Project Gutenberg's Notes and Queries, Number 229, March 18, 1854, by Various

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.net


Title: Notes and Queries, Number 229, March 18, 1854
       A Medium of Inter-communication for Literary Men, Artists,
              Antiquaries, Genealogists, etc

Author: Various

Other: George Bell

Release Date: November 2, 2010 [EBook #34195]

Language: English

Character set encoding: ISO-8859-1

*** START OF THIS PROJECT GUTENBERG EBOOK NOTES AND QUERIES, MARCH 18, 1854 ***




Produced by Charlene Taylor, Jonathan Ingram, Keith Edkins
and the Online Distributed Proofreading Team at
http://www.pgdp.net (This file was produced from images
generously made available by The Internet Archive/Canadian
Libraries)

{237}

NOTES AND QUERIES:

A MEDIUM OF INTER-COMMUNICATION FOR LITERARY MEN, ARTISTS, ANTIQUARIES, GENEALOGISTS, ETC.

"When found, make a note of."—Captain Cuttle.

CONTENTS.

Just published, price 6d.

OXFORD REFORMERS.

A LETTER TO ENDEMUS AND ECDEMUS. By A FELLOW OF ORIEL.

Ουτοι διαπτυχθεντες ωφθησαν κενοι

Oxford and London:
JOHN HENRY PARKER.

Now ready, price 4s. 6d., a New Edition of

THE CHRISTIAN SCHOLAR.

By the Author of "The Cathedral." 32mo.

Oxford and London:
JOHN HENRY PARKER.

Just published, price 1s.

A REPLY TO PROFESSOR VAUGHAN'S STRICTURES on the THIRD REPORT of the OXFORD TUTORS' ASSOCIATION. By One of the Committee.

Oxford and London:
JOHN HENRY PARKER.

Just published, price 1s.

THE CASE OF QUEEN'S COLLEGE, OXFORD: in a Letter addressed to the Rt. Hon. W. E. Gladstone, M.P., Chancellor of the Exchequer. By JOHN BARROW, B.D., Fellow, and formerly Tutor, of Queen's College.

Oxford and London:
JOHN HENRY PARKER.

Just published, 8vo., price 10s. 6d.

SERMONS BY THE REV. E. HARSTON, M.A., Vicar and Rural Dean of Tamworth.

Also, by the same Author,

THE WAR IN THE EAST; a Sermon preached in the Parish Church, Tamworth, Feb. 28, 1854. 8vo., 1s., by Post 1s. 4d.

Oxford and London:
JOHN HENRY PARKER.

THOMPSON: Tamworth.

THE CIVIL SERVICE, ETC.

Just published, price 1s., by Post 1s. 6d.

SUGGESTIONS respecting the Conditions under which University Education may be made available for Clerks in Government Offices, for Barristers, for Attorneys: by SIR F. ROGERS, BART.; SIR S. NORTHCOTE, BART.; ROUNDELL PALMER, ESQ.; W. H. TINNEY, ESQ.; W. PALMER, ESQ.; CHRISTOPHER CHILDS, ESQ.; J. GIDLEY, ESQ.

Oxford and London:
JOHN HENRY PARKER.

LEGAL EDUCATION.

Just published, price 1s., by Post 1s. 6d.

SUGGESTIONS with regard to CERTAIN PROPOSED ALTERATIONS in the UNIVERSITY and COLLEGES of OXFORD, and to the Possibility and Advantages of a LEGAL EDUCATION at the UNIVERSITY. By SIR JOHN WITHER AWDRY and the RIGHT HON. SIR JOHN PATTESON.

Oxford and London:
JOHN HENRY PARKER.

Just published, price 1s.

REPORTS OF THE OXFORD TUTORS' ASSOCIATION, NO. IV.

RECOMMENDATIONS RESPECTING COLLEGE STATUTES, and the Alterations required in Colleges, as adopted by THE TUTORS' ASSOCIATION, February, 1854.

Oxford and London:
JOHN HENRY PARKER.

Preparing for Publication.

DR. PUSEY'S EVIDENCE VINDICATED from PROFESSOR VAUGHAN'S STRICTURES. By the REV. DR. PUSEY.

Oxford and London:
JOHN HENRY PARKER.

This Day, Cheaper Edition, Three Volumes, 10s. 6d.

FAMILY HISTORY OF ENGLAND, by G. R. GLEIG, M.A., Chaplain General to the Forces.

By the same Author, 3s. 6d.,

SKETCH OF THE MILITARY HISTORY OF GREAT BRITAIN.

London: JOHN W. PARKER & SON, West Strand.

On March 20th, price 2d., stamped, by Post, 3d.

THE BIBLIOGRAPHICAL MISCELLANY, No. V., containing a Reprint of "A Whip for an Ape," or Rhymes against Martin Mar-Prelate, with Notes by DR. RIMBAULT. Also, a Notice of the Hardwicke Manuscripts; together with a Catalogue of Valuable Books (upwards of 1000 Articles) in all Classes of Literature, on Sale by

JOHN PETHERAM, 94. High Holborn.

GRADUATES of the UNIVERSITIES and PROPRIETORS of SCHOOLS who are desirous of becoming Corresponding Directors of this Society, will be furnished with the particulars of the Remuneration and Duties on application, addressed to the Head Office, 18. Basinghall Street, London.

English and Irish Church and University Assurance Office, January 23, 1854.

STEPHEN J. ALDRICH, Secretary.

{238}

Just published, No. III., price 6s., of

THE LONDON QUARTERLY REVIEW.

London: PARTRIDGE, OAKEY, & CO., Paternoster Row, and Edgware Road.

Royal 18mo., with Portrait, price 4s. 6d., cloth,

LEILA ADA, the Jewish Convert. An Authentic Memoir. By OSBORN W. TRENERY HEIGHWAY. Fourth Thousand.

"One of the most interesting books of its class to be found in English literature."—Christian Witness.

London: PARTRIDGE, OAKEY, & CO., Paternoster Row, and Edgware Road.

Two vols., fcap. 8vo., price 10s. 6d.,

ADELINE; or, Mysteries, Romance, and Realities of Jewish Life.

By the same Author.

London: PARTRIDGE, OAKEY, & CO., Paternoster Row, and Edgware Road.

Crown 8vo., cloth, 4s. 6d.,

ISRAEL'S FUTURE. Lectures delivered in the Lock Chapel, in Lent, 1843. By the REV. CAPEL MOLYNEUX, B.A. Third Thousand.

London: PARTRIDGE, OAKEY, & CO., Paternoster Row, and Edgware Road.

Crown 8vo., cloth, 4s. 6d.,

THE WORLD TO COME. Lectures delivered in the Lock Chapel, in Lent, 1853. By the same Author. Second Thousand.

London: PARTRIDGE, OAKEY, & CO., Paternoster Row, and Edgware Road.

Demy 8vo., price 1s.: cheap edition, 4d.,

THE LATE EARL DUCIE. A Sermon occasioned by the Death of the late Earl Ducie, preached on Sunday Morning, June 12, 1853. By the same Author.

London: PARTRIDGE, OAKEY, & CO., Paternoster Row, and Edgware Road.

Demy 8vo., price 10s. 6d.; People's Edition, single copies, 1s. 6d., or in Parcels of Twenty, 1l.,

INFIDELITY; its Aspects, Causes, and Agencies. By the REV. T. PEARSON, Eyemouth, N.B. (Evangelical Alliance Prize Essay.)

"One of the ablest productions that has issued from the press on Infidelity."—Evangelical Christendom.

"No sum received by the author can be equal to the value of his remarkable essay."—Evangelical Magazine.

London: PARTRIDGE, OAKEY, & CO., Paternoster Row, and Edgware Road.

BOOTHROYD'S BIBLE.—NEW EDITION.

Super-royal 8vo., cloth, 24s.,

THE HOLY BIBLE. Now Translated from Corrected Texts of the Original Tongues, and with former Translations diligently compared; together with a General Introduction and Short Explanatory Notes. By B. BOOTHROYD, D.D.

"I do not think we have any similar work in our language approaching it in all the qualities of usefulness."—The late Dr. J. Pye Smith.

London: PARTRIDGE, OAKEY, & CO., Paternoster Row, and Edgware Road.

Price 3s. 6d.

LIVES OF THE ILLUSTRIOUS. Vol. IV., just published, contains:—Samuel Johnson, Petrarca, George Fox, Earl of Shaftesbury, J. S. Buckingham, John Foster, Robespierre, Nicholas Breakspeare, George Cuvier, Robert Hall, B. R. Haydon, Strauss, William Tyndale, C. J. Napier, John Milton, Göthe, D. François Arago, Joseph Smith, Walter Raleigh, J. B. Gough, Admiral Cockburn, Nicholas I.

London: PARTRIDGE, OAKEY, & CO., Paternoster Row, and Edgware Road.

Just published, demy 8vo., price 10s. 6d.

NOTES OF LECTURES ON THE APOCALYPSE. By the late JOHN KNAPP SUTCLIFFE, Solicitor.

London: PARTRIDGE, OAKEY, & CO., Paternoster Row, and Edgware Road.

ELEGANT GIFT-BOOK.

Post, 8vo., gilt, with Illustrations, 3s.,

THE FRIENDSHIPS OF THE BIBLE. By AMICUS.

London: PARTRIDGE, OAKEY, & CO., Paternoster Row, and Edgware Road.

MURRAY'S

BRITISH CLASSICS.

Publishing Monthly, in Demy Octavo Volumes.

———

This Day, with Portrait and Maps, Vol. I. 8vo., 7s. 6d. (to be completed in 8 vols.).

GIBBON'S DECLINE AND FALL OF THE ROMAN EMPIRE. With Notes by MILMAN and GUIZOT. A New Edition. Edited, with additional Notes, by WILLIAM SMITH, LL.D., Editor of the "Dictionary of Greek and Roman Antiquities," &c.

This Edition includes the Autobiography of Gibbon, and is distinguished by careful revision of the text, verification of all the references to Ancient Writers, and Notes incorporating the researches of Modern Scholars and Recent Travellers.

Vol. II. will appear on March 31st.

Examiner.—Mr. Murray's British Classics, so edited and printed as to take the highest place in any library.

———

Now ready, with Vignette Titles, Vols. I. and II., 8vo., 7s. 6d. each (to be completed in 4 vols.).

THE WORKS OF OLIVER GOLDSMITH. A New Edition. Edited by PETER CUNNINGHAM, F.S.A., Author of the "Handbook of London."

This Edition is printed from the last revised by the Author, and not only contains more pieces than any other, but is also the first in which the works appear together exactly as their author left them.

Vol. III. will appear in April.

Guardian.—The best editions have been consulted, and the present volume certainly gives evidence of careful and conscientious editing.

JOHN MURRAY, Albemarle Street.

Now ready, No. VI., 2s. 6d., published Quarterly.

RETROSPECTIVE REVIEW (New Series): consisting of Criticisms upon, Analyses of, and Extracts from, Curious, Useful, Valuable, and Scarce Old Books.

Vol. I., 8vo., pp. 438, cloth 10s. 6d., is also ready.

JOHN RUSSELL SMITH, 36. Soho Square, London.

REV. W. BARNES'S NEW WORK.

Now ready, in 8vo. cloth, 9s.

A PHILOLOGICAL GRAMMAR, grounded upon English, and formed from a Comparison of more than Sixty Languages. Being an Introduction to the Science of Grammar, and a help to Grammars of all Languages, especially English, Latin, and Greek. By WILLIAM BARNES, B.D., of St. John's College, Cambridge, Author of "Poems in the Dorset Dialect," "Anglo-Saxon Delectus," &c.

JOHN RUSSELL SMITH, 36. Soho Square, London.

Preparing for immediate Publication.

MISCELLANEA GRAPHICA. A Collection of Ancient Medieval and Renaissance Remains in the possession of Lord Londesborough. Illustrated by F. W. FAIRHOLT, F.S.A., &c. The Work will be published in Quarterly Parts of royal 4to., with each Part containing 4 Plates, one of which will be in Chromolithography; representing Jewellery, Antique Plate, Arms and Armour, and Miscellaneous Antiquities.

London: CHAPMAN & HALL,
193. Piccadilly.

{239}

LONDON, SATURDAY, MARCH 18, 1854

Notes.

GOSSIPING HISTORY.

I do not know by whom or when the above couplet was first imputed to Pope. The following extracts will show how a story grows, and the parasites which, under unwholesome cultivation, adhere to it. The restoration of Shakspeare's text, and the performance of Shylock as a serious part, are told as usual.

"In the dumb action of the trial scene he was amazingly descriptive, and through the whole displayed such unequalled merit, as justly entitled him to that very comprehensive, though concise, compliment paid to him by Mr. Pope, who sat in the stage-box on the third night of the reproduction, and who emphatically exclaimed,—

'This is the Jew

That Shakspeare drew.'"

Life of Macklin, by J. T. Kirkman, vol. i. p. 264.: London, 1799, 2 vols. 8vo.

The book is ill-written, and no authorities are cited.

"A few days after, Macklin received an invitation to dine with Lord Bolingbroke at Battersea. He attended the rendezvous, and there found Pope and a select party, who complimented him very much on the part of Shylock, and questioned him about many little particulars, relative to his getting up the play, &c. Pope particularly asked him why he wore a red hat, and he answered, because he had read that Jews in Italy, particularly in Venice, wore hats of that colour.

'And pray, Mr. Macklin,' said Pope, 'do players in general take such pains?' 'I do not know, sir, that they do; but as I had staked my reputation on the character, I was determined to spare no trouble in getting at the best information.' Pope nodded, and said, 'It was very laudable.'"—Memoirs of Macklin, p. 94., Lond. 1804.

The above work has not the author's name, and is as defective in references as Mr. Kirkman's. It is, however, not quite so trashy. Being published five years later, the author must have seen the preceding Life, and his not repeating the story about the couplet is strong presumption that it was not then believed. It appears again in the Biographia Dramatica, vol. i. p. 469., London, 1812:

"Macklin's performance of this character (Shylock) so forcibly struck a gentleman in the pit, that he as it were involuntarily exclaimed, 'This is,' &c. It has been said that this gentleman was Mr. Pope."

