last day of the month of any such announcement.
The official release date of all Project Gutenberg eBooks is at
Midnight, Central Time, of the last day of the stated month. A
preliminary version may often be posted for suggestion, comment
and editing by those who wish to do so.
Most people start at our Web sites at:
http://gutenberg.net or
http://promo.net/pg
These Web sites include award-winning information about Project
Gutenberg, including how to donate, how to help produce our new
eBooks, and how to subscribe to our email newsletter (free!).
Those of you who want to download any eBook before announcement
can get to them as follows, and just download by date. This is
also a good way to get them instantly upon announcement, as the
indexes our cataloguers produce obviously take a while after an
announcement goes out in the Project Gutenberg Newsletter.
http://www.ibiblio.org/gutenberg/etext04 or
ftp://ftp.ibiblio.org/pub/docs/books/gutenberg/etext04
Or /etext03, 02, 01, 00, 99, 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90
Just search by the first five letters of the filename you want,
as it appears in our Newsletters.
Information about Project Gutenberg (one page)
We produce about two million dollars for each hour we work. The
time it takes us, a rather conservative estimate, is fifty hours
to get any eBook selected, entered, proofread, edited, copyright
searched and analyzed, the copyright letters written, etc. Our
projected audience is one hundred million readers. If the value
per text is nominally estimated at one dollar then we produce $2
million dollars per hour in 2002 as we release over 100 new text
files per month: 1240 more eBooks in 2001 for a total of 4000+
We are already on our way to trying for 2000 more eBooks in 2002
If they reach just 1-2% of the world's population then the total
will reach over half a trillion eBooks given away by year's end.
The Goal of Project Gutenberg is to Give Away 1 Trillion eBooks!
This is ten thousand titles each to one hundred million readers,
which is only about 4% of the present number of computer users.
Here is the briefest record of our progress (* means estimated):
eBooks Year Month
1 1971 July
10 1991 January
100 1994 January
1000 1997 August
1500 1998 October
2000 1999 December
2500 2000 December
3000 2001 November
4000 2001 October/November
6000 2002 December*
9000 2003 November*
10000 2004 January*
The Project Gutenberg Literary Archive Foundation has been created
to secure a future for Project Gutenberg into the next millennium.
We need your donations more than ever!
As of February, 2002, contributions are being solicited from people
and organizations in: Alabama, Alaska, Arkansas, Connecticut,
Delaware, District of Columbia, Florida, Georgia, Hawaii, Illinois,
Indiana, Iowa, Kansas, Kentucky, Louisiana, Maine, Massachusetts,
Michigan, Mississippi, Missouri, Montana, Nebraska, Nevada, New
Hampshire, New Jersey, New Mexico, New York, North Carolina, Ohio,
Oklahoma, Oregon, Pennsylvania, Rhode Island, South Carolina, South
Dakota, Tennessee, Texas, Utah, Vermont, Virginia, Washington, West
Virginia, Wisconsin, and Wyoming.
We have filed in all 50 states now, but these are the only ones
that have responded.
As the requirements for other states are met, additions to this list
will be made and fund raising will begin in the additional states.
Please feel free to ask to check the status of your state.
In answer to various questions we have received on this:
We are constantly working on finishing the paperwork to legally
request donations in all 50 states. If your state is not listed and
you would like to know if we have added it since the list you have,
just ask.
While we cannot solicit donations from people in states where we are
not yet registered, we know of no prohibition against accepting
donations from donors in these states who approach us with an offer to
donate.
International donations are accepted, but we don't know ANYTHING about
how to make them tax-deductible, or even if they CAN be made
deductible, and don't have the staff to handle it even if there are
ways.
Donations by check or money order may be sent to:
Project Gutenberg Literary Archive Foundation
PMB 113
1739 University Ave.
Oxford, MS 38655-4109
Contact us if you want to arrange for a wire transfer or payment
method other than by check or money order.
The Project Gutenberg Literary Archive Foundation has been approved by
the US Internal Revenue Service as a 501(c)(3) organization with EIN
[Employee Identification Number] 64-622154. Donations are
tax-deductible to the maximum extent permitted by law. As fund-raising
requirements for other states are met, additions to this list will be
made and fund-raising will begin in the additional states.
We need your donations more than ever!
You can get up to date donation information online at:
http://www.gutenberg.net/donation.html
***
If you can't reach Project Gutenberg,
you can always email directly to:
Michael S. Hart hart@pobox.com
Prof. Hart will answer or forward your message.
We would prefer to send you information by email.
**The Legal Small Print**
(Three Pages)
***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN EBOOKS**START***
Why is this "Small Print!" statement here? You know: lawyers.
They tell us you might sue us if there is something wrong with
your copy of this eBook, even if you got it for free from
someone other than us, and even if what's wrong is not our
fault. So, among other things, this "Small Print!" statement
disclaims most of our liability to you. It also tells you how
you may distribute copies of this eBook if you want to.
*BEFORE!* YOU USE OR READ THIS EBOOK
By using or reading any part of this PROJECT GUTENBERG-tm
eBook, you indicate that you understand, agree to and accept
this "Small Print!" statement. If you do not, you can receive
a refund of the money (if any) you paid for this eBook by
sending a request within 30 days of receiving it to the person
you got it from. If you received this eBook on a physical
medium (such as a disk), you must return it with your request.
