The Project Gutenberg EBook of A Little Norsk; Or, Ol' Pap's Flaxen, by
Hamlin Garland.

This eBook is for the use of anyone anywhere at no cost and with almost
no restrictions whatsoever. You may copy it, give it away or re-use it
under the terms of the Project Gutenberg License included with this
eBook or online at www.gutenberg.net

Title: A Little Norsk; Or, Ol' Pap's Flaxen
Author: Hamlin Garland
Posting Date: June 18, 2007 [EBook #21850]
Last Updated: May 16, 2017
Character set encoding: utf-8

Produced by Robert Homa, David Yingling and the Online Distributed
Proofreading Team at http://www.pgdp.net (This book was produced from
scanned images of public domain material from the Google Print project.)

*** START OF THIS PROJECT GUTENBERG EBOOK A LITTLE NORSK ***

A Little Norsk
Or
Ol' Paps' Flaxen

By
Hamlin Garland

Author of
Main Traveled Roads, A Member of the Third House, A Spoil of Office,
Jason Edwards, etc.

Publisher's logo



New York
D. Appleton and Company
1892




Copyright, 1892,
By D. Appleton and Company.

Printed at the Appleton Press, U.S.A.

On the Plain.

My cabin cowers in the pathless sweep
Of the terrible northern blast;
Above its roof the wild clouds leap
And shriek as they hurtle past.
The snow-waves hiss along the plain,
Like spectral wolves they stretch and strain
And race and ramp--with hissing beat,
Like stealthy tread of myriad feet,
I hear them pass; upon the roof
The icy showers swirl and rattle;
At times the moon, from storms aloof,
Shines white and wan within the room--
Then swift clouds drive across the light
And all the plain is lost to sight,
The cabin rocks, and on my palm
The sifted snow falls, cold and calm.

God! What a power is in the wind!
I lay my cheek to the cabin side
To feel the weight of his giant hands--
A speck, a fly in the blasting tide
Of streaming, pitiless, icy sands;
A single heart with its feeble beat--
A mouse in the lion's throat--
A swimmer at sea--a sunbeam's mote
In the grasp of a tempest of hail and sleet!





Table of Contents.
                   A Little Norsk
                                                      Page

                      CHAPTER I
Her Adoptive Parents                                     1

                      CHAPTER II.
Her First Trip in a Blizzard                             9

                      CHAPTER III.
The Burial of her Dead Mother                           22

                      CHAPTER IV.
Flaxen Adopts Anson as "Pap"                            32

                      CHAPTER V.
Flaxen Becomes Indispensable to the Two Old Bachelors   38

                      CHAPTER VI.
A Question of Dress                                     46

                      CHAPTER VII.
After Harvest                                           69

                      CHAPTER VIII.
An Empty House                                          78

                      CHAPTER IX.
"Baching" it Again                                      86

                      CHAPTER X.
Flaxen Comes Home on a Vacation                        105

                      CHAPTER XI.
Flaxen Grows Restless                                  113

                      CHAPTER XII.
Flaxen Says Good-bye                                   124

                      CHAPTER XIII.
Flaxen's Great Need                                    133

                      CHAPTER XIV.
Kendall Steps Out                                      148

                      CHAPTER XV.
Bert Comes Back                                        153



A LITTLE NORSK.
CHAPTER I.

HER ADOPTIVE PARENTS.

"Ans, the next time you twist hay f'r the fire, I wish't you'd dodge the
damp spots," said the cook, rising from a prolonged scrutiny of the
stove and the bread in the oven. His pose was threatening.

"Cooks are always grumblin'," calmly remarked Anson, drawing on his
gloves preparatory to going out to the barn; "but seein' 's this is
Chris'mus, I'll go out an' knock a barrel to pieces. I want them biscuit
to be O. K. See?"

"Yes: I see."

"Say, Bert!"

"Well?"

"Can't we have some sugar-'lasses on our biscuits, seein' it's
Chris'mus?"

"Well, I s'pose we can, Ans; but we're gittin' purty low on the thing
these days, an' they ain't no tellin' when we'll be able to git more."

"Well, jes' as you say, not as I care." Anson went out into the roaring
wind with a shout of defiance, but came back instantly, as if to say
something he had forgotten. "Say, wha' d'ye s'pose is the trouble over
to the Norsk's? I hain't seen a sign o' smoke over there f'r two 'r
three days."

"Well, now you speak of it, Ans, I've be'n thinkin' about that myself.
I'm afraid he's out o' coal, 'r sick, 'r somethin'. It 'u'd be mighty
tough f'r the woman an' babe to be there without any fire, an' this
blizzard whoopin' her up. I guess you'd better go over an' see what's
up. I was goin' to speak of it this mornin', but f'rgot it. I'm cook
this week, so I guess the job falls on you."

"All right. Here goes."

"Better take a horse."

"No: I guess not. The snow is driftin' purty bad, an' he couldn't git
through the drifts, anyway."

"Well, lookout f'r y'rself, ol' man. It looks purty owly off in the
west. Don't waste any time. I'd hate like thunder to be left alone on a
Dakota prairie f'r the rest o' the winter."

Anson laughed back through the mist of snow that blew in the open door,
his great-coat and cap allowing only a glimpse of his cheeks.

The sky was bright overhead, but low down around the horizon it looked
wild. The air was frightfully cold--far below zero--and the wind had
been blowing almost every day for a week, and was still strong. The snow
was sliding fitfully along the sod with a stealthy, menacing motion, and
far off in the west and north a dense, shining cloud of frost was
hanging.

The plain was almost as lone and level and bare as a polar ocean, where
death and silence reign undisputedly. There was not a tree in sight, the
grass was mainly burned, or buried by the snow, and the little shanties
of the three or four settlers could hardly be said to be in sight, half
sunk, as they were, in drifts. A large white owl seated on a section
stake was the only living thing to be seen.

The boom had not yet struck Buster County. Indeed, it did not seem to
Bert Gearheart at this moment that it would ever strike Buster County.
It was as cold, dreary, and unprofitable an outlook as a man could face
and not go utterly mad. If any of these pioneers could have forecast the
winter, they would not have dared to pass it on the plains.

Bert watched his partner as he strode rapidly across the prairie, now
lost to sight as a racing troop of snow-waves, running shoulder-high,
shot between, now reappearing as the wind lulled.

"This is gittin' pretty monotonous, to tell the honest truth," he
muttered as he turned from the little window. "If that railroad don't
show up by March, in some shape or other, I'm goin' to give it up.
Gittin' free land like this is a little too costly for me. I'll go back
to Wiscons', an' rent land on shares."

Bert was a younger-looking man than his bachelor companion; perhaps
because his face was clean-shaven and his frame much slighter. He was a
silent, moody young fellow, hard to get along with, though of great good
heart. Anson Wood succeeded in winning and holding his love even through
the trials of masculine housekeeping. As Bert kept on with the dinner,
he went often to the little window facing the east and looked out, each
time thawing a hole in the frost on the window-panes.

The wind was rising again, and the night promised to be wild, as the two
preceding nights had been. As he moved back and forth setting out their
scanty meal, he was thinking of the old life back in Wisconsin in the
deeps of the little coulée; of the sleigh-rides with the boys and girls;
of the Christmas doings; of the damp, thick-falling snow among the
pines, where the wind had no terrors; of musical bells on swift horses
in the fragrant deeps, where the snowflakes fell like caresses through
the tossing branches of the trees.

By the side of such a life the plain, with its sliding snow and
ferocious wind, was appalling--a treeless expanse and a racing-ground
for snow and wind. The man's mood grew darker while he mused. He served
the meal on the rude box which took the place of table, and still his
companion did not come. He looked at his watch. It was nearly one
o'clock, and yet there was no sign of the sturdy figure of Anson.

