Project Gutenberg's The Skin Game (Fourth Series Plays), by John Galsworthy This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: The Skin Game (Fourth Series Plays) Author: John Galsworthy Release Date: September 26, 2004 [EBook #2917] Last Updated: October 28, 2012 Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK THE SKIN GAME (FOURTH SERIES *** Produced by David Widger
| THE FIRST SERIES: | The Silver Box | Joy | Strife |
| THE SECOND SERIES: | The Eldest Son | Little Dream | Justice |
| THE THIRD SERIES: | The Fugitive | The Pigeon | The Mob |
| THE FOURTH SERIES: | A Bit O'Love | The Foundations | The Skin Game |
| THE FIFTH SERIES: | A Family Man | Loyalties | Windows |
| THE SIXTH SERIES: | The First and Last | The Little Man | Four Short Plays |
CHARACTERS
HILLCRIST...............A Country Gentleman
AMY.....................His Wife
JILL....................His Daughter
DAWKER..................His Agent
HORNBLOWER..............A Man Newly-Rich
CHARLES.................His Elder Son
CHLOE...................Wife to Charles
ROLF....................His Younger Son
FELLOWS.................Hillcrist's Butler
ANNA....................Chloe's Maid
THE JACKMANS............Man and Wife
AN AUCTIONEER
A SOLICITOR
TWO STRANGERS
ACT I. HILLCRIST'S Study
ACT II.
SCENE I. A month later. An Auction Room.
SCENE II. The same evening. CHLOE'S Boudoir.
ACT III
SCENE I. The following day. HILLCRIST'S Study. Morning.
SCENE II. The Same. Evening.
HILLCRIST'S study. A pleasant room, with books in calf bindings, and signs that the HILLCRIST'S have travelled, such as a large photograph of the Taj Mahal, of Table Mountain, and the Pyramids of Egypt. A large bureau [stage Right], devoted to the business of a country estate. Two foxes' masks. Flowers in bowls. Deep armchairs. A large French window open [at Back], with a lovely view of a slight rise of fields and trees in August sunlight. A fine stone fireplace [stage Left]. A door [Left]. A door opposite [Right]. General colour effect—stone, and cigar-leaf brown, with spots of bright colour. [HILLCRIST sits in a swivel chair at the bureau, busy with papers. He has gout, and his left foot is encased accord: He is a thin, dried-up man of about fifty-five, with a rather refined, rather kindly, and rather cranky countenance. Close to him stands his very upstanding nineteen-year-old daughter JILL, with clubbed hair round a pretty, manly face.]
JILL. You know, Dodo, it's all pretty good rot in these days.
HILLCRIST. Cads are cads, Jill, even in these days.
JILL. What is a cad?
HILLCRIST. A self-assertive fellow, without a sense of other people.
JILL. Well, Old Hornblower I'll give you.
HILLCRIST. I wouldn't take him.
JILL. Well, you've got him. Now, Charlie—Chearlie—I say—the importance of not being Charlie——
HILLCRIST. Good heavens! do you know their Christian names?
JILL. My dear father, they've been here seven years.
HILLCRIST. In old days we only knew their Christian names from their tombstones.
JILL. Charlie Hornblower isn't really half a bad sport.
HILLCRIST. About a quarter of a bad sport I've always thought out hunting.
JILL. [Pulling his hair] Now, his wife—Chloe—-
HILLCRIST. [Whimsical] Gad! your mother'd have a fit if she knew you called her Chloe.
JILL. It's a ripping name.
HILLCRIST. Chloe! H'm! I had a spaniel once——
JILL. Dodo, you're narrow. Buck up, old darling, it won't do. Chloe has seen life, I'm pretty sure; THAT'S attractive, anyway. No, mother's not in the room; don't turn your uneasy eyes.
HILLCRIST. Really, my dear, you are getting——
JILL. The limit. Now, Rolf——
HILLCRIST. What's Rolf? Another dog?
JILL. Rolf Hornblower's a topper; he really is a nice boy.
HILLCRIST. [With a sharp look] Oh! He's a nice boy?
JILL. Yes, darling. You know what a nice boy is, don't you?
HILLCRIST. Not in these days.
JILL. Well, I'll tell you. In the first place, he's not amorous.
HILLCRIST. What! Well, that's some comfort.
JILL. Just a jolly good companion.
HILLCRIST. To whom?
JILL. Well, to anyone—me.
HILLCRIST. Where?
JILL. Anywhere. You don't suppose I confine myself to the home paddocks, do you? I'm naturally rangey, Father.
HILLCRIST. [Ironically] You don't say so!
JILL. In the second place, he doesn't like discipline.
HILLCRIST. Jupiter! He does seem attractive.
JILL. In the third place, he bars his father.
HILLCRIST. Is that essential to nice girls too?
JILL. [With a twirl of his hair] Fish not! Fourthly, he's got ideas.
HILLCRIST. I knew it!
JILL. For instance, he thinks—as I do——
HILLCRIST. Ah! Good ideas.
JILL. [Pulling gently] Careful! He thinks old people run the show too much. He says they oughtn't to, because they're so damtouchy. Are you damtouchy, darling?
HILLCRIST. Well, I'm——! I don't know about touchy.
JILL. He says there'll be no world fit to live in till we get rid of the old. We must make them climb a tall tree, and shake them off it.
HILLCRIST. [Drily] Oh! he says that!
JILL. Otherwise, with the way they stand on each other's rights, they'll spoil the garden for the young.
HILLCRIST. Does his father agree?
JILL. Oh! Rolf doesn't talk to him, his mouth's too large. Have you ever seen it, Dodo?
HILLCRIST. Of course.
JILL. It's considerable, isn't it? Now yours is—reticent, darling. [Rumpling his hair.]
HILLCRIST. It won't be in a minute. Do you realise that I've got gout?
JILL. Poor ducky! How long have we been here, Dodo?
HILLCRIST. Since Elizabeth, anyway.
JILL. [Looking at his foot] It has its drawbacks. D'you think Hornblower had a father? I believe he was spontaneous. But, Dodo, why all this—this attitude to the Hornblowers?
[She purses her lips and makes a gesture as of pushing persons away.]
HILLCRIST. Because they're pushing.
JILL. That's only because we are, as mother would say, and they're not—yet. But why not let them be?
HILLCRIST. You can't.
JILL. Why?
HILLCRIST. It takes generations to learn to live and let live, Jill. People like that take an ell when you give them an inch.
JILL. But if you gave them the ell, they wouldn't want the inch. Why should it all be such a skin game?
HILLCRIST. Skin game? Where do you get your lingo?
JILL. Keep to the point, Dodo.
HILLCRIST. Well, Jill, all life's a struggle between people at different stages of development, in different positions, with different amounts of social influence and property. And the only thing is to have rules of the game and keep them. New people like the Hornblowers haven't learnt those rules; their only rule is to get all they can.
JILL. Darling, don't prose. They're not half as bad as you think.
HILLCRIST. Well, when I sold Hornblower Longmeadow and the cottages, I certainly found him all right. All the same, he's got the cloven hoof. [Warming up] His influence in Deepwater is thoroughly bad; those potteries of his are demoralising—the whole atmosphere of the place is changing. It was a thousand pities he ever came here and discovered that clay. He's brought in the modern cutthroat spirit.
JILL. Cut our throat spirit, you mean. What's your definition of a gentleman, Dodo?
HILLCRIST. [Uneasily] Can't describe—only feel it.
JILL. Oh! Try!
HILLCRIST. Well—er—I suppose you might say—a man who keeps his form and doesn't let life scupper him out of his standards.
JILL. But suppose his standards are low?
HILLCRIST. [With some earnestness] I assume, of course, that he's honest and tolerant, gentle to the weak, and not self-seeking.
JILL. Ah! self-seeking? But aren't we all, Dodo? I am.
HILLCRIST. [With a smile] You!
JILL. [Scornfully] Oh! yes—too young to know.
HILLCRIST. Nobody knows till they're under pretty heavy fire, Jill.
JILL. Except, of course, mother.
HILLCRIST. How do you mean—mother?
JILL. Mother reminds me of England according to herself—always right whatever she does.
HILLCRIST. Ye-es. Your mother it perhaps—the perfect woman.
JILL. That's what I was saying. Now, no one could call you perfect, Dodo. Besides, you've got gout.
HILLCRIST. Yes; and I want Fellows. Ring that bell.
JILL. [Crossing to the bell] Shall I tell you my definition of a gentleman? A man who gives the Hornblower his due. [She rings the bell] And I think mother ought to call on them. Rolf says old Hornblower resents it fearfully that she's never made a sign to Chloe the three years she's been here.
HILLCRIST. I don't interfere with your mother in such matters. She may go and call on the devil himself if she likes.
JILL. I know you're ever so much better than she is.
HILLCRIST. That's respectful.
JILL. You do keep your prejudices out of your phiz. But mother literally looks down her nose. And she never forgives an "h." They'd get the "hell" from her if they took the "hinch."
HILLCRIST. Jill-your language!
JILL. Don't slime out of it, Dodo. I say, mother ought to call on the Hornblowers. [No answer.] Well?
HILLCRIST. My dear, I always let people have the last word. It makes them—feel funny. Ugh! My foot![Enter FELLOWS, Left.] Fellows, send into the village and get another bottle of this stuff.
JILL. I'll go, darling.
[She blow him a kiss, and goes out at the window.]
HILLCRIST. And tell cook I've got to go on slops. This foot's worse.
FELLOWS. [Sympathetic] Indeed, sir.
HILLCRIST. My third go this year, Fellows.
FELLOWS. Very annoying, sir.
HILLCRIST. Ye-es. Ever had it?
FELLOWS. I fancy I have had a twinge, sir.
HILLCRIST. [Brightening] Have you? Where?
FELLOWS. In my cork wrist, sir.
HILLCRIST. Your what?
FELLOWS. The wrist I draw corks with.
HILLCRIST. [With a cackle] You'd have had more than a twinge if you'd lived with my father. H'm!
FELLOWS. Excuse me, sir—Vichy water corks, in my experience, are worse than any wine.
HILLCRIST. [Ironically] Ah! The country's not what it was, is it, Fellows?
FELLOWS. Getting very new, sir.
HILLCRIST. [Feelingly] You're right. Has Dawker come?
FELLOWS. Not yet, sir. The Jackmans would like to see you, sir.
HILLCRIST. What about?
FELLOWS. I don't know, sir.
HILLCRIST. Well, show them in.
FELLOWS. [Going] Yes, sir.
[HILLCRIST turns his swivel chair round. The JACKMANS come in. He, a big fellow about fifty, in a labourer's dress, with eyes which have more in then than his tongue can express; she, a little woman with a worn face, a bright, quick glance, and a tongue to match.]
HILLCRIST. Good morning, Mrs. Jackman! Morning, Jackman! Haven't seen you for a long time. What can I do?
[He draws in foot, and breath, with a sharp hiss.]
HILLCRIST. [In a down-hearted voice] We've had notice to quit, sir.
HILLCRIST. [With emphasis] What!
JACKMAN. Got to be out this week.
MRS. J. Yes, sir, indeed.
HILLCRIST. Well, but when I sold Longmeadow and the cottages, it was on the express understanding that there was to be no disturbance of tenancies:
MRS. J. Yes, sir; but we've all got to go. Mrs. 'Arvey, and the Drews, an' us, and there isn't another cottage to be had anywhere in Deepwater.
HILLCRIST. I know; I want one for my cowman. This won't do at all. Where do you get it from?
JACKMAN. Mr. 'Ornblower, 'imself, air. Just an hour ago. He come round and said: "I'm sorry; I want the cottages, and you've got to clear."
MRS. J. [Bitterly] He's no gentleman, sir; he put it so brisk. We been there thirty years, and now we don't know what to do. So I hope you'll excuse us coming round, sir.
HILLCRIST. I should think so, indeed! H'm! [He rises and limps across to the fireplace on his stick. To himself] The cloven hoof. By George! this is a breach of faith. I'll write to him, Jackman. Confound it! I'd certainly never have sold if I'd known he was going to do this.
MRS. J. No, sir, I'm sure, sir. They do say it's to do with the potteries. He wants the cottages for his workmen.
HILLCRIST. [Sharply] That's all very well, but he shouldn't have led me to suppose that he would make no change.
JACKMAN. [Heavily] They talk about his havin' bought the Centry to gut up more chimneys there, and that's why he wants the cottages.
HINT. The Centry! Impossible!
[Mrs. J. Yes, air; it's such a pretty spot-looks beautiful from here. [She looks out through the window] Loveliest spot in all Deepwater, I always say. And your father owned it, and his father before 'im. It's a pity they ever sold it, sir, beggin' your pardon.]
HILLCRIST. The Centry! [He rings the bell.]
Mrs. J. [Who has brightened up] I'm glad you're goin' to stop it, sir. It does put us about. We don't know where to go. I said to Mr. Hornblower, I said, "I'm sure Mr. Hillcrist would never 'eve turned us out." An' 'e said: "Mr. Hillcrist be——" beggin' your pardon, sir. "Make no mistake," 'e said, "you must go, missis." He don't even know our name; an' to come it like this over us! He's a dreadful new man, I think, with his overridin notions. And sich a heavyfooted man, to look at. [With a sort of indulgent contempt] But he's from the North, they say.
[FELLOWS has entered, Left.]
HILLCRIST. Ask Mrs. Hillcrist if she'll come.
FELLOWS. Very good, sir.
HILLCRIST. Is Dawker here?
FELLOWS. Not yet, sir.
HILLCRIST. I want to see him at once.
[FELLOWS retires.]
JACKMAN. Mr. Hornblower said he was comin' on to see you, sir. So we thought we'd step along first.
HILLCRIST. Quite right, Jackman.
MRS. J. I said to Jackman: "Mr. Hillcrist'll stand up for us, I know. He's a gentleman," I said. "This man," I said, "don't care for the neighbourhood, or the people; he don't care for anything so long as he makes his money, and has his importance. You can't expect it, I suppose," I said; [Bitterly] "havin' got rich so sudden." The gentry don't do things like that.
HILLCRIST. [Abstracted] Quite, Mrs. Jackman, quite! [To himself] The Centry! No!
[MRS. HILLCRIST enters. A well-dressed woman, with a firm, clear-cut face.]
Oh! Amy! Mr. and Mrs. Jackman turned out of their cottage, and Mrs. Harvey, and the Drews. When I sold to Hornblower, I stipulated that they shouldn't be.
MRS. J. Our week's up on Saturday, ma'am, and I'm sure I don't know where we shall turn, because of course Jackman must be near his work, and I shall lose me washin' if we have to go far.
HILLCRIST. [With decision] You leave it to me, Mrs. Jackman. Good morning! Morning, Jackman! Sorry I can't move with this gout.
MRS. J. [For them both] I'm sure we're very sorry, sir. Good morning, sir. Good morning, ma'am; and thank you kindly. [They go out.]
HILLCRIST. Turning people out that have been there thirty years. I won't have it. It's a breach of faith.
MRS. H. Do you suppose this Hornblower will care two straws about that Jack?
HILLCRIST. He must, when it's put to him, if he's got any decent feeling.
MRS. H. He hasn't.
HILLCRIST. [Suddenly] The Jackmans talk of his having bought the Centry to put up more chimneys.
MRS. H. Never! [At the window, looking out] Impossible! It would ruin the place utterly; besides cutting us off from the Duke's. Oh, no! Miss Mullins would never sell behind our backs.
HILLCRIST. Anyway I must stop his turning these people out.
Mrs. H. [With a little smile, almost contemptuous] You might have known he'd do something of the sort. You will imagine people are like yourself, Jack. You always ought to make Dawker have things in black and white.
HILLCRIST. I said quite distinctly: "Of course you won't want to disturb the tenancies; there's a great shortage of cottages." Hornblower told me as distinctly that he wouldn't. What more do you want?
Mrs. H. A man like that thinks of nothing but the short cut to his own way. [Looking out of the window towards the rise] If he buys the Centry and puts up chimneys, we simply couldn't stop here.
HILLCRIST. My father would turn in his grave.
MRS. H. It would have been more useful if he'd not dipped the estate, and sold the Centry. This Hornblower hates us; he thinks we turn up our noses at him.
HILLCRIST. As we do, Amy.
MRS. H. Who wouldn't? A man without traditions, who believes in nothing but money and push.
HILLCRIST. Suppose he won't budge, can we do anything for the Jackmans?
MRS. H. There are the two rooms Beaver used to have, over the stables.
FELLOWS. Mr. Dawker, sir.
[DAWKERS is a short, square, rather red-faced terrier of a man, in riding clothes and gaiters.]
HILLCRIST. Ah! Dawker, I've got gout again.
DAWKER. Very sorry, sir. How de do, ma'am?
HILLCRIST. Did you meet the Jackmans?
DAWKERS. Yeh.
[He hardly ever quite finishes a word, seeming to snap of their tails.]
HILLCRIST. Then you heard?
DAWKER. [Nodding] Smart man, Hornblower; never lets grass grow.