I am not aware of its alteration during the next forty years, but this was the state of the anecdote in 1853:

"Macklin was a tragedian, and the personal friend of Alexander Pope. He had a daughter, a beautiful and accomplished girl, who was likewise on the stage. On one occasion Macklin's daughter was about to take a benefit at Drury Lane Theatre, and on the morning of that evening, whilst the father and daughter were at breakfast, a young nobleman entered the apartment, and, with the most undisguised ruffianism, made overtures of a dishonourable character to Macklin for his daughter. The exasperated father, seizing a knife from the table, rushed at the fellow, who on the instant fled, on which Macklin pursued him along the street with the knife in his hand. The cause of the tragedian's wild appearance in the street soon got vent in the city. Evening came, and Old Drury seldom saw so crowded a house. The play was the Merchant of Venice, Macklin sustaining the part of Shylock, and his interesting daughter that of Jessica. Their reception was most enthusiastic; but in that scene where the Jew is informed of his daughter being carried off, the whole audience seemed to be quite carried away by Macklin's acting. The applause was immense, and Pope, who was standing in the pit, exclaimed,—

'That's the Jew that Shakspeare drew.'

Macklin was much respected in London. He was a native of Monaghan, and a Protestant. His father was a Catholic, and died when he was a child; and his mother being a Protestant, he was educated as such."—Dublin Weekly Telegraph, Feb. 9, 1853.

One more version is given in the Irish Quarterly Review, and quoted approvingly in The Leader, Dec. 17, 1853.

"The house was crowded from the opening of the doors, and the curtain rose amidst the most dreadful of all awful silence, the stillness of a multitude. The Jew enters in the third scene, and from that point, to the famous scene with Tubal, all passed off with considerable applause. Here, however, and in the trial scene, the actor was triumphant, and in the applause of a thousand voices the curtain dropped. The play was repeated for nineteen successive nights with increased success. On the third night of representation all eyes were directed to the stage-box, where sat a little deformed man; and whilst others watched his gestures, as if to learn his opinion of the performers, he was gazing intently upon Shylock, and as the actor panted, in broken accents of rage, and sorrow, and avarice—'Go, Tubal, fee me an officer, bespeak him a fortnight before: I will have the heart of him, if he forfeit; for were he out of Venice, I can make what merchandise I will: go, Tubal, and meet me at our synagogue; go, good Tubal; at our synagogue, Tubal.'—the little man was seen to rise, and leaning from the box, as Macklin passed it, he whispered,—

'This is the Jew,

That Shakspeare drew.'

The speaker was Alexander Pope, and, in that age, from his judgment in criticism there was no appeal."

{240}

No reference to cotemporary testimony is given by these historians.

Galt, in his Lives of the Players, Lond. 1831, does not notice the story.

Pope was at Bath on the 4th of February, 1741, as appears from his letter to Warburton of that date; but as he mentions his intention to return to London, he may have been there on the 14th. That he was not in the pit we may be confident; that he was in the boxes is unlikely. His health was declining in 1739. In his letter to Swift, quoted in Croly's edition, vol. i. p. lxxx., he says:

"Having nothing to tell you of my poetry, I come to what is now my chief care, my health and amusement; the first is better as to headaches, worse as to weakness and nerves. The changes of weather affect me much; the mornings are my life, in the evenings I am not dead indeed, but sleepy and stupid enough. I love reading still better than conversation, but my eyes fail, and the hours when most people indulge in company, I am tired, and find the labour of the past day sufficient to weigh me down; so I hide myself in bed, as a bird in the nest, much about the same time, and rise and chirp in the morning."

I hope I have said enough to stop the farther growth of this story; but before laying down my pen, I wish to call attention to the practice of giving anecdotes without authorities. This is encouraged by the newspapers devoting a column to "varieties," which are often amusing, but oftener stale. A paragraph is now commencing the round, telling how a lady took a linendraper to a barber's, and on pretence of his being a mad relative, had his head shaved, while she absconded with his goods. It is a bad version of an excellent scene in Foote's Cozeners.

H. B. C.

Garrick Club.

WORKS ON BELLS.

I have a Note of many books on bells, which may be acceptable to readers of "N. & Q." Those marked *, Cancellieri, in his work, calls Protestant writers on the subject.

* Anon. Recueil curieux et édifiant sur les Cloches de l'Eglise, avec les Cérémonies de leur Bénédiction. Cologne, 1757.

Barraud (Abb.). Notice sur les Cloches. 8vo., Caen, 1844.

Boemeri (G. L.). Programma de Feudo Campanario. Gottingæ, 1755.

Buonmattei (Ben.). Declamazione delle Campane, dopo le sue Cicalate delle tre Sirocchie. Pisa, 1635.

Campani (Gio. Ant.). Opera. The frontispiece a large bell. Roma, 1495.

Cancellieri (F.). Descrizione della nuova Campana Magiore della Basilica Vaticana. Roma, 1786.

Cancellieri (F.). Descrizione delle due nuove Campane di Campidoglio beneditte del Pio VII. Roma, 1806, 4to.

* Cave (G. G.). An Turrium et Campanarum Usus in Repub. Christ. Deo displiceat? Leipsiæ, 1709, 4to.

Conrad (Dietericus). De Campanis. Germanice.

* Eggers (Nic.). Dissertatio de Campanarum Materia et Forma.

Eggers (Nic.). Dissertatio de Origine et Nomine Campanarum. Ienæ, 1684.

Eschenwecker. De eo quod justum est circa Campanas.

Fesc (Laberanus du). Des Cloches. 12mo., Paris, 1607-19.

* Goezii. Diatriba de Baptismo Campanarum, Lubecæ, 1612.

Grimaud (Gilb.). Liturgie Sacrée, avec un Traité des Cloches. Lyons, 1666, 4to. Pavia, 1678, 12mo.

* Hilschen (Gio.). Dissertatio de Campanis Templorum. Leipsiæ, 1690.

* Homberg (Gas.). De Superstitiosis Campanarum pulsibus, ad eliciendas preces, quibus placentur fulmina, excogitatis. 4to., Frankfortiæ, 1577.

Lazzarini (Alex.). De vario Tintinnabulorum Usu apud veteres Hebræos et Ethnicos. 2 vols. 8vo., Romæ, 1822.

Ludovici (G. F.). De eo quod justum est circa Campanas. Halæ, 1708 et 1739.

Magii (Hier.). De Tintinnabulis, cum notis F. Swertii et Jungermanni. 12mo., Amstelodamæ et Hanoviæ, 1608, 1664, 1689. "A learned work."—Parr.

Martène. De Ritibus Ecclesiæ.

* Medelii (Geo.). An Campanarum Sonitus Fulmina, Tonitura, et Fulgura impedire possit. 4to. 1703.

Mitzler (B. A.). De Campanis.

* Nerturgii (Mar.). Campanula Penitentiæ. 4to., Dresden, 1644.

Paciaudi. Dissertazione su due Campane di Capua. Neapoli, 1750.

Pacichelli (Ab. J. B.). De Tintinnabulo Nolano Lucubratio Autumnalis. Neapoli, 1693. Dr. Parr calls this "a great curiosity."

Pagii. De Campanis Dissertatio.

Rocca (Ang.). De Campanis Commentarius. 4to. Romæ, 1612.

* Reimanni (Geo. Chris.). De Campanis earumque Origine, vario Usu, Abusu, et Juribus. 4to., Isenaci, 1769.

Saponti (G. M.). Notificazione per la solenne Benedizione della nuova Campana da Collocarsi nella Metropolitana di S. Lorenzo. Geneva, 1750.

Seligmann (Got. Fr). De Campana Urinatoria. Leipsiæ, 1677, 4to.

* Stockflet (Ar.). Dissertatio de Campanarum Usu. 4to., Altdorfii, 1665, 1666.

* Storius (G. M.). De Campanis Templorum. 4to., Leipsiæ, 1692.

Swertius (Fran.).

Thiers (G. B.). Des Cloches. 12mo., Paris, 1602, 1619.

Thiers (J. B). Traité des Cloches. Paris, 1721.

* Walleri (Ar.). De Campanis et præcipuis earum Usibus. 8vo. Holmiæ, 1694.

Willietti (Car.) Ragguaglio delle Campane di Viliglia. 4to., Roma, 1601.

Zech (F. S.). De Campanis et Instrumentis Musicis.

{241}

Without enumerating any Encyclopædias (in most of which may be found very able and interesting articles on the subject), in the following works the best treatises for all practical purposes will be found:

Pirotechnia, del Vannuccio Biringuccio, nobile Senese, 1540, 1550, 1559, 1678. There is a French translation of it by Jasper Vincent, 1556—1572, 1627. The tenth chapter is about bells. Magius refers to it in these words:—"In illa, perscriptum in Italico Sermone, et delineatum quisque reperiet, quicquid ad artem ediscendam conducit, usque adeo, ut et quo pacto, Campanæ in turribus constituantur ac moveantur, edoceat, optimeque figuris delineatis commonstret."

Ducange in Glossario, in vocibus Æs, Campana, Codon, Cloca, Crotalum, Glogga, Lebes, Nola, Petasus, Signum, Squilla, Tintinnabulum.

Mersenni (F. M.). Harmonicorum Libri XII. Paris, 1629, 1643. (Liber Quartus de Campanis.) This and Biringuccio contain all the art and mystery of bell-casting, &c. &c.

Puffendorff. De Campanarum Usu in obitu Parochiani publice significando, in ejus Observationibus. Jur. Univers., p. iv. No. 104.

And now with regard to our English authors; their productions seem to be confined chiefly to the Art of Ringing, as the following list will show:

Tintinalogia, or the Art of Ringing improved, by T. W[hite]. 18mo., 1668. This is the book alluded to by Dr. Burney, in his History of Music, vol. iv. p. 413.

Campanalogia, or the Art of Ringing improved. 18mo., 1677. This was by Fabian Steadman.

Campanalogia, improved by I. D. and C. M., London scholars. 18mo., 1702.

Ditto 2nd edition 18mo., 1705.

Ditto 3rd edition 18mo., 1733.

Ditto 4th edition 18mo., 1753.

Ditto 5th edition, by J. Monk. 18mo., 1766.

The School of Recreation, or Gentleman's Tutor in various Exercises, one of which is Ringing. 1684.

Clavis Campanalogia, by Jones, Reeves, and Blackmore. 12mo., 1788. Reprinted in 1796 and 1800?

The Ringer's True Guide, by S. Beaufoy. 12mo., 1804.

The Campanalogia, or Universal Instructor in the Art of Ringing, by William Shipway. 12mo., 1816.

Elements of Campanalogia, by H. Hubbard. 12mo., 1845.

The Bell: its Origin, History, and Uses, by Rev. A. Gatty. 12mo., 1847.

Ditto, enlarged. 1848.

Blunt's Use and Abuse of Church Bells. 8vo., 1846.

Ellacombe's Practical Remarks on Belfries and Ringers. 8vo., 1850.

Ellacombe's Paper on Bells, with Illustrations, in the Report of Bristol Architectural Society. 1850.

Croome's Few Words on Bells and Bell-ringing. 8vo., 1851.

Woolf's Address on the Science of Campanology. Tract. 1851.

Plain Hints to Bell-ringers. No. 47. of Parochial Tracts. 1852?

The Art of Change-ringing, by B. Thackrah. 12mo., 1852.

To these may be added, as single poetical productions,

The Legend of the Limerick Bell Founder, published in the Dublin University Mag., Sept. 1847.

The Bell, by Schiller.

Perhaps some courteous reader of "N. & Q." may be able to correct any error there may be in the list, or to add to it.

There is a curious collection of MSS. on the subject by the late Mr. Osborn, among the Additional MSS., Nos. 19,368 and 19,373.

H. T. Ellacombe.

Rectory, Clyst St. George.

INEDITED LETTER OF LORD NELSON.

I have in my possession a long letter written by Lord Nelson, sixteen days before the battle of Trafalgar, to the Right Hon. Lord Barham, who was at that time First Lord of the Admiralty. As an autograph collector, I prize it much; and I think that the readers of "N. & Q." might be glad to see it. It has not yet, as far as I am aware, been published:

Victory, Oct. 5th, 1805.

My Dear Lord,

On Monday the French and Spanish ships took their troops on board which had been landed on their arrival, and it is said that they mean to sail the first fresh Levant wind. And as the Carthagena ships are ready, and, when seen a few days ago, had their topsail yards hoisted up, this looks like a junction. The position I have taken for this month, is from sixteen to eighteen leagues west of Cadiz; for, although it is most desirable that the fleet should be well up in the easterly winds, yet I must guard against being caught with a westerly wind near Cadiz: for a fleet of ships, with so many three-deckers, would inevitably be forced into the Straits, and then Cadiz would be perfectly free for them to come out with a westerly wind—as they served Lord Keith in the late war. I am most anxious for the arrival of frigates: less than eight, with the brigs, &c., as we settled, I find are absolutely inadequate for this service and to be with the fleet; and Spartel, Cape Cantin, or Blanco, and the Salvages, must be watched by fast-sailing vessels, in case any squadron should escape.

I have been obliged to send six sail of the line to water and get stores, &c. at Tetuan and Gibraltar; for if I did not begin, I should very {242}soon be obliged to take the whole fleet into the Straits. I have twenty-three sail with me, and should they come out, I shall immediately bring them to battle; but although I should not doubt of spoiling any voyage they may attempt, yet I hope for the arrival of the ships from England, that, as an enemy's fleet, they may be annihilated. Your Lordship may rely upon every exertion from

Your very faithful and obedient servant,

Nelson and Bronte.

I find the Guerrier is reduced to the command of a Lieutenant; I hope your Lordship will allow me to seek Sir William Bolton, and to place him in the first vacant frigate; he will be acting in a ship when the Captains go home with Sir Robert Calder. This will much oblige me.

If any valuable autographs come into my possession hereafter, you may expect to receive some account of them.

Eustace W. Jacob.

Crawley, Winchester.

FOLK LORE.

Herefordshire Folk Lore.—Pray make an imperishable Note of the following concentration of Herefordshire folk lore, extracted from the "Report of the Secretary of the Diocesan Board of Education," as published in The Times of Jan. 28, 1854:

"The observation of unlucky days and seasons is by no means unusual. The phases of the moon are regarded with great respect: in one medicine may be taken; in another it is advisable to kill a pig; over the doors of many houses may be found twigs placed crosswise, and never suffered to lose their cruciform position; and the horse-shoe preserves its old station on many a stable-door. Charms are devoutly believed in. A ring made from a shilling offered at the Communion is an undoubted cure for fits; hair plucked from the crop of an ass's shoulder, and woven into a chain, to be put round a child's neck, is powerful for the same purpose; and the hand of a corpse applied to a neck is believed to disperse a wen. Not long since, a boy was met running hastily to a neighbour's for some holy water, as the only hope of preserving a sick pig. The 'evil eye,' so long dreaded in uneducated countries, has its terrors amongst us; and if a person of ill life be suddenly called away, there are generally some who hear his 'tokens,' or see his ghost. There exists, besides, the custom of communicating deaths to hives of bees, in the belief that they invariably abandon their owners if the intelligence be withheld."