The house of the poor Norwegian was about two miles away, and out of
sight, being built in a gully; but now the eye could distinguish a house
only when less than a mile away. A man could not at times be seen at a
distance of ten rods, though occasional lulls in the wind permitted Bert
to see nearly to the "First Moccasin."

"He may be in the swale," muttered the watcher as he stood with his eye
to the loop-hole. But the next time he looked the plain was as wild and
lone as before, save under the rising blast the snow was beginning to
ramp and race across the level sod till it looked at times like a sea
running white with foam and misty with spray.

At two o'clock he said: "Well, I s'pose Ans has concluded to stay over
there to dinner, though what the Norsk can offer as inducement I swear I
don't know. I'll eat, anyhow; he can have what's left."

He sat down to his lonely meal, and ate slowly, getting up two or three
times from his candle-box in a growing anxiety for Ans, using the heated
poker now to clear a spot on the pane. He expressed his growing
apprehension, manlike, by getting angry.

"I don't see what the darn fool means by stayin' so late. It'll be dark
by four o'clock, er jest as soon as that cloud over there strikes us.
You couldn't beat sense into some men's heads with a club."

He had eaten his dinner now, and had taken to pacing up and down the
little room, which was exactly six paces long and three wide, and just
high enough to permit Anson to walk erect in the highest part.

"Nice fix to leave a man in, ain't it? All alone here, an' a blizzard
comin' on! If I ever git out o' this country alive, I'll bet I'll know
enough not to come back," he broke out, stamping his foot in a rage. "I
don't see what he means by it. If he's caught in that blow, his life
ain't worth a cent."




CHAPTER II.

HER FIRST TRIP IN A BLIZZARD.

At half-past two the feelings of the silent watcher began to change. He
thought more about his partner out there in the rising wind and
thickening snow. The blast roared round the little cabin with a deep,
menacing, rising moan, and laid to the stove-pipe a resounding lip,
wailing and shouting weirdly. Bert's nervous walk quickened, and he
looked so often through the pane that the frost had not time to close
up.

Suddenly, out of the blinding, sweeping snow, not ten rods distant, the
burly form of Anson burst, head down, blindly staggering forward into
the teeth of the tempest. He walked like a man whose strength was almost
gone, and he carried a large bundle in his arms.

Gearhart flung the door open, and called in a cheery voice to guide the
struggling man to the house. He knew what it was to face such a wind.

"Here ye are, ol' man! Right this way! Keep y'r head down!"

Then, seeing that Anson hardly made headway against the terrible blast,
he rushed out, bare-headed as he was, and caught and hurried him in and
shut the door.

Reeling blindly, his breath roaring like a furnace, his eyebrows hung
with icicles, his face masked with crusted snow, Anson staggered in,
crying hoarsely, "Take her!" then slid to the floor, where he lay
panting for breath.

Bert caught the bundle from his arms. A wailing, half-smothered cry came
from it.

"What is it, Ans?" he asked.

"A kid; warm it," said the giant, trying with his numbed fingers to undo
the shawl which wrapped the bundle. Bert hurriedly unwound the shawl,
and a frightened child, blue-eyed and flaxen-haired--flossy as unfrosted
corn-silk--was disclosed like a nubbin of corn after the husks are
stripped off.

"Why, it's little Flaxen Hair! Wha' d'ye bring her over for?"

"'Sh!" said Anson hoarsely. "Mind how y' git her warm! Don't y' see
she's froze?"

The little creature was about five, or possibly six years old, scantily
clad, but neat and pretty. As her feet began to get warm before the
fire, she wailed with pain, which Bert tried to stop by rubbing.

"Put her hands in y'r hair, hold her feet in y'r hands--don't rub 'em,"
commanded Ans, who was stripping the ice from his eyelashes and from his
matted beard, which lay like a shield upon his breast. "Stir up the
fire; give her some hot coffee an' some feed. She hain't had anything to
eat."

Bert tried to do all these things at once, and could not, but managed
finally to get the child a piece of bread and a cup of coffee, and to
allay her fears. Ans began to recover from his horrible journey and was
able to speak, though his lungs were still painful.

"Ol' man," he said solemnly and tenderly, "I came jest as near stayin'
in that last gully down there as a man could an' not. The snow was up to
my armpits, an' let me down wherever the weeds was. I had to waller; if
it hadn't be'n for her, I guess I'd 'a' give up; but I jest grit m'
teeth an' pulled through. There, guess y' hadn't better let her have any
more. I guess she'll go to sleep now she's fed an' warmed. Jest le' me
take her now, ol' man."

"No: you git rested up."

"See here, it'll rest me to hold that little chap. I'm all right. My
hands is frosted some, an' my ears, that's all, but my breath is gittin'
back. Come on, now," he pleaded.

Bert surrendered the child, who looked up into the bearded face of the
rough fellow, then rested her head on his breast, and went to sleep at
last. It made his heart thrill as he felt her little head against his
breast. He never had held a child in his arms before.

"Say, Bert, reckon I'm a purty fair picture of a fam'ly man, now, eh?
Throw in a couple o' twists more o' hay--"

Bert stirred up the fire.

"Well, now the little one is off, what's up over to the Norsk's? Wha'
d'ye bring the child for?" he asked at last.

"Because she was the only livin' soul in the shanty."

"What?" His face was set in horror.

"Fact."

"Where's the Norsk?"

"I don't know. On the prairie somewhere."

"An' the mother?"

"She's--" Here the little one stirred slightly as he leaned forward, and
Ans said, with a wink, "She's asleep." He winked significantly, and Bert
understood what the sleep was. "Be a little careful what y' say--jes'
now; the little rat is listenin'. Jest say relative when y' mean
her--the woman, y' know."

"Yes, sir," he resumed after a moment; "I was scart when I saw that
house--when I knocked, an' no one stirred 'r come to the door. They
wasn't a track around, an' the barn an' house was all drifted up. I
pushed the door open; it was cold as a barn, an' dark. I couldn't see
anythin' f'r a minute, but I heard a sound o' cryin' from the bed that
made my hair stand up. I rushed over there, an' there lay the mother on
the bed, with nothin' on but some kind of a night-dress, an'
everythin'--dress, shawl, an' all--piled on an' around that blessed
child."

"She was sleepin'?"

"Like a stone. I couldn't believe it at first. I raved around there,
split up a chair an' the shelves, an' made a fire. Then I started to rub
the woman's hands an' feet, but she was cold an' hard as iron." Bert
shuddered in sympathy. "Then I took the child up an' rubbed her; tried
to find somethin' f'r her to eat--not a blessed thing in that house!
Finally I thought I better bolt f'r home--"

"Lucky you did. Hear that wind! Great heavens! We are in for another
two-days' blow of it. That woman, of course, stripped herself to save
the child."

"Yes: she did."

"Jes' like a woman! Why didn't she rip down the shelf an' split up the
chairs for fuel, or keep walkin' up an' down the room?"

"Now, there it is! She had burnt up a lot o' stuff, then took to bed
with the child. She rolled her up in all the quilts an' shawls an'
dresses they was in the house; then laid down by the side of her, an'
put her arm over her--an' froze--jes' like a mother--no judgment!"

"Well, lay her down now, an' eat somethin' y'rself, while I go out an'
look after the chores. Lord! it makes me crawl to think of that woman
layin' there in the shanty all alone!" he turned and said in a peculiar
hesitating voice. He shivered a little as he spoke. "Say, did y' shut
the door?"