HILLCRIST. Smart?
DAWKER. [Grinning] Don't do to underrate your neighbours.
MRS. H. A cad—I call him.
DAWKER. That's it, ma'am-got all the advantage.
HILLCRIST. Heard anything about the Centry, Dawker?
DAWKER. Hornblower wants to buy.
HILLCRIST. Miss Mullins would never sell, would she?
DAWKER. She wants to.
HILLCRIST. The deuce she does!
DAWKER. He won't stick at the price either.
MRS. H. What's it worth, Dawker?
DAWKER. Depends on what you want it for.
MRS. H. He wants it for spite; we want it for sentiment.
DAWKER. [Grinning] Worth what you like to give, then; but he's a rich man.
MRS. H. Intolerable!
DAWKER. [To HILLCRIST] Give me your figure, sir. I'll try the old lady before he gets at her.
HILLCRIST. [Pondering] I don't want to buy, unless there's nothing else for it. I should have to raise the money on the estate; it won't stand much more. I can't believe the fellow would be such a barbarian. Chimneys within three hundred yards, right in front of this house! It's a nightmare.
MRS. H. You'd much better let Dawker make sure, Jack.
HILLCRIST. [Uncomfortable] Jackman says Hornblower's coming round to see me. I shall put it to him.
DAWKER. Make him keener than ever. Better get in first.
HILLCRIST. Ape his methods!—Ugh! Confound this gout! [He gets back to his chair with difficulty] Look here, Dawker, I wanted to see you about gates——
FELLOWS. [Entering] Mr. Hornblower.
[HORNBLOWER enters-a man of medium, height, thoroughly broadened, blown out, as it were, by success. He has thick, coarse, dark hair, just grizzled, wry bushy eyebrow, a wide mouth. He wears quite ordinary clothes, as if that department were in charge of someone who knew about such, things. He has a small rose in his buttonhole, and carries a Homburg hat, which one suspects will look too small on his head.]
HORNBLOWER. Good morning! good morning! How are ye, Dawker? Fine morning! Lovely weather!
[His voice has a curious blend in its tone of brass and oil, and an accent not quite Scotch nor quite North country.]
Haven't seen ye for a long time, Hillcrist.
HILLCRIST. [Who has risen] Not since I sold you Longmeadow and those cottages, I believe.
HORNBLOWER. Dear me, now! that's what I came about.
HILLCRIST. [Subsiding again into his chair] Forgive me! Won't you sit down?
HORNBLOWER. [Not sitting] Have ye got gout? That's unfortunate. I never get it. I've no disposition that way. Had no ancestors, you see. Just me own drinkin' to answer for.
HILLCRIST. You're lucky.
HORNBLOWER. I wonder if Mrs. Hillcrist thinks that! Am I lucky to have no past, ma'am? Just the future?
MRS. H. You're sure you have the future, Mr. Hornblower?
HORNBLOWER. [With a laugh] That's your aristocratic rapier thrust. You aristocrats are very hard people underneath your manners. Ye love to lay a body out. But I've got the future all right.
HILLCRIST. [Meaningly] I've had the Dackmans here, Mr. Hornblower.
HORNBLOWER. Who are they—man with the little spitfire wife?
HILLCRIST. They're very excellent, good people, and they've been in that cottage quietly thirty years.
HORNBLOWER. [Throwing out his forefinger—a favourite gesture] Ah! ye've wanted me to stir ye up a bit. Deepwater needs a bit o' go put into it. There's generally some go where I am. I daresay you wish there'd been no "come." [He laughs].
MRS. H. We certainly like people to keep their word, Mr. Hornblower.
HILLCRIST. Amy!
HORNBLOWER. Never mind, Hillcrist; takes more than that to upset me.
[MRS. HILLCRIST exchanges a look with DAWKER who slips out unobserved.]
HILLCRIST. You promised me, you know, not to change the tenancies.
HORNBLOWER. Well, I've come to tell ye that I have. I wasn't expecting to have the need when I bought. Thought the Duke would sell me a bit down there; but devil a bit he will; and now I must have those cottages for my workmen. I've got important works, ye know.
HILLCRIST. [Getting heated] The Jackmans have their importance too, sir. Their heart's in that cottage.
HORNBLOWER. Have a sense of proportion, man. My works supply thousands of people, and my, heart's in them. What's more, they make my fortune. I've got ambitions—I'm a serious man. Suppose I were to consider this and that, and every little potty objection— where should I get to?—nowhere!
HILLCRIST. All the same, this sort of thing isn't done, you know.
HORNBLOWER. Not by you because ye've got no need to do it. Here ye are, quite content on what your fathers made for ye. Ye've no ambitions; and ye want other people to have none. How d'ye think your fathers got your land?
HILLCRIST. [Who has risen] Not by breaking their word.
HORNBLOWER. [Throwing out his, finger] Don't ye believe it. They got it by breaking their word and turnin' out Jackmans, if that's their name, all over the place.
MRS. H. That's an insult, Mr. Hornblower.
HORNBLOWER. No; it's a repartee. If ye think so much of these Jackmans, build them a cottage yourselves; ye've got the space.
HILLCRIST. That's beside the point. You promised me, and I sold on that understanding.
HORNBLOWER. And I bought on the understandin' that I'd get some more land from the Duke.
HILLCRIST. That's nothing to do with me.
HORNBLOWER. Ye'll find it has; because I'm going to have those cottages.
HILLCRIST. Well, I call it simply——
[He checks himself.]
HORNBLOWER. Look here, Hillcrist, ye've not had occasion to understand men like me. I've got the guts, and I've got the money; and I don't sit still on it. I'm going ahead because I believe in meself. I've no use for sentiment and that sort of thing. Forty of your Jackmans aren't worth me little finger.
HILLCRIST. [Angry] Of all the blatant things I ever heard said!
HORNBLOWER. Well, as we're speaking plainly, I've been thinkin'. Ye want the village run your oldfashioned way, and I want it run mine. I fancy there's not room for the two of us here.
MRS. H. When are you going?
HORNBLOWER. Never fear, I'm not going.
HILLCRIST. Look here, Mr. Hornblower—this infernal gout makes me irritable—puts me at a disadvantage. But I should be glad if you'd kindly explain yourself.
HORNBLOWER. [With a great smile] Ca' canny; I'm fra' the North.
HILLCRIST. I'm told you wish to buy the Centry and put more of your chimneys up there, regardless of the fact [He Points through the window] that it would utterly ruin the house we've had for generations, and all our pleasure here.
HORNBLOWER. How the man talks! Why! Ye'd think he owned the sky, because his fathers built him a house with a pretty view, where he's nothing to do but live. It's sheer want of something to do that gives ye your fine sentiments, Hillcrist.
HILLCRIST. Have the goodness not to charge me with idleness. Dawker—where is he?——[He shows the bureau] When you do the drudgery of your works as thoroughly as I do that of my estate—— Is it true about the Centry?
HORNBLOWER. Gospel true. If ye want to know, my son Chearlie is buyin' it this very minute.
MRS. H. [Turning with a start] What do you say?
HORNBLOWER. Ay, he's with the old lady she wants to sell, an' she'll get her price, whatever it is.
HILLCRIST. [With deep anger] If that isn't a skin game, Mr. Hornblower, I don't know what is.
HORNBLOWER. Ah! Ye've got a very nice expression there. "Skin game!" Well, bad words break no bones, an' they're wonderful for hardenin' the heart. If it wasn't for a lady's presence, I could give ye a specimen or two.
MRS. H. Oh! Mr. Hornblower, that need not stop you, I'm sure.
HORNBLOWER. Well, and I don't know that it need. Ye're an obstruction—the like of you—ye're in my path. And anyone in my path doesn't stay there long; or, if he does, he stays there on my terms. And my terms are chimneys in the Centry where I need 'em. It'll do ye a power of good, too, to know that ye're not almighty.
HILLCRIST. And that's being neighbourly!
HORNBLOWER. And how have ye tried bein' neighbourly to me? If I haven't a wife, I've got a daughter-in-law. Have Ye celled on her, ma'am? I'm new, and ye're an old family. Ye don't like me, ye think I'm a pushin' man. I go to chapel, an' ye don't like that. I make things and I sell them, and ye don't like that. I buy land, and ye don't like that. It threatens the view from your windies. Well, I don't lie you, and I'm not goin' to put up with your attitude. Ye've had things your own way too long, and now ye're not going to have them any longer.
HILLCRIST. Will you hold to your word over those cottages?
HORNBLOWER. I'm goin' to have the cottages. I need them, and more besides, now I'm to put up me new works.
HILLCRIST. That's a declaration of war.
HORNBLOWER. Ye never said a truer word. It's one or the other of us, and I rather think it's goin' to be me. I'm the risin' and you're the settin' sun, as the poet says.
HILLCRIST. [Touching the bell] We shall see if you can ride rough-shod like this. We used to have decent ways of going about things here. You want to change all that. Well, we shall do our damnedest to stop you. [To FELLOWS at the door] Are the Jackmans still in the house? Ask them to be good enough to come in.
HORNBLOWER. [With the first sign of uneasiness] I've seen these people. I've nothing more to say to them. I told 'em I'd give 'em five pounds to cover their moving.
HILLCRIST. It doesn't occur to you that people, however humble, like to have some say in their own fate?
HORNBLOWER. I never had any say in mine till I had the brass, and nobody ever will. It's all hypocrisy. You county folk are fair awful hypocrites. Ye talk about good form and all that sort o' thing. It's just the comfortable doctrine of the man in the saddle; sentimental varnish. Ye're every bit as hard as I am, underneath.
MRS. H. [Who had been standing very still all this time] You flatter us.
HORNBLOWER. Not at all. God helps those who 'elp themselves— that's at the bottom of all religion. I'm goin' to help meself, and God's going to help me.
MRS. H. I admire your knowledge.
HILLCRIST. We are in the right, and God helps——
HORNBLOWER. Don't ye believe it; ye 'aven't got the energy.
MRS. H. Nor perhaps the conceit.
HORNBLOWER. [Throwing out his forefinger] No, no; 'tisn't conceit to believe in yourself when ye've got reason to. [The JACKMAN'S have entered.]
HILLCRIST. I'm very sorry, Mrs. Jackman, but I just wanted you to realise that I've done my best with this gentleman.
MRS. J. [Doubtfully] Yes, sir. I thought if you spoke for us, he'd feel different-like.
HORNBLOWER. One cottage is the same as another, missis. I made ye a fair offer of five pounds for the moving.
JACKMAN. [Slowly] We wouldn't take fifty to go out of that 'ouse. We brought up three children there, an' buried two from it.
MRS. J. [To MRS. HILLCRIST] We're attached to it like, ma'am.
HILLCRIST. [To HORNBLOWER.] How would you like being turned out of a place you were fond of?
HORNBLOWER. Not a bit. But little considerations have to give way to big ones. Now, missis, I'll make it ten pounds, and I'll send a wagon to shift your things. If that isn't fair—! Ye'd better accept, I shan't keep it open.
[The JACKMANS look at each other; their faces show deep anger— and the question they ask each other is which will speak.]
MRS. J. We won't take it; eh, George?
JACKMAN. Not a farden. We come there when we was married.
HORNBLOWER. [Throwing out his finger] Ye're very improvident folk.
HILLCRIST. Don't lecture them, Mr. Hornblower; they come out of this miles above you.
HORNBLOWER. [Angry] Well, I was going to give ye another week, but ye'll go out next Saturday; and take care ye're not late, or your things'll be put out in the rain.
MRS. H. [To MRS. JACKMAN] We'll send down for your things, and you can come to us for the time being.
[MRS. JACKMAN drops a curtsey; her eyes stab HORNBLOWERS.]
JACKMAN. [Heavily, clenching his fists] You're no gentleman! Don't put temptation in my way, that's all.
HILLCRIST. [In a low voice] Jackman!
HORNBLOWER. [Triumphantly] Ye hear that? That's your protegee! Keep out o' my way, me man, or I'll put the police on to ye for utterin' threats.
HILLCRIST. You'd better go now, Jackman.
[The JACKMANS move to the door.]
MRS. J. [Turning] Maybe you'll repent it some day, sir.
[They go out, MRS. HILLCRIST following.]
HORNBLOWER. We-ell, I'm sorry they're such unreasonable folk. I never met people with less notion of which side their bread was buttered.
HILLCRIST. And I never met anyone so pachydermatous.
HORNBLOWER. What's that, in Heaven's name? Ye needn' wrap it up in long words now your good lady's gone.
HILLCRIST. [With dignity] I'm not going in for a slanging match. I resent your conduct much too deeply.
HORNBLOWER. Look here, Hillcrist, I don't object to you personally; ye seem to me a poor creature that's bound to get left with your gout and your dignity; but of course ye can make yourself very disagreeable before ye're done. Now I want to be the movin' spirit here. I'm full of plans. I'm goin' to stand for Parliament; I'm goin' to make this a prosperous place. I'm a good-matured man if you'll treat me as such. Now, you take me on as a neighbour and all that, and I'll manage without chimneys on the Centry. Is it a bargain? [He holds out his hand.]
HILLCRIST. [Ignoring it] I thought you said you didn't keep your word when it suited you to break it?
HORNBLOWER. Now, don't get on the high horse. You and me could be very good friends; but I can be a very nasty enemy. The chimneys will not look nice from that windie, ye know.
HILLCRIST. [Deeply angry] Mr. Hornblower, if you think I'll take your hand after this Jackman business, you're greatly mistaken. You are proposing that I shall stand in with you while you tyrannise over the neighbourhood. Please realise that unless you leave those tenancies undisturbed as you said you would, we don't know each other.
HORNBLOWER. Well, that won't trouble me much. Now, ye'd better think it over; ye've got gout and that makes ye hasty. I tell ye again: I'm not the man to make an enemy of. Unless ye're friendly, sure as I stand here I'll ruin the look of your place.
[The toot of a car is heard.]
There's my car. I sent Chearlie and his wife in it to buy the Centry. And make no mistake—he's got it in his packet. It's your last chance, Hillcrist. I'm not averse to you as a man; I think ye're the best of the fossils round here; at least, I think ye can do me the most harm socially. Come now!
[He holds out his hand again.]
HILLCRIST. Not if you'd bought the Centry ten times over. Your ways are not mine, and I'll have nothing to do with you.
HORNBLOWER. [Very angry] Really! Is that so? Very well. Now ye're goin' to learn something, an' it's time ye did. D'ye realise that I'm 'very nearly round ye? [He draws a circle slowly in the air] I'm at Uphill, the works are here, here's Longmeadow, here's the Centry that I've just bought, there's only the Common left to give ye touch with the world. Now between you and the Common there's the high road.
I come out on the high road here to your north, and I shall come out on it there to your west. When I've got me new works up on the Centry, I shall be makin' a trolley track between the works up to the road at both ends, so any goods will be running right round ye. How'll ye like that for a country place?
[For answer HILLCRIST, who is angry beyond the power of speech, walks, forgetting to use his stick, up to the French window. While he stands there, with his back to HORNBLOWER, the door L. is flung open, and Jim enters, preceding CHARLES, his wife CHLOE, and ROLF. CHARLES is a goodish-looking, moustached young man of about twenty-eight, with a white rim to the collar of his waistcoat, and spats. He has his hand behind CHLOE'S back, as if to prevent her turning tail. She is rather a handsome young woman, with dark eyes, full red lips, and a suspicion of powder, a little under-dressed for the country. ROLF, mho brings up the rear, is about twenty, with an open face and stiffish butter-coloured hair. JILL runs over to her father at the window. She has a bottle.]
JILL. [Sotto voce] Look, Dodo, I've brought the lot! Isn't it a treat, dear Papa? And here's the stuff. Hallo!
[The exclamation is induced by the apprehension that there has been a row. HILLCRIST gives a stiff little bow, remaining where he is in the window. JILL, stays close to him, staring from one to the other, then blocks him off and engages him in conversation. CHARLES has gone up to his father, who has remained maliciously still, where he delivered his last speech. CHLOE and ROLF stand awkwardly waiting between the fireplace and the door.]
HORNBLOWER. Well, Chearlie?
CHARLES. Not got it.
HORNBLOWER. Not!
CHARLES. I'd practically got her to say she'd sell at three thousand five hundred, when that fellow Dawker turned up.
HORNBLOWER. That bull-terrier of a chap! Why, he was here a while ago. Oh—ho! So that's it!
CHARLES. I heard him gallop up. He came straight for the old lady, and got her away. What he said I don't know; but she came back looking wiser than an owl; said she'd think it over, thought she had other views.
HORNBLOWER. Did ye tell her she might have her price?
CHARLES. Practically I did.
HORNBLOWER. Well?
CHARLES. She thought it would be fairer to put it up to auction. There were other enquiries. Oh! She's a leery old bird—reminds me of one of those pictures of Fate, don't you know.
HORNBLOWER. Auction! Well, if it's not gone we'll get it yet. That damned little Dawker! I've had a row with Hillcrist.