May not any one exclaim:

S. G. C.

Greenock Fair.—A very curious custom existed in this town, and in the neighbouring town of Port-Glasgow, within forty years; it has now entirely disappeared. I cannot but look upon it as a last remnant of the troublous times when arms were in all hands, and property liable to be openly and forcibly seized by bands of armed men. This custom was, that the whole trades of the town, in the dresses of their guilds, with flags and music, each man armed, made a grand rendezvous at the place where the fair was to be held, and with drawn swords and array of guns and pistols, surrounded the booths, and greeted the baillie's announcement by tuck of drum, "that Greenock fair was open," by a tremendous shout, and a straggling fire from every serviceable barrel in the crowd, and retired, bands playing and flags flying, &c., home. Does any such wappenschau occur in England on such occasions now?

C. D. Lamont.

Greenock.

Dragons' Blood.—A peculiar custom exists amongst a class, with whom unfortunately the schoolmaster has not yet come very much in contact, when supposed to be deserted or slighted by a lover, of procuring dragons' blood; which being carefully wrapped in paper, is thrown on the fire, and the following lines said:

B. J. S.

Charm for the Ague.—

"Cut a few hairs from the cross marked on a donkey's shoulders. Enclose these hairs in a small bag, and wear it on your breast, next to the skin. If you keep your purpose secret, a speedy cure will be the result."

The foregoing charm was told to me a short time since by the agent of a large landed proprietor in a fen county. My informant gravely added, that he had known numerous instances of this charm being practised, and that in every case a cure had been effected. From my own knowledge, I can speak of another charm for the ague, in which the fen people put great faith, viz. a spider, covered with dough, and taken as a pill.

Cuthert Bede, B.A.

PSALMS FOR THE CHIEF MUSICIAN—HEBREW MUSIC.

The words למנצח בנגינות‎, at the head of Psalms iv., liv., lv., lxvii., and lxxvi., are rendered in the Septuagint and Vulgate εἰς τὸ τέλος, in finem, as if they had read לָנֶצֲח‎, omitting the ם‎ formative. The Syriac and Arabic versions omit this superscription altogether, from ignorance of the {243}musical sense of the words. The Chaldee reads לשבחא על חנגיתא‎, "to be sung on the pipe." The word למנצח‎ is (from נצח‎, to overcome, excel, or accomplish) a performance, and Aquila translates the entire title, τῷ νικοποιῷ ἐν ψαλμοῖς μελώδημα τῷ Δαυιδ; and Jerome, Victori in Canticis, Psalmus David. But Symmachus, ἐπινίκιος διὰ ψαλτηρίων ᾠδή; and Theodotius, εἰς τὸ νῖκος ὕμνοις, who must have read לנצח‎. The best reading is that of the present text, למנצח‎, which Jarchi, Aben Ezra, and Kimchi render chief singer, or leader of the band (=moderatorem chori musici), as appropriate for a psalm to sung and played in divine service. Therefore the proper translation is, "For the leading performer upon the neginoth." The neginoth appear from the Greek translations, δὶα ψαλτηρίων and ἐν ψαλμοῖς (ψάλλειν = playing on strings). and from its root, נגן‎, to strike, to be stringed instruments, struck by the fingers or hand.

The words למנצח אל הנחילות‎ at the head of Psalm v. (for this is the only one so superscribed) should, perhaps, be read with על‎ instead of אל‎ meaning, "For the leading performer on the nehiloth." The nehiloth appear from the root חלל‎, to bore through, and in Piel, to play the flute, to be the same instruments as the ná-y of the Arabs, similar to the English flute, blown, not transversely as the German flute, but at the end, as the oboe. But the Septuagint, Aquila, Symmachus, and Theodotius translate ὑπερ τῆς κληρονομούσης: and hence the Vulgate pro ea, quæ hereditatem consequitur; and Jerome, pro hereditatibus. Suidas explains κληρονομοῦσα by ἐκκλησία, which is the sense of the Syriac.

Psalm vi. is headed בנגינות על השמינית‎, and Psalm vi. על שמינית‎, without the "neginoth;" and the "sheminith" is also mentioned (Chron. xv. 21.). The Chaldee and Jarchi translate "Harps of eight strings." The Septuagint, Vulgate, Aquila, and Jerome, ὑπὲρ τῆς ὀγδοής, appear also to have understood an instrument of eight strings.

T. J. Buckton.

Birmingham.

Minor Notes.

"Garble."—Mr. C. Mansfield Ingleby has called attention to a growing corruption in the use of the word "eliminate," and I trust he may be able to check its progress. The word garble has met with very similar usage, but the corrupt meaning is now the only one in which it is ever used, and it would be hopeless to try and restore it to its original sense.

The original sense of "to garble" was a good one, not a bad one; it meant a selection of the good, and a discarding of the bad parts of anything: its present meaning is exactly the reverse of this. By the statute 1 Rich. III. c. 11., it is provided that no bow-staves shall be sold "ungarbled:" that is (as Sir E. Coke explains it), until the good and sufficient be severed from the bad and insufficient. By statute 1 Jac. I. c. 19., a penalty is imposed on the sale of spices and drugs not "garbled;" and an officer called the garbler of spices is authorised to enter shops, and view the spices and drugs, "and to garble and make clean the same." Coke derives the word either from the French garber, to make fine, neat, clean; or from cribler, and that from cribrare, to sift, &c. (4 Inst. 264.)

It is easy to see how the corruption of this word has taken place; but it is not the less curious to compare the opposite meanings given to it at different times.

E. S. T. T.

Deaths in the Society of Friends, 1852-3.—In "N. & Q.," Vol. viii., p. 488., appeared a communication on the great longevity of persons at Cleveland in Yorkshire. I send you for comparison a statement of the deaths in the Society of Friends in Great Britain and Ireland, from the year 1852 to 1853, the accuracy of which may be depended on; from which it appears that one in three have attained from 70 to 100 years, the average being about 74½; and that thirty-seven attain from 80 to 90, and eight from 90 to 100. It would be useful to ascertain to what the longevity of the inhabitants of Cleveland may be attributed, whether to the situation where they reside, or to their social habits.

The total number of the Society was computed to be from 19,000 to 20,000, showing the deaths to be rather more than 1½ per cent. per annum. Great numbers are total abstainers from strong drink.

W. C.

Plymouth.

{244}

The Eastern Question.—The following extract from Tatler, No. 155., April 6, 1710, appears remarkable, considering the events of the present day:

"The chief politician of the Bench was a great assertor of paradoxes. He told us, with a seeming concern, 'that by some news he had lately read from Muscovy, it appeared to him there was a storm gathering in the Black Sea, which might in time do hurt to the naval forces of this nation.' To this he added, 'that, for his part, he could not wish to see the Turk driven out of Europe, which he believed could not but be prejudicial to our woollen manufacture.' He then told us, 'that he looked upon those extraordinary revolutions which had lately happened in those parts of the world, to have risen chiefly from two persons who were not much talked of; and those,' says he, 'are Prince Menzicoff and the Duchess of Mirandola.' He backed his assertions with so many broken hints, and such a show of depth and wisdom, that we gave ourselves up to his opinions."

F. B. Relton.

Jonathan Swift, Dean of St. Patrick's, Dublin.—It is remarkable (and yet it has not been noticed, I believe, by his biographers) that Dean Swift was suspended from his degree of B.A. in Trinity College, Dublin, for exciting disturbances within the college, and insulting the junior dean. He and another were sentenced by the Board to ask pardon publicly of the junior dean, on their knees, as having offended more atrociously than the rest. These facts afford the true solution of Swift's animosity towards the University of Dublin, and account for his determination to take the degree of M.A. at Oxford; and the solution receives confirmation from this, that the junior dean, for insulting whom he was punished, was the same Mr. Owen Lloyd (afterwards professor of divinity and Dean of Down) whom Swift has treated with so much severity in his account of Lord Wharton.

Abhba.

English Literature.—Some French writer (Victor Hugo, I believe) has said that English literature consists of four distinct literatures, English, American, Scottish, and Irish, each having a different character. Has this view of our literature been taken, and exhibited in all its aspects, by any English writer and if so, by whom?

J. M.

Oxford.

Irish Legislation.—I have met with the following statement: is it to be received as true? In May, 1784, a bill, intended to limit the privilege of franking, was sent from Ireland for the royal sanction; and in it was a clause enacting that any member who, from illness or other cause, should be unable to write, might authorise some other person to frank for him, provided that on the back of the letter so franked the member gave at the same time, under his hand, a full certificate of his inability to write.

Abhba.

Anecdote of George IV. and the Duke of York.—The following letter was written in a boy's round hand, and sent with some China cups:

Dear Old Mother Batten,

Prepare a junket for us, as Fred. and I are coming this evening. I send you these cups, which we have stolen from the old woman [the queen]. Don't you say anything about it.

George.

The above was found in the bottom of one of the cups, which were sold for five guineas on the death of Mr. Nichols, who married Mother Batten. The cups are now in possession of a Mr. Toby, No. 10. York Buildings, St. Sidwells, Exeter.

Julia R. Bockett.

Southcote Lodge.

Queries.

ANONYMOUS WORKS: "POSTHUMOUS PARODIES," "ADVENTURES IN THE MOON," ETC.

A remote correspondent finds all help to fail him from bibliographers and cotemporary reviewers in giving any clue to the authorship of the works described below. But he has been conversant enough with the "N. & Q." to perceive that no Query, that he is aware, has yet been started in its pages involving a problem, for which somebody among its readers and contributors has not proved a match. Encouraged thereby, he tenders the three following titles, in the full faith that his curiosity, which is pretty strong, will not have been transmitted over the waste of waters but to good result.

1. Posthumous Parodies, and other Pieces, by several of our most celebrated poets, but not before published in any former edition of their works: John Miller, London, 12mo., 1814. This contains some twenty imitations or over, of the more celebrated minor poems, all of a political cast, and breathing strongly the tone of the anti-Jacobin verse; executed for the most part, and several of them in particular, with great felicity. Among that sort of jeux d'esprit they hardly take second place to The Knife Grinder, the mention of which reminds me to add that it is manifest enough, from half-a-dozen places in the volume, that Canning is the "magnus Apollo" of the satirist. The final piece (in which the writer drops his former vein) is written in the spirit of sad earnest, in odd contrast with the preceding facetiæ, and betokening, in some lines, a disappointed man. Yet, strange to tell, through all the range of British criticism of that year, there is an utter unconsciousness of its existence. Whether there be another copy on this side the Atlantic, besides the one which enables me to {245}make these few comments, your correspondent greatly doubts. One living person there is on the other side, it is believed, who could throw light on this question, if these lines should be so fortunate as to meet his eye; since he is referred to, like many others, by initials and terminals, if not in full—Mr. John Wilson Croker.

2. Adventures in the Moon and other Worlds: Longman & Co., sm. 8vo., 1836. Of this work, a friend of the writer (who has but partially read it as yet himself), of keen discernment, says: "It is a work of very marked character. The author is an uncommonly skilful and practical writer, a philosophical thinker, and a scholar familiar with foreign literature and wide reaches of learning. He has great ingenuity and fancy withal; so that he is at the same time exceedingly amusing, and suggestive of weighty and subtle thoughts." This, too, is neglected by all the reviews.

3. Lights, Shadows, and Reflections of Whigs and Tories: Lond. 12mo., 1841. This is a retrospective survey of the several administrations of George III. from 1760 (his accession) to the regency in 1811; evincing much political insight, with some spirited portraits, and indicative both of a close observation of public measures and events, and of personal connexion or intercourse with men in high place. There is a notice of this in the London Spectator of 1841 (May 29th), and in the old Monthly Review; but neither, it is plain, had the author's secret.

Harvardiensis.

Cambridge, Massachusetts, N.E.

P.S.—Two articles of recent time in the London Quarterly Review, the writer would fain trace to their source; "The Life and Correspondence of Robert Southey," edited by the Rev. Charles Cuthbert Southey, No. 175. (1851), and "Physiognomy," No. 179. (1852), having three works as the caption of the article, Sir Charles Bell's celebrated work being one.

BLIND MACKEREL.

Can any of your numerous contributors, who may be lovers of ichthyology, inform me whether or not the mackerel is blind when it first arrives on our coasts? I believe it to be blind, and for the following reasons:—A few years ago, while beating up channel early in June, on our homeward-bound voyage from the West Indies, some of the other passengers and myself were endeavouring to kill time by fishing for mackerel, but without success.

When the pilot came on board and saw what we were about, he laughed at us, and said, "Oh, gentlemen, you will not take them with the hook, because the fish is blind." We laughed in our turn, thinking he took us for flat-fish, and wished to amuse himself at our expense. Observing this he said, "I will convince you that it is so," and brought from his boat several mackerel he had taken by net. He then pointed out a film over the eye, which he said prevented the fish seeing when it first made our coast, and explained that this film gradually disappeared, and that towards the middle of June the eye was perfectly clear, and that the fish could then take the bait.

I have watched this fish for some years past, and have invariably observed this film quite over the eye in the early part of the mackerel season, and that it gradually disappears until the eye is left quite clear. This film appears like an ill-cleared piece of calf's-foot jelly spread over the eye, but does not strike you as a natural part of the fish, but rather as something extraneous. I have also remarked that when the fish is boiled, that this patch separates, and then resembles a piece of discoloured white of egg. This film may be observed by any one who takes the trouble of looking at the eye of the mackerel.

I have looked into every book on natural history I could get hold of, and in none is the slightest notice taken of this; therefore I suppose my conclusion as to its blindness is wrong; but I do not consider this to be conclusive, as all we can learn from books is, "Scomber is the mackerel genus, and is too well known to require description." I believe less is known about fish than any other animals; and should you think this question on natural history worthy a place in your "N. & Q.," I will feel obliged by your giving it insertion.

An Odd Fish.

Minor Queries.