"Yes: an' it shuts hard. The wind n'r wolves can't open it."

"That's good. I couldn't sleep nights if I thought the coyotes could get
in." Bert's imagination seized upon that lonely cabin and the figure
lying cold as iron upon the bed. It appealed to him more than to Anson.

By four o'clock it was dark, and the lamp was lighted when Bert came in,
bringing an immense load of hay-twists. The ferocious wind, as if
exulting in its undisputed sway over the plain, raved in ceaseless fury
around the cabin, and lashed the roof with a thousand stinging streams
of snow. The tiny shanty did not rock; it shuddered as if with fright.
The drifts rose higher on the windows, and here and there through some
unseen crevice the snow, fine as bolted flour, found its way like oil,
seeming to penetrate the solid boards; and to the stove-pipe the storm
still laid hoarse lip, piping incessantly, now dolorously, now savagely,
now high, now low.

While the two men sat above the fire that night, discussing the sad case
of the woman, the child slept heavily, muttering and sobbing in her
sleep.

"The probabilities are," said Anson, in a matter-of-fact way, "the Norsk
took his oxen an' started f'r Summit f'r provisions, an' got caught in
this blizzard an' froze to death somewhere--got lost in some gully,
probably."

"But why didn't he come an' tell us to look after his fam'ly?"

"Well, I s'pose he was afraid to trust us. I don't wonder, as I remember
the treatment their women git from the Yankees. We look a good 'eal
worse than we are, besides; an' then the poor cuss couldn't talk to us,
anyhow, an' he's be'n shy ever since he came, in October."

After a long silence, in which Gearheart went over and studied the face
of the sleeper, Anson said: "Well, if he's dead, an' the woman's dead
too, we've got to look after this child till some relative turns up. An'
that woman's got to be buried."

"All right. What's got to be done had better be done right off. We've
only one bed, Ans, an' a cradle hasn't appeared necessary before. How
about the sleepin' to-night? If you're goin' into the orphan-asylum
business, you'll have to open up correspondence with a furniture store."

Ans reddened a little. "It ain't mine any more'n yours. We're pardners
in this job."

"No: I guess not. You look more like a dad, an' I guess I'll shift the
responsibility of this thing off onto you. I'll bunk here on the floor,
an' you take the child an' occupy the bed."

"Well, all right," answered Anson, going over in his turn and looking
down at the white face and tow-coloured hair of the little stranger.
"But say, we ain't got no night-clothes f'r the little chap. What'll we
do? Put her to sleep jes' as she is?"

"I reckon we'll have to to-night. Maybe you'll find some more clothes
over to the shanty."

"Say, Bert," said Ans later.

"Well?"

"It's too darn cold f'r you to sleep on the floor there. You git in here
on the back side, an' I'll take the child on the front. She'd be smashed
flatter'n a pancake if she was in the middle. She ain't bigger'n a pint
o' cider, anyway."

"No, ol' man. I'll lay here on the floor, an' kind o' heave a twist in
once in a while. It's goin' to be cold enough to freeze the tail off a
brass bull by daylight."

Ans bashfully crept in beside the sleeping child, taking care not to
waken her, and lay there thinking of his new responsibility. At every
shiver of the cowering cabin and rising shriek of the wind, his heart
went out in love toward the helpless little creature whose dead mother
lay in the cold and deserted shanty, and whose father was wandering
perhaps breathless and despairing on the plain, or lying buried in the
snow in some deep ravine beside his patient oxen. He tucked the clothing
in carefully about the child, felt to see if her little feet were cold,
and covered her head with her shawl, patting her lightly with his great
paw.

"Say, Bert!"

"Well, Ans, what now?"

"If this little chap should wake up an' cry f'r its mother, what in
thunder would I do?"

"Give it up, ol' boy," was the reply from the depths of the
buffalo-robes before the fire. "Pat her on the back, an' tell her not to
cry, or somethin' like that."

"But she can't tell what I say."

"Oh, she'll understand if y' kind o' chuckle an' gurgle like a fam'ly
man." But the little one slept on, and when, about midnight, Bert got up
to feed the fire, he left the stove door open to give light, and went
softly over to the sleepers. Ans was sleeping with the little form close
to his breast, and the poor, troubled face safe under his shaggy beard.

And all night long the blasting wind, sweeping the sea of icy sands,
hissed and howled round the little sod cabin like surf beating on a
half-sunken rock. The wind and the snow and the darkness possessed the
plain; and Cold (whose other name is Death) was king of the horrible
carnival. It seemed as though morning and sunlight could not come again,
so absolute was the sway of night and death.




CHAPTER III.

THE BURIAL OF HER DEAD MOTHER.

When Anson woke the next morning, he found the great flower-like eyes of
the little waif staring straight into his face with a surprise too great
for words or cries. She stared steadily and solemnly into his open eyes
for a while, and when he smiled she smiled back; but when he lifted his
large hand and tried to brush her hair she grew frightened, pushing her
little fists against him, and began to cry "Mor! Mor Kom!"

This roused Gearheart, who said:

"Well, Ans, what are y' goin' to do with that child? This is your
mornin' to git breakfast. Come, roll out. I've got the fire goin' good.
I can't let y' off; it'll break up our system."

Anson rolled out of the bunk and dressed hurriedly in the cold room. The
only sound was the roar of the stove devouring the hay-twist. Anson
danced about.

"Thunder an' black cats, ain't it cold! The wind has died down, or we'd
be froze stiffer'n a wedge. It was mighty good in you, ol' man, to keep
the stove goin' durin' the night. The child has opened her eyes
brighter'n a dollar, but I tell you I don't like to let her know what's
happened to her relatives."

The little one began to wail in a frightened way, being alone in the dim
corner.

"There she goes now; she's wantin' to go home! That's what she's askin',
jes' like's not. Say, Bert, what the devil can I do?"

"Talk to her, Ans; chuckle to her."

"Talk! She'll think I'm threatenin' to knock her head off, or somethin'.
There there, don't ee cry! We'll go see papa soon.--Confound it, man, I
can't go on with this thing! There, there! See, child, we're goin' to
have some nice hot pancakes now; goin' to have breakfast now. See, ol'
pap's goin' to fry some pancakes. Whoop--see!" He took down the
saucepan, and flourished it in order to make his meaning plainer. Bert
laughed.

"That's as bad as your fist. Put that down, Ans. You'll scare the young
one into a fit; you ain't built f'r a jumpin'-jack."

The child did indeed set up a louder and more distracting yell. Getting
desperate, Anson seized her in his arms, and, despite her struggles,
began tossing her on his shoulder. The child understood him and ceased
to cry, especially as Gearheart began to set the table, making a
pleasant clatter, whistling the while.

The glorious light of the morning made its way only dimly through the
thickly frosted window-panes; the boards snapped in the horrible cold;
out in the barn the cattle were bellowing and kicking with pain.

"Do you know," said Bert, impressively, "I couldn't keep that woman out
o' my mind. I could see her layin' there without any quilts on her, an'
the mice a-runnin' over her. God! it's tough, this bein' alone on a
prairie on such a night."

"I knew I'd feel so, an' I jest naturally covered her up an' tucked the
covers in, the child a-lookin' on. I thought she'd feel better, seein'
her ma tucked in good an' warm. Poor little rat!"

"Did you do that, ol' man?"

"You bet I did! I couldn't have slep' a wink if I hadn't."

"Well, why didn't y' tell me, so't I could sleep?"

"I didn't think you'd think of it that way, not havin' seen her."