CHARLES. I thought so.
[They are turning cautiously to look at HILLCRIST, when JILL steps forward.]
JILL. [Flushed and determined] That's not a bit sporting of you, Mr. Hornblower.
[At her words ROLE comes forward too.]
HORNBLOWER. Ye should hear both sides before ye say that, missy.
JILL. There isn't another side to turning out the Jackmans after you'd promised.
HORNBLOWER. Oh! dear me, yes. They don't matter a row of gingerbread to the schemes I've got for betterin' this neighbourhood.
JILL. I had been standing up for you; now I won't.
HOUNBLOWER. Dear, dear! What'll become of me?
JILL. I won't say anything about the other thing because I think it's beneath, dignity to notice it. But to turn poor people out of their cottages is a shame.
HORNBLOWER. Hoity me!
ROLF. [Suddenly] You haven't been doing that, father?
CHARLES. Shut up, Rolf!
HORNBLOWER. [Turning on ROLF] Ha! Here's a league o' Youth! My young whipper-snapper, keep your mouth shut and leave it to your elders to know what's right.
[Under the weight of this rejoinder ROLF stands biting his lips. Then he throws his head up.]
ROLF. I hate it!
HORNBLOWER. [With real venom] Oh! Ye hate it? Ye can get out of my house, then.
JILL. Free speech, Mr. Hornblower; don't be violent.
HORNBLOWER. Ye're right, young lady. Ye can stay in my house, Rolf, and learn manners. Come, Chearlie!
JILL. [Quite softly] Mr. Hornblower!
HILLCRIST. [From the window] Jill!
JILL. [Impatiently] Well, what's the good of it? Life's too short for rows, and too jolly!
ROLF. Bravo!
HORNBLOWER. [Who has shown a sign of weakening] Now, look here! I will not have revolt in my family. Ye'll just have to learn that a man who's worked as I have, who's risen as I have, and who knows the world, is the proper judge of what's right and wrong. I'll answer to God for me actions, and not to you young people.
JILL. Poor God!
HORNBLOWER. [Genuinely shocked] Ye blasphemous young thing! [To ROLF] And ye're just as bad, ye young freethinker. I won't have it.
HILLCRIST. [Who has come down, Right] Jill, I wish you would kindly not talk.
JILL. I can't help it.
CHARLES. [Putting his arm through HORNBLOWER'S] Come along, father! Deeds, not words.
HORNBLOWER. Ay! Deeds!
[MRS. HILLCRIST and DAWKERS have entered by the French window.]
MRS. H. Quite right!
[They all turn and look at her.]
HORNBLOWER. Ah! So ye put your dog on to it. [He throws out his finger at DAWKERS] Very smart, that—I give ye credit.
MRS. H. [Pointing to CHLOE, who has stood by herself, forgotten and uncomfortable throughout the scene] May I ask who this lady is?
[CHLOE turns round startled, and her vanity bag slips down her dress to the floor.]
HORNBLOWER. No, ma'am, ye may not, for ye know perfectly well.
JILL. I brought her in, mother [She moves to CHLOE's side.]
MRS. H. Will you take her out again, then.
HILLCRIST. Amy, have the goodness to remember——
MRS. H. That this is my house so far as ladies are concerned.
JILL. Mother!
[She looks astonished at CHLOE, who, about to speak, does not, passing her eyes, with a queer, half-scarred expression, from MRS. HILLCRIST to DAWKER.] [To CHLOE] I'm awfully sorry. Come on! [They go out, Left. ROLF hurries after them.]
CHARLES. You've insulted my wife. Why? What do you mean by it?
[MRS. HILLCRIST simply smiles.]
HILLCRIST. I apologise. I regret extremely. There is no reason why the ladies of your family or of mine should be involved in our quarrel. For Heaven's sake, let's fight like gentlemen.
HORNBLOWER. Catchwords—sneers! No; we'll play what ye call a skin game, Hillcrist, without gloves on; we won't spare each other. Ye look out for yourselves, for, begod, after this morning I mean business. And as for you, Dawker, ye sly dog, ye think yourself very clever; but I'll have the Centry yet. Come, Chearlie!
[They go out, passing JILL, who is coming in again, in the doorway.]
HILLCRIST. Well, Dawker?
DAWKER. [Grinning] Safe for the moment. The old lady'll put it up to auction. Couldn't get her to budge from that. Says she don't want to be unneighbourly to either. But, if you ask me, it's money she smells!
JILL. [Advancing] Now, mother
MRS. H. Well?
JILL. Why did you insult her?
MRS. H. I think I only asked you to take her out.
JILL. Why? Even if she is Old Combustion's daughter-in-law?
MRS. H. My dear Jill, allow me to judge the sort of acquaintances I wish to make. [She looks at DAWKER.]
JILL. She's all right. Lots of women powder and touch up their lips nowadays. I think she's rather a good sort; she was awfully upset.
MRS. H. Too upset.
JILL. Oh! don't be so mysterious, mother. If you know something, do spit it out!
MRS. H. Do you wish me to—er—"spit it out," Jack?
HILLCRIST. Dawker, if you don't mind——
[DAWKER, with a nod, passes away out of the French window.]
Jill, be respectful, and don't talk like a bargee.
JILL. It's no good, Dodo. It made me ashamed. It's just as—as caddish to insult people who haven't said a word, in your own house, as it is to be—old Hornblower.
MRS. H. You don't know what you're talking about.
HILLCRIST. What's the matter with young Mrs. Hornblower?
MRS. H. Excuse me, I shall keep my thoughts to myself at present.
[She looks coldly at JILL, and goes out through the French window.]
HILLCRIST. You've thoroughly upset your mother, Jill.
JILL. It's something Dawker's told her; I saw them. I don't like Dawker, father, he's so common.
HILLCRIST. My dear, we can't all be uncommon. He's got lots of go, You must apologise to your mother.
JILL. [Shaking-her clubbed hair] They'll make you do things you don't approve of, Dodo, if you don't look out. Mother's fearfully bitter when she gets her knife in. If old Hornblower's disgusting, it's no reason we should be.
HILLCRIST. So you think I'm capable—that's nice, Jill!
JILL. No, no, darling! I only want to warn you solemnly that mother'll tell you you're fighting fair, no matter what she and Dawker do.
HILLCRIST. [Smiling] Jill, I don't think I ever saw you so serious.
JILL. No. Because—[She swallows a lump in her throat] Well—I was just beginning to enjoy, myself; and now—everything's going to be bitter and beastly, with mother in that mood. That horrible old man! Oh, Dodo! Don't let them make you horrid! You're such a darling. How's your gout, ducky?
HILLCRIST. Better; lot better.
JILL. There, you see! That shows! It's going to be half-interesting for you, but not for—us.
HILLCRIST. Look here, Jill—is there anything between you and young what's-his-name—Rolf?
JILL. [Biting her lip] No. But—now it's all spoiled.
HILLCRIST. You can't expect me to regret that.
JILL. I don't mean any tosh about love's young dream; but I do like being friends. I want to enjoy things, Dodo, and you can't do that when everybody's on the hate. You're going to wallow in it, and so shall I—oh! I know I shall!—we shall all wallow, and think of nothing but "one for his nob."
HILLCRIST. Aren't you fond of your home?
JILL. Of course. I love it.
HILLCRIST. Well, you won't be able to live in it unless we stop that ruffian. Chimneys and smoke, the trees cut down, piles of pots. Every kind of abomination. There! [He points] Imagine! [He points through the French window, as if he could see those chimneys rising and marring the beauty of the fields] I was born here, and my father, and his, and his, and his. They loved those fields, and those old trees. And this barbarian, with his "improvement" schemes, forsooth! I learned to ride in the Centry meadows—prettiest spring meadows in the world; I've climbed every tree there. Why my father ever sold——! But who could have imagined this? And come at a bad moment, when money's scarce.
JILL. [Cuddling his arm] Dodo!
HILLCRIST. Yes. But you don't love the place as I do, Jill. You youngsters don't love anything, I sometimes think.
JILL. I do, Dodo, I do!
HILLCRIST. You've got it all before you. But you may live your life and never find anything so good and so beautiful as this old home. I'm not going to have it spoiled without a fight.
[Conscious of batting betrayed Sentiment, he walks out at the French window, passing away to the right. JILL following to the window, looks. Then throwing back her head, she clasps her hands behind it.]
JILL. Oh—oh-oh!
[A voice behind her says, "JILL!" She turns and starts back, leaning against the right lintel of the window. ROLF appears outside the window from Left.]
Who goes there?
ROLE. [Buttressed against the Left lintel] Enemy—after Chloe's bag.
JILL. Pass, enemy! And all's ill!
[ROLF passes through the window, and retrieves the vanity bag from the floor where CHLOE dropped it, then again takes his stand against the Left lintel of the French window.]
ROLF. It's not going to make any difference, is it?
JILL. You know it is.
ROLF. Sins of the fathers.
JILL. Unto the third and fourth generations. What sin has my father committed?
ROLF. None, in a way; only, I've often told you I don't see why you should treat us as outsiders. We don't like it.
JILL. Well, you shouldn't be, then; I mean, he shouldn't be.
ROLF. Father's just as human as your father; he's wrapped up in us, and all his "getting on" is for us. Would you like to be treated as your mother treated Chloe? Your mother's set the stroke for the other big-wigs about here; nobody calls on Chloe. And why not? Why not? I think it's contemptible to bar people just because they're new, as you call it, and have to make their position instead of having it left them.
JILL. It's not because they're new, it's because—if your father behaved like a gentleman, he'd be treated like one.
ROLF. Would he? I don't believe it. My father's a very able man; he thinks he's entitled to have influence here. Well, everybody tries to keep him down. Oh! yes, they do. That makes him mad and more determined than ever to get his way. You ought to be just, Jill.
JILL. I am just.
ROLF. No, you're not. Besides, what's it got to do with Charlie and Chloe? Chloe's particularly harmless. It's pretty sickening for her. Father didn't expect people to call until Charlie married, but since——
JILL. I think it's all very petty.
ROLF. It is—a dog-in-the-manger business; I did think you were above it.
JILL. How would you like to have your home spoiled?
ROLE. I'm not going to argue. Only things don't stand still. Homes aren't any more proof against change than anything else.
JILL. All right! You come and try and take ours.
ROLF. We don't want to take your home.
JILL. Like the Jackmans'?
ROLF. All right. I see you're hopelessly prejudiced.
[He turns to go.]
JILL. [Just as he is vanishing—softly] Enemy?
ROLF. [Turning] Yes, enemy.
JILL. Before the battle—let's shake hands.
[They move from the lintels and grasp each other's hands in the centre of the French window.] CURTAIN
SCENE I
A billiard room in a provincial hotel, where things are bought and sold. The scene is set well forward, and is not very broad; it represents the auctioneer's end of the room, having, rather to stage Left, a narrow table with two chairs facing the audience, where the auctioneer will sit and stand. The table, which is set forward to the footlights, is littered with green-covered particulars of sale. The audience are in effect public and bidders. There is a door on the Left, level with the table. Along the back wall, behind the table, are two raised benches with two steps up to them, such as billiard rooms often have, divided by a door in the middle of a wall, which is panelled in oak. Late September sunlight is coming from a skylight (not visible) on to these seats. The stage is empty when the curtain goes up, but DAWKERS, and MRS. HILLCRIST are just entering through the door at the back.
DAWKER. Be out of their way here, ma'am. See old Hornblower with Chearlie?
[He points down to the audience.]
MRS. H. It begins at three, doesn't it?
DAWKER. They won't be over-punctual; there's only the Centry selling. There's young Mrs. Hornblower with the other boy— [Pointing] over at the entrance. I've got that chap I told you of down from town.
MRS. H. Ah! make sure quite of her, Dawker. Any mistake would be fatal.
DAWKER. [Nodding] That's right, ma'am. Lot of peopled—always spare time to watch an auction—ever remark that? The Duke's agent's here; shouldn't be surprised if he chipped in.
MRS. H. Where did you leave my husband?
DAWKER. With Miss Jill, in the courtyard. He's coming to you. In case I miss him; tell him when I reach his limit to blow his nose if he wants me to go on; when he blows it a second time, I'll stop for good. Hope we shan't get to that. Old Hornblower doesn't throw his money away.
MRS. H. What limit did you settle?
DAWKER. Six thousand!
MRS. H. That's a fearful price. Well, good luck to you, Dawker!
DAWKER. Good luck, ma'am. I'll go and see to that little matter of Mrs. Chloe. Never fear, we'll do them is somehow.
[He winks, lays his finger on the side of his nose, and goes out at the door.] [MRS. HILLCRIST mounts the two steps, sits down Right of the door, and puts up a pair of long-handled glasses. Through the door behind her come CHLOE and ROLF. She makes a sign for him to go, and shuts the door.]
CHLOE. [At the foot of the steps in the gangway—with a slightly common accent] Mrs. Hillcrist!
MRS. H. [Not quite starting] I beg your pardon?
CHLOE. [Again] Mrs. Hillcrist——
MRS. H. Well?
CHLOE. I never did you any harm.
MRS. H. Did I ever say you did?
CHLOE. No; but you act as if I had.
MRS. H. I'm not aware that I've acted at all—as yet. You are nothing to me, except as one of your family.
CHLOE. 'Tisn't I that wants to spoil your home.
MRS. H. Stop them then. I see your husband down there with his father.
CHLOE. I—I have tried.
MRS. H. [Looking at her] Oh! I suppose such men don't pay attention to what women ask them.
CHLOE. [With a flash of spirit] I'm fond of my husband. I——
MRS. H. [Looking at her steadily] I don't quite know why you spoke to me.
CHLOE. [With a sort of pathetic sullenness] I only thought perhaps you'd like to treat me as a human being.
MRS. H. Really, if you don't mind, I should like to be left alone just now.
CHLOE. [Unhappily acquiescent] Certainly! I'll go to the other end.
[She moves to the Left, mounts the steps and sits down.] [ROLF, looking in through the door, and seeing where she is, joins her. MRS. HILLCRIST resettles herself a little further in on the Right.]
ROLF. [Bending over to CHLOE, after a glance at MRS. HILLCRIST.] Are you all right?
CHLOE. It's awfully hot.
[She fans herself wide the particulars of sale.]
ROLF. There's Dawker. I hate that chap!
CHLOE. Where?
ROLF. Down there; see?
[He points down to stage Right of the room.]
CHLOE. [Drawing back in her seat with a little gasp] Oh!
ROLF. [Not noticing] Who's that next him, looking up here?
CHLOE. I don't know.
[She has raised her auction programme suddenly, and sits fanning herself, carefully screening her face.]
ROLE. [Looking at her] Don't you feel well? Shall I get you some water? [He gets up at her nod.]
[As he reaches the door, HILLCRIST and JILL come in. HILLCRIST passes him abstractedly with a nod, and sits down beside his wife.]
JILL. [To ROLF] Come to see us turned out?
ROLF. [Emphatically] No. I'm looking after Chloe; she's not well.
JILL. [Glancing at her] Sorry. She needn't have come, I suppose? [RALF deigns no answer, and goes out.] [JILL glances at CHLOE, then at her parents talking in low voices, and sits down next her father, who makes room for her.]
MRS. H. Can Dawker see you there, Jack?
[HILLCRIST nods.]
What's the time?
HILLCRIST. Three minutes to three.
JILL. Don't you feel beastly all down the backs of your legs. Dodo?
HILLCRIST. Yes.
JILL. Do you, mother?
MRS. H. No.
JILL. A wagon of old Hornblower's pots passed while we were in the yard. It's an omen.
MRS. H. Don't be foolish, Jill.
JILL. Look at the old brute! Dodo, hold my hand.
MRS. H. Make sure you've got a handkerchief, Jack.
HILLCRIST. I can't go beyond the six thousand; I shall have to raise every penny on mortgage as it is. The estate simply won't stand more, Amy.
[He feels in his breast pocket, and pulls up the edge of his handkerchief.]
JILL. Oh! Look! There's Miss Mullins, at the back; just come in. Isn't she a spidery old chip?
MRS. H. Come to gloat. Really, I think her not accepting your offer is disgusting. Her impartiality is all humbug.
HILLCRIST. Can't blame her for getting what she can—it's human nature. Phew! I used to feel like this before a 'viva voce'. Who's that next to Dawker?
JILL. What a fish!
MRS. H. [To herself] Ah! yes.
[Her eyes slide round at CHLOE, silting motionless and rather sunk in her seat, slowly fanning herself with they particulars of the sale. Jack, go and offer her my smelling salts.]
HILLCRIST. [Taking the salts] Thank God for a human touch!
MRS. H. [Taken aback] Oh!
JILL. [With a quick look at her mother, snatching the salts] I will. [She goes over to CHLOE with the salts] Have a sniff; you look awfully white.
CHLOE. [Looking up, startled] Oh! no thanks. I'm all right.
JILL. No, do! You must. [CHLOE takes them.]
JILL. D'you mind letting me see that a minute?