Original Words of old Scotch Airs.—Can any one tell me where the original words of many fine old Scotch airs are to be found? The wretched verses of Allan Ramsay, and others of the same school, are adapted to the "Yellow-haired Laddie," "Ettrick Banks," "The Bush aboon Traquair," "Mary Scott," and hundreds of others. There must exist old words to many of these airs, which at least will possess some local characteristics, and be a blessed change from the "nymphs" and "swains," the "Stephens" and "Lythias," which now pollute and degrade them. Any information on this subject will be received most thankfully. I particularly wish to recover some old words to the air of "Mary Scott." The only verse I remember is this,—

L. M. M. R.

Royal Salutes.—When the Queen arrives at any time in Edinburgh after sunset, it has been {246}remarked that the Castle guns are never fired in salute, in consequence, it is said, of the existence of a general order which forbids the firing of salutes after sunset. Is there such an order in existence? I would farther ask why twenty-one was the number fixed for a royal salute?

S.

"The Negro's Complaint."—Who was the author of this short poem, to be found in all the earlier collection of poetry for the use of schools? It begins thus:

Henry Stephens.

"The Cow Doctor."—Who is the author of the following piece?—The Cow Doctor, a Comedy in Three Acts, 1810. Dedicated to the Rev. Thomas Pennington, Rector of Thorley, Herts, and Kingsdown, Kent; author of Continental Excursions, &c.

This satire is addressed to the Friends of Vaccination.^[1]

S. N.

Soomarokoff's "Demetrius."—Who translated the following drama from the Russian?

Demetrius, a Tragedy, 8vo., 1806, translated by Eustaphiere. This piece, which is a translation from a tragedy of Soomarokoff, one of the most eminent dramatic authors of Russia, is said to be the first (and I think it is still the only) Russian drama of which there is an English translation.

S. N.

Polygamy.—1. Do the Jews at present, in any country, practise polygamy? 2. If not, when and why was that practice discontinued among them? 3. Is there any religious sect which forbids polygamy, besides the Christians (and the Jews, if the Jews do forbid it)? 4. Was Polygamy permitted among the early Christians? Paul's direction to Timothy, that a bishop should be "the husband of one wife," seems to show that it was; though I am aware that the phrase has been interpreted otherwise. 5. On what ground has polygamy become forbidden among Christians? I am not aware that it is directly forbidden by Scripture.

Stylites.

Irish, Anglo-Saxon, Longobardic, and Old English Letters.—I would be glad to know the earliest date in which the Irish language has been discovered inscribed on stone or in manuscript; also the earliest date in which the Anglo-Saxon, Longobardic, and Old English letter has been known in England and Ireland.

E. F.

Youghal.

Description of Battles.—Judging from my own experience, historical details of battles are comparatively unintelligible to non-military readers. Now that, unhappily, we shall probably be compelled to "hear of battles," would not some of our enterprising publishers do well to furnish to the readers of history and of the bulletins, a popular "Guide to the Battle Field," drawn up some talented military officer? It must contain demonstratively clear diagrams, and such explanations of all that needs to be known, as an officer would give, on the spot, to his nonprofessional friend. The effects of eminences, rivers, roads, woods, marshes, &c., should be made plain; in short, nothing should be omitted which is necessary to render an account of a battle intelligible to ordinary readers, instead of being, as is too often the case, a mere chaotic assemblage of words.

Thinks I to Myself.

Do Martyrs always feel Pain?—Is it not possible that an exalted state of feeling—approaching perhaps to the mesmeric state—may be attained, which will render the religious or political martyr insensible to pain? It would be agreeable to think that the pangs of martyrdom were ever thus alleviated. It is certainly possible, by a strong mental effort, to keep pain in subjection during a dental operation. A firmly fixed tooth, under a bungling operator, may be wrenched from the jaw without pain to the patient, if he will only determine not to feel. At least, I know of one such case, and that the effort was very exhausting. In the excitement of battle, wounds are often not felt. One would be glad to hope that Joan of Arc was insensible to the flames which consumed her: and that the recovered nerve which enabled Cranmer to submit his right hand to the fire, raised him above suffering.

Alfred Gatty.

Carronade.—What is the derivation of the term carronade, applied to pieces of ordnance shorter and thicker in the chamber than usual? Here the idea is that they took their name from the Carron foundries, where they were cast. In the early years of the old war-time, there were carron pieces or carron guns, and only some considerable time thereafter carronades. How does this stand? and is there any likelihood of the folk story being true?

C. D. Landry.

Greenock.

{247}

Darcy, of Platten, co. Meath.—It is on record that, in the year 1486, the citizens of Dublin, encouraged by the Earl of Kildare and the Archbishop, received Lambert Simnel, and actually crowned him King of England and Ireland in Christ's Church; and that to make the solemnity more imposing, they not only borrowed a crown for the occasion from the head of the image of the Virgin that stood in the church dedicated to her service at Dame's Gate, but carried the young impostor on the shoulders of "a monstrous man, one Darcy, of Platten, in the county of Meath."

Did this "monstrous man" leave any descendants? And if so, is there any representative, and where, at the present day? Platten has long since passed into other hands.

Abhba.

Dorset.—In Byrom's MS. Journal, about to be printed for the Chetham Society, I find the following entry:

"May 18, 1725. I found the effect of last night drinking that foolish Dorset, which was pleasant enough, but did not at all agree with me, for it made me very stupid all day."

Query, What is Dorset?

R. P.

"Vanitatem observare."—Can any of your readers explain the following extract from the Council of Ancyra, A.D. 314? I quote from a Latin translation:

"Mulieribus quoque Christianis non liceat in suis lanificiis vanitatem observare: sed Deum invocent adjutorem, qui eis sapientiam texendi donavit."

What is meant by "vanitatem observare?"

R. H. G.

King's Prerogative.—A writer in the Edinburgh Review, vol. lxxiv. p. 77., asserts, on the authority of Blackstone (but he does not refer to the volume and page of the Commentaries, and I have in vain sought for the passages), that it is to this day a branch of the king's prerogative, at the death of every bishop, to have his kennel of hounds, or a compensation in lieu of it. Does the writer mean, and is it the fact, that if a bishop die without having a kennel of hounds, his executors are to pay the king a compensation in lieu thereof? And if it is, what is the amount of that compensation? Is it merely nominal? I can understand the king claiming a bishop's kennel of hounds or compensation in feudal times, when bishops were hunters (vide Raine's Auckland Castle, a work of great merit, and abounding with much curious information); but to say, to this day it is a branch of the king's prerogative, is an insult alike to our bishops and to religious practices in the nineteenth century. Of hunting bishops in feudal times, I beg to refer your readers, in addition to Mr. Raine's work, to an article in the fifty-eighth volume of the Quarterly Review, p. 433., for an extract from a letter of Peter of Blois to Walter, Bishop of Rochester, who at the age of eighty was a great hunter. Peter was shocked at his lordship's indulgence in so unclerical a sport. It is obvious neither Peter nor the Pope could have heard of the hunting Bishops of Durham.

Fra. Mewburn.

Quotations in Cowper.—Can any of your correspondents indicate the sources of the following quotations, which occur in Cowper's Letters (Hayley's Life and Letters of Cowper, 4 vols., 1812)? In vol. iii. p. 278. the following verses, referring to the Atonement, are cited:

In vol. iv. p. 240. it is stated that Twining applied to Pope's translation of Homer the Latin verse—

L.

Cawley the Regicide.—Mr. Waylen, in his History of Marlborough, just published, shows that Cawley of Chichester, the regicide, has in Burke's Commoners been confounded with Cawley of Burderop, in Wiltshire; and he adds, "the fact that a son of the real regicide (the Rev. John Cawley) became a rector of the neighbouring parish of Didcot," &c. has helped to confound the families. May I ask what is the authority for stating that the Rev. J. Cawley was a son of the regicide?

C. T. R.

Minor Queries with Answers.

Dr. John Pocklington.—Can any of your correspondents oblige me with information respecting the family, or the armorial bearings of Dr. John Pocklington? He wrote Altare Christianum and Sunday no Sabbath. The parliament deprived him of his dignities A.D. 1640; and he died Nov. 14, 1642. Dr. Pocklington descended from Ralph Pocklington, who, with his brother Roger, followed Margaret of Anjou after the battle of Wakefield, A.D. 1460. He is said to have settled in the west, where he lived to have three sons. The family is mentioned in connexion with the county of York, as early as A.D. 1253.

X. Y. Z.

Last Marquis of Annandale.—1. When and where did he die? 2. Any particulars regarding his history? 3. When and why was Lochwood, the family residence, abandoned? 4. How many marquisses were there, and were any of them men of any note in their day and generation?

Annandale.

Heralds' College.—Richard III. incorporated the College of Arms in 1483, and that body consisted of three kings of arms, six heralds, and four pursuivants. Can you inform me of the names of these first members of that Heraldic body?

Escutcheon.

—— Vicarage.

Teddy the Tiler.—Who was Teddy the Tiler?

W. P. E.

{249}

Duchess of Mazarin's Monument.—I read yesterday, in an interesting French work, that the beautiful Hortense Mancini, a niece of Mazarin, and sister to Mary Mancini, the early love of Louis XIV., after various peregrinations, died at Chelsea, in England, on July 2, 1699. Although not an important question, I think I may venture to ask whether any monument or memorial of this remarkable beauty exists at Chelsea, or in its neighbourhood?

W. Robson.

Halcyon Days.—What is the derivation of "halcyon days?"

W. P. E.

Replies.

DOGS IN MONUMENTAL BRASSES.

(Vol. ix., p. 126.)

I may refer Mr. B. H. Alford to the Oxford Manual of Monumental Brasses, p. 56., for an answer to his Query:

"Knights have no peculiar devices besides their arms, unless we are to consider the lions and dogs beneath their feet as emblematical of the virtues of courage, generosity, and fidelity, indispensable to their profession. One or two dogs are often at the feet of the lady. They are probably intended for some favourite animal, as the name is occasionally inscribed," &c.

Neither dog nor lion occurs at the feet of the following knights represented on brasses prior to 1460:

"c. 1450. Sir John Peryent, Jun., Digswell, Herts. (engd. Boutell.)

1455. John Daundelyon, Esq., Margate. (ditto.)

c. 1360. William de Aldeburgh, Aldborough, Yorkshire. (engd. Manual.)

c. 1380. Sir Edward Cerue, Draycot Cerue, Wiltshire. (engd. Boutell.)

1413. c. 1420. John Cressy, Esq., Dodford, Northants. (ditto.)

1445. Thomas de St. Quintin, Esq., Harpham, Yorkshire. (ditto.)"

Whilst a dog is seen in the following:

"1462. Sir Thomas Grene, Green's Norton, Northants. (ditto.)

1510. John Leventhorpe, Esq., St. Helen's, Bishopsgate. (Manual.)

1471. Wife of Thomas Colte, Esq., Roydon, Essex.

c. 1480. Brass at Grendon, Northants.

c. 1485. Brass, Latton, Essex.

1501. Robert Baynard, Esq., Laycock, Wilts."

These examples are described or engraved in the works of the Rev. C. Boutell, or in the Oxford Manual, and I have little doubt that my own collection of rubbings (if I had leisure to examine it) would supply other examples under both of these sections.

W. Sparrow Simpson.

It is usually asserted that the dog appears at the feet of the lady in monumental brasses as a symbol of fidelity; while the lion accompanies her lord as the emblem of strength and courage. These distinctions, however, do not appear to have been much attended to. The dog, in most cases a greyhound, very frequently appears at the feet of a knight or civilian, as on the brasses of the Earl of Warwick, 1401, Sir John Falstolf at Oulton, 1445, Sir John Leventhorpe at Sawbridgeworth, 1433, Sir Reginald de Cobham at Lingfield, 1403, Richard Purdaunce, Mayor of Norwich, 1436, and Peter Halle, Esquire, at Herne, Kent, 1420. Sir John Botiler, at St. Bride's, Glamorganshire, 1285, has a dragon; and on the brass of Alan Fleming, at Newark, 1361, appears a lion with a human face seizing a smaller lion. On a very late brass of Sir Edward Warner, at Little Plumstead, Norfolk, 1565, appears a greyhound, a full century after the date assigned by B. H. Alford for the cessation of these symbolical figures.

Sometimes the lady has two little dogs, as Lady Bagot, at Baginton, Warwickshire, 1407; and in one instance, that of Lady Peryent, at Digswell, Herts, 1415, there is a hedgehog, the meaning of which is sufficiently obvious. B. H. Alford, in noticing the omission of the dog in the brass of Lady Camoys at Trotton, 1424, has not mentioned a singular substitute which is found for it, namely, the figure of a boy or young man, standing by the lady's right foot: but what this means I cannot attempt to determine; perhaps her only son.

It may be interesting to add that some brasses of ecclesiastics exhibit strange figures, not easy to interpret, if meant as symbolical. The brass at {250}Oulton, of the priest —— de Bacon, 1310, has a lion; that of the Abbot Delamere, at St. Albans, 1375, two dragons; that of a priest at North Mimms, about 1360, a stag; and, still more extraordinary, that of Laurence Seymour, a priest, at Higham Ferrers, 1337, two dogs contending for a bone.

F. C. H.

SNEEZING.

(Vol. viii., pp. 366. 624.; Vol. ix., p. 63.)

I can add another item of the folk lore to those already quoted. One of the salutations, by which a sneezer is greeted amongst the lower class of Romans at the present day, is Figli maschi, "May you have male children!"

The best essay on sneezing, that I am acquainted with, is to be found in Strada's Prolusions, book iii. Prol. 4., in which he replies at some length, and not unamusingly, to the Query, "Why are sneezers saluted?" It seems to have arisen out of an occurrence which had recently taken place at Rome, that a certain Pistor Suburranus, after having sneezed twenty-three times consecutively, had expired at the twenty-fourth sneeze: and his object is to prove that Sigonius was mistaken in supposing that the custom of saluting a sneezer had only dated from the days of Gregory the Great, when many had died of the plague in the act of sneezing. In opposition to this notion, he adduces passages from Apuleius and Petronius Arbiter, besides those from Ammianus, Athenæus, Aristotle, and Homer, already quoted in your pages by Mr. F. J. Scott. He then proceeds to give five causes from which the custom may have sprung, and classifies them as religious, medical, facetious, poetical, and augural.

Under the first head, he argues that the salutation given to sneezers is not a mere expression of good wishes, but a kind of veneration: "for," says he, "we rise to a person sneezing, and humbly uncover our heads, and deal reverently with him." In proof of this position, he tells us that in Ethiopia, when the emperor sneezed, the salutations of his adoring gentlemen of the privy chamber were so loudly uttered as to be heard and re-echoed by the whole of his court; and thence repeated in the streets, so that the whole city was in simultaneous commotion.