The child now consented to sit in one of the chairs and put her feet
down by the stove. She wept silently now, with that infrequent, indrawn
sob, more touching than wails. She felt that these strangers were her
friends, but she wanted her mother. She ate well, and soon grew more
resigned. She looked first at one and then at the other of the men as
they talked, trying to understand their strange language. Then she fell
to watching a mouse that stole out from behind the flour-barrels,
snatching a crumb occasionally and darting back, and laughed gleefully
once, and clapped her hands.

"Now, the first thing after the chores, Ans, is that woman over there.
Of course it's out o' the question buryin' her, but we'd better go over
an' git what things there is left o' the girl's, an' fasten up the
shanty to keep the wolves out."

"But then--"

"What?"

"The mice. You can't shut them out."

"That's so. I never thought o' that. We've got to make a box, I guess;
but it's goin' to be an awful job for me, Ans, to git her into it. I
thought I wouldn't have to touch her."

"Le' me go; I've seen her once an' you hain't. I'd just as soon."

"Heaven an' earth! what could I do with the babe? She'd howl like a
coyote, an' drive me plumb wild. No: you're elected to take care o' the
child. I ain't worth a picayune at it. Besides, you had your share
yesterday."

And so, in the brilliant sunshine of that bitterly cold morning,
Gearheart crunched away over the spotless snow, which burned under his
feet--a land mocking, glorious, pitiless. Far off some slender columns
of smoke told of two or three hearth-fires, but mainly the plain was
level and lifeless as the Polar Ocean, appallingly silent, no cry or
stir in the whole expanse, no tree to creak nor bell to ring.

It required strong effort on the part of the young man to open the door
of the cottage, and he stood for some time with his hand on the latch,
looking about. There was perfect silence without and within, no trace of
feet or hands anywhere. All was as peaceful and unbroken as a sepulchre.

Finally, as if angry with himself, Gearheart shook himself and pushed
open the door, letting the morning sun stream in. It lighted the bare
little room and fell on the frozen face and rigid, half-open eyes of the
dead woman with a strong, white glare. The thin face and worn,
large-jointed hands lying outside the quilt told of the hardships which
had been the lot of the sleeper. Her clothing was clean and finer than
one would expect to see.

Gearheart stood looking at her for a long time, the door still open, for
he felt re-enforced in some way by the sun. If any one had come suddenly
and closed the door on him and the white figure there, he would have
cried out and struggled like a madman to escape, such was his
unreasoning fear of the dead.

At length, with a long breath, he backed out and closed the door. Going
to the barn, he found a cow standing at an empty manger, and some hens
and pigs frozen in the hay. Looking about for some boards to make a
coffin, he came upon a long box in which a reaper had been packed, and
this he proceeded to nail together firmly, and to line with pieces of an
old stove-pipe at such places as he thought the mice would try to enter.

When it was all prepared, he carried the box to the house and managed to
lay it down beside the bed; but he could not bring himself to touch the
body. He went out to see if some one were not coming. The sound of a
human voice would have relieved him at once, and he could have gone on
without hesitation. But there was no one in sight, and no one was likely
to be; so he returned, and summoning all his resolution, took one of the
quilts from the bed and placed it in the bottom of the box. Then he
removed the pillow from beneath the head of the dead woman and placed
that in the box. Then he paused, the cold moisture breaking out on his
face.

Like all young persons born far from war, and having no knowledge of
death even in its quiet forms, he had the most powerful organic
repugnance toward a corpse. He kept his eye on it as though it were a
sleeping horror, likely at a sudden sound to rise and walk. More than
this, there had always been something peculiarly sacred in the form of a
woman, and in his calmer moments the dead mother appealed to him with
irresistible power.

At last, with a sort of moan through his set teeth, he approached the
bed and threw the sheet over the figure, holding it as in a sling; then,
by a mighty effort, he swung it stiffly off the bed into the box.

He trembled so that he could hardly spread the remaining quilts over the
dead face. The box was wide enough to receive the stiff, curved right
arm, and he had nothing to do but to nail the cover on, which he did in
feverish haste. Then he rose, grasped his tools, rushed outside, slammed
the door, and set off in great speed across the snow, pushed on by an
indescribable horror.

As he neared home, his fresh young blood asserted itself more and more;
but when he entered the cabin he was still trembling, and dropped into a
chair like a man out of breath. At sight of the ruddy face of Anson, and
with the aid of the heat and light of the familiar little room, he shook
off part of his horror.

"Gi' me a cup o' coffee, Ans. I'm kind o' chilly an' tired."

Before drinking he wiped his face and washed his hands again and again
at the basin in the corner, as though there were something on them which
was ineffably unclean. The little one, who had been weeping again,
stared at him with two big tears drying on her hollow cheeks.

"Well?" interrogated Anson.

"I nailed her up safe enough for the present. But what're we goin' to do
next?"

"I can't see 's we can do anythin' as long as such weather as this
lasts. It ain't safe f'r one of us to go out an' leave the other alone.
Besides, it's thirty below zero, an' no road, Moccasin's full of snow,
an' another wind likely to rise at any time. It's mighty tough on this
little one, but it can't be helped. As soon as it moderates a little,
we'll try to find a woman an' a preacher, an' bury that--relative."

"The only woman I know of is ol' Mrs. Cap Burdon, down on the Third
Moccasin, full fifteen miles away."




CHAPTER IV.

FLAXEN ADOPTS ANSON AS "PAP."

For nearly two weeks they waited, while the wind alternately raved and
whispered over them as it scurried the snow south or east, or shifted to
the south in the night, bringing "the north end of a south wind," the
most intolerable and cutting of winds. Day after day the restless snow
sifted or leaped across the waste of glittering crust; day after day the
sun shone in dazzling splendor, but so white and cold that the
thermometer still kept down among the thirties. They were absolutely
alone on the plain, except that now and then a desperate wolf or
inquisitive owl came by.

These were long days for the settlers. They would have been longer had
it not been for little Elga, or "Flaxen," as they took to calling her.
They racked their brains to amuse her, and in the intervals of tending
the cattle and of cooking, or of washing dishes, rummaged through all
their books and pictures, taught her "cat's cradle," played
"jack-straws" with her, and with all their resources of song and
pantomime strove to fill up the little one's lonely days, happy when
they succeeded in making her laugh.

"That settles it!" said Bert one day, whanging the basin back into the
empty flour-barrel.

"What's the matter?"

"Matter is, we've reached the bottom o' the flour-barrel, an' it's got
to be filled; no two ways about that. We can get along on biscuit an'
pancakes in place o' meat, but we can't put anythin' in the place o'
bread. If it looks favorable to-morrow, we've got to make a break for
Summit an' see if we can't stock up."

Early the next morning they brought out the shivering team and piled
into the box all the quilts and robes they had, and bundling little
Flaxen in, started across the trackless plain toward the low line of
hills to the east, twenty-five or thirty miles. From four o'clock in the
morning till nearly noon they toiled across the sod, now ploughing
through the deep snow where the unburned grass had held it, now scraping
across the bare, burned earth, now wandering up or down the swales,
seeking the shallowest places, now shovelling a pathway through.

The sun rose unobscured as usual, and shone down with unusual warmth,
which afforded the men the satisfaction of seeing little Flaxen warm and
merry. She chattered away in her own tongue, and clapped her little
hands in glee at sight of the snowbirds running and fluttering about. As
they approached the low hills the swales got deeper and more difficult
to cross, but about eleven o'clock they came to Burdon's Ranch, a sort
of half-way haven between their own claim and Summit, the end of the
railway.

Captain Burdon was away, but Mrs. Burdon, a big, slatternly Missourian,
with all the kindliness of a universal mother in her swarthy face and
flaccid bosom, ushered them into the cave-like dwelling set in the sunny
side of Water Moccasin.