[She takes the particulars of the sale and studies it, but CHLOE has buried the lower part of her face in her hand and the smelling salts bottle.]
Beastly hot, isn't it? You'd better keep that.
CHLOE. [Her dark eyes wandering and uneasy] Rolf's getting me some water.
JILL. Why do you stay? You didn't want to come, did you?
[CHLOE shakes her head.]
All right! Here's your water.
[She hands back the particulars and slides over to her seat, passing ROLF in the gangway, with her chin well up.] [MRS. HILLCRIST, who has watched CHLOE and JILL and DAWKER, and his friend, makes an enquiring movement with her hand, but gets a disappointing answer.]
JILL. What's the time, Dodo?
HILLCRIST. [Looking at his watch] Three minutes past.
JILL. [Sighing] Oh, hell!
HILLCRIST. Jill!
JILL. Sorry, Dodo. I was only thinking. Look! Here he is! Phew!—isn't he——?
MRS. H. 'Sh!
The AUCTIONEER comes in Left and goes to the table. He is a square, short, brown-faced, common looking man, with clipped grey hair fitting him like a cap, and a clipped grey moustache. His lids come down over his quick eyes, till he can see you very sharply, and you can hardly see that he can see you. He can break into a smile at any moment, which has no connection with him, as it were. By a certain hurt look, however, when bidding is slow, he discloses that he is not merely an auctioneer, but has in him elements of the human being. He can wink with anyone, and is dressed in a snug-brown suit, with a perfectly unbuttoned waistcoat, a low, turned down collar, and small black and white sailor knot tie. While he is settling his papers, the HILLCRISTS settle themselves tensely. CHLOE has drunk her water and leaned back again, with the smelling salts to her nose. ROLF leans forward in the seat beside her, looking sideways at JILL. A SOLICITOR, with a grey beard, has joined the AUCTIONEER, at his table.
AUCTIONEER. [Tapping the table] Sorry to disappoint you, gentlemen, but I've only one property to offer you to-day, No. 1, The Centry, Deepwater. The second on the particulars has been withdrawn. The third that's Bidcot, desirable freehold mansion and farmlands in the Parish of Kenway—we shall have to deal with next week. I shall be happy to sell it you then with out reservation. [He looks again through the particulars in his hand, giving the audience time to readjust themselves to his statements] Now, gen'lemen, as I say, I've only the one property to sell. Freehold No. 1—all that very desirable corn and stock-rearing and parklike residential land known as the Centry, Deepwater, unique property an A.1. chance to an A.1. audience. [With his smile] Ought to make the price of the three we thought we had. Now you won't mind listening to the conditions of sale; Mr. Blinkard'll read 'em, and they won't wirry you, they're very short.
[He sits down and gives two little tape on the table.] [The SOLICITOR rises and reads the conditions of sale in a voice which no one practically can hear. Just as he begins to read these conditions of sale, CHARLES HORNBLOWER enters at back. He stands a moment, glancing round at the HILLCRIST and twirling his moustache, then moves along to his wife and touches her.]
CHARLES. Chloe, aren't you well?
[In the start which she gives, her face is fully revealed to the audience.]
CHARLES. Come along, out of the way of these people.
[He jerks his head towards the HILLCRISTS. CHLOE gives a swift look down to the stage Right of the audience.]
CHLOE. No; I'm all right; it's hotter there.
CHARLES. [To ROLF] Well, look after her—I must go back.
[ROLF node. CHARLES, slides bank to the door, with a glance at the HILLCRISTS, of whom MRS. HILLCRIST has been watching like a lynx. He goes out, just as the SOLICITOR, finishing, sits down.]
AUCTIONEER. [Rising and tapping] Now, gen'lemen, it's not often a piece of land like this comes into the market. What's that? [To a friend in front of him] No better land in Deepwater—that's right, Mr. Spicer. I know the village well, and a charming place it is; perfect locality, to be sure. Now I don't want to wirry you by singing the praises of this property; there it is—well-watered, nicely timbered—no reservation of the timber, gen'lemen—no tenancy to hold you up; free to do what you like with it to-morrow. You've got a jewel of a site there, too; perfect position for a house. It lies between the Duke's and Squire Hillcrist's—an emerald isle. [With his smile] No allusion to Ireland, gen'lemen—perfect peace in the Centry. Nothing like it in the county—a gen'leman's site, and you don't get that offered you every day. [He looks down towards HORNBLOWER, stage Left] Carries the mineral rights, and as you know, perhaps, there's the very valuable Deepwater clay there. What am I to start it at? Can I say three thousand? Well, anything you like to give me. I'm sot particular. Come now, you've got more time than me, I expect. Two hundred acres of first-rate grazin' and cornland, with a site for a residence unequalled in the county; and all the possibilities! Well, what shall I say?
[Bid from SPICER.]
Two thousand? [With his smile] That won't hurt you, Mr. Spicer. Why, it's worth that to overlook the Duke. For two thousand?
[Bid from HORNBLOWER, stage Left.]
And five. Thank you, sir. Two thousand five hundred bid.
[To a friend just below him.]
Come, Mr. Sandy, don't scratch your head over it.
[Bid from DAWKER, Stage Right.]
And five. Three thousand bid for this desirable property. Why, you'd think it wasn't desirable. Come along, gen'lemen. A little spirit.
[A alight pause.]
JILL. Why can't I see the bids, Dodo?
HILLCRIST. The last was Dawker's.
AUCTIONEER. For three thousand. [HORNBLOWER] Three thousand five hundred? May I say—four? [A bid from the centre] No, I'm not particular; I'll take hundreds. Three thousand six hundred bid. [HORNBLOWER] And seven. Three thousand seven hundred, and——
[He pauses, quartering the audience.]
JILL. Who was that, Dodo?
HILLCRIST. Hornblower. It's the Duke in the centre.
AUCTIONEER. Come, gen'lemen, don't keep me all day. Four thousand may I say? [DAWKER] Thank you. We're beginning. And one? [A bid from the centre] Four thousand one hundred. [HORNBLOWER] Four thousand two hundred. May I have yours, sir? [To DAWKER] And three. Four thousand three hundred bid. No such site in the county, gen'lemen. I'm going to sell this land for what it's worth. You can't bid too much for me. [He smiles] [HORNBLOWER] Four thousand five hundred bid. [Bid from the centre] And six. [DAWKER] And seven. [HORNBLOWER] And eight. Nine, may I say? [But the centre has dried up] [DAWKER] And nine. [HORNBLOWER] Five thousand. Five thousand bid. That's better; there's some spirit in it. For five thousand.
[He pauses while he speak& to the SOLICITOR]
HILLCRIST. It's a duel now.
AUCTIONEER. Now, gen'lemen, I'm not going to give this property away. Five thousand bid. [DAWKER] And one. [HORNBLOWER] And two. [DAWKER] And three. Five thousand three hundred bid. And five, did you say, sir? [HORNBLOWER] Five thousand five hundred bid.
[He looks at hip particulars.]
JILL. [Rather agonised] Enemy, Dodo.
AUCTIONEER. This chance may never come again.
"How you'll regret it If you don't get it,"
as the poet says. May I say five thousand six hundred, sir? [DAWKER] Five thousand six hundred bid. [HORNBLOWER] And seven. [DAWKER] And eight. For five thousand eight hundred pounds. We're gettin' on, but we haven't got the value yet.
[A slight pause, while he wipes his brow at the success of his own efforts.]
JILL. Us, Dodo?
[HILLCRIST nods. JILL looks over at ROLF, whose face is grimly set. CHLOE has never moved. MRS. HILLCRIST whispers to her husband.]
AUCTIONEER. Five thousand eight hundred bid. For five thousand eight hundred. Come along, gen'lemen, come along. We're not beaten. Thank you, sir. [HORNBLOWER] Five thousand nine hundred. And—? [DAWKER] Six thousand. Six thousand bid. Six thousand bid. For six thousand! The Centry—most desirable spot in the county—going for the low price of six thousand.
HILLCRIST. [Muttering] Low! Heavens!
AUCTIONEER. Any advance on six thousand? Come, gen'lemen, we haven't dried up? A little spirit. Six thousand? For six thousand? For six thousand pounds? Very well, I'm selling. For six thousand once—[He taps] For six thousand twice—[He taps].
JILL. [Low] Oh! we've got it!
AUCTIONEER. And one, sir? [HORNBLOWER] Six thousand one hundred bid.
[The SOLICITOR touches his arm and says something, to which the AUCTIONEER responds with a nod.]
MRS. H. Blow your nose, Jack.
[HILLCRIST blows his nose.]
AUCTIONEER. For six thousand one hundred. [DAWKER] And two. Thank you. [HORNBLOWER] And three. For six thousand three hundred. [DAWKER] And four. For six thousand four hundred pounds. This coveted property. For six thousand four hundred pounds. Why, it's giving it away, gen'lemen. [A pause.]
MRS. H. Giving!
AUCTIONEER. Six thousand four hundred bid. [HORNBLOWER] And five. [DAWKER] And six. [HORNBLOWER] And seven. [DAWKER] And eight.
[A pause, during which, through the door Left, someone beckons to the SOLICITOR, who rises and confers.]
HILLCRIST. [Muttering] I've done if that doesn't get it.
AUCTIONEER. For six thousand eight hundred. For six thousand eight hundred-once—[He taps] twice—[He tape] For the last time. This dominating site. [HORNBLOWER] And nine. Thank you. For six thousand nine hundred.
[HILLCRIST has taken out his handkerchief.]
JILL. Oh! Dodo!
MRS. H. [Quivering] Don't give in!
AUCTIONEER. Seven thousand may I say? [DAWKER] Seven thousand.
MRS. H. [Whispers] Keep it down; don't show him.
AUCTIONEER. For seven-thousand—going for seven thousand—once— [Taps] twice [Taps] [HORNBLOWER] And one. Thank you, sir.
[HILLCRIST blows his nose. JILL, with a choke, leans back in her seat and folds her arms tightly on her chest. MRS. HILLCRIST passes her handkerchief over her lips, sitting perfectly still. HILLCRIST, too, is motionless.] [The AUCTIONEER, has paused, and is talking to the SOLICITOR, who has returned to his seat.]
MRS. H. Oh! Jack.
JILL. Stick it, Dodo; stick it!
AUCTIONEER. Now, gen'lemen, I have a bid of seven thousand one hundred for the Centry. And I'm instructed to sell if I can't get more. It's a fair price, but not a big price. [To his friend MR. SPICER] A thumpin' price? [With his smile] Well, you're a judge of thumpin', I admit. Now, who'll give me seven thousand two hundred? What, no one? Well, I can't make you, gen'lemen. For seven thousand one hundred. Once—[Taps] Twice—[Taps].
[JILL utters a little groan.]
HILLCRIST. [Suddenly, in a queer voice] Two.
AUCTIONEER. [Turning with surprise and looking up to receive HILLCRIST'S nod] Thank you, sir. And two. Seven thousand two hundred. [He screws himself round so as to command both HILLCRIST and HORNBLOWER] May I have yours, sir? [HORNBLOWER] And three. [HILLCRIST] And four. Seven thousand four hundred. For seven thousand four hundred. [HORNBLOWER] Five. [HILLCRIST] Six. For seven thousand six hundred. [A pause] Well, gen'lemen, this is. better, but a record property shid fetch a record price. The possibilities are enormous. [HORNBLOWER] Eight thousand did you say, sir? Eight thousand. Going for eight thousand pounds. [HILLCRIST] And one. [HORNBLOWER] And two. [HILLCRIST] And three. [HORNBLOWER] And four. [HILLCRIST] And five. For eight thousand five hundred. A wonderful property for eight thousand five hundred.
[He wipes his brow.]
JILL. [Whispering] Oh, Dodo!
MRS. H. That's enough, Jack, we must stop some time.
AUCTIONEER. For eight thousand five hundred. Once—[Taps]—twice— [Taps] [HORNBLOWER] Six hundred. [HILLCRIST] Seven. May I have yours, sir? [HORNBLOWER] Eight.
HILLCRIST. Nine thousand.
[MRS. HILLCRIST looks at him, biting her lips, but he is quite absorbed.]
AUCTIONEER. Nine thousand for this astounding property. Why, the Duke would pay that if he realised he'd be overlooked. Now, Sir? [To HORNBLOWER. No response]. Just a little raise on that. [No response.] For nine thousand. The Centry, Deepwater, for nine thousand. Once—[Taps] Twice——[Taps].
JILL. [Under her breath] Ours!
A VOICE. [From far back in the centre] And five hundred.
AUCTIONEER. [Surprised and throwing out his arms towards the voice] And five hundred. For nine thousand five hundred. May I have yours, sir? [He looks at HORNBLOWER. No response.]
[The SOLICITOR speaks to him. MRS. H. [Whispering] It must be the Duke again.]
HILLCRIST. [Passing his hand over his brow] That's stopped him, anyway.
AUCTIONEER. [Looking at HILLCRIST] For nine thousand five hundred? [HILLCRIST shakes his head.] Once more. The Centry, Deepwater, for nine thousand five hundred. Once—[Taps] Twice—[Taps] [He pauses and looks again at HORNBLOWER and HILLCRIST] For the last time—at nine thousand five hundred. [Taps] [With a look towards the bidder] Mr. Smalley. Well! [With great satisfaction] That's that! No more to-day, gen'lemen.
[The AUCTIONEER and SOLICITOR busy themselves. The room begins to empty.]
MRS. H. Smalley? Smalley? Is that the Duke's agent? Jack!
HILLCRIST. [Coming out of a sort of coma, after the excitement he has been going through] What! What!
JILL. Oh, Dodo! How splendidly you stuck it!
HILLCRIST. Phew! What a squeak! I was clean out of my depth. A mercy the Duke chipped in again.
MRS. H. [Looking at ROLF and CHLOE, who are standing up as if about to go] Take care; they can hear you. Find DAWKER, Jack.
[Below, the AUCTIONEER and SOLICITOR take up their papers, and move out Left.] [HILLCRIST stretches himself, standing up, as if to throw off the strain. The door behind is opened, and HORNBLOWER appears.]
HORNBLOWER. Ye ran me up a pretty price. Ye bid very pluckily, Hillcrist. But ye didn't quite get my measure.
HILLCRIST. Oh! It was my nine thousand the Duke capped. Thank God, the Centry's gone to a gentleman!
HORNBLOWER. The Duke? [He laughs] No, the Gentry's not gone to a gentleman, nor to a fool. It's gone to me.
HILLCRIST. What!
HOUNBLOWER. I'm sorry for ye; ye're not fit to manage these things. Well, it's a monstrous price, and I've had to pay it because of your obstinacy. I shan't forget that when I come to build.
HILLCRIST. D'you mean to say that bid was for you?
HORNBLOWER. Of course I do. I told ye I was a bad man to be up against. Perhaps ye'll believe me now.
HILLCRIST. A dastardly trick!
HORNBLOWER. [With venom] What did ye call it—a skin game? Remember we're playin' a skin game, Hillcrist.
HILLCRIST. [Clenching his fists] If we were younger men——
HORNBLOWER. Ay! 'Twouldn't Look pretty for us to be at fisticuffs. We'll leave the fightin' to the young ones. [He glances at ROLF and JILL; suddenly throwing out his finger at ROLF] No makin' up to that young woman! I've watched ye. And as for you, missy, you leave my boy alone.
JILL. [With suppressed passion] Dodo, may I spit in his eye or something?
HILLCRIST. Sit down.
[JILL sits down. He stands between her and HORNBLOWER.] [Yu've won this round, sir, by a foul blow. We shall see whether you can take any advantage of it. I believe the law can stop you ruining my property.]
HORNBLOWER. Make your mind easy; it can't. I've got ye in a noose, and I'm goin' to hang ye.
MRS. H. [Suddenly] Mr. Hornblower, as you fight foul—so shall we.
HILLCRIST. Amy!
MRS. H. [Paying no attention] And it will not be foul play towards you and yours. You are outside the pale.
HORNBLOWER. That's just where I am, outside your pale all round ye. Ye're not long for Deepwater, ma'am. Make your dispositions to go; ye'll be out in six months, I prophesy. And good riddance to the neighbourhood. [They are all down on the level now.]
CHLOE. [Suddenly coming closer to MRS. HILLCRIST] Here are your salts, thank you. Father, can't you——?
HORNBLOWER. [Surprised] Can't I what?
CHLOE. Can't you come to an arrangement?
MRS. H. Just so, Mr. Hornblower. Can't you?
HORNBLOWER. [Looking from one to the other] As we're speakin' out, ma'am, it's your behaviour to my daughter-in-law—who's as good as you—and better, to my thinking—that's more than half the reason why I've bought this property. Ye've fair got my dander up. Now it's no use to bandy words. It's very forgivin' of ye, Chloe, but come along!
MRS. H. Quite seriously, Mr. Hornblower, you had better come to an arrangement.
HORNBLOWER. Mrs. Hillcrist, ladies should keep to their own business.
MRS. H. I will.