The other heads are then pursued with considerable learning, and some humour; and, under the last, he refers us to St. Augustin, De Doctr. Christ. ii. 20., as recording that—

"When the ancients were getting up in the morning, if they chanced to sneeze whilst putting on their shoes, they immediately went back to bed again, in order that they might get up more auspiciously, and escape the misfortunes which were likely to occur on that day."

One almost wishes that people now-a-days would sometimes consent to follow their example, when they have "got out of bed the wrong way."

C. W. Bingham.

SIR JOHN DE MORANT.

(Vol. ix., p. 56.)

In answer to the Query of H. H. M., I beg to state that the Sir John de Morant chronicled by Froissart was Jean de Morant, Chevalier, Seigneur d'Escours, and other lordships in Normandy. He was fourth in descent from Etienne de Morant, Chevalier, living A.D. 1245, and son of Etienne de Morant and his wife Marie de Pottier. His posterity branched off into many noble Houses; as the Marquis de Morant, and Mesnil-Garnier, the Count de Panzès, the Barons of Fontenay, Rupierre, Biéville, Coulonces, the Seigneurs de Courseulles, Brequigny, &c.

The Sire Jean de Morant, born A.D. 1346, was the hero of the following adventure, quoted from an ancient chronicle of Brittany, by Chesnaye-Desbois. It appears that the Sire de Morant was one of five French knights, who fought a combat à l'outrance against an equal number of English challengers, with the sanction, and in the presence, of John of Gaunt, Duke of Lancaster, A.D. 1381-2. The result was in favour of the French. The chronicle proceeds:

"Le Sire de Morant s'étant principalement distingué dans cette action, un Chevalier Anglois lui propose de venger, tête-à-tête, la défaite de ses compatriotes, et qu'ils en vinrent aux mains; mais que l'Anglois, qu'une indisposition aux genouils avoit forcé de combattre sans bottes garnies, avoit engagé son adversaire de quitter les siennes, en promettant, parole d'honneur, de ne point abuser de cette condescendance, à quoi le Sire de Morant consentit: le perfide Anglois ne lui tint pas parole, et lui porta trois coups d'épée dans la jambe. Le Duc de Lancastre, qui en fut témoin, fit arrêter ce lâche, et le fit mettre entre les mains du Sire de Morant, pour tirer telle vengeance qu'il jugeroit à propos, ou du moins le contraindre à lui payer une forte rançon. Le Seigneur de Morant remercia ce Prince, en lui disant 'qu'il étoit venu de Bretagne non pour de l'or, mais pour l'honneur' et le supplia de recevoir en grace l'Anglois, attribuant à son peu d'adresse ce qui n'étoit que l'effet de sa trahison. Le Duc de Lancastre, charmé d'une si belle réponse, lui envoya une coupe d'or et une somme considérable. Morant refusa la somme, et se contenta de la coupe d'or, par respect pour le Prince."

There is a short account of the branch of Morant de Mesnil-Garnier in the Généalogie de France, by Le Père Anselme, vol. ix.; but a very full and complete pedigree is contained in the eighth volume of the Dict. de la Noblesse Française, by M. de la Chesnaye-Desbois. {251}

As the Rev. Philip Morant was a native of Jersey, it is more than probable that he was an offset of the ancient Norman stock, though their armorial bearings are widely different. The latter bore, Azure, three cormorants argent; but the family of Astle, of Colne Park in Essex, are said to quarter for Morant, Gules, on a chevron argent, three talbots passant sable.

Having only a daughter and heiress, married to Thomas Astle, Keeper of the Records in the Tower of London, the reverend historian of Essex could hardly have been the ancestor of the Morants of Brockenhurst.

There was also another family in Normandy, named Morant de Bois-ricard, in no way connected with the first, who bore Gules, a bend ermine.

John o' the Ford.

Malta.

INN SIGNS.

(Vol. ix., p. 148.)

Alphege will find a good paper on the origin of signs in the Mirror, vol. ii. p. 387.; also an article on the present specimens of country ale-house signs, in the first volume of the same interesting periodical, p. 101. In Hone's Every-Day Book, vol. i., are notices of curious signs at pp. 1262. and 1385. In vol. ii. some very amusing specimens are given at p. 789. Others occur in Hone's Table-Book, at pp. 448. 504. and 756.

F. C. H.

I can answer Alphege's Query, having some notes by me on the subject. He will pardon my throwing them, in a shapeless heap, jolting out as you unload stones.

The Romans had signs; and at Pompeii a pig over the door represents a wine-shop within. The Middle Ages adopted a bush. "Good wine needs no bush," &c., answering to the gilded grapes at a modern vintner's. The bush is still a common sign. At Charles I.'s death, a cavalier landlord painted his bush black. Then came the modern square sign, formerly common to all trades. Old signs are generally heraldic, and represent royal bearings, or the blazonings of great families. The White Hart was peculiar to Richard II; the White Swan of Henry IV. and Edward III.; the Blue Boar of Richard III.; the Red Dragon came in with the Tudors. Then we have the Bear and Ragged Staff of Leicester, &c. Monograms are common; as Bolt and Tun for Bolton; Hare and Tun for Harrington. The Three Suns is the favourite bearing of Edward IV.; and all Roses, white or red (as at Tewkesbury), are indications of political predilection. Other signs commemorate historical events; as the Bull and Mouth, Bull and Gate (the Boulogne engagement in Henry VIII.'s time, and alluded to by Shakspeare). The Pilgrim, Cross Keys, Salutation, Catherine Wheel, Angel, Three Kings, Seven Stars, St. Francis, &c., are medieval signs. Many are curiously corrupted; as the Cœur Doré (Golden Heart) to the Queer Door; Bacchanals (the Bag of Nails); Pig and Whistle (Peg and Wassail Bowl); the Swan and Two Necks (literally Two Nicks); Goat and Compasses (God encompasseth us); The Bell Savage (La Belle Sauvage, or Isabel Savage); the Goat in the Golden Boots (from the Dutch, Goed in der Gooden Boote), Mercury, or the God in the Golden Boots. The Puritans altered many of the monastic signs; as the Angel and Lady, to the Soldier and Citizen. In signs we may read every phase of ministerial popularity, and all the ebbs and flows of war in the Sir Home Popham, Rodney, Shovel, Duke of York, Wellington's Head, &c. At Chelsea, a sign called the "Snow Shoes," I believe, still indicates the excitement of the American war.

I shall be happy to send Alphege more instances, or to answer any conjectures.

G. W. Thornbury.

A century ago, when the houses in streets were unnumbered, they were distinguished by sign-boards. The chemist had the dragon (some astrological device); the pawnbroker the three golden pills, the arms of the Medici and Lombardy, as the descendant of the ancient bankers of England; the barber-chirurgeon the pole for the wig, and the parti-coloured ribands to bind up the patient's wounds after blood-letting; the haberdasher and wool-draper the golden fleece; the tobacconist the snuff-taking Highlander; the vintner the bunch of grapes and ivy-bush; and the Church and State bookseller the Bible and crown. The Crusaders brought in the signs of the Saracen's Head, the Turk's Head, and the Golden Cross. Near the church were found the Lamb and Flag, The Bell, the Cock of St. Peter, the Maiden's Head, and the Salutation of St. Mary. The Chequers commemorated the licence granted by the Earls of Arundel, or Lords Warrenne. The Blue Boar was the cognizance of the House of Oxford (and so The Talbots, The Bears, White Lions, &c. may usually be reasonably referred to the supporters of the arms of noble families, whose tenants the tavern landlords were). The Bull and Mouth, the hostelry of the voyager to Boulogne Harbour. The Castle, The Spread Eagle, and The Globe (Alphonso's), were probably adopted from the arms of Spain, Germany, and Portugal, by inns which were the resort of merchants from those countries. The Belle Sauvage recalled some show of the day; the St. George and Dragon commemorated the badge of the Garter, the Rose and Fleur-de-Lys, the Tudors; The Bull, The Falcon, {252}and Plume of Feathers, Edward IV.; the Swan and Antelope were the arms of Henry V.; the chained or White Hart of Richard II.; the Sun and Boar of King Richard III.; the Greyhound and Green Dragon of Henry VII. The Bag o' Nails disguised the former Bacchanals; the Cat and Fiddle the Caton Fidele; the Goat and Compasses was the rebus of the Puritan motto "God encompasseth us." The Swan with Two Nicks represented the Thames swans, so marked on their bills under the "conservatory" of the Goldsmiths' Company. The Cocoa Tree and Thatched House tell their own tale; so the Coach and Horses, reminding us of the times when the superior inns were the only posting-houses, in distinction to such as bore the sign of the Pack-Horse. The Fox and Goose denoted the games played within; the country inn, the Hare and Hounds, the vicinity of a sporting squire.

Mackenzie Walcott, M.A.

Alphege will find some information on this subject in Lower's Curiosities of Heraldry, The Beaufoy Tokens (printed by the Corporation of London), and the Journal of the Archæological Association for April, 1853.

William Kelly.

Leicester.

There are a series of articles on this subject in the Gentleman's Magazine, vol. lxxxviii., parts i. and ii., and vol. lxxxix. parts i. and ii. Taylor the Water-poet wrote A Catalogue of Memorable Places and Taverns within Ten Shires of England, London, 1636, 8vo. Much information will also be found in Akerman's Tokens, and Burn's Catalogue of the Beaufoy Cabinet.

Zeus.

"CONSILIUM DELECTORUM CARDINALIUM."

(Vol. viii., p. 54. Vol. ix., pp. 127-29.)

Novus did not require correction; but Mr. B. B. Woodward has elaborately confounded the genuine Consilium of 1537 with Vergerio's spurious Letter of Advice, written in 1549. Four cardinals, and not nine (as Mr. Woodward supposes), subscribed the authentic document; but perhaps novem may have been a corruption of novum, applied to the later Bolognese Consilium; or else the word was intended to denote the number of all the dignitaries who addressed Pope Paul III.

R. G.

"This Consilium was the result of an assembly of four cardinals, among whom was our Pole, and five prelates, by Paul III. in 1537, charged to give him their best advice relative to a reformation of the church. The corruptions of that community were detailed and denounced with more freedom than might have been expected, or was probably desired; so much so, that when one of the body, Cardinal Caraffa, assumed the tiara as Paul IV., he transferred his own advice into his own list of prohibited books. The Consilium became the subject of an animated controversy. M‘Crie in his History of the Reformation in Italy, has given a satisfactory account of the whole, pp. 83, &c. The candid Quirini could maintain neither the spuriousness of this important document, nor its non-identity with the one condemned in the Index. (See Schelborn's Two Epistles on the subject, Tiguri, 1748.) And now observe, gentle reader, the pontifical artifice which this discussion has produced. Not in the Index following the year 1748, namely, that of 1750 (that was too soon), but in the next, that of 1758, the article appears thus: 'Consilium de emendanda Ecclesia. Cum Notis vel Præfationibus Hæreticorum. Ind. Trid.' The whole, particularly the Ind. Trid., is an implied and real falsehood."— Mendham's Literary Policy of the Church of Rome, pp. 48, 49.

M. Barbier, in his Dictionnaire des Pseudoynmes, has given his opinion of the genuineness of the Consilium in the following note, in reply to some queries on the subject:

"Monsieur.—Le Consilium quorundam Episcoporum, &c., me paraît une pièce bien authentique, puisque Brown déclare l'avoir trouvé non-seulement dans les œuvres de Vergerio, mais encore dans les Lectiones Memorabiles, en 2 vol. in fol. par Wolphius. Je ne connais rien contre cette pièce.

The learned Lorente has reprinted the "Concilium" also in his work entitled Monumens Historiques concernant les deux Pragmatiques Sanctions. There can, therefore, be no just grounds for doubting the character of this precious article.

Bibliothecar. Chetham.

PULPIT HOUR-GLASSES.

(Vol. viii., pp. 82. 209. 279. 328. 454. 525.)

I should be glad to see some more information in your pages relative to the early use of the pulpit hour-glass. It is said that the ancient fathers preached, as the old Greek and Roman orators declaimed, by this instrument; but were the sermons of the ancient fathers an hour long? Many of those in St. Augustine's ten volumes might be delivered with distinctness in seven or eight minutes; and some of those of Latimer and his contemporaries, in about the same time. But, Query, are not the printed sermons of these divines merely outlines, to be filled up by the preacher extempore? Dyos, in a sermon preached at Paul's Cross, in 1570, speaking of the walking and profane talking in the church at sermon time, also laments how they grudged the preacher his customary hour. So that an hour seems to have been the practice at the Reformation. {253}

The hour-glass was used equally by the Catholics and Protestants. In an account of the fall of the house in Blackfriars, where a party of Romanists were assembled to hear one of their preachers, in 1623, the preacher is described as—

"Having on a surplice, girt about his middle with a linnen girdle, and a tippet of scarlet on both his shoulders. He was attended by a man that brought after him his book and hour-glass."—See The Fatal Vespers, by Samuel Clark, London, 1657.

In the Preface to the Bishops' Bible, printed by John Day in 1569, Archbishop Parker is represented with an hour-glass at his right hand. And in a work by Franchinus Gaffurius, entitled Angelicum ac Divinum opus Musice, printed at Milan in 1508, is a curious representation of the author seated in a pulpit, with a book in his hand; an hour-glass on one side, and a bottle on the other; lecturing to an audience of twelve persons. This woodcut is engraved in the second volume of Hawkins' History of Music, p. 333.

Hour-glasses were often very elegantly formed, and of rich materials. Shaw, in his Dresses and Decorations of the Middle Ages, has given an engraving of one in the cabinet of M. Debruge at Paris. It is richly enamelled, and set with jewels. In the churchwardens' accounts of Lambeth Church are two entries respecting the hour-glass: the first is in 1579, when 1s. 4d. was "payd to Yorke for the frame in which the hower standeth;" and the second in 1615, when 6s. 8d. was "payd for an iron for the hour-glasse." In an inventory of the goods and implements belonging to the church of All Saints, Newcastle-upon-Tyne, taken about 1632, mention is made of "one whole hour-glasse," and of "one halfe hour-glasse." (See Brand's Newcastle, vol. i. p. 370.).