"Set down, set right down. Young uns, git out some o' them cheers an'
let the strangers set. Purty tol'able tough weather? A feller don't git
out much such weather as this 'ere 'thout he's jes' naturally 'bleeged
to. Suse, heave in another twist, an' help the little un to take off her
shawl."

After Mrs. Burdon's little flurry of hospitality was over, Anson found
time to tell briefly the history of the child.

"Heavens to Betsey! I wan' to know!" she cried, her fat hands on her
knees and her eyes bulging. "Wal! wal! I declare, it beats the Dutch! So
that woman jest frizzed right burside the babe! Wal, I never! An' the
ol' man he ain't showed up? Wal, now, he ain't likely to. I reckon I saw
that Norsk go by here that very day, an' I says to Cap'n, says I, 'If
that feller don't reach home inside an hour, he'll go through heaven
a-gittin' home,' says I to the Cap'n."

"Well, now," said Anson, stopping the old woman's garrulous flow, "I've
got to be off f'r Summit, but I wish you'd jest look after this little
one here till we git back. It's purty hard weather f'r her to be out,
an' I don't think she ought to."

"Yaas; leave her, o' course. She'll enjoy playin' with the young uns. I
reckon y' did all y' could for that woman. Y' can't burry her now; the
ground's like linkum-vity."

But as Anson turned to leave, the little creature sprang up with a
torrent of wild words, catching him by the coat, and pleading
strenuously to go with him. Her accent was unmistakable.

"You wan' to go with Ans?" he inquired, looking down into the little
tearful face with a strange stirring in his bachelor heart. "I believe
on my soul she does."

"Sure's y're born!" replied Mrs. Burdon. "She'd rather go with you than
to stay an' fool with the young uns; that's what she's tryin' to say."

"Do y' wan' to go?" asked Ans again, opening his arms. She sprang toward
him, raising her eager little hands as high as she could, and when he
lifted her she twined her arms around his neck.

"Poor little critter! she ain't got no pap ner mam now," the old woman
explained to the ring of children, who still stared silently at the
stranger almost without moving.

"Ain't he her pa-a-p?" drawled one of the older girls, sticking a finger
at Anson.

"He is now," laughed Ans, and that settled the question over which he
had been pondering for days. It meant that as long as she wanted to stay
she should be his Flaxen and he would be her "pap." "And you can be
Uncle Bert, hey?" he said to Bert.

"Good enough," said Bert.




CHAPTER V.

FLAXEN BECOMES INDISPENSABLE TO THE TWO OLD BACHELORS.

They never found any living relative, and only late in the spring was
the fate of the poor father revealed. He and his cattle were found side
by side in a deep swale, where they had foundered in the night and
tempest.

As for little Flaxen, she soon recovered her cheerfulness, with the
buoyancy natural to childhood, and learned to prattle in broken English
very fast. She developed a sturdy self-reliance that was surprising in
one so young, and long before spring came was indispensable to the two
"old baches."

"Now, Bert," said Ans one day, "I don't wan' to hear you talk in that
slipshod way any longer before Flaxen. You know better; you've had more
chance than I have--be'n to school more. They ain't no excuse for you,
not an ioty. Now, I'm goin' to say to her, 'Never mind how I talk, but
talk like Bert does.'"

"Oh, say, now, look here, Ans, I can't stand the strain. Suppose she'd
hear me swearin' at ol' Barney or the stove?"

"That's jest it. You ain't goin' to swear," decided Anson; and after
that Bert took the education of the little waif in hand, for he was a
man of good education; his use of dialect and slang sprang mainly from
carelessness.

But all the little fatherly duties and discipline fell to Anson, and
much perplexed he often got. For instance, when he bought her an outfit
of American clothing at the store they were strange to her and to him,
and the situation was decidedly embarrassing when they came to try them.

"Now, Flaxie, I guess this thing goes on this side before, so's you can
button it. If it went on so, you couldn't reach around to button it,
don't you see? I guess you'd better try it so. An' this thing, I judge,
is a shirt, an' goes on under that other thing, which I reckon is called
a shimmy. Say, Bert, shouldn't you call that a shirt?" holding up a
garment.

"W-e-l-l, yes" (after a close scrutiny). "Yes: I should."

"And this a shimmy?"

"Well, now, you've got me, Ans. It seems to me I've heard the women
folks home talk about shimmies, but they were always kind o' private
about it, so I don't think I can help you out. That little thing goes
underneath, sure enough."

"All right, here goes, Flax; if it should turn out to be hind side
before, no matter."

Then again little Flaxen would want to wear her best dress on week-days,
and Ans was unable to explain. Here again Bert came to the rescue.

"Git her one dress fer ev'ry day in the week, an' make her wear 'em in
rotation. Hang 'em up an' put a tag on each one--Sunday, Monday, an' so
on."

"Good idea."

And it was done. But the embarrassments of attending upon the child soon
passed away; she quickly grew independent of such help, dressed herself,
and combed her own hair, though Anson enjoyed doing it himself when he
could find time, and she helped out not a little about the house. She
seemed to have forgotten her old life, awakening as she had from almost
deathly torpor into a new home--almost a new world--where a strange
language was spoken, where no woman was, and where no mention of her
mother, father, or native land was ever made before her. The little waif
was at first utterly bewildered, then reconciled, and by the time spring
came over the prairie was almost happy in the touching way of a child
deprived of childish things.

Oh, how sweet spring seemed to those snow-weary people! Day after day
the sun crept higher up in the sky; day after day the snow gave way a
little on the swells, and streams of water began to trickle down under
the huge banks of snow, filling the ravines; and then at last came a day
when a strange, warm wind blew from the northwest. Soft and sweet and
sensuous it was, as if it swept some tropic bay filled with a thousand
isles--a wind like a vast warm breath blown upon the land. Under its
touch the snow did not melt; it vanished. It fled in a single day from
the plain to the gullies. Another day, and the gullies were rivers.

It was the "chinook," which old Lambert, the trapper and surveyor, said
came from the Pacific Ocean.

The second morning after the chinook began to blow, Anson sprang to his
feet from his bunk, and standing erect in the early morning light,
yelled: "Hear that?"

"What is it?" asked Bert.

"There! Hear it?" Anson smiled, holding up his hand joyfully as a mellow
"Boom--boom--boom" broke through the silent air. "Prairie-chickens!
Hurrah! Spring has come! That breaks the back o' winter short off."

"Hurrah! de 'pring ees come!" cried little Flaxen, gleefully clapping
her hands in imitation.

No man can know what a warm breeze and the note of a bird can mean to
him till he is released, as these men were released, from the bondage of
a horrible winter. Perhaps still more moving was the thought that with
the spring the loneliness of the prairie would be broken, never again to
be so dread and drear; for with the coming of spring came the tide of
land-seekers pouring in: teams scurried here and there on the wide
prairie, carrying surveyors, land agents, and settlers. At Summit trains
came rumbling in by the first of April, emptying thousands of men,
women, and children upon the sod, together with cattle, machinery, and
household articles, to lie there roofed only by the blue sky. Summit,
from being a half-buried store and a blacksmith's shop, bloomed out into
a town with saloons, lumber-yards, hotels, and restaurants; the sound of
hammer and anvil was incessant, and trains clanged and whistled night
and day.

Day after day the settlers got their wagons together and loaded up, and
then moved down the slope into the fair valley of the sleepy James. Mrs.
Cap Burdon did a rushing business as a hotel-keeper, while Cap sold hay
and oats at rates which made the land-seekers gasp.

"I'm not out here f'r my health," was all the explanation he ever made.