HILLCRIST. Amy, do leave it to us men. You young man [He speaks to ROLF] do you support your father's trick this afternoon?
[JILL looks round at ROLF, who tries to speak, when HORNBLOWER breaks in.]
HORNBLOWER. My trick? And what dye call it, to try and put me own son against me?
JILL. [To ROLF] Well?
ROLF. I don't, but——
HORNBLOWER. Trick? Ye young cub, be quiet. Mr. Hillcrist had an agent bid for him—I had an agent bid for me. Only his agent bid at the beginnin', an' mine bid at the end. What's the trick in that?
[He laughs.]
HILLCRIST. Hopeless; we're in different worlds.
HORNBLOWER. I wish to God we were! Come you, Chloe. And you, Rolf, you follow. In six months I'll have those chimneys up, and me lorries runnin' round ye.
MRS. H. Mr. Hornblower, if you build——
HORNBLOWER. [Looking at MRS. HILLCRIST] Ye know—it's laughable. Ye make me pay nine thousand five hundred for a bit o' land not worth four, and ye think I'm not to get back on ye. I'm goin' on with as little consideration as if ye were a family of blackbeetles. Good afternoon!
ROLF. Father!
JILL. Oh, Dodo! He's obscene.
HILLCRIST. Mr. Hornblower, my compliments.
[HORNBLOWER with a stare at HILLCRIST'S half-smiling face, takes CHLOE'S arm, and half drags her towards the door on the Left. But there, in the opened doorway, are standing DAWKER and a STRANGER. They move just out of the way of the exit, looking at CHLOE, who sways and very nearly falls.]
HORNBLOWER. Why! Chloe! What's the matter?
CHLOE. I don't know; I'm not well to-day.
[She pulls herself together with a great, effort.]
MRS. H. [Who has exchanged a nod with DAWKER and the STRANGER] Mr. Hornblower, you build at your peril. I warn you.
HORNBLOWER. [Turning round to speak] Ye think yourself very cool and very smart. But I doubt this is the first time ye've been up against realities. Now, I've been up against them all my life. Don't talk to me, ma'am, about peril and that sort of nonsense; it makes no impression. Your husband called me pachydermatous. I don't know Greek, and Latin, and all that, but I've looked it out in the dictionary, and I find it means thick-skinned. And I'm none the worse for that when I have to deal with folk like you. Good afternoon.
[He draws CHLOE forward, and they pass through the door, followed quickly by ROLF.]
MRS. H. Thank you; Dawker.
[She moves up to DAWKER and the STRANGER, Left, and they talk.]
JILL. Dodo! It's awful!
HILLCRIST. Well, there's nothing for it now but to smile and pay up. Poor old home! It shall be his wash-pot. Over the Centry will he cast his shoe. By Gad, Jill, I could cry!
JILL. [Pointing] Look! Chloe's sitting down. She nearly fainted just now. It's something to do with Dawker, Dodo, and that man with him. Look at mother! Ask them!
HILLCRIST. Dawker!
[DAWKER comes to him, followed by MRS. HILLCRIST.]
What's the mystery about young Mrs. Hornblower?
DAWKER. No mystery.
HILLCRIST. Well, what is it?
MRS. H. You'd better not ask.
HILLCRIST. I wish to know.
MRS. H. Jill, go out and wait for us.
JILL. Nonsense, mother!
MRS. H. It's not for a girl to hear.
JILL. Bosh! I read the papers every day.
DAWKER. It's nothin' worse than you get there, anyway.
MRS. H. Do you wish your daughter——
JILL. It's ridiculous, Dodo; you'd think I was mother at my age.
MRS. H. I was not so proud of my knowledge.
JILL. No, but you had it, dear.
HILLCRIST. What is it——what is it? Come over here, Dawker.
[DAWKER goes to him, Right, and speaks in a low voice.]
What! [Again DAWKER speaks in, a low voice.]
Good God!
MRS. H. Exactly!
JILL. Poor thing—whatever it is!
MRS. H. Poor thing?
JILL. What went before, mother?
MRS. H. It's what's coming after that matters; luckily.
HILLCRIST. How do you know this?
DAWKER. My friend here [He points to the STRANGER] was one of the agents.
HILLCRIST. It's shocking. I'm sorry I heard it.
MRS. H. I told you not to.
HILLCRIST. Ask your friend to come here.
[DAWKER beckons, and the STRANGER joins the group.]
Are you sure of what you've said, sir?
STRANGER. Perfectly. I remember her quite well; her name then was——
HILLCRIST. I don't want to know, thank you. I'm truly sorry. I wouldn't wish the knowledge of that about his womenfolk to my worst enemy. This mustn't be spoken of. [JILL hugs his arm.]
MRS. H. It will not be if Mr. Hornblower is wise. If he is not wise, it must be spoken of.
HILLCRIST. I say no, Amy. I won't have it. It's a dirty weapon. Who touches pitch shall be defiled.
MRS. H. Well, what weapons does he use against us? Don't be quixotic. For all we can tell, they know it quite well already, and if they don't they ought to. Anyway, to know this is our salvation, and we must use it.
JILL: [Sotto voce] Pitch! Dodo! Pitch!
DAWKER. The threat's enough! J.P.—Chapel—Future member for the constituency——.
HILLCRIST. [A little more doubtfully] To use a piece of knowledge about a woman—it's repugnant. I—I won't do it.
[Mrs. H. If you had a son tricked into marrying such a woman, would you wish to remain ignorant of it?]
HILLCRIST. [Struck] I don't know—I don't know.
MRS. H. At least, you'd like to be in a position to help him, if you thought it necessary?
HILLCRIST. Well—that perhaps.
MRS. H. Then you agree that Mr. Hornblower at least should be told. What he does with the knowledge is not our affair.
HILLCRIST. [Half to the STRANGER and half to DAWKER] Do you realise that an imputation of that kind may be ground for a criminal libel action?
STRANGER. Quite. But there's no shadow of doubt; not the faintest. You saw her just now?
HILLCRIST. I did. [Revolting again] No; I don't like it.
[DAWKER has drawn the STRANGER a step or two away, and they talk together.]
MRS. H. [In a low voice] And the ruin of our home? You're betraying your fathers, Jack.
HILLCRIST. I can't bear bringing a woman into it.
MRS. H. We don't. If anyone brings her in; it will be Hornblower himself.
HILLCRIST. We use her secret as a lever.
MRS. H. I tell you quite plainly: I will only consent to holding my tongue about her, if you agree to Hornblower being told. It's a scandal to have a woman like that in the neighbourhood.
JILL. Mother means that, father.
HILLCRIST. Jill, keep quiet. This is a very bitter position. I can't tell what to do.
MRS. H. You must use this knowledge. You owe it to me—to us all. You'll see that when you've thought it over.
JILL. [Softly] Pitch, Dodo, pitch!
MRS. H. [Furiously] Jill, be quiet!
HILLCRIST. I was brought up never to hurt a woman. I can't do it, Amy—I can't do it. I should never feel like a gentleman again.
MRS. H. [Coldly] Oh! Very well.
HILLCRIST. What d'you mean by that?
MRS. H. I shall use the knowledge in my own way.
HILLCRIST. [Staring at her] You would—against my wishes?
MRS. H. I consider it my duty.
HILLCRIST. If I agree to Hornblower being told——
MRS. H. That's all I want.
HILLCRIST. It's the utmost I'll consent to, Amy; and don't let's have any humbug about its being, morally necessary. We do it to save our skins.
MRS. H. I don't know what you mean by humbug?
JILL. He means humbug; mother.
HILLCRIST. It must stop at old Hornblower. Do you quite understand?
MRS. H. Quite.
JILL. Will it stop?
MRS. H. Jill, if you can't keep your impertinence to yourself——
HILLCRIST. Jill, come with me.
[He turns towards door, Back.]
JILL. I'm sorry, mother. Only it is a skin game, isn't it?
MRS. H. You pride yourself on plain speech, Jill. I pride myself on plain thought. You will thank me afterwards that I can see realities. I know we are better people than these Hornblowers. Here we are going to stay, and they—are not.
JILL. [Looking at her with a sort of unwilling admiration] Mother, you're wonderful!
HILLCRIST. Jill!
JILL. Coming, Dodo.
[She turns and runs to the door. They go out.] [MRS. HILLCRIST, with a long sigh, draws herself up, fine and proud.]
MRS. H. Dawker! [He comes to her.]
[I shall send him a note to-night, and word it so that he will be bound to come and see us to-marrow morning. Will you be in the study just before eleven o'clock, with this gentleman?]
DAWKER. [Nodding] We're going to wire for his partner. I'll bring him too. Can't make too sure.
[She goes firmly up the steps and out.]
DAWKER. [To the STRANGER, with a wink] The Squire's squeamish—too much of a gentleman. But he don't count. The grey mare's all right. You wire to Henry. I'm off to our solicitors. We'll make that old rhinoceros sell us back the Centry at a decent price. These Hornblowers—[Laying his finger on his nose] We've got 'em!
CURTAIN
SCENE II
CHLOE's boudoir at half-past seven the same evening. A pretty room. No pictures on the walls, but two mirrors. A screen and a luxurious couch an the fireplace side, stage Left. A door rather Right of Centre Back; opening inwards. A French window, Right forward: A writing table, Right Back. Electric light burning. CHLOE, in a tea-gown, is standing by the forward end of the sofa, very still, and very pale. Her lips are parted, and her large eyes stare straight before them as if seeing ghosts: The door is opened noiselessly and a WOMAN'S face is seen. It peers at CHLOE, vanishes, and the door is closed. CHLOE raises her hands, covers her eyes with them, drops them with a quick gesture, and looks round her. A knock. With a swift movement she slides on to the sofa, and lies prostrate, with eyes closed.
CHLOE. [Feebly] Come in!
[Her Maid enters; a trim, contained figure of uncertain years, in a black dress, with the face which was peering in.]
Yes, Anna?
ANNA. Aren't you going in to dinner, ma'am?
CHLOE. [With closed eyes] No.
ANNA. Will you take anything here, ma'am?
CHLOE. I'd like a biscuit and a glass of champagne.
[The MAID, who is standing between sofa and door, smiles. CHLOE, with a swift look, catches the smile.]
Why do you smile?
ANNA. Was I, ma'am?
CHLOE. You know you were. [Fiercely] Are you paid to smile at me?
ANNA. [Immovable] No, ma'am, Would you like some eau de Cologne on your forehead?
CHLOE. Yes.—No.—What's the good? [Clasping her forehead] My headache won't go.
ANNA. To keep lying down's the best thing for it.
CHLOE. I have been—hours.
ANNA. [With the smile] Yes, ma'am.
CHLOE. [Gathering herself up on the sofa] Anna! Why do you do it?
ANNA. Do what, ma'am?
CHLOE. Spy on me.
ANNA. I—never! I——!
CHLOE. To spy! You're a fool, too. What is there to spy on?
ANNA. Nothing, ma'am. Of course, if you're not satisfied with me, I must give notice. Only—if I were spying, I should expect to have notice given me. I've been accustomed to ladies who wouldn't stand such a thing for a minute.
CHLOE: [Intently] Well, you'll take a month's wages and go tomorrow. And that's all, now.
[ANNA inclines her head and goes out.] [CHLOE, with a sort of moan, turns over and buries her face in the cushion.]
CHLOE. [Sitting up] If I could see that man—if only—or Dawker—-
[She springs up and goes to the door, but hesitates, and comes back to the head of the sofa, as ROLF comes in. During this scene the door is again opened stealthily, an inch or too.]
ROLF. How's the head?
CHLOE. Beastly, thanks. I'm not going into dinner.
ROLF. Is there anything I can do for you?
CHLOE. No, dear boy. [Suddenly looking at him] You don't want this quarrel with the Hillcrists to go on, do you, Rolf?
ROLF. No; I hate it.
CHLOE. Well, I think I might be able to stop it. Will you slip round to Dawker's—it's not five minutes—and ask him to come and see me.
ROLF. Father and Charlie wouldn't——
CHLOE. I know. But if he comes to the window here while you're at dinner, I'll let him in, and out, and nobody'd know.
ROLF. [Astonished] Yes, but what I mean how——
CHLOE. Don't ask me. It's worth the shot that's all. [Looking at her wrist-watch] To this window at eight o'clock exactly. First long window on the terrace, tell him.
ROLF. It's nothing Charlie would mind?
CHLOE. No; only I can't tell him—he and father are so mad about it all.
ROLF. If there's a real chance——
CHLOE. [Going to the window and opening it] This way, Rolf. If you don't come back I shall know he's coming. Put your watch by mine. [Looking at his watch] It's a minute fast, see!
ROLF. Look here, Chloe
CHLOE. Don't wait; go on.
[She almost pushes him out through the window, closes it after him, draws the curtains again, stands a minute, thinking hard; goes to the bell and rings it; then, crossing to the writing table, Right Back, she takes out a chemist's prescription.] [ANNA comes in.]
CHLOE. I don't want that champagne. Take this to the chemist and get him to make up some of these cachets quick, and bring them back yourself.
ANNA. Yes, ma'am; but you have some.
CHLOE. They're too old; I've taken two—the strength's out of them. Quick, please; I can't stand this head.
ANNA. [Taking the prescription—with her smile] Yes, ma'am. It'll take some time—you don't want me?
CHLOE. No; I want the cachets.
[ANNA goes out.] [CHLOE looks at her wrist-watch, goes to the writing-table, which is old-fashioned, with a secret drawer, looks round her, dives at the secret drawer, takes out a roll of notes and a tissue paper parcel. She counts the notes: "Three hundred." Slips them into her breast and unwraps the little parcel. It contains pears. She slips them, too, into her dress, looks round startled, replaces the drawer, and regains her place on the sofa, lying prostrate as the door opens, and HORNBLOWER comes in. She does not open her ages, and he stands looking at her a moment before speaking.]
HORNBLOWER. [Almost softly] How are ye feelin'. Chloe?
CHLOE. Awful head!
HORNBLOWER: Can ye attend a moment? I've had a note from that woman.
[CHLOE sits up.]
HORNBLOWER. [Reading] "I have something of the utmost importance to tell you in regard to your daughter-in-law. I shall be waiting to see you at eleven o'clock to-morrow morning. The matter is so utterly vital to the happiness of all your family, that I cannot imagine you will fail to come." Now, what's the meaning of it? Is it sheer impudence, or lunacy, or what?
CHLOE. I don't know.
HORNBLOWER. [Not unkindly] Chloe, if there's anything—ye'd better tell me. Forewarned's forearmed.
CHLOE. There's nothing; unless it's—[With a quick took at him,]— Unless it's that my father was a—a bankrupt.
HORNBLOWER. Hech! Many a man's been that. Ye've never told us much about your family.
CHLOE. I wasn't very proud of him.
HORNBLOWER. Well, ye're not responsible for your father. If that's all, it's a relief. The bitter snobs! I'll remember it in the account I've got with them.
CHLOE. Father, don't say anything to Charlie; it'll only worry him for nothing.
HORNBLOWER. No, no, I'll not. If I went bankrupt, it'd upset Chearlie, I've not a doubt. [He laugh. Looking at her shrewdly] There's nothing else, before I answer her?
[CHLOE shakes her head.]
Ye're sure?
CHLOE. [With an effort] She may invent things, of course.
HORNBLOWER. [Lost in his feud feeling] Ah! but there's such a thing as the laws o' slander. If they play pranks, I'll have them up for it.
CHLOE. [Timidly] Couldn't you stop this quarrel; father? You said it was on my account. But I don't want to know them. And they do love their old home. I like the girl. You don't really need to build just there, do you? Couldn't you stop it? Do!
HORNBLOWER. Stop it? Now I've bought? Na, no! The snobs defied me, and I'm going to show them. I hate the lot of them, and I hate that little Dawker worst of all.
CHLOE. He's only their agent.
HORNBLOWER. He's a part of the whole dog-in-the-manger system that stands in my way. Ye're a woman, and ye don't understand these things. Ye wouldn't believe the struggle I've had to make my money and get my position. These county folk talk soft sawder, but to get anything from them's like gettin' butter out of a dog's mouth. If they could drive me out of here by fair means or foul, would they hesitate a moment? Not they! See what they've made me pay; and look at this letter. Selfish, mean lot o' hypocrites!
CHLOE. But they didn't begin the quarrel.
HORNBLOWER. Not openly; but underneath they did—that's their way. They began it by thwartin' me here and there and everywhere, just because I've come into me own a bit later than they did. I gave 'em their chance, and they wouldn't take it. Well, I'll show 'em what a man like me can do when he sets his mind to it. I'll not leave much skin on them.
[In the intensity of his feeling he has lost sight of her face, alive with a sort of agony of doubt, whether to plead with him further, or what to do. Then, with a swift glance at her wristwatch, she falls back on the sofa and closes her eyes.]
It'll give me a power of enjoyment seein' me chimneys go up in front of their windies. That was a bonnie thought—that last bid o' mine. He'd got that roused up, I believe, he, never would a' stopped. [Looking at her] I forgot your head. Well, well, ye'll be best tryin' quiet. [The gong sounds.] Shall we send ye something in from dinner?