Fosbroke says, "Preaching by the hour-glass was put an end to by the Puritans" (Ency. of Antiq., vol. i. pp. 273. 307.). But the account given by a correspondent of the Gentleman's Magazine (1804, p. 201.) is probably more correct:

"Hour-glasses, in the puritanical days of Cromwell, were made use of by the preachers; who, on first getting into the pulpit, and naming the text, turned up the glass; and if the sermon did not hold till the glass was out, it was said by the congregation that the preacher was lazy: and if he continued to preach much longer, they would yawn and stretch, and by these signs signify to the preacher that they began to be weary of his discourse, and wanted to be dismissed."

Butler speaks of "gifted brethren preaching by a carnal hour-glass" (Hudibras, Part I., canto III., v. 1061.). And in the frontispiece of Dr. Young's book, entitled England's Shame, or a Relation of the Life and Death of Hugh Peters, London, 1663, Peters is represented preaching, and holding an hour-glass in his left hand, in the act of saying: "I know you are good fellows, so let's have another glass." The same words, or something very similar, are attributed to the Nonconformist minister, Daniel Burgess. Mr. Maidment, in a note to "The New Litany," printed in his Third Book of Scottish Pasquils (Edin., 1828, p. 49.), also gives the following version of the same:

"A humorous story has been preserved of one of the Earls of Airly, who entertained at his table a clergyman, who was to preach before the Commissioner next day. The glass circulated, perhaps too freely; and whenever the divine attempted to rise, his Lordship prevented him, saying, 'Another glass, and then.' After 'flooring' (if the expression may be allowed) his Lordship, the guest went home. He next day selected a text: 'The wicked shall be punished, and that RIGHT EARLY.' Inspired by the subject, he was by no means sparing of his oratory, and the hour-glass was disregarded, although repeatedly warned by the precentor; who, in common with Lord Airly, thought the discourse rather lengthy. The latter soon knew why he was thus punished by the reverend gentleman, when reminded, always exclaiming, not sotto voce, 'Another glass, and then.'"

Hogarth, in his "Sleeping Congregation," has introduced an hour-glass on the left side of the preacher; and Mr. Ireland observes, in his description of this plate, that they are "still placed on some of the pulpits in the provinces." At Waltham, in Leicestershire, by the side of the pulpit was (or is) an hour-glass in an iron frame, mounted on three high wooden brackets. (See Nichols' Leicestershire, vol. ii p. 382.) A bracket for the support of an hour-glass is still preserved, affixed to the pulpit of Hurst Church, in Berkshire: it is of iron, painted and gilt. An interesting notice, accompanied by woodcuts, of a number of existing specimens of hour-glass frames, was contributed to the Journal of the British Archæological Association, vol. iii., 1848, by Mr. Fairholt, to which I refer the reader for farther information.

Edward F. Rimbault.

I remember to have seen it stated in some antiquarian journal, that there are only three hour-glass stands in England where any portion of the glass is remaining. In Cowden Church, in Kent, the glass is nearly entire. Perhaps some of your readers will be able to mention the two other places.

W. D. H.

In Salhouse Church, near Norwich, an iron hour-glass stand still remains fixed to the pulpit; and a bell on the screen, between the nave and the chancel.

C—s. T. P.

At Berne, in the autumn of last year, I saw an hour-glass stand still attached to the pulpit in the minster.

W. Sparrow Simpson.

{254}

PHOTOGRAPHIC CORRESPONDENCE.

A Prize for the best Collodion.—Your "Hint to the Photographic Society" (Feb. 25) I much approve of, but I have always found more promptness from individuals than from associated bodies; and all photographers I deem to be under great obligations to you in affording us a medium of communication before a Photographic Society was in existence. During the past month your valuable articles, from some of our most esteemed photographists, show that your pages are the agreeable medium of publishing their researches. I would therefore respectfully suggest that you should yourself offer a prize for the best mode of making a good useful collodion, and that that prize should be a complete set of your valuable journal, which now, I believe, is progressing with its ninth volume. You might associate two independent names with your own, in testing the merits of any sample supplied to you, and a condition should be that the formula should be published in "N. & Q." Your observations upon the manufacturers of paper, respecting the intrinsic value of a premium, are equally applicable to this proposition, because, should the collodion prepared by any of the various dealers who at present advertise in your columns be deemed to be the most satisfactory, your sanction and that of your friends alone would be an ample recompense. I would also suggest that samples sent to you should be labelled with a motto, and a corresponding motto, sealed, should contain the name and address, the name and address of the successful sample alone to be opened: this would effectually preclude all preconceived notions entertained by the testing manipulators who are to decide on the merits of what is submitted to them.

A Reader of "N. & Q." and a Photographer.

Double Iodide of Silver and Potassium.—I shall feel greatly indebted to you, or to any correspondent of "N. & Q.," for information as to the proportion of iodide of silver to the ounce of water, to be afterwards taken up by a saturated solution of iodide of potassium, and converted into the double iodide of silver and potassium.

I generally pour all waste solution of silver into a jar of iodide of potassium solution; and last year, having washed some of the precipitated iodide of silver, I redissolved it in a solution of iodide of potassium of an unknown strength. Paper prepared with this solution answered very satisfactorily, kept well after excitation, and was very clear and intense; but this was purely accidental: and if you can tell me how to insure like success this summer, without a series of experiments, for which I have but little time just now, the information will be very acceptable to me, and probably to many others.

I excite my paper with equal proportions of saturated solution of gallic acid and aceto-nitrate of silver, one or two drops of each to the drachm of distilled water. I always plunge the bottle of gallic acid solution into hot water when first made, which enables it to take up more of the acid; on cooling, the excess crystallises at the bottom. This ensures an even strength of solution: it will keep any length of time, if a small piece of camphor be allowed to float in it.

J. W. Walrond.

Wellington.

Albumenized Paper.—I have by careful observation found that the cause of the albumen settling and drying in waving lines and blotches on my paper, arose from some parts of the paper being more absorbent than others, the gelatinous-like nature of the albumen assisting to retard its ready ingress into the unequal parts, and, consequently, that those places becoming the first dried, prevented the albumen, still slowly dripping over the now more wetted parts, from running down equally and smoothly, thereby causing a check to its progress; and as at last these become also dry, thicker and irregular patches of albumen were deposited, forming the mischief in question.

The discovery of the cause suggested to me the propriety of either giving each sheet a prolonged floating of from ten to fifteen minutes on the salted albumen, or until every part had become fully and equally saturated; or, as a preliminary to the floating and hanging up by one corner on a line, of putting overnight between each sheet a damped piece of bibulous paper, and placing the whole between two smooth plates of stone, or other non-absorbent material.

Either method produces equally good results; but I now always use the latter, thereby avoiding the necessity of otherwise having several dishes of albumen at work at once.

Henry H. Hele.

Cyanide of Potassium (Vol. ix., p. 230.).—I have for a long time been in the habit of using a solution of the above-named substance for fixing collodion positives, because the reduced silver has a much whiter appearance when thus fixed, than when the hyposulphite of soda is used for the same purpose; but I cannot quite agree with Mr. Hockin that it is equally applicable to negatives, though in many cases it will do very well. I find the reduced metal is more pervious to light when fixed with the cyanide solution, particularly in weak negatives. Lastly, I find that a small quantity of the {255}silver salts being added to the solution before using, produces less injury to the half-tones, and this not by merely weakening the solution, as one of double the strength with the silver is better than one without it, though only half as powerful.

Your correspondent C. E. F. (ibid.) will find his positives will not stand a saturated solution of hyposulphite of soda, unless he prints them so intensely dark that all traces of a picture by reflected light are obliterated; but I have sometimes accidentally exposed my positives a whole day, and retained a fair proof by soaking the apparently useless impressions in such a solution.

Geo. Shadbolt.

Replies to Minor Queries.

Saw-dust Recipe (Vol. ix., p. 148.).—See Herschel's Discourse on the Study of Natural Philosophy, published in Lardner's Cyclopædia, p. 64., where he says:

"That sawdust itself is susceptible of conversion into a substance bearing no remote analogy to bread; and though certainly less palatable than that of flour, yet no way disagreeable, and both wholesome and digestible, as well as highly nutritive."

To which passage the following note is appended:

"See Dr. Prout's account of the experiments of Professor Autenrieth of Tubingen, Phil. Trans., 1827, p. 331. This discovery, which renders famine next to impossible, deserves a higher degree of celebrity than it has obtained."

J. M. W.

Though not exactly the recipe for saw-dust biscuits which I have heard of, there is an account of the process of making bread from bark in Laing's "Norway" (Longman's Traveller's Lib.), part ii. p. 219., where, on the subject of pine-trees, it is stated:

"Many were standing with all their branches dead, stripped of the bark to make bread, and blanched by the weather, resembling white marble,—mere ghosts of trees. The bread is made of the inner rind next the wood, taken off in flakes like a sheet of foolscap paper, and is steeped or washed in warm water, to clear off its astringent principle. It is then hung across a rope to dry in the sun, and looks exactly like sheets of parchment. When dry it is pounded into small pieces mixed with corn, and ground into meal on the hand-mill or quern. It is much more generally used than I supposed. There are districts in which the forests suffered very considerable damage in the years 1812 and 1814, when bad crops and the war, then raging, reduced many to bark bread. The Fjelde bonder use it, more or less, every year. It is not very unpalatable; nor is there any good reason for supposing it unwholesome, if well prepared; but it is very costly. The value of the tree, which is left to perish on its root, would buy a sack of flour, if the English market were open."

Now, if G. D., or any enterprising individual, could succeed in converting saw-dust into wholesome food, or fit for admixture with flour, somewhat after the above manner, it would indeed be a "happy discovery," considering the present high price of "the staff of life." Bread has also been made from the horse-chesnut; but the expense of preparation, removing the strong bitter flavour, is no doubt the obstacle to its success. What could be done with the Spanish chesnut?

Willo.

The saw-dust recipe is to be found in the Saturday Magazine, Jan. 3, 1835, taken from No. 104. of the Quarterly Review. It is entitled, "How to make a Quartern Loaf out of a Deal Board."

J. C.

Your correspondent G. D. may find something to his purpose in a little German work, entitled Wie kann man, bey grosser Theuerung und Hungersnoth, ohne Getreid, gesundes Brod verschaffen? Von Dr. Oberlechner: Xav. Duyle, Salzburg, 1817.

W. T.

Brydone the Tourist (Vol. ix., p. 138.).—The literary world would feel obliged to J. Macray to tell us the name of the writer of the criticism who says, "Brydone never was on the Summit of Etna." Did the scholars of Italy know more of what was done by Englishmen in Sicily in Brydone's day than they do at present? How are the dates reconciled? Brydone would be 113 years old. Mr. Beckford, I think, must have been some thirteen or fourteen years younger. Brydone was always considered to be in his relations in life a man of probity and honour. I used to hear much of him from one nearly related to me, whose father was first cousin to Brydone's wife.

H. R., née F.

Etymology of "Page" (Vol. ix., p. 106.).—Paggio Italian, page French and Spanish, pagi Provençal, is derived by Diez, Etymologisches Wörterbuch der Romanischen Sprachen (Bonn, 1853), p. 249., from the Greek παιδίον. This derivation is evidently the true one. I may take this opportunity of recommending the above-cited work to all persons who feel an interest in the etymology of the Romance languages. It is not only more scientific and learned, but more comprehensive, than any other work of the kind.

L.

Longfellow (Vol. ix., p. 174.).—There was a family of the name of Longfellow resident in Brecon, South Wales, about fifty or sixty years ago, who were large landowners in the county; and one of them (Tom Longfellow, alluded to in the lines below) kept the principal inn, "The Golden Lion," in that town. His son occupied a farm a few miles from Brecon, about thirty years ago; and two of his sisters resided in the town. The family was frequently engaged in law suits (perhaps from the proverbially litigious disposition {256}of their Welsh neighbours), and was ultimately ruined. Many of the old inhabitants of that part of the Principality could, no doubt, give a better and fuller account of them.

The following lines (not very flattering to the landlord, certainly), said to have been written by a commercial traveller on an inside-window shutter of "The Golden Lion," when Mr. Longfellow was the proprietor, may not be out of place in "N. & Q.:"

C. H. (2)

Yesterday I happened to be looking over an old Bristol paper (Sarah Farley's Bristol Journal, Saturday, June 11, 1791), and the name of Longfellow, which I had before only known as borne by the poet, caught my eye. At the end of the paper there is a notice in these words:

"Advertisements are taken in for this paper by agents in various places, and by Mr. Longfellow, Brecon," &c.

Henry Geo. Tomkins.

Park Lodge, Weston-super-Mare.

There is now living at Beaufort Iron Works, Breconshire, a respectable tradesman, bearing the name of Longfellow. He himself is a native of the town of Brecon, as was his father also. But his grandfather was a settler; though from what part of the country this last-named relative originally came, he is unfortunately unable to say. He has the impression, however, that it was from Cornwall or Devonshire. Perhaps this information will partly answer the question of Oxoniensis.

E. W. I.

It is by no means improbable that the name is a corruption of Longvillers, found in Northamptonshire as early as the reign of Edward I., and derived, I imagine, from the town of Longueville in Normandy. There is a Newton Longville in this county.

W. P. Storer.

Olney, Bucks.

Canting Arms (Vol. ix., p. 146.).—The introduction to the collection of arms alluded to was not written by Sir George Naylor, but by the Rev. James Dallaway, who had previously published his Historical Enquiries, a work well known.

G.

Holy Loaf Money (Vol. ix., p. 150.).—At some time before the date of present rubrics, it was the custom for every house in the parish to provide in rotation bread (and wine) for the Holy Communion. By the first book of King Edward VI., this duty was devolved upon those who had the cure of souls, with a provision "that the parishioners of every parish should offer every Sunday, at the time of the offertory, the just value and price of the holy loaf ... to the use of the pastors and curates" who had provided it; "and that in such order and course as they were wont to find, and pay the said holy loaf." This is, I think, the correct answer to the Query of T. J. W.

J. H. B.

"Could we with ink," &c. (Vol. viii., pp. 127. 180.).—The idea embodied in these lines was well known in the seventeenth century. The following "rhyme," extracted from a rare miscellany entitled Wits Recreations, 12mo., 1640, has reference to the subject.

Edward F. Rimbault.