Soon all around the little shanty of Anson and Bert other shanties were
built and filled with young, hopeful, buoyant souls. The railway
surveyors came through, locating a town about three and another about
twelve miles away, and straightway the bitter rivalry between Boomtown
and Belleplain began. Belleplain being their town, Bert and Anson swore
by Belleplain, and correspondingly derided the claims of Boomtown.

With the coming of spring began the fiercest toil of the
pioneers--breaking the sod, building, harvesting, ploughing; then the
winter again, though not so hard to bear; then the same round of work
again. So the land was settled, the sod was turned over; sod shanties
gave way to little frame houses; the tide of land-seekers passed on, the
boom burst, but the real workers, like Wood and Gearheart, went
patiently, steadily on, founding a great State.




CHAPTER VI.

A QUESTION OF DRESS.

One morning eight years later Flaxen left the home of Gearheart and Wood
with old Doll and the buggy, bound for Belleplain after groceries for
harvest. She drove with a dash, her hat on the back of her head. She was
seemingly intent on getting all there was possible out of a chew of
kerosene gum, which she had resolved to throw away upon entering town,
intending to get a new supply.

She had thriven on Western air and gum, and though hardly more than
fourteen years of age, her bust and limbs revealed the grace of
approaching womanhood, however childish her short dress and braided hair
might still show her to be. Her face was large and decidedly of
Scandinavian type, fair in spite of wind and sun, and broad at the
cheekbones. Her eyes were as blue and clear as winter ice.

As she rode along she sang as well as she could without neglecting the
gum, sitting at one end of the seat like a man, the reins held
carelessly in her left hand, notwithstanding the swift gait of the
horse, who always knew when Flaxen was driving. She met a friend on the
road, and said, "Hello!" pulling up her horse with one strong hand.

"Can't stop," she explained; "got to go over to the city to get some
groceries for harvest. Goin' to the sociable to-morrow?"

"You bet," replied the friend, "You?"

"I d'know; mebbe, if the boys'll go. Ta-ta; see ye later." And away she
spun.

Belleplain had not thriven, or, to be more exact, it had had a rise and
fall; and as the rise had been considerable, so the fall was something
worth chronicling. It was now a collection of wooden buildings, mostly
empty, graying under the storms and suns of pitiless winters and
summers, and now, just in mid-summer, surrounded by splendid troops and
phalanxes of gorgeous sunflowers, whose brown crowns, gold-dusted,
looked ever toward the sun as it swung through the wide arch of
cloudless sky. The signs of the empty buildings still remained, and one
might still read the melancholy decline from splendours of the past in
"emporiums," "palace drug stores," and "mansion-houses."

As Flaxen would have said, "Belleplain's boom had bu'sted." Her glory
had gone with the C., B. and Q., which formed the junction at Boomtown
and left the luckless citizens of Belleplain "high and dry" on the
prairie, with nothing but a "spur" to travel on. However, a few stores
yet remained in the midst of desolation.

After making her other purchases, Flaxen entered the "red-front drug
store" to secure the special brand of gum which seemed most delectable
and to buy a couple of cigars for the "boys."

The clerk, who was lately from the East, and wore his moustache curled
upward like the whiskers of a cat, was "gassing" with another young man,
who sat in a chair with his heels on the counter.

"Well, my dear, what can I do for you to-day?" he said, winking at the
loafer, as if to say, "Now watch me."

"I want some gum."

"What kind, darling?" he asked, encouraged by the fellow in the chair.

"I ain't your darling.--Kerosene, shoofly, an' ten cents' worth."

"Say, Jack," drawled the other fellow, "git onto the ankles! Say, sissy,
you picked your dress too soon. She's goin' to be a daisy, first you
know. Ain't y', honey?" he said, leaning over and pinching her arm.

"Let me alone, you great, mean thing! I'll tell ol' pap on you, see if I
don't," cried Flaxen, her eyes filling with angry tears. And as they
proceeded to other and bolder remarks she rushed out, feeling vaguely
the degradation of being so spoken to and so touched. It seemed to
become more atrocious the more she thought upon it.

When she reached home there were still signs of tears on her face, and
when Anson came out to help her alight, and noticing it asked, "What's
the matter?" she burst out afresh, crying, and talking incoherently.
Anson was astonished.

"Why, what's the matter, Flaxie? Can't you tell ol' pap? Are ye sick?"

She shook her head, and rushed past him into the house and into her
bedroom, like a little cyclone of wrath. Ans slowly followed her, much
perplexed. She was lying face downward on the bed, sobbing.

"What's the matter, little one? Can't y' tell ol' pap? Have the girls
be'n makin' fun o' yeh again?"

She shook her head.

"Have the boys be'n botherin' yeh?" No reply. "Who was it?" Still
silence. He was getting stern now. "Tell me right now."

"Jack Reeves--an'--an' another feller."

"Wha' d' they do?" Silence. "Tell me."

"They--pinched me, an'--an'--talked mean to me," she replied, breaking
down again with the memory of the insult.

Anson began to understand.

"Wal, there! You dry y'r eyes, Flaxie, an' go an' git supper; they won't
do it again--not this harvest," he added grimly as he marched to the
door to enter the buggy.

Bert, coming along from the barn and seeing Anson about to drive away,
asked where he was going. Anson tried to look indifferent.

"Oh, I've got a little business to transact with Reeves and some other
smart Aleck downtown."

"What's up? What have they be'n doing?" asked Gearheart, reading trouble
in the eyes of his friend.

"Well, they have be'n a little too fresh with Flaxen to-day, an' need a
lesson."

"They're equal to it. Say, Anson, let me go," laying his hand on the
dasher, ready to leap in.

"No: you're too brash. You wouldn't know when to quit. No: you stay
right here. Don't say anything to Flaxen about it; if she wants to know
where I'm gone, tell her I found I was out o' nails."

As Anson drove along swiftly he was in a savage mood and thinking
deeply. Two or three times of late some of his friends had touched
rather freely upon the fact that Flaxen was becoming a woman. "Girls
ripen early out in this climate," one old chap had said, "and your
little Norsk there is likely to leave you one of these days." He felt
now that something deliberately and inexpressibly offensive had been
said and done to his little girl. He didn't want to know just what it
was, but just who did it; that was all. It was time to make a protest.

Hitching his horse to a ring in the sidewalk upon arrival, he walked
into the drug store, which was also the post-office. Young Reeves was
inside the post-office corner giving out the mail, and Anson sauntered
about the store waiting his chance.

He was a dangerous-looking man just now. Ordinarily his vast frame,
huge, grizzled beard, and stern, steady eyes would quell a panther; but
now as he leaned against the counter a shrewd observer would have said,
"Lookout for him; he's dangerous."

His gray shirt, loose at the throat, showed a neck that resembled the
spreading base of an oak tree, and his crossed limbs and half-recumbent
pose formed a curious opposition to the look in his eyes.

Nobody noticed him specially. Most comers and goers, being occupied with
their mail, merely nodded and passed on.

Finally some one called for a cigar, and Reeves, having finished in the
post-office department, came jauntily along behind the counter directly
to where Anson stood. As he looked casually into the giant's eyes he
started back, but too late; one vast hand had clutched him by the
collar, and he was jerked over the counter and cuffed from hand to hand,
like a mouse in the paws of a cat. Though Ans used his open palm, the
punishment was fearful. Blood burst from his victim's nose and mouth; he
yelled with fright and pain.

The rest rushed to help.

"Stand back! This is a private affair," said Ans, throwing up a warning
hand. They paused; all knew his strength.

"It wasn't me!" screamed Reeves as the punishment increased; "it was Doc
Coe."