CHLOE. No; I'll try to sleep. Please tell them I don't want to be disturbed.
HORNBLOWER. All right. I'll just answer this note.
[He sits down at her writing-table.] [CHLOE starts up from the sofa feverishly, looking at her watch, at the window, at her watch; then softly crosses to the window and opens it.]
HORNBLOWER. [Finishing] Listen! [He turns round towards the sofa] Hallo! Where are ye?
CHLOE. [At the window] It's so hot.
HORNBLOWER. Here's what I've said:
"MADAM,—You can tell me nothing of my daughter-in-law which can affect the happiness of my family. I regard your note as an impertinence, and I shall not be with you at eleven o'clock to-morrow morning. "Yours truly——"
CHLOE. [With a suffering movement of her head] Oh!—Well!—[The gong is touched a second time.]
HORNBLOWER. [Crossing to the door] Lie ye down, and get a sleep. I'll tell them not to disturb ye; and I hope ye'll be all right to-morrow. Good-night, Chloe.
CHLOE. Good-night. [He goes out.]
[After a feverish turn or two, CHLOE returns to the open window and waits there, half screened by the curtains. The door is opened inch by inch, and ANNA'S head peers round. Seeing where CHLOE is, she slips in and passes behind the screen, Left. Suddenly CHLOE backs in from the window.]
CHLOE. [In a low voice] Come in.
[She darts to the door and locks it.] [DAWKER has come in through the window and stands regarding her with a half smile.]
DAWKER. Well, young woman, what do you want of me?
[In the presence of this man of her own class, there comes a distinct change in CHLOE'S voice and manner; a sort of frank commonness, adapted to the man she is dealing with, but she keeps her voice low.]
CHLOE. You're making a mistake, you know.
DAWKER. [With a broad grin] No. I've got a memory for faces.
CHLOE. I say you are.
DAWKER. [Turning to go] If that's all, you needn't have troubled me to come.
CHLOE. No. Don't go! [With a faint smile] You are playing a game with me. Aren't you ashamed? What harm have I done you? Do you call this cricket?
DAWKER. No, my girl—business.
CHLOE. [Bitterly] What have I to do with this quarrel? I couldn't help their falling out.
DAWKER. That's your misfortune.
CHLOE. [Clasping her hands] You're a cruel fellow if you can spoil a woman's life who never did you an ounce of harm.
DAWKER. So they don't know about you. That's all right. Now, look here, I serve my employer. But I'm flesh and blood, too, and I always give as good as I get. I hate this family of yours. There's no name too bad for 'em to call me this last month, and no looks too black to give me. I tell you frankly, I hate.
CHLOE. There's good in them same as in you.
DAWKER. [With a grin] There's no good Hornblower but a dead Hornblower.
CHLOE. But—but Im not one.
DAWKER. You'll be the mother of some, I shouldn't wonder.
CHLOE. [Stretching out her hand-pathetically] Oh! leave me alone, do! I'm happy here. Be a sport! Be a sport!
DAWKER. [Disconcerted for a second] You can't get at me, so don't try it on.
CHLOE. I had such a bad time in old days.
[DAWKER shakes his head; his grin has disappeared and his face is like wood.]
CHLOE. [Panting] Ah! do! You might! You've been fond of some woman, I suppose. Think of her!
DAWKER. [Decisively] It won't do, Mrs. Chloe. You're a pawn in the game, and I'm going to use you.
CHLOE. [Despairingly] What is it to you? [With a sudden touch of the tigress] Look here! Don't you make an enemy, of me. I haven't dragged through hell for nothing. Women like me can bite, I tell you.
DAWKER. That's better. I'd rather have a woman threaten than whine, any day. Threaten away! You'll let 'em know that you met me in the Promenade one night. Of course you'll let 'em know that, won't you?—or that——
CHLOE. Be quiet! Oh! Be quiet! [Taking from her bosom the notes and the pearls] Look! There's my savings—there's all I've got! The pearls'll fetch nearly a thousand. [Holding it out to him] Take it, and drop me out—won't you? Won't you?
DAWKER. [Passing his tongue over his lips with a hard little laugh] You mistake your man, missis. I'm a plain dog, if you like, but I'm faithful, and I hold fast. Don't try those games on me.
CHLOE. [Losing control] You're a beast!—a beast! a cruel, cowardly beast! And how dare you bribe that woman here to spy on me? Oh! yes, you do; you know you do. If you drove me mad, you wouldn't care. You beast!
DAWKER. Now, don't carry on! That won't help you.
CHLOE. What d'you call it—to dog a woman down like this, just because you happen to have a quarrel with a man?
DAWKER. Who made the quarrel? Not me, missis. You ought to know that in a row it's the weak and helpless—we won't say the innocent —that get it in the neck. That can't be helped.
CHLOE. [Regarding him intently] I hope your mother or your sister, if you've got any, may go through what I'm going through ever since you got on my track. I hope they'll know what fear means. I hope they'll love and find out that it's hanging on a thread, and—and— Oh! you coward, you persecuting coward! Call yourself a man!
DAWKER. [With his grin] Ah! You look quite pretty like that. By George! you're a handsome woman when you're roused.
[CHLOE'S passion fades out as quickly as it blazed up. She sinks down on the sofa, shudders, looks here and there, and then for a moment up at him.]
CHLOE. Is there anything you'll take, not to spoil my life? [Clasping her hands on her breast; under her breath] Me?
DAWKER. [Wiping his brow] By God! That's an offer. [He recoils towards the window] You—you touched me there. Look here! I've got to use you and I'm going to use you, but I'll do my best to let you down as easy as I can. No, I don't want anything you can give me—that is—[He wipes his brow again] I'd like it—but I won't take it.
[CHLOE buries her face in her hands.]
There! Keep your pecker up; don't cry. Good-night! [He goes through the window.]
CHLOE. [Springing up] Ugh! Rat in a trap! Rat——!
[She stands listening; flies to the door, unlocks it, and, going back to the sofa, lies down and doses her eyes. CHARLES comes in very quietly and stands over her, looking to see if she is asleep. She opens her eyes.]
CHARLES. Well, Clo! Had a sleep, old girl?
CHLOE. Ye-es.
CHARLES. [Sitting on the arm of the sofa and caressing her] Feel better, dear?
CHLOE. Yes, better, Charlie.
CHARLES. That's right. Would you like some soup?
CHLOE. [With a shudder] No.
CHARLES. I say-what gives you these heads? You've been very on and off all this last month.
CHLOE. I don't know. Except that—except that I am going to have a child, Charlie.
CHARLES. After all! By Jove! Sure?
CHLOE. [Nodding] Are you glad?
CHARLES. Well—I suppose I am. The guv'nor will be mighty pleased, anyway.
CHLOE. Don't tell him—yet.
CHARLES. All right! [Bending over and drawing her to him] My poor girl, I'm so sorry you're seedy. Give us a kiss.
[CHLOE puts up her face and kisses him passionately.]
I say, you're like fire. You're not feverish?
CHLOE. [With a laugh] It's a wonder if I'm not. Charlie, are you happy with me?
CHARLES. What do you think?
CHLOE. [Leaning against him] You wouldn't easily believe things against me, would you?
CHARLES. What! Thinking of those Hillcrists? What the hell that woman means by her attitude towards you—When I saw her there to-day, I had all my work cut out not to go up and give her a bit of my mind.
CHLOE. [Watching him stealthily] It's not good for me, now I'm like this. It's upsetting me, Charlie.
CHARLES. Yes; and we won't forget. We'll make 'em pay for it.
CHLOE. It's wretched in a little place like this. I say, must you go on spoiling their home?
CHARLES. The woman cuts you and insults you. That's enough for me.
CHLOE. [Timidly] Let her. I don't care; I can't bear feeling enemies about, Charlie, I—get nervous—I——
CHARLES. My dear girl! What is it?
[He looks at her intently.]
CHLOE. I suppose it's—being like this. [Suddenly] But, Charlie, do stop it for my sake. Do, do!
CHARLES. [Patting her arm] Come, come; I say, Chloe! You're making mountains. See things in proportion. Father's paid nine thousand five hundred to get the better of those people, and you want him to chuck it away to save a woman who's insulted you. That's not sense, and it's not business. Have some pride.
CHLOE. [Breathless] I've got no pride, Charlie. I want to be quiet—that's all.
CHARLES. Well, if the row gets on your nerves, I can take you to the sea. But you ought to enjoy a fight with people like that.
CHLOE. [With calculated bitterness] No, it's nothing, of course— what I want.
CHARLES. Hello! Hello! You are on the jump!
CHLOE. If you want me to be a good wife to you, make father stop it.
CHARLES. [Standing up] Now, look here, Chloe, what's behind this?
CHLOE. [Faintly] Behind?
CHARLES. You're carrying on as if—as if you were really scared! We've got these people: We'll have them out of Deepwater in six months. It's absolute ruination to their beastly old house; we'll put the chimneys on the very edge, not three hundred yards off, and our smoke'll be drifting over them half the time. You won't have this confounded stuck-up woman here much longer. And then we can really go ahead and take our proper place. So long as she's here, we shall never do that. We've only to drive on now as fast as we can.
CHLOE. [With a gesture] I see.
CHARLES. [Again looking at her] If you go on like this, you know, I shall begin to think there's something you——
CHLOE [softly] Charlie! [He comes to her.] Love me!
CHARLES. [Embracing her] There, old girl! I know women are funny at these times. You want a good night, that's all.
CHLOE. You haven't finished dinner, have you? Go back, and I'll go to bed quite soon. Charlie, don't stop loving me.
CHARLES. Stop? Not much.
[While he is again embracing her, ANNA steals from behind the screen to the door, opens it noiselessly, and passes through, but it clicks as she shuts it.]
CHLOE. [Starting violently] Oh-h!
[He comes to her.]
CHARLES. What is it? What is it? You are nervy, my dear.
CHLOE. [Looking round with a little laugh] I don't know. Go on, Charlie. I'll be all right when this head's gone.
CHARLES. [Stroking her forehead and, looking at her doubtfully] You go to bed; I won't be late coming up.
[He turn, and goes, blowing a kiss from the doorway. When he is gone, CHLOE gets up and stands in precisely the attitude in which she stood at the beginning of the Act, thinking, and thinking. And the door is opened, and the face of the MAID peers round at her.] CURTAIN
SCENE I
HILLCRIST'S study next morning. JILL coming from Left, looks in at the open French window.
JILL. [Speaking to ROLF, invisible] Come in here. There's no one.
[She goes in. ROLF joins her, coming from the garden.]
ROLF. Jill, I just wanted to say—Need we?
[JILL. nodes.]
Seeing you yesterday—it did seem rotten.
JILL. We didn't begin it.
ROLF. No; but you don't understand. If you'd made yourself, as father has——
JILL. I hope I should be sorry.
ROLF. [Reproachfully] That isn't like you. Really he can't help thinking he's a public benefactor.
JILL. And we can't help thinking he's a pig. Sorry!
ROLF. If the survival of the fittest is right——
JILL. He may be fitter, but he's not going to survive.
ROLF. [Distracted] It looks like it, though.
JILL. Is that all you came to say?
ROLF. Suppose we joined, couldn't we stop it?
JILL. I don't feel like joining.
ROLF. We did shake hands.
JILL. One can't fight and not grow bitter.
ROLF. I don't feel bitter.
JILL. Wait; you'll feel it soon enough.
ROLF. Why? [Attentively] About Chloe? I do think your mother's manner to her is——
JILL. Well?
ROLF. Snobbish. [JILL laughs.] She may not be your class; and that's just why it's snobbish.
JILL. I think you'd better shut up.
ROLF. What my father said was true; your mother's rudeness to her that day she came here, has made both him and Charlie ever so much more bitter.
[JILL whistles the Habanera from "Carmen."] [Staring at her, rather angrily]
Is it a whistling matter?
JILL. No.
ROLF. I suppose you want me to go?
JILL. Yes.
ROLF. All right. Aren't we ever going to be friends again?
JILL. [Looking steadily at him] I don't expect so.
ROLF. That's very-horrible.
JILL. Lots of horrible things in the world.
ROLF. It's our business to make them fewer, Jill.
JILL. [Fiercely] Don't be moral.
ROLF. [Hurt] That's the last thing I want to be.—I only want to be friendly.
JILL. Better be real first.
ROLF. From the big point of view——
JILL. There isn't any. We're all out, for our own. And why not?
ROLF. By jove, you have got——
JILL. Cynical? Your father's motto—"Every man for himself." That's the winner—hands down. Goodbye!
ROLF. Jill! Jill!
JILL. [Putting her hands behind her back, hums]— "If auld acquaintance be forgot And days of auld lang syne"——
ROLF. Don't!
[With a pained gesture he goes out towards Left, through the French window.] [JILL, who has broken off the song, stands with her hands clenched and her lips quivering.] [FELLOWS enters Left.]
FELLOWS. Mr. Dawker, Miss, and two gentlemen.
JILL. Let the three gentlemen in, and me out.
[She passes him and goes out Left. And immediately. DAWKER and the two STRANGERS come in.]
FELLOWS. I'll inform Mrs. Hillcrist, sir. The Squire is on his rounds. [He goes out Left.]
[The THREE MEN gather in a discreet knot at the big bureau, having glanced at the two doors and the open French window.]
DAWKER. Now this may come into Court, you know. If there's a screw loose anywhere, better mention it. [To SECOND STRANGE] You knew her personally?
SECOND S. What do you think? I don't, take girls on trust for that sort of job. She came to us highly recommended, too; and did her work very well. It was a double stunt—to make sure—wasn't it, George?
FIRST S. Yes; we paid her for the two visits.
SECOND S. I should know her in a minute; striking looking girl; had something in her face. Daresay she'd seen hard times.
FIRST S. We don't want publicity.
DAWKER. Not Likely. The threat'll do it; but the stakes are heavy —and the man's a slugger; we must be able to push it home. If you can both swear to her, it'll do the trick.
SECOND S. And about—I mean, we're losing time, you know, coming down here.
DAWKER. [With a nod at FIRST STRANGER] George here knows me. That'll be all right. I'll guarantee it well worth your while.
SECOND S. I don't want to do the girl harm, if she's married.
DAWKER. No, no; nobody wants to hurt her. We just want a cinch on this fellow till he squeals.
[They separate a little as MRS. HILLCRIST enters from Right.]
DAWKER. Good morning, ma'am. My friend's partner. Hornblower coming?
MRS. H. At eleven. I had to send up a second note, Dawker.
DAWKER. Squire not in?
MRS. H. I haven't told him.
DAWKER. [Nodding] Our friends might go in here [Pointing Right] and we can use 'em as the want 'em.
MRS. H. [To the STRANGERS] Will you make yourselves comfortable?
[She holds the door open, and they pass her into the room, Right.]
DAWKER. [Showing document] I've had this drawn and engrossed. Pretty sharp work. Conveys the Centry, and Longmeadow; to the Squire at four thousand five hundred: Now, ma'am, suppose Hornblower puts his hand to that, hell have been done in the eye, and six thousand all told out o' pocket.—You'll have a very nasty neighbour here.
MRS. H. But we shall still have the power to disclose that secret at any time.
DAWKER. Yeh! But things might happen here you could never bring home to him. You can't trust a man like that. He isn't goin' to forgive me, I know.
MRS. H. [Regarding him keenly] But if he signs, we couldn't honourably——
DAWKER. No, ma'am, you couldn't; and I'm sure I don't want to do that girl a hurt. I just mention it because, of course, you can't guarantee that it doesn't get out.
MRS. H. Not absolutely, I suppose.
[A look passes between them, which neither of them has quite sanctioned.] [There's his car. It always seems to make more noise than any other.]
DAWKER. He'll kick and flounder—but you leave him to ask what you want, ma'am; don't mention this [He puts the deed back into his pocket]. The Centry's no mortal good to him if he's not going to put up works; I should say he'd be glad to save what he can.
[MRS. HILLCRIST inclines her head. FELLOWS enters Left.]
FELLOWS. [Apologetically] Mr. Hornblower, ma'am; by appointment, he says.
MRS. H. Quite right, Fellows.
[HORNBLOWER comes in, and FELLOWS goes out.]
HORNBLOWER. [Without salutation] I've come to ask ye point bleak what ye mean by writing me these letters. [He takes out two letters.] And we'll discus it in the presence of nobody, if ye, please.
MRS. H. Mr. Dawker knows all that I know, and more.
HORNBLOWER. Does he? Very well! Your second note says that my daughter-in-law has lied to me. Well, I've brought her, and what ye've got to say—if it's not just a trick to see me again—ye'll say to her face. [He takes a step towards the window.]
MRS. H. Mr. Hornblower, you had better, decide that after hearing what it is—we shall be quite ready to repeat it in her presence; but we want to do as little harm as possible.