Mount Mill, and the Fortifications of London (Vol. ix., p. 174.).—B. R. A. Y. will find that the name is still applied to an obscure locality in the parish of St. Luke, situated close to the west end of Seward Street on the north side. The parliamentary fortifications of London are described in Maitland's Hist., and Mount Mill is noticed in Cromwell's Clerkenwell, pp. 33. 396. This writer supposes that the Mount (long since levelled) originated in the interment of a great number of persons during the plague of 1665; but {257}this, I think, is a mistake, for the Mount is mentioned in a printed broadside which, if I remember rightly, bears an earlier date. I cannot furnish its title, but it will be found in the British Museum, with the press-mark 669. f. 8/22. A plan of the city and suburbs, as fortified by order of the parliament in 1642 and 1643, was engraved by George Vertue, 1738; and a small plan of the same works appeared in the Gentleman's Magazine a few years afterwards (1749?).

W.P. Storer.

Olney, Bucks.

Standing while the Lord's Prayer is read (Vol. ix., p. 127.).—A custom noted to prevail at Bristol: in connexion with it, it would be interesting to ascertain in what churches there still remain any usages of by-gone days, but which have generally got into desuetude. It is probable that in some one or other church there may still exist a usage handed down by tradition, which is not generally recognised nor authorised in the present day. Perhaps by means of our widely spread "N. & Q.," and the notes of its able contributors, this may be ascertained. By way of example, and as a beginning, I would mention the following:—

At St. Sampson's, Cricklade (it was so before 1820), the people say, "Thanks be to Thee, O God!" after the reading of the Gospel; a usage said to be as old as St. Chrysostom.

At Talaton, Devon, where the congregation turn towards the singing gallery at the west end, during the singing of the "Magnificat" and other psalms, at the "Gloria" they all turn round to the east.

At Bitton, Gloucestershire, two parishioners, natives of Lincolnshire, always gave me notice before they came to Holy Communion, as it was their custom always to do.

When a boy, I remember an old gentleman, who came from one of the Midland Counties, always stood up at the "Glory" in the Litany. In many country churches, the old women make a courtesy.

In many country churches, the old men bow and smooth down their hair when they enter the church; and women make a courtesy.

H. T. Ellacombe.

Rectory, Clyst St. George.

In a late Number of your miscellany, you say it is a general practice for congregations in churches to stand during the reading of the Lord's Prayer, when it occurs in the order of Morning Lessons. In my experience, I do not remember any such custom prevalent in this part of the country; but may mention, as a curious and (as far as I know, or ever heard of) singular example of kneeling at the reading of St Matt. vi. and St. Luke xi., that at Formby, a retired village on the Lancashire coast, my first cure, the people observed this usage. The children in the schools were instructed to kneel whenever they read the section of these chapters which contains the Lord's Prayer. And at the "Burial of the Dead," as soon as the minister came to that portion of the ceremony where the use of the Lord's Prayer is enjoined, all the assembled mourners (old and young, and however cold or damp the day) would devoutly kneel down in the chapel yard, and remain in this posture of reverence until the conclusion of the service. I observed that their Roman Catholic neighbours, who often attended at funerals, when they happened to be present, did the same. So that it seemed to be "a tradition derived from their fathers," and handed down "from one generation to another."

R. L.

Great Lever, Bolton.

This custom is observed in the Cathedral at Norwich, but not (I believe) in the other churches in that city. I remember seeing it noticed in a very old number of the Gentleman's Magazine, and should be glad if any of your correspondents could tell me which number it is. I have looked through the Index in vain. The writer denounced it as a Popish custom!

W.

A dead Sultan, with his Shirt for an Ensign (Vol. ix., p. 76.).—Mr. Warden will find a long and interesting description of Saladin in Knolles' Turkish History, pp. 33. 57., published in London by Adam Islip in 1603. I take from this learned work the following curious anecdote:

"About this time (but the exact period is not stated) died the great Sultan Saladin, the greatest terrour of the Christians; who, mindfull of man's fragilitie, and the vanitie of worldly honours, commanded at the time of his death no solemnitie to be vsed at his buriall, but only his shirt in manner of an ensigne, made fast vnto the point of a lance, to be carried before his dead bodie as an ensigne. A plaine priest going before and crying aloud vnto the people in this sort: 'Saladin Conquerour of the East, of all the greatnesse and riches hee had in this life, carrieth not with him after his death anything more than his shirt.'"—"A sight (says Knolles) woorthie so great a king, as wanted nothing to his eternall commendation, more than the true knowledge of his salvation in Christ Jesu."

W. W.

Malta.

"Houd maet of laet" (Vol. ix., p. 148.).—One of your correspondents desires an explanation of this phrase, which he found in the corner of an old Dutch picture. It is a Flemish proverb; I translate it thus:

It may either be the motto which the artist adopted to identify his work while he concealed {258}his name; or it may be descriptive of the picture, which then would be an illustration of this proverb. Inscribed either by the artist himself, or by some officious person, who thus "tacked the moral full in sight."

I think I have seen a similar inscription somewhere in Flanders on an antique drinking-cup, a very appropriate place for such wholesome counsel.

I should like to know the subject of the picture your correspondent refers to. In modern Dutch the proverb reads thus:

E. F. Woodman.

The above Dutch proverb means, in English:

Ἁλιεύς.

Captain Eyre's Drawings (Vol. ix., p. 207.).—The mention of Captain Eyre's drawings of the Fortifications in London, and the editorial note appended thereto, remind me of an inquiry I have long been desirous of making respecting the curious, if authentic, drawings by this same Captain Eyre, illustrative of Shakspeare's residence in London, described in one of your earlier volumes (Vol. vii., p. 545.). I have not myself had an opportunity of consulting Mr. Halliwell's first volume, but a friend who looked at it for me says he could not find any account of them there. In whose possession are they now?

M. A.

Shrewsbury.

Sir Thomas Browne and Bishop Ken (Vol. ix., p. 220.).—Had Mr. Mackenzie Walcott referred to a preceding volume of "N. & Q." (Vol. viii., p. 10.), he would have seen that the "coincidences" between these writers had been already noticed in your pages by one of the bishop's biographers.

The life of Ken, from the pen of your correspondent, is omitted in Mr. Mackenzie Walcott's list, and may be equally unknown to that gentleman as the note before mentioned; but in the Quarterly Review (vol. lxxxix. p. 278.), and in many pages of Mr. Anderdon's valuable volume, Mr. Mackenzie Walcott will find ample mention of the work in question.

J. H. Markland.

Unfinished Works (Vol. ix., p. 148.).—J. M. is informed that Dr. Shirley Palmer's Medical Dictionary is finished. From the Preface it appears to have been finished in 1841; but not published (in a complete form) till 1845, with the title A Pentaglot Dictionary of the Terms employed in Anatomy, &c.; London, Longman & Co.; Birmingham, Langbridge.

M. D.

"The Lounger's Common-place Book" (Vol. ix., p. 174.).—The editor of this publication was Jeremiah Whitaker Newman, who died July 27, 1839, aged eighty years. Some information respecting him and his work, supplied by me, appeared in the Gentleman's Magazine, June, 1846.

J. R. W.

Bristol.

Miscellaneous.

BOOKS AND ODD VOLUMES WANTED TO PURCHASE.

London Labour and London Poor. Nos. XLIV. and LXIV. to End of Work.

Mrs. Gore's Banker's Wife.

Tales by a Barrister.

Schiller's Wallenstein, translated by Coleridge. Smith's Classical Library.

Goethe's Faust (English). Smith's Classical Library.

The Circle of the Seasons. London, 1828. 12mo.

*** Letters, stating particulars and lowest price, carriage free, to be sent to Mr. Bell, Publisher of "NOTES AND QUERIES," 186. Fleet Street.

Particulars of Price, &c. of the following Books to be sent direct to the gentlemen by whom they are required, and whose names and addresses are given for that purpose:

The Hive, containing Vol. I. First Edition. 1724.

London Magazine. Vols. after the year 1763.

Evans's Old Ballads. Vol. I. 1810.

Any of the Sermons, Tracts, &c., by the late Rev. A. G. Jewitt.

History of Lincoln, by A. Jewitt.

Howitt's Gipsy King, and other Poems. Either one or two copies.

Henry's (Philip) Life, by Sir J. B. Williams. Royal 8vo.

Fresenius Quantitative Analysis. Last Edition.

Two Volumes of Plates to Glossary of Architecture. Parker, Oxford. 1850.

The Banner Displayed, or, An Abridgment of Gwillin by Samuel Kent. Thos. Cox, Printer. 1728. Vol 1.

The Holy Bible. Pictorial. C. Knight. 1836. Vols. II. and III.

A Map, Plan, and Representations of Interesting and Remarkable Places connected with Ancient London (large size).

A Copy of an early number of "The Times" Newspaper, or of the "Morning Chronicle," "Morning Post," or "Morning Herald." The nearer the commencement preferred.

Copies or Fac-similes of other Old Newspapers.

A Copy of The Breeches or other Old Bible.

Enquiry after Happiness. The Third Part. By Richard Lucas, D.D. Sixth Edition. 1734.

{259}

Notices to Correspondents.

We are unavoidably compelled to postpone our usual Notes on Books, &c.

Mr. Ferguson, of the Exchequer Record Office, Dublin, returns his best thanks to J. O. for his most acceptable present of a book of poems.

Will An Old F.S.A., F.R.S., F.S.A., who writes to us that the "Eyre drawings are authentic," oblige us with his name? It is obvious that anonymous testimony can have little weight in such a case, when opposed to that of known and competent authorities.

Working Man will find the English equivalents for French weights and measures, and much of the information he desires, in Walich's Popular Tables.

Bb. (Bradford) will probably find in the Journal of a Naturalist, White's Selborne, and the valuable series of works illustrative of the Natural History of England, published by Van Voorst of Paternoster Row, the materials of which he stands in need, and references to other authorities.

C. R. will find scattered through our Volumes many modern instances of the mode of discovering the drowned, to which his communication refers.

Abhba. Our Correspondent should procure a valuable tract, entitled "An Argument for the Greek Origin of the Monogram IHS," published by the Cambridge Camden Society (Masters), which clearly shows that this symbol is formed out of the first two and the last letter of the Greek word ΙΗΣΟΥΣ.

P. H. F. The communication forwarded on "Lines attributed to Hudibras," will be found in our 1st Volume, p. 210.

F. T. The Weekly Pacquet and the Popish Courant is one and the same periodical, the latter being merely an appendix to the former, and printed continuously, as shown by the running paginal figures; so that when Chief Justice Scroggs prohibited the publication of the former, he at the same time suppressed the latter.

A Beginner. We again repeat that we cannot point out particular warehouses for the purchase of photographic materials. Our advertising columns will show where they are to be purchased at every variety of price.

C. K. P. (Newport). From the specimen forwarded, we doubt whether the paper is Turner's; if it is, it is not his desirable make. The negative it is evident, from its redness and want of gradation of tint throughout, has been far too long exposed. We have seen the brown spots complained of occur when the paper has been too long excited before use.

E. Y. (Rochester). It is probable that the spot of which you complain is from light reflected from the bottom of the camera, not from the interior of the lens. If so, the application of a piece of black velvet would remedy this. As the spot is always is one place, it must depend upon light reflected from some one spot.

M. De S. (Tendring). We trust to be able to send a very satisfactory reply in the course of a few days. We have delayed answering only from a desire to accomplish our Correspondent's object.

Our Eighth Volume is now bound and ready for delivery, price 10s. 6d., cloth, boards. A few sets of the whole Eight Volumes are being made up, price 4l. 4s.—For these early application is desirable.

"Notes and Queries" is published at noon on Friday, so that the Country Booksellers may receive Copies in that night's parcels, and deliver them to their Subscribers on the Saturday.

VALUABLE PATRISTICAL WORKS RECENTLY PUBLISHED IN GERMANY.

IRENÆI OPERA OMNIA, Gr. et Lat., acc. apparatus continens ex iis, quæ ab aliis Editoribus aut de Irenæo ipso aut de Scriptis ejus sunt disputata, meliora et iteratione haud indigna, edid. A. STIEREN. 2 thick vols. 8vo. (2,100 pages). price 1l. 16s. in cloth boards: or 2l. 2s. full bound calf, antique style, red edges.

This is by far the most elaborate and complete edition of the Works of Irenæus, and is fruit of twenty-five years' labour and study on the part of the learned editor.

TERTULLIANI OPERA OMNIA, ed. F. OEHLER. 3 thick vols. 8vo. (nearly 3,800 pages), price 2l. 8s. cloth boards; calf, antique, 3l.

JUSTINI MARTYRIS OPERA OMNIA, Gr. et Lat., ed. J. T. OTTO. 3 vols., in 5 Parts, 8vo., bound in 2 vols., cloth boards, 1l. 11s. 6d. or calf antique, 1l. 18s. half-bound calf or vellum. 1l. 15s.

London: D. NUTT, 270. Strand.

Just published, in 1 vol. 12mo., cloth, 3s. 6d.

THE LAW OF THE LOVE OF GOD, an Essay on the Commandments of the First Table of the Decalogue, by GEORGE MOBERLY, D.C.L., Head Master of Winchester College.

"This recently published Essay of Dr. Moberly, the Law of the Love of God, will not disappoint its readers, but will be found worthy of the author's reputation as a Divine, and his high position as a scholar."—Scottish Ecclesiastical Journal.

London: D. NUTT, 270. Strand.

Just published, large 8vo., stitched, price 1s. 6d.,

AUSTRIA. The present State of its Finances and Currency. By an IMPARTIAL OBSERVER. Translated from the German. This Work has excited a great sensation in Germany, and 3,600 copies have been sold in the last few weeks.

London: D. NUTT, 270. Strand.

PIANOFORTES, 25 Guineas each,—D'ALMAINE & CO., 20. Soho Square (established A.D. 1785), sole manufacturers of the ROYAL PIANOFORTES, at 25 Guineas each. Every instrument warranted. The peculiar advantages of these pianofortes are best described in the following professional testimonial, signed by the majority of the leading musicians of the age:—"We, the undersigned members of the musical profession, having carefully examined the Royal Piano-fortes manufactured by MESSRS. D'ALMAINE & CO., have great pleasure in bearing testimony to their merits and capabilities. It appears to us impossible to produce instruments of the same size possessing a richer and finer tone, more elastic touch, or more equal temperament, while the elegance of their construction renders them a handsome ornament for the library, boudoir, or drawing-room. (Signed) J. L. Abel, F. Benedict, H. R. Bishop, J. Blewitt, J. Brizzi, T. P. Chipp, P. Delavanti, C. H. Dolby, E. F. Fitzwilliam, W. Forde, Stephen Glover, Henri Herz, E. Harrison, H. F. Hassé, J. L. Hatton, Catherine Hayes, W. H. Holmes, W. Kuhe, G. F. Kiallmark, E. Land, G. Lanza, Alexander Lee, A. Leffler. E. J. Loder. W. H. Montgomery, S. Nelson, G. A. Osborne, John Parry, H. Panotka, Henry Phillips, F. Praegar, E. F. Rimbault, Frank Romer, G. H. Rodwell, E. Rockel, Sims Reeves, J. Templeton, F. Weber, H. Westrop, T. H. Wright," &c.