Coe, his hands full of papers and letters, horrified at what had
overtaken Reeves, stood looking on. But now he tried to escape. Flinging
the battered, half-senseless Reeves back over the counter, where he lay
in a heap, Anson caught Coe by the coat just as he was rushing past him,
and duplicated the punishment, ending by kicking him into the street,
where he lay stunned and helpless. Ans said then, in a voice that the
rest heard, "The next time you insult a girl, you'd better inquire into
the qualities of her guardeen."

This little matter attended to, he unhitched his horse from the
sidewalk, and refusing to answer any questions, rode off home, outwardly
as calm as though he had just been shaking hands.

Supper was about ready when he drove up, and through the open door he
could see the white-covered table and could hear the cheerful clatter of
dishes. Flaxen was whistling. Eight years of hard work had not done much
for these sturdy souls, but they had managed to secure with incredible
toil a comfortable little house surrounded with outbuildings. Calves and
chickens gave life to the barn-yard, and fields of wheat rippled and ran
with swash of heavy-bearded heads and dapple of shadow and sheen.

Flaxen was now the housewife and daughter of these hard-working
pioneers, and a cheery and capable one she had become. No one had ever
turned up with a better claim to her, and so she had grown up with Ans
and Bert, going to school when she could spare the time, but mainly
being adviser and associate at the farm.

Ans and Bert had worked hard winter and summer trying to get ahead, but
had not succeeded as they had hoped. Crops had failed for three or four
years, and money was scarce with them; but they had managed to build
this small frame house and to get a little stock about them, and this
year, with a good crop, would "swing clear," and be able to do something
for Flaxen--perhaps send her to Belleplain to school, togged out like a
little queen.

When Anson returned to the house after putting out the horse, he found
Bert reading the paper in the little sitting-room and Flaxen putting the
tea on the stove.

"Wha' d' y' do to him, pap?" laughed she, all her anger gone. Bert came
out to listen.

"Oh, nothin' p'tic'lar," answered Ans, flinging his hat at a chicken
that made as though to come in, and rolling up his sleeves preparatory
to sozzling his face at the sink. "I jest cuffed 'em a little, an' let
'em go."

"Is that all?" said Flaxen, disappointedly, a comical look on her round
face.

"Now, don't you worry," put in Bert. "Anson's cuffin' a man is rather
severe experience. I saw him cuff a man once; it ain't anythin' to be
desired a second time."

They all drew about the table. Flaxen looked very womanly as she sat
cutting the bread and pouring the tea. She had always been old in her
ways about the house, for she had very early assumed the housewife's
duties and cares. Her fresh-coloured face beamed with delight as she
watched the hungry men devouring the fried pork, potatoes, and cheese.

"When y' goin' to begin cuttin', boys?" Collectively they were boys to
her, but when addressing them separately they were "Bert" and "Pap."

"To-morrow 'r nex' day, I guess," answered Anson, looking out of the
open door. "Don't it look fine--all yeller an' green? I tell ye they
ain't anything lays over a ripe field o' wheat in my eyes. You jest take
it when the sun strikes it right, an' the wind is playin' on it--when it
kind o' sloshes around like water--an' the clouds go over it, droppin'
shadders down on it, an' a hawk kind o' goes skimmin' over it, divin'
into it once in a while--"

He did not finish; it was not necessary.

"Yes, sir!" adjudged Gearheart, after a pause, leaning his elbows on the
table and looking out of the door on the far-stretching, sun-glorified
plain.

"The harvest kind o' justifies the winter we have out here. That is,
when we have a harvest such as this. Fact is, we fellers live six months
o' the year lookin' ahead to harvest, an' t'other six months lookin'
back to it. Well, this won't buy the woman a dress, Ans. We must get
that header set up to-night if we can."

They pushed their chairs back noisily and rose to go out. Flaxen said:

"Say, which o' you boys is goin' to help me churn to-night?"

Anson groaned, while she laughed.

"I don't know, Flax; ask us an easier one."

"We'll attend to that after it gets too dark to work on the machine,"
added Bert.

"Well, see 't y' do. I can't do it; I've got bread to mix an' a chicken
to dress. Say, if you don't begin cuttin' till day after to-morrow, we
can go down to the sociable to-morrow night. Last one o' the season."

"I wish it was the last one before the kingdom come," growled Bert as he
"stomped" out the door. "They're a bad lot. The idea o' takin' down four
dollars' worth o' grub an' then payin' four dollars for the privilege of
eatin' half of it! I'll take my chicken here, when I'm hungry."

"Bert ain't partial to sociables, is he, pap?" laughed Flaxen.

"I should hate to have the minister dependin' on Bert for a livin'."

"Sa-ay, pap!"

"Wal, babe?"

"I expect I'll haf t' have a new dress one o' these days."

"Think so?"

"You bet."

"Why, what's the matter with the one y' got on? Ain't no holes in it
that I can see," looking at it carefully and turning her around as if
she were on a pivot.

"Well, ain't it purty short, pap?" she said suggestively.

"I swear, I don't know but it is," conceded Anson, scratching his head;
"I hadn't paid much 'tention to it before. It certainly is a lee-tle too
short. Lemme see: ain't no way o' lettin' it down, is they?"

"Nary. She's clean down to the last notch now," replied Flaxen
convincingly.

"Couldn't pull through till we thrash?" he continued, still in a
tentative manner.

"Could, but don't like to," she answered, laughing again, and showing
her white teeth pleasantly.

"I s'pose it'll cost suthin'," he insinuated in a dubious tone.

"Mattie Stuart paid seven dollars fer her'n, pap, an' I--"

"Seven how manys?"

"Dollars, pap, makin' an' everythin'. An' then I ought to have a new hat
to go with the dress, an' a new pair o' shoes. All the girls are wearin'
white, but I reckon I can git along with a good coloured one that'll do
fer winter."

"Wal, all right. I'll fix it--some way," Ans said, turning away only to
look back and smile to see her dancing up and down and crying:

"Oh, goody, goody!"

"I'll do it if I haf to borrow money at two per cent a month," said he
to Bert, as he explained the case. "Hear her sing! Why, dern it! I'd
spend all I've got to keep that child twitterin' like that. Wouldn't
you, eh?"

Bert was silent, thinking deeply on a variety of matters suggested by
Anson's words. The crickets were singing from out the weeds near by; a
lost little wild chicken was whistling in plaintive sweetness down in
the barley-field; the flaming light from the half-sunk sun swept along
the green and yellow grain, glorifying as with a bath of gold everything
it touched.

"I wish that grain hadn't ripened so fast, Ans. It's blightin'."

"Think so?"

"No: I know it. I went out to look at it before supper, an' every one of
those spots that look so pretty are just simply burnin' up! But, say,
ain't it a little singular that Flaxen should blossom out in a desire
for a new dress all at once? Ain't it rather sudden?"

"Wal, no: I don't think it is. Come to look it all over, up one side an'
down the other, she's been growin' about an inch a month this summer,
an' her best dress is gittin' turrible short the best way you can fix
it. She's gittin' to be 'most a woman, Bert."

"Yes: I know she is," said Bert, significantly. "An' something's got to
be done right off."

"Wha' d' ye mean by that, ol' man?"

"I mean jest this. It's time we did something religious for that girl.
She ain't had much chance since she's been here with us. She ain't had
no chance at all. Now I move that we send her away to school this
winter. Give her a good outfit an' send her away. This ain't no sort o'
way for a girl to grow up in."

"Wal, I've be'n thinkin' o' that myself; but where'll we send her?"

"Oh, back to the States somewhere; Wisconsin or Minnesota--somewhere."

"Why not to Boomtown?"