HORNBLOWER. [Stopping] Oh! ye do! Well, what lies have ye been hearin'? Or what have ye made up? You and Mr. Dawker? Of course ye know there's a law of libel and slander. I'm, not the man to stop at that.
MRS. H. [Calmly] Are you familiar with the law of divorce, Mr. Hornblower?
HORNBLOWER. [Taken aback] No, I'm not. That is——-.
MRS. H. Well, you know that misconduct is required. And I suppose you've heard that cases are arranged.
HORNBLOWER. I know it's all very shocking—what about it?
MRS. H. When cases are arranged, Mr. Hornblower, the man who is to be divorced often visits an hotel with a strange woman. I am extremely sorry to say that your daughter-in-law, before her marriage, was in the habit of being employed as such a woman.
HORNBLOWER. Ye dreadful creature!
DAWKER. [Quickly] All proved, up to the hilt!
HORNBLOWER. I don't believe a word of it. Ye're lyin' to save your skins. How dare ye tell me such monstrosities? Dawker, I'll have ye in a criminal court.
DAWKER. Rats! You saw a gent with me yesterday? Well, he's employed her.
HORNBLOWER. A put-up job! Conspiracy!
MRS. H. Go and get your daughter-in-law.
HORNBLOWER. [With the first sensation of being in a net] It's a foul shame—a lying slander!
MRS. H. If so, it's easily disproved. Go and fetch her.
HORNBLOWER. [Seeing them unmoved] I will. I don't believe a word of it.
MRS. H. I hope you are right.
[HORNBLOWER goes out by the French window, DAWKER slips to the door Right, opens it, and speaks to those within. MRS. HILLCRIST stands moistening her lips, and passim her handkerchief over them. HORNBLOWER returns, preceding CHLOE, strung up to hardness and defiance.]
HORNBLOWER. Now then, let's have this impudent story torn to rags.
CHLOE. What story?
HORNBLOWER. That you, my dear, were a woman—it's too shockin—I don't know how to tell ye——
CHLOE. Go on!
HORNBLOWER. Were a woman that went with men, to get them their divorce.
CHLOE. Who says that?
HORNBLOWER. That lady [Sneering] there, and her bull-terrier here.
CHLOE. [Facing MRS. HILLCRIST] That's a charitable thing to say, isn't it?
MRS. H. Is it true?
CHLOE. No.
HORNBLOWER. [Furiously] There! I'll have ye both on your knees to her!
DAWKER. [Opening the door, Right] Come in.
[The FIRST STRANGER comes in. CHLOE, with a visible effort, turns to face him.]
FIRST S. How do you do, Mrs. Vane?
CHLOE. I don't know you.
FIRST S. Your memory is bad, ma'am: You knew me yesterday well enough. One day is not a long time, nor are three years.
CHLOE. Who are you?
FIRST S. Come, ma'am, come! The Caster case.
CHLOE. I don't know you, I say. [To MRS. HILLCRIST] How can you be so vile?
FIRST S. Let me refresh your memory, ma'am. [Producing a notebook] Just on three years ago; "Oct.3. To fee and expenses Mrs. Vane with Mr. C——, Hotel Beaulieu, Twenty pounds. Oct. 10, Do., Twenty pounds." [To HORNBLOWER] Would you like to glance at this book, sir? You'll see they're genuine entries.
[HORNBLOWER makes a motion to do so, but checks himself and looks at CHLOE.]
CHLOE. [Hysterically] It's all lies—lies!
FIRST S. Come, ma'am, we wish you no harm.
CHLOE. Take me away. I won't be treated like this.
MRS. H. [In a low voice] Confess.
CHLOE. Lies!
HORNBLOWER. Were ye ever called Vane?
CHLOE. No, never.
[She makes a movement towards the window, but DAWKER is in the way, and she halts. FIRST S. [Opening the door, Right] Henry.] [The SECOND STRANGER comes in quickly. At sight of him CHLOE throws up her hands, gasps, breaks down, stage Left, and stands covering her face with her hands. It is so complete a confession that HORNBLOWER stands staggered; and, taking out a coloured handkerchief, wipes his brow.]
DAWKER. Are you convinced?
HORNBLOWER. Take those men away.
DAWKER. If you're not satisfied, we can get other evidence; plenty.
HORNBLOWER. [Looking at CHLOE] That's enough. Take them out. Leave me alone with her.
[DAWKER takes them out Right. MRS. HILLCRIST passes HORNBLOWER and goes out at the window. HORNBLOWER moves down a step or two towards CHLOE.]
HORNBLOWER. My God!
CHLOE. [With an outburst] Don't tell Charlie! Don't tell Charlie!
HORNBLOWER. Chearlie! So, that was your manner of life.
[CHLOE utters a moaning sound.]
So that's what ye got out of by marryin' into my family! Shame on ye, ye Godless thing!
CHLOE. Don't tell Charlie!
HORNBLOWER. And that's all ye can say for the wreck ye've wrought. My family, my works, my future! How dared ye!
CHLOE. If you'd been me!——
HORNBLOWER. An' these Hillcrists. The skin game of it!
CHLOE. [Breathless] Father!
HORNBLOWER. Don't call me that, woman!
CHLOE. [Desperate] I'm going to have a child.
HORNBLOWER. God! Ye are!
CHLOE. Your grandchild. For the sake of it, do what these people want; and don't tell anyone—DON'T TELL CHARLIE!
HORNBLOWER. [Again wiping his forehead] A secret between us. I don't know that I can keep it. It's horrible. Poor Chearlie!
CHLOE. [Suddenly fierce] You must keep it, you shall! I won't have him told. Don't make me desperate! I can be—I didn't live that life for nothing.
HORNBLOWER. [Staring at her resealed in a new light] Ay; ye look a strange, wild woman, as I see ye. And we thought the world of ye!
CHLOE. I love Charlie; I'm faithful to him. I can't live without him. You'll never forgive me, I know; but Charlie——! [Stretching out her hands.]
[HORNBLOWER makes a bewildered gesture with his large hands.]
HORNBLOWER. I'm all at sea here. Go out to the car and wait for me.
[CHLOE passes him and goes out, Left.]
[Muttering to himself] So I'm down! Me enemies put their heels upon me head! Ah! but we'll see yet!
[He goes up to the window and beckons towards the Right.] [MRS. HILLCRIST comes in.]
What d'ye want for this secret?
MRS. H. Nothing.
HORNBLOWER. Indeed! Wonderful!—the trouble ye've taken for— nothing.
MRS. H. If you harm us we shall harm you. Any use whatever of the Centry.
HORNBLOWER. For which ye made me pay nine thousand five hundred pounds.
MRS. H. We will buy it from you.
HORNBLOWER. At what price?
MRS. H. The Centry at the price Miss Muffins would have taken at first, and Longmeadow at the price you—gave us—four thousand five hundred altogether.
HORNBLOWER. A fine price, and me six thousand out of pocket. Na, no! I'll keep it and hold it over ye. Ye daren't tell this secret so long as I've got it.
MRS. H. No, Mr. Hornblower. On second thoughts, you must sell. You broke your word over the Jackmans. We can't trust you. We would rather have our place here ruined at once, than leave you the power to ruin it as and when you like. You will sell us the Centry and Longmeadow now, or you know what will happen.
HORNBLOWER. [Writhing] I'll not. It's blackmail.
MRS. H. Very well then! Go your own way and we'll go ours. There is no witness to this conversation.
HORNBLOWER. [Venomously] By heaven, ye're a clever woman. Will ye swear by Almighty God that you and your family, and that agent of yours, won't breathe a word of this shockin' thing to mortal soul.
MRS. H. Yes, if you sell.
HORNBLOWER. Where's Dawker?
MRS. H. [Going to the door, Right] Mr. Dawker
[DAWKER comes in.]
HORNBLOWER. I suppose ye've got your iniquity ready.
[DAWKER grins and produces the document.]
It's mighty near conspiracy, this. Have ye got a Testament?
MRS. H. My word will be enough, Mr. Hornblower.
HORNBLOWER. Ye'll pardon me—I can't make it solemn enough for you.
MRS. H. Very well; here is a Bible.
[She takes a small Bible from the bookshelf.]
DAWKER. [Spreading document on bureau] This is a short conveyance of the Centry and Longmeadow—recites sale to you by Miss Mulling, of the first, John Hillcrist of the second, and whereas you have agreed for the sale to said John Hillcrist, for the sum of four thousand five hundred pounds, in consideration of the said sum, receipt whereof, you hereby acknowledge you do convey all that, etc. Sign here. I'll witness.
HORNBLOWER [To MRS. HILLCRIST] Take that Book in your hand, and swear first. I swear by Almighty God never to breathe a word of what I know concerning Chloe Hornblower to any living soul.
MRS. H. No, Mr. Hornblower; you will please sign first. We are not in the habit of breaking our word.
[HORNBLOWER after a furious look at them, seizes a pen, runs his eye again over the deed, and signs, DAWKER witnessing.]
To that oath, Mr. Hornblower, we shall add the words, "So long as the Hornblower family do us no harm."
HORNBLOWER. [With a snarl] Take it in your hands, both of ye, and together swear.
MRS. H. [Taking the Book] I swear that I will breathe no word of what I know concerning Chloe Hornblower to any living soul, so long as the Hornblower family do us no harm.
DAWKER. I swear that too.
MRS. H. I engage for my husband.
HORNBLOWER. Where are those two fellows?
DAWKER. Gone. It's no business of theirs.
HORNBLOWER. It's no business of any of ye what has happened to a woman in the past. Ye know that. Good-day!
[He gives them a deadly look, and goes out, left, followed by DAWKER.]
MRS. H. [With her hand on the Deed] Safe!
[HILLCRIST enters at the French window, followed by JILL.]
[Holding up the Deed] Look! He's just gone! I told you it was only necessary to use the threat. He caved in and signed this; we are sworn to say nothing. We've beaten him.
[HILLCRIST studies the Deed.]
JILL. [Awed] We saw Chloe in the car. How did she take it, mother?
MRS. H. Denied, then broke down when she saw our witnesses. I'm glad you were not here, Jack.
JILL. [Suddenly] I shall go and see her.
MRS. H. Jill, you will not; you don't know what she's done.
JILL. I shall. She must be in an awful state.
HILLCRIST. My dear, you can do her no good.
JILL. I think I can, Dodo.
MRS. H. You don't understand human nature. We're enemies for life with those people. You're a little donkey if you think anything else.
JILL. I'm going, all the same.
MRS. H. Jack, forbid her.
HILLCRIST. [Lifting an eyebrow] Jill, be reasonable.
JILL. Suppose I'd taken a knock like that, Dodo, I'd be glad of friendliness from someone.
MRS. H. You never could take a knock like that.
JILL. You don't know what you can do till you try, mother.
HILLCRIST. Let her go, Amy. Im sorry for that young woman.
MRS. H. You'd be sorry for a man who picked your pocket, I believe.
HILLCRIST. I certainly should! Deuced little he'd get out of it, when I've paid for the Centry.
MRS. H. [Bitterly] Much gratitude I get for saving you both our home!
JILL. [Disarmed] Oh! Mother, we are grateful. Dodo, show your gratitude.
HILLCRIST. Well, my dear, it's an intense relief. I'm not good at showing my feelings, as you know. What d'you want me to do? Stand on one leg and crow?
JILL. Yes, Dodo, yes! Mother, hold him while I [Suddenly she stops, and all the fun goes out of her] No! I can't—I can't help thinking of her.
CURTAIN falls for a minute.
SCENE II
When it rises again, the room is empty and dark, same for moonlight coming in through the French window, which is open. The figure of CHLOE, in a black cloak, appears outside in the moonlight; she peers in, moves past, comes bank, hesitatingly enters. The cloak, fallen back, reveals a white evening dress; and that magpie figure stands poised watchfully in the dim light, then flaps unhappily Left and Right, as if she could not keep still. Suddenly she stands listening.
ROLF'S VOICE. [Outside] Chloe! Chloe!
[He appears]
CHLOE. [Going to the window] What are you doing here?
ROLF. What are you? I only followed you.
CHLOE. Go away.
ROLF. What's the matter? Tell me!
CHLOE. Go away, and don't say anything. Oh! The roses! [She has put her nose into some roses in a bowl on a big stand close to the window] Don't they smell lovely?
ROLF. What did Jill want this afternoon?
CHLOE. I'll tell you nothing. Go away!
ROLF. I don't like leaving you here in this state.
CHLOE. What state? I'm all right. Wait for me down in the drive, if you want to.
[ROLF starts to go, stops, looks at her, and does go. CHLOE, with a little moaning sound, flutters again, magpie-like, up and down, then stands by the window listening. Voices are heard, Left. She darts out of the window and away to the Right, as HILLCRIST and JILL come in. They have turned up the electric light, and come down in frond of the fireplace, where HILLCRIST sits in an armchair, and JILL on the arm of it. They are in undress evening attire.]
HILLCRIST. Now, tell me.
JILL. There isn't much, Dodo. I was in an awful funk for fear I should meet any of the others, and of course I did meet Rolf, but I told him some lie, and he took me to her room-boudoir, they call it —isn't boudoir a "dug-out" word?
HILLCRIST. [Meditatively] The sulking room. Well?
JILL. She was sitting like this. [She buries her chin in her hands, wide her elbows on her knees] And she said in a sort of fierce way: "What do you want?" And I said: "I'm awfully sorry, but I thought you might like it."
HILLCRIST. Well?
JILL. She looked at me hard, and said: "I suppose you know all about it." And I Said: "Only vaguely," because of course I don't. And she said: "Well, it was decent of you to come." Dodo, she looks like a lost soul. What has she done?
HILLCRIST. She committed her real crime when she married young Hornblower without telling him. She came out of a certain world to do it.
JILL. Oh! [Staring in front of her] Is it very awful in that world, Dodo?
HILLCRIST. [Uneasy] I don't know, Jill. Some can stand it, I suppose; some can't. I don't know which sort she is.
JILL. One thing I'm sure of: she's awfully fond of Chearlie.
HILLCRIST. That's bad; that's very bad.
JILL. And she's frightened, horribly. I think she's desperate.
HILLCRIST. Women like that are pretty tough, Jill; don't judge her too much by your own feelings.
JILL. No; only——Oh! it was beastly; and of course I dried up.
HILLCRIST. [Feelingly] H'm! One always does. But perhaps it was as well; you'd have been blundering in a dark passage.
JILL. I just said: "Father and I feel awfully sorry; if there's anything we can do——"
HILLCRIST. That was risky, Jill.
JILL. (Disconsolately) I had to say something. I'm glad I went, anyway. I feel more human.
HILLCRIST. We had to fight for our home. I should have felt like a traitor if I hadn't.
JILL. I'm not enjoying home tonight, Dodo.
HILLCRIST. I never could hate proper; it's a confounded nuisance.
JILL. Mother's fearfully' bucked, and Dawker's simply oozing triumph. I don't trust him. Dodo; he's too—not pugilistic—the other one with a pug-naceous.
HILLCRIST. He is rather.
JILL. I'm sure he wouldn't care tuppence if Chloe committed suicide.
HILLCRIST. [Rising uneasily] Nonsense! Nonsense!
JILL. I wonder if mother would.
HILLCRIST. [Turning his face towards the window] What's that? I thought I heard—[Louder]—Is these anybody out there?
[No answer. JILL, springs up and runs to the window.]
JILL. You!
[She dives through to the Right, and returns, holding CHLOE'S hand and drawing her forward]
Come in! It's only us! [To HILLCRIST] Dodo!
HILLCRIST. [Flustered, but making a show of courtesy] Good evening! Won't you sit down?
JILL. Sit down; you're all shaky.
[She makes CHLOE sit down in the armchair, out of which they have risen, then locks the door, and closing the windows, draws the curtains hastily over them.]
HILLCRIST. [Awkward and expectant] Can I do anything for you?
CHLOE. I couldn't bear it he's coming to ask you——
HILLCRIST. Who?
CHLOE. My husband. [She draws in her breath with a long shudder, then seem to seize her courage in her hands] I've got to be quick. He keeps on asking—he knows there's something.
HILLCRIST. Make your mind easy. We shan't tell him.
CHLOE. [Appealing] Oh! that's not enough. Can't you tell him something to put him back to thinking it's all right? I've done him such a wrong. I didn't realise till after—I thought meeting him was just a piece of wonderful good luck, after what I'd been through. I'm not such a bad lot—not really.
[She stops from the over-quivering of her lips. JILL, standing beside the chair, strokes her shoulder. HILLCRIST stands very still, painfully biting at a finger.]
You see, my father went bankrupt, and I was in a shop——
HILLCRIST. [Soothingly, and to prevent disclosures] Yes, yes; Yes, yes!
CHLOE. I never gave a man away or did anything I was ashamed of—at least—I mean, I had to make my living in all sorts of ways, and then I met Charlie.
[Again she stopped from the quivering of her lips.]
JILL. It's all right.
CHLOE. He thought I was respectable, and that was such a relief, you can't think, so—so I let him.