ABOUT PROJECT GUTENBERG-TM EBOOKS
This PROJECT GUTENBERG-tm eBook, like most PROJECT GUTENBERG-tm eBooks,
is a "public domain" work distributed by Professor Michael S. Hart
through the Project Gutenberg Association (the "Project").
Among other things, this means that no one owns a United States copyright
on or for this work, so the Project (and you!) can copy and
distribute it in the United States without permission and
without paying copyright royalties. Special rules, set forth
below, apply if you wish to copy and distribute this eBook
under the "PROJECT GUTENBERG" trademark.
Please do not use the "PROJECT GUTENBERG" trademark to market
any commercial products without permission.
To create these eBooks, the Project expends considerable
efforts to identify, transcribe and proofread public domain
works. Despite these efforts, the Project's eBooks and any
medium they may be on may contain "Defects". Among other
things, Defects may take the form of incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged
disk or other eBook medium, a computer virus, or computer
codes that damage or cannot be read by your equipment.
LIMITED WARRANTY; DISCLAIMER OF DAMAGES
But for the "Right of Replacement or Refund" described below,
[1] Michael Hart and the Foundation (and any other party you may
receive this eBook from as a PROJECT GUTENBERG-tm eBook) disclaims
all liability to you for damages, costs and expenses, including
legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR
UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT,
INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE
OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE
POSSIBILITY OF SUCH DAMAGES.
If you discover a Defect in this eBook within 90 days of
receiving it, you can receive a refund of the money (if any)
you paid for it by sending an explanatory note within that
time to the person you received it from. If you received it
on a physical medium, you must return it with your note, and
such person may choose to alternatively give you a replacement
copy. If you received it electronically, such person may
choose to alternatively give you a second opportunity to
receive it electronically.
THIS EBOOK IS OTHERWISE PROVIDED TO YOU "AS-IS". NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS
TO THE EBOOK OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A
PARTICULAR PURPOSE.
Some states do not allow disclaimers of implied warranties or
the exclusion or limitation of consequential damages, so the
above disclaimers and exclusions may not apply to you, and you
may have other legal rights.
INDEMNITY
You will indemnify and hold Michael Hart, the Foundation,
and its trustees and agents, and any volunteers associated
with the production and distribution of Project Gutenberg-tm
texts harmless, from all liability, cost and expense, including
legal fees, that arise directly or indirectly from any of the
following that you do or cause: [1] distribution of this eBook,
[2] alteration, modification, or addition to the eBook,
or [3] any Defect.
DISTRIBUTION UNDER "PROJECT GUTENBERG-tm"
You may distribute copies of this eBook electronically, or by
disk, book or any other medium if you either delete this
"Small Print!" and all other references to Project Gutenberg,
or:
[1] Only give exact copies of it. Among other things, this
requires that you do not remove, alter or modify the
eBook or this "small print!" statement. You may however,
if you wish, distribute this eBook in machine readable
binary, compressed, mark-up, or proprietary form,
including any form resulting from conversion by word
processing or hypertext software, but only so long as
*EITHER*:
[*] The eBook, when displayed, is clearly readable, and
does *not* contain characters other than those
intended by the author of the work, although tilde
(~), asterisk (*) and underline (_) characters may
be used to convey punctuation intended by the
author, and additional characters may be used to
indicate hypertext links; OR
[*] The eBook may be readily converted by the reader at
no expense into plain ASCII, EBCDIC or equivalent
form by the program that displays the eBook (as is
the case, for instance, with most word processors);
OR
[*] You provide, or agree to also provide on request at
no additional cost, fee or expense, a copy of the
eBook in its original plain ASCII form (or in EBCDIC
or other equivalent proprietary form).
[2] Honor the eBook refund and replacement provisions of this
"Small Print!" statement.
[3] Pay a trademark license fee to the Foundation of 20% of the
gross profits you derive calculated using the method you
already use to calculate your applicable taxes. If you
don't derive profits, no royalty is due. Royalties are
payable to "Project Gutenberg Literary Archive Foundation"
the 60 days following each date you prepare (or were
legally required to prepare) your annual (or equivalent
periodic) tax return. Please contact us beforehand to
let us know your plans and to work out the details.
WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO?
Project Gutenberg is dedicated to increasing the number of
public domain and licensed works that can be freely distributed
in machine readable form.
The Project gratefully accepts contributions of money, time,
public domain materials, or royalty free copyright licenses.
Money should be paid to the:
"Project Gutenberg Literary Archive Foundation."
If you are interested in contributing scanning equipment or
software or other items, please contact Michael Hart at:
hart@pobox.com
[Portions of this eBook's header and trailer may be reprinted only
when distributed free of all fees. Copyright (C) 2001, 2002 by
Michael S. Hart. Project Gutenberg is a TradeMark and may not be
used in any sales of Project Gutenberg eBooks or other materials be
they hardware or software or any other related product without
express permission.]
*END THE SMALL PRINT! FOR PUBLIC DOMAIN EBOOKS*Ver.02/11/02*END*