D'ALMAINE & CO., 20. Soho Square. Lists and Designs Gratis.

TO NERVOUS SUFFERERS.—A retired Clergyman having been restored to health in a few days, after many years of great nervous suffering, is anxious to make known to others the MEANS of a CURE; will therefore send free, on receiving a stamped envelope, properly addressed, a copy of the prescription used.

Direct the REV. E. DOUGLASS, 18. Holland Street, Brixton, London.

CERTIFICATES IN DRAWING are granted to SCHOOLMASTERS and SCHOOLMISTRESSES, by the DEPARTMENT OF SCIENCE AND ART, which will enable the holders of them to obtain an Augmentation of Salary from the Committee of Council for Education.

CLASSES for the INSTRUCTION of Schoolmasters and Mistresses and Mistresses and Pupil-Teachers in Freehand and Drawing, Linear Geometry, Perspective and Model Drawing, are formed in the Metropolis in the following places:

1. MARLBOROUGH HOUSE, Pall Mall.—Meeting on Tuesday, Wednesday, Thursday and Friday Evenings, from 7 to 9: and Saturdays, from 1 to 3.

2. SPITALFIELDS, Crispin Street.—Meeting on Wednesday and Friday Evenings, from 7 to 9.

3. GORE HOUSE, Kensington.—Meeting on Monday and Thursday Evenings, from 7 to 9.

FEE for the Session of Five Months, from March to August, 5s.

For information, and Specimens of the Examination Papers, apply to the Secretaries of the Department of Science and Art, Marlborough House, Pall Mall, London.

BENNETT'S MODEL WATCH, as shown at the GREAT EXHIBITION, No. 1. Class X., in Gold and Silver Cases, in five qualities, and adapted to all Climates, may now be had at the MANUFACTORY. 65. CHEAPSIDE. Superior Gold London-made Patent Levers, 17, 15, and 13 guineas. Ditto, in Silver Cases, 8, 6, and 4 guineas. First-rate Geneva Levers, in Gold Cases, 12, 10, and 8 guineas. Ditto, in Silver Cases, 8, 6, and 5 guineas. Superior Lever, with Chronometer Balance, Gold. 27, 23, and 19 guineas. Bennett's Pocket Chronometer, Gold, 50 guineas; Silver, 40 guineas. Every Watch skilfully examined, timed, and its performance guaranteed. Barometers, 2l., 3l., and 4l. Thermometers from 1s. each.

BENNETT, Watch, Clock and Instrument Maker to the Royal Observatory, the Board of Ordnance, the Admiralty, and the Queen, 65. CHEAPSIDE.

{260}

IMPERIAL LIFE INSURANCE COMPANY.

1. OLD BROAD STREET, LONDON.

Instituted 1820.

——

SAMUEL HIBBERT, ESQ., Chairman.
WILLIAM R. ROBINSON, ESQ., Deputy-Chairman.

——

The SCALE OF PREMIUMS adopted by this Office will be found of a very moderate character, but at the same time quite adequate to the risk incurred.

FOUR-FIFTHS, or 80 per cent. of the Profits, are assigned to Policies every fifth year, and may be applied to increase the sum insured, to an immediate payment in cash, or to the reduction and ultimate extinction of future Premiums.

ONE-THIRD of the Premium on Insurances of 500l. and upwards, for the whole term of life, may remain as a debt upon the Policy, to be paid off at convenience; or the Directors will lend sums of 50l. and upwards, on the security of Policies effected with this Company for the whole term of life, when they have acquired an adequate value.

SECURITY.—Those who effect Insurances with this Company are protected by its Subscribed Capital of 750,000l., of which nearly 140,000l. is invested, from the risk incurred by Members of Mutual Societies.

The satisfactory financial condition of the Company, exclusive of the Subscribed and Invested Capital, will be seen by the following Statement:

Insurances, without participation in Profits, may be effected at reduced rates.

SAMUEL INGALL, Actuary.

CHUBB'S LOCKS, with all the recent improvements. Strong fire-proof safes, cash and deed boxes. Complete lists of sizes and prices may be had on application.

CHUBB & SON, 57. St. Paul's Churchyard, London; 28. Lord Street, Liverpool; 16. Market Street, Manchester; and Horseley Fields, Wolverhampton.

ALLEN'S ILLUSTRATED CATALOGUE, containing Size, Price, and Description of upwards of 100 articles, consisting of

PORTMANTEAUS, TRAVELLING-BAGS, Ladies' Portmanteaus, DESPATCH-BOXES, WRITING-DESKS, DRESSING-CASES, and other travelling requisites. Gratis on application, or sent free by Post on receipt of Two Stamps.

MESSRS. ALLEN'S registered Despatch-box and Writing-desk, their Travelling-bag with the opening as large as the bag, and the new Portmanteau containing four compartments, are undoubtedly the best articles of the kind ever produced.

J. W. & T. ALLEN, 18. & 22. West Strand.

W. H. HART, RECORD AGENT and LEGAL ANTIQUARIAN (who is in the possession of Indices to many of the early Public Records whereby his Inquiries are greatly facilitated) begs to inform Authors and Gentlemen engaged in Antiquarian or Literary Pursuits, that he is prepared to undertake searches among the Public Records, MSS. in the British Museum, Ancient Wills, or other Depositories of a similar Nature in any Branch of Literature, History, Topography, Genealogy, or the like, and in which he has had considerable experience.

1. ALBERT TERRACE, NEW CROSS, HATCHAM, SURREY.

WESTERN LIFE ASSURANCE AND ANNUITY SOCIETY.

3. PARLIAMENT STREET, LONDON.

Founded A.D. 1842.

Directors.

Trustees.—W. Whateley, Esq., Q.C.; George Drew, Esq., T. Grissell, Esq.
Physician.—William Rich. Basham, M.D.
Bankers.—Messrs. Cocks, Biddulph, and Co., Charing Cross.

VALUABLE PRIVILEGE.

POLICIES effected in this Office do not become void through temporary difficulty in paying a Premium, as permission is given upon application to suspend the payment at interest, according to the conditions detailed in the Prospectus.

Specimens of Rates of Premium for Assuring 100l., with a Share in three-fourths of the Profits:—

ARTHUR SCRATCHLEY, M.A., F.R.A.S., Actuary.

Now ready, price 10s. 6d., Second Edition, with material additions, INDUSTRIAL INVESTMENT and EMIGRATION: being a TREATISE ON BENEFIT BUILDING SOCIETIES, and on the General Principles of Land Investment, exemplified in the Cases of Freehold Land Societies, Building Companies, &c. With a Mathematical Appendix on Compound Interest and Life Assurance. By ARTHUR SCRATCHLEY, M.A., Actuary to the Western Life Assurance Society, 3. Parliament Street, London.

PHOTOGRAPHIC CAMERAS.—OTTEWILL & MORGAN'S Manufactory, 24. & 25. Charlotte Terrace, Caledonian Road, Islington. OTTEWILL'S Registered Double Body Folding Camera, adapted for Landscapes or Portraits, may be had of A. ROSS, Featherstone Buildings, Holborn: the Photographic Institution, Bond Street: and at the Manufactory as above, where every description of Cameras, Slides, and Tripods may be had. The Trade supplied.

PHOTOGRAPHY.—HORNE & CO.'S Iodized Collodion, for obtaining Instantaneous Views, and Portraits in from three to thirty seconds, according to light.

Portraits obtained by the above, for delicacy of detail rival the choicest Daguerreotypes, specimens of which may be seen at their Establishment.

Also every description of Apparatus, Chemicals, &c. &c. used in this beautiful Art.—123. and 121. Newgate Street.

IMPROVEMENT IN COLLODION.—J. B. HOCKIN & CO., Chemists, 289. Strand. have, by an improved mode of Iodizing, succeeded in producing a Collodion equal, they may say superior, in sensitiveness and density of Negative, to any other hitherto published; without diminishing the keeping properties and appreciation of half-tint for which their manufacture has been esteemed.

Apparatus, pure Chemicals, and all the requirements for the practice of Photography. Instruction in the Art.

THE COLLODION AND POSITIVE PAPER PROCESS. By J. B. HOCKIN. Price 1s., per Post, 1s. 2d.

PHOTOGRAPHIC INSTITUTION.

THE EXHIBITION OF PHOTOGRAPHS, by the most eminent English and Continental Artists, is OPEN DAILY from Ten till Five. Free Admission.

Miniatures, Oil Paintings, Water-Colour, and Chalk Drawings, Photographed and Coloured in imitation of the Originals. Views of Country Mansions, Churches, &c., taken at a short notice.

Cameras, Lenses, and all the necessary Photographic Apparatus and Chemicals, are supplied, tested, and guaranteed.

Gratuitous Instruction is given to Purchasers of Sets of Apparatus.

PHOTOGRAPHIC INSTITUTION,
168. New Bond Street.

PHOTOGRAPHIC APPARATUS, MATERIALS, AND PURE CHEMICAL PREPARATIONS.

KNIGHT & SONS' Illustrated Catalogue, containing Description and Price of the best forms of Cameras and other Apparatus. Voightlander and Son's Lenses for Portraits and Views, together with the various Materials, and pure Chemical Preparations required in practising the Photographic Art. Forwarded free on receipt of Six Postage Stamps.

Instructions given in every branch of the Art.

An extensive Collection of Stereoscopic and other Photographic Specimens.

GEORGE KNIGHT & SONS, Foster Lane, London.

COLLODION PORTRAITS AND VIEWS obtained with the greatest ease and certainty by using BLAND & LONG'S preparation of Soluble Cotton; certainty and uniformity of action over a lengthened period, combined with the most faithful rendering of the half-tones, constitute this a most valuable agent in the hands of the photographer.

Albumenized paper, for printing from glass or paper negatives, giving a minuteness of detail unattained by any other method, 5s. per Quire.

Waxed and Iodized Papers of tried quality.

Instruction in the Processes.

BLAND & LONG, Opticians and Photographical Instrument Makers, and Operative Chemists, 153. Fleet Street, London.

*** Catalogues sent on application.

THE SIGHT preserved by the Use of SPECTACLES adapted to meet every variety of Vision by means of SMEE'S OPTOMETER, which effectually prevents Injury to the Eyes from the Selection of Improper Glasses, and is extensively employed by

BLAND & LONG, Opticians, 153. Fleet Street, London.

PHOTOGRAPHIC PAPERS manufactured by MESSRS. TOWGOOD, of St. Neot's Mills, as mentioned in "Notes and Queries," No. 220., Jan. 14. Commercial and Family Stationery, &c.

Depôt for all Works on Physiology, Phrenology, Hydropathy, &c. Catalogues sent free on application.

London: HORTELL & SHIRRESS,
492. New Oxford Street.

Printed by Thomas Clark Shaw, of No. 10. Stonefield Street, in the Parish of St. Mary, Islington, at No. 5. New Street Square, in the Parish of St. Bride, in the City of London; and published by George Bell, of No. 186. Fleet Street, in the Parish of St. Dunstan in the West, in the City of London, Publisher, at No. 186. Fleet Street aforesaid.—Saturday, March 18, 1854.

End of the Project Gutenberg EBook of Notes and Queries, Number 229, March
18, 1854, by Various

*** END OF THIS PROJECT GUTENBERG EBOOK NOTES AND QUERIES, MARCH 18, 1854 ***

***** This file should be named 34195-h.htm or 34195-h.zip *****
This and all associated files of various formats will be found in:
        http://www.gutenberg.org/3/4/1/9/34195/

Produced by Charlene Taylor, Jonathan Ingram, Keith Edkins
and the Online Distributed Proofreading Team at
http://www.pgdp.net (This file was produced from images
generously made available by The Internet Archive/Canadian
Libraries)


Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg.net/license).


Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  "Project Gutenberg" is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.net

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.net),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form.  Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7.  Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8.  You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
     the use of Project Gutenberg-tm works calculated using the method
     you already use to calculate your applicable taxes.  The fee is
     owed to the owner of the Project Gutenberg-tm trademark, but he
     has agreed to donate royalties under this paragraph to the
     Project Gutenberg Literary Archive Foundation.  Royalty payments
     must be paid within 60 days following each date on which you
     prepare (or are legally required to prepare) your periodic tax
     returns.  Royalty payments should be clearly marked as such and
     sent to the Project Gutenberg Literary Archive Foundation at the
     address specified in Section 4, "Information about donations to
     the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies
     you in writing (or by e-mail) within 30 days of receipt that s/he
     does not agree to the terms of the full Project Gutenberg-tm
     License.  You must require such a user to return or
     destroy all copies of the works possessed in a physical medium
     and discontinue all use of and all access to other copies of
     Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
     money paid for a work or a replacement copy, if a defect in the
     electronic work is discovered and reported to you within 90 days
     of receipt of the work.

- You comply with all other terms of this agreement for free
     distribution of Project Gutenberg-tm works.

1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
Foundation as set forth in Section 3 below.

1.F.

1.F.1.  Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.  Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3.  YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.  If you
received the work on a physical medium, you must return the medium with
your written explanation.  The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.  If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.  If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4.  Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.

1.F.5.  Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.  The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.


Section  2.  Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.  It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.  In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at http://www.pglaf.org.


Section 3.  Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.  The Foundation's EIN or federal tax identification
number is 64-6221541.  Its 501(c)(3) letter is posted at
http://pglaf.org/fundraising.  Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.  Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
business@pglaf.org.  Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at http://pglaf.org

For additional contact information:
     Dr. Gregory B. Newby
     Chief Executive and Director
     gbnewby@pglaf.org


Section 4.  Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.  Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States.  Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.  We do not solicit donations in locations
where we have not received written confirmation of compliance.  To
SEND DONATIONS or determine the status of compliance for any
particular state visit http://pglaf.org

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.  U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses.  Donations are accepted in a number of other
ways including including checks, online payments and credit card
donations.  To donate, please visit: http://pglaf.org/donate


Section 5.  General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart is the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.  For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.


Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.


Most people start at our Web site which has the main PG search facility:

     http://www.gutenberg.net

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.