JILL. Dodo! It's awful
HILLCRIST. It is!
CHLOE. And after I married him, you see, I fell in love. If I had before, perhaps I wouldn't have dared only, I don't know—you never know, do you? When there's a straw going, you catch at it.
JILL. Of course you do.
CHLOE. And now, you see, I'm going to have a child.
JILL. [Aghast] Oh! Are you?
HILLCRIST. Good God!
CHLOE. [Dully] I've been on hot bricks all this month, ever since that day here. I knew it was in the wind. What gets in the wind never gets out. [She rises and throws out her arms] Never! It just blows here and there [Desolately] and then—blows home. [Her voice changes to resentment] But I've paid for being a fool— 'tisn't fun, that sort of life, I can tell you. I'm not ashamed and repentant, and all that. If it wasn't for him! I'm afraid he'll never forgive me; it's such a disgrace for him—and then, to have his child! Being fond of him, I feel it much worse than anything I ever felt, and that's saying a good bit. It is.
JILL. [Energetically] Look here! He simply mustn't find out.
CHLOE. That's it; but it's started, and he's bound to keep on because he knows there's something. A man isn't going to be satisfied when there's something he suspects about his wife, Charlie wouldn't never. He's clever, and he's jealous; and he's coming here.
[She stops, and looks round wildly, listening.]
JILL. Dodo, what can we say to put him clean off the scent?
HILLCRIST. Anything—in reason.
CHLOE. [Catching at this straw] You will! You see, I don't know what I'll do. I've got soft, being looked after—he does love me. And if he throws me off, I'll go under—that's all.
HILLCRIST. Have you any suggestion?
CHLOE. [Eagerly] The only thing is to tell him something positive, something he'll believe, that's not too bad—like my having been a lady clerk with those people who came here, and having been dismissed on suspicion of taking money. I could get him to believe that wasn't true.
JILL. Yes; and it isn't—that's splendid! You'd be able to put such conviction into it. Don't you think so, Dodo?
HILLCRIST. Anything I can. I'm deeply sorry.
CHLOE. Thank you. And don't say I've been here, will you? He's very suspicious. You see, he knows that his father has re-sold that land to you; that's what he can't make out—that, and my coming here this morning; he knows something's being kept from him; and he noticed that man with Dawker yesterday. And my maid's been spying on me. It's in the air. He puts two and two together. But I've told him there's nothing he need worry about; nothing that's true.
HILLCRIST. What a coil!
CHLOE. I'm very honest and careful about money. So he won't believe that about me, and the old man wants to keep it from Charlie, I know.
HILLCRIST. That does seem the best way out.
CHLOE. [With a touch of defiance] I'm a true wife to him.
CHLOE. Of course we know that.
HILLCRIST. It's all unspeakably sad. Deception's horribly against the grain—but——
CHLOE. [Eagerly] When I deceived him, I'd have deceived God Himself—I was so desperate. You've never been right down in the mud. You can't understand what I've been through.
HILLCRIST. Yes, Yes. I daresay I'd have done the same. I should be the last to judge.
[CHLOE covers her eyes with her hands.]
There, there! Cheer up! [He puts his hand on her arm.]
CHLOE. [To herself] Darling Dodo!
CHLOE. [Starting] There's somebody at the door. I must go; I must go.
[She runs to the window and slips through the curtains.] [The handle of the door is again turned.]
JILL. [Dismayed] Oh! It's locked—I forgot.
[She spring to the door, unlocks and opens it, while HILLCRIST goes to the bureau and sits down.]
It's all right, Fellows; I was only saying something rather important.
FELLOWS. [Coming in a step or two and closing the door behind him] Certainly, Miss. Mr. Charles 'Ornblower is in the hall. Wants to see you, sir, or Mrs. Hillcrist.
JILL. What a bore! Can you see him, Dodo?
HILLCRIST. Er—yes. I suppose so. Show him in here, Fellows.
[As FELLOWS goes out, JILL runs to the window, but has no time to do more than adjust the curtains and spring over to stand by her father, before CHARLES comes in. Though in evening clothes, he is white and disheveled for so spruce a young mean.]
CHARLES. Is my wife here?
HILLCRIST. No, sir.
CHARLES. Has she been?
HILLCRIST. This morning, I believe, Jill?
JILL. Yes, she came this morning.
CHARLES. [staring at her] I know that—now, I mean?
JILL. No.
[HILLCRIST shakes has head.]
CHARLES. Tell me what was said this morning.
HILLCRIST. I was not here this morning.
CHARLES. Don't try to put me off. I know too much. [To JILL] You.
JILL. Shall I, Dodo?
HILLCRIST. No; I will. Won't you sit down?
CHARLES. No. Go on.
HILLCRIST. [Moistening his lips] It appears, Mr. Hornblower, that my agent, Mr. Dawker—
[CHARLES, who is breathing hard, utters a sound of anger.]
—that my agent happens to know a firm, who in old days employed your wife. I should greatly prefer not to say any more, especially as we don't believe the story.
JILL. No; we don't.
CHARLES. Go on!
HILLCRIST. [Getting up] Come! If I were you, I should refuse to listen to anything against my wife.
CHARLES. Go on, I tell you.
HILLCRIST. You insist? Well, they say there was some question about the accounts, and your wife left them under a cloud. As I told you, we don't believe it.
CHARLES. [Passionately] Liars!
[He makes a rush for the door.]
HILLCRIST. [Starting] What did you say?
JILL. [Catching his arm] Dodo! [Sotto voce] We are, you know.
CHARLES. [Turning back to them] Why do you tell me that lie? When I've just had the truth out of that little scoundrel! My wife's been here; she put you up to it.
[The face of CHLOE is seen transfixed between the curtains, parted by her hands.]
She—she put you up to it. Liar that she is—a living lie. For three years a living lie!
[HILLCRIST whose face alone is turned towards the curtains, sees that listening face. His hand goes up from uncontrollable emotion.]
And hasn't now the pluck to tell me. I've done with her. I won't own a child by such a woman.
[With a little sighing sound CHLOE drops the curtain and vanishes.]
HILLCRIST. For God's sake, man, think of what you're saying. She's in great distress.
CHARLES. And what am I?
JILL. She loves you, you know.
CHARLES. Pretty love! That scoundrel Dawker told me—told me— Horrible! Horrible!
HILLCRIST. I deeply regret that our quarrel should have brought this about.
CHARLES. [With intense bitterness] Yes, you've smashed my life.
[Unseen by them, MRS. HILLCRIST has entered and stands by the door, Left.]
MRS. H. Would you have wished to live on in ignorance? [They all turn to look at her.]
CHARLES. [With a writhing movement] I don't know. But—you—you did it.
MRS. H. You shouldn't have attacked us.
CHARLES. What did we do to you—compared with this?
MRS. H. All you could.
HILLCRIST. Enough, enough! What can we do to help you?
CHARLES. Tell me where my wife is.
[JILL draws the curtains apart—the window is open—JILL looks out. They wait in silence.]
JILL. We don't know.
CHARLES. Then she was here?
HILLCRIST. Yes, sir; and she heard you.
CHARLES. All the better if she did. She knows how I feel.
HILLCRIST. Brace up; be gentle with her.
CHARLES. Gentle? A woman who—who——
HILLCRIST. A most unhappy creature. Come!
CHARLES. Damn your sympathy!
[He goes out into the moonlight, passing away.]
JILL. Dodo, we ought to look for her; I'm awfully afraid.
HILLCRIST. I saw her there—listening. With child! Who knows where things end when they and begin? To the gravel pit, Jill; I'll go to the pond. No, we'll go together. [They go out.]
[MRS. HILLCRIST comes down to the fireplace, rings the bell and stands there, thinking. FELLOWS enters.]
MRS. H. I want someone to go down to Mr. Dawker's.
FELLOWS. Mr. Dawker is here, ma'am, waitin' to see you.
MRS. H. Ask him to come in. Oh! and Fellows, you can tell the Jackmans that they can go back to their cottage.
FELLOWS. Very good, ma'am. [He goes out.]
[MRS. HILLCRIST searches at the bureau, finds and takes out the deed. DAWKERS comes in; he has the appearance of a man whose temper has been badly ruffled.]
MRS. H. Charles Hornblower—how did it happen?
DAWKER. He came to me. I said I knew nothing. He wouldn't take it; went for me, abused me up hill and down dale; said he knew everything, and then he began to threaten me. Well, I lost my temper, and I told him.
MRS. H. That's very serious, Dawker, after our promise. My husband is most upset.
DAWKER. [Sullenly] It's not my fault, ma'am; he shouldn't have threatened and goaded me on. Besides, it's got out that there's a scandal; common talk in the village—not the facts, but quite enough to cook their goose here. They'll have to go. Better have done with it, anyway, than have enemies at your door.
MRS. H. Perhaps; but—Oh! Dawker, take charge of this. [She hands him the deed] These people are desperate—and—I'm sot sure of my husband when his feelings are worked on.
[The sound of a car stopping.]
DAWKER. [At the window, looking to the Left] Hornblower's, I think. Yes, he's getting out.
MRS. H. [Bracing herself] You'd better wait, then.
DAWKER. He mustn't give me any of his sauce; I've had enough.
[The door is opened and HORNBLOWER enters, pressing so on the heels of FELLOWS that the announcement of his name is lost.]
HORNBLOWER. Give me that deed! Ye got it out of me by false pretences and treachery. Ye swore that nothing should be heard of this. Why! me own servants know.
MRS. H. That has nothing to do with us. Your son came and wrenched the knowledge out of Mr. DAWKER by abuse and threats; that is all. You will kindly behave yourself here, or I shall ask that you be shown out.
HORNBLOWER. Give me that deed, I say! [He suddenly turns on DAWKER] Ye little ruffian, I see it in your pocket.
[The end indeed is projecting from DAWKER'S breast pocket.]
DAWKER. [Seeing red] Now, look 'ere, 'Ornblower, I stood a deal from your son, and I'll stand no more.
HORNBLOWER. [To MRS. HILLCRIST] I'll ruin your place yet! [To DAWKER] Ye give me that deed, or I'll throttle ye.
[He closes on DAWKER, and makes a snatch at the deed. DAWKER, springs at him, and the two stand swaying, trying for a grip at each other's throats. MRS. HILLCRIST tries to cross and reach the bell, but is shut off by their swaying struggle.] [Suddenly ROLF appears in the window, looks wildly at the struggle, and seizes DAWKER'S hands, which have reached HORNBLOWER'S throat. JILL, who is following, rushes up to him and clutches his arm.]
JILL. Rolf! All of you! Stop! Look!
[DAWKER'S hand relaxes, and he is swung round. HORNBLOWER staggers and recovers himself, gasping for breath. All turn to the window, outside which in the moonlight HILLCRIST and CHARLES HORNBLOWER have CHLOE'S motionless body in their arms.]
In the gravel pit. She's just breathing; that's all.
MRS. H. Bring her in. The brandy, Jill!
HORNBLOWER. No. Take her to the car. Stand back, young woman! I want no help from any of ye. Rolf—Chearlie—take her up.
[They lift and bear her away, Left. JILL follows.]
Hillcrist, ye've got me beaten and disgraced hereabouts, ye've destroyed my son's married life, and ye've killed my grandchild. I'm not staying in this cursed spot, but if ever I can do you or yours a hurt, I will.
DAWKER. [Muttering] That's right. Squeal and threaten. You began it.
HILLCRIST. Dawker, have the goodness! Hornblower, in the presence of what may be death, with all my heart I'm sorry.
HORNBLOWER. Ye hypocrite!
[He passes them with a certain dignity, and goes out at the window, following to his car.] [HILLCRIST who has stood for a moment stock-still, goes slowly forward and sits in his swivel chair.]
MRS. H. Dawker, please tell Fellows to telephone to Dr. Robinson to go round to the Hornblowers at once.
[DAWKER, fingering the deed, and with a noise that sounds like "The cur!" goes out, Left.] [At the fireplace]
Jack! Do you blame me?
HILLCRIST. [Motionless] No.
MRS. H. Or Dawker? He's done his best.
HILLCRIST. No.
MRS. H. [Approaching] What is it?
HILLCRIST. Hypocrite!
[JILL comes running in at the window.]
JILL. Dodo, she's moved; she's spoken. It may not be so bad.
HILLCRIST. Thank God for that!
[FELLOWS enters, Left.]
FELLOWS. The Jackmans, ma'am.
HILLCRIST. Who? What's this?
[The JACKMANS have entered, standing close to the door.]
MRS. J. We're so glad we can go back, sir—ma'am, we just wanted to thank you.
[There is a silence. They see that they are not welcome.]
Thank you kindly, sir. Good night, ma'am.
[They shuffle out. ]
HILLCRIST. I'd forgotten their existence. [He gets up] What is it that gets loose when you begin a fight, and makes you what you think you're not? What blinding evil! Begin as you may, it ends in this —skin game! Skin game!
JILL. [Rushing to him] It's not you, Dodo; it's not you, beloved Dodo.
HILLCRIST. It is me. For I am, or should be, master in this house!
MRS. H. I don't understand.
HILLCRIST. When we began this fight, we had clean hands—are they clean' now? What's gentility worth if it can't stand fire?
CURTAIN
| THE FIRST SERIES: | The Silver Box | Joy | Strife |
| THE SECOND SERIES: | The Eldest Son | Little Dream | Justice |
| THE THIRD SERIES: | The Fugitive | The Pigeon | The Mob |
| THE FOURTH SERIES: | A Bit O'Love | The Foundations | The Skin Game |
| THE FIFTH SERIES: | A Family Man | Loyalties | Windows |
| THE SIXTH SERIES: | The First and Last | The Little Man | Four Short Plays |
End of the Project Gutenberg EBook of The Skin Game (Fourth Series Plays)
by John Galsworthy
*** END OF THIS PROJECT GUTENBERG EBOOK THE SKIN GAME (FOURTH SERIES ***
***** This file should be named 2917-h.htm or 2917-h.zip *****
This and all associated files of various formats will be found in:
http://www.gutenberg.net/2/9/1/2917/
Produced by David Widger
Updated editions will replace the previous one—the old editions
will be renamed.
Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties. Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark. Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission. If you
do not charge anything for copies of this eBook, complying with the
rules is very easy. You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research. They may be modified and printed and given away—you may do
practically ANYTHING with public domain eBooks. Redistribution is
subject to the trademark license, especially commercial
redistribution.
*** START: FULL LICENSE ***
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg.net/license).
Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
electronic works
1.A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.
1.B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works. Nearly all the individual works in the
collection are in the public domain in the United States. If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed. Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work. You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.
1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are in
a constant state of change. If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work. The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.net
1.E.2. If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges. If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.
1.E.3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder. Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.
1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.
1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form. However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.net),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form. Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.
1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.
1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that
- You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg-tm works calculated using the method
you already use to calculate your applicable taxes. The fee is
owed to the owner of the Project Gutenberg-tm trademark, but he
has agreed to donate royalties under this paragraph to the
Project Gutenberg Literary Archive Foundation. Royalty payments
must be paid within 60 days following each date on which you
prepare (or are legally required to prepare) your periodic tax
returns. Royalty payments should be clearly marked as such and
sent to the Project Gutenberg Literary Archive Foundation at the
address specified in Section 4, "Information about donations to
the Project Gutenberg Literary Archive Foundation."
- You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
does not agree to the terms of the full Project Gutenberg-tm
License. You must require such a user to return or
destroy all copies of the works possessed in a physical medium
and discontinue all use of and all access to other copies of
Project Gutenberg-tm works.
- You provide, in accordance with paragraph 1.F.3, a full refund of any
money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days
of receipt of the work.
- You comply with all other terms of this agreement for free
distribution of Project Gutenberg-tm works.
1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark. Contact the
Foundation as set forth in Section 3 below.
1.F.
1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection. Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium with
your written explanation. The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund. If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund. If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.
1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law. The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.
1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.
Section 2. Information about the Mission of Project Gutenberg-tm
Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers. It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.
Volunteers and financial support to provide volunteers with the
assistance they need, is critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at http://www.pglaf.org.
Section 3. Information about the Project Gutenberg Literary Archive
Foundation
The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation's EIN or federal tax identification
number is 64-6221541. Its 501(c)(3) letter is posted at
http://pglaf.org/fundraising. Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.
The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations. Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
business@pglaf.org. Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at http://pglaf.org
For additional contact information:
Dr. Gregory B. Newby
Chief Executive and Director
gbnewby@pglaf.org
Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation
Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.
The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To
SEND DONATIONS or determine the status of compliance for any
particular state visit http://pglaf.org
While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.
International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.
Please check the Project Gutenberg Web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including including checks, online payments and credit card
donations. To donate, please visit: http://pglaf.org/donate
Section 5. General Information About Project Gutenberg-tm electronic
works.
Professor Michael S. Hart is the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone. For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.
Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included. Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.
Most people start at our Web site which has the main PG search facility:
http://www.gutenberg.net
This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.
subscribe to our email newsletter to hear about new eBooks.