"Well, I'll tell yeh, Ans. I've been hearing a good 'eal off an' on
about the way we're bringin' her up here 'alone with two rough old
codgers,' an' I jest want to give her a better chance than the Territory
affords. I want her to git free of us and all like us, for a while; let
her see something of the world. Besides, that business over in
Belleplain to-day kind o' settled me. The plain facts are, Ans, the
people are a little too free with her because she is growin' up here--"

"I know some fellers that won't be again."

"Well, they are beginnin' to wink an' nudge each other an' to say--"

"Go on! What do they say?"

"They say she's goin' to be a woman soon; that this fatherly business is
bound to play out."

"I'd like to see anybody wink when I'm around. I'd smash 'em!" said
Anson through his set teeth. "Why, she's our little babe," he broke out,
as the full significance of the matter came to him. "My little un; I'm
her ol' pap. Why--" He ended in despair. "It's none o' their darn
business."

"There ain't no use o' howlin', Ans. You can't smash a whole
neighborhood."

"But what are we goin' to do?"

"Well, I'll tell ye what we mustn't do. We mustn't tog her out jest
yet."

"Why not?" asked Anson, not seeing these subtle distinctions of time and
place.

"Because, you tog her out this week or next, without any apparent
reason, in a new hat an' dress an' gloves, an' go down to one o' these
sociables with her, an' you'd have to clean out the whole crowd. They'd
all be winkin' an' nudgin' an' grinnin'--see?"

"Wal, go on," said the crushed giant. "What'll we do?"

"Just let things go on as they are for the present till we git ready to
send her to school."

"But I promised the togs."

"All right. I've stated the case," Gearheart returned, with the air of a
man who washed his hands of the whole affair.

Anson rose with a sudden gesture. "Jest hear her! whistlin' away like a
lark. I don't see how I'm goin' to go in there an' spoil all her fun; I
can't do it, that's all."

"Well, now, you leave it all to me. I'll state the case to her in a way
that'll catch her--see if I don't. She ain't no common girl."

It was growing dark as they went in, and the girl's face could not be
seen.

"Well, Bert, are y' ready to help churn?"

"Yes, I guess so, if Ans'll milk."

"Oh, he'll milk; he jest loves to milk ol' Brindle when the flies are
thick."

"Oh, you bet," said Ans, to make her laugh.

"Now, Flaxen," coughed Gearheart in beginning, "we've been discussin'
your case, an' we've come to the conclusion that you ought to have the
togs specified in the indictment" (this to take away the gravity of what
was to follow); "but we're kind o' up a tree about just what we'd better
do. The case is this. We've got to buy a horse to fill out our team, an'
that's a-goin' to take about all we can rake an' scrape."

"We may have to git our groceries on tick. Now, if you could only pull
through till after--" Anson broke in.

"It's purty tough, Flaxie, an' pap's awful sorry; but if you could jest
pull through--"

It was a great blow to poor little Flaxen, and she broke down and cried
unrestrainedly.

"I--I--don't see why I can't have things like the rest o' the girls." It
was her first reproach, and it cut to the heart. Anson swore under his
breath, and was stepping forward to say something when Gearheart
restrained him.

"But, y' see, Flaxie, we ain't askin' you to give up the dress, only to
wait on us for a month or so, till we thrash."

"That's it, babe," said Anson, going over to where she sat, with her
arms lying on the table and her face hidden upon them. "We could spend
dollars then where we couldn't cents now."

"And they won't be any more thingumyjigs at the church, anyhow, an' the
wheat's blightin' on the knolls, besides."

But the first keen disappointment over, she was her brave self once
more.

"Well, all right, boys," she said, her trembling voice curiously at
variance with her words; "I'll get along somehow, but I tell you I'll
have something scrumptious to pay for this--see if I don't." She was
smiling again faintly, "It'll cost more'n one ten dollars for my togs,
as you call 'em. Now, pap, you go an' milk that cow! An', Bert, you glue
yerself to that churn-dasher, an' don't you stop to breathe or swear
till it's done."

"That's the girl to have--that's our own Flaxie! She knows how hard
things come on a farm," cheered Anson.

"I bet I do," she said, wiping away the last trace of her tears and
smiling at her palpable hit. And then began the thump of the dasher, and
out in the dusk Anson was whistling as he milked.

She went down to the sociable the next night in her old dress, and
bravely looked happy for pap's sake. Bert did not go. Anson was a rather
handsome old fellow. Huge, bearded like a Russian, though the colour of
his beard was a wolf brindle, resembling a bunch of dry buffalo-grass,
Bert was accustomed to say that he looked the father of the girl, for
she had the same robust development, carried herself as erect, and
looked everybody in the eye with the same laughing directness.

There were some sly remarks among a ribald few, but on the whole
everything passed off as usual. They were both general favorites, and as
a matter of fact few people remarked that Flaxen's dress was not good
enough. She certainly forgot all about it, so complete was her
absorption in the gayety of the evening.

"Wal, now for four weeks' hard times, Flaxen," said Anson, as they were
jogging homeward about eleven o'clock.

"I can stand my share of it, pap," she stoutly replied. "I'm no
chicken."




CHAPTER VII.

AFTER HARVEST.

All through those four or five weeks, at every opportunity, the partners
planned the future of their waif. In the harvest-field, when they had a
moment together, one would say to the other:

"We'll let her stay two years if she likes it, eh?"

"Certainly; she needn't come back till she wants to. We may be rich
enough to sell out then, and move back ourselves. I'm gittin' tired o'
this prairie myself. If we could sell, we'd put her through a whole
course o' sprouts."

"You bet! Sell when you can find a buyer. I'll sign the deed."

"All right."

And then they would go to work again toiling and planning for the
future. Every day during August these men worked with the energy of
demons, up early in the morning and out late at night, harvesting their
crop. All day the header clattered to and fro with Bert or Ans astride
the rudder, a cloud of dust rolling up from the ground, out of which the
painted flanges of the reel flashed like sword-strokes. All day, and day
after day; while the gulls sailed and soared in the hazy air and the
larks piped from the dun grass, these human beings, covered with grime
and sweat, worked in heat and parching wind. And never for an hour did
they forget their little waif and her needs. And she did her part in the
house. She rose as early as they and worked almost as late. It was
miraculous, they admitted.

One night toward the last of the harvest they were returning along the
road from a neighboring farm, where they had been to head some late
wheat. The tired horses with down-hung heads and swinging traces were
walking sullenly but swiftly along the homeward road, the wagon rumbling
sleepily; the stars were coming out in the east, while yet the rose and
amethyst of the fallen sun lighted the western sky. Through the air,
growing moist, came the sound of reapers still going. Men were shouting
blithely, while voices of women and children came from the cabins, where
yellow lights began to twinkle.

Anson and Bert, blackened with dust and perspiration and weary to the
point of listlessness, sat with elbows on knees, talking in low, slow
tones on the never-failing topic, crops and profits. Their voices chimed
with the sound of the wagon.

"There's the light," broke out Ans, rousing himself and the team;
"Flaxen's got supper all ready for us. She's a regular little Trojan,
that girl is. They ain't many girls o' fourteen that 'u'd stay there
contented all day alone an' keep all the whole business in apple-pie
order. She'll get her pay some day."

"We'll try to pay her; but say, ol' man, ain't it about time to open up
our plans to her?"

"Wal, yes; it is. You kind o' start the thing to-night, an' we'll have
it over with."

As they drove up, Flaxen came to the door. "Hello, boys! What makes ye
so late?"

"Finishin' up a field, babe. All done."

She clapped her hands and danced up and down.

"Goody! all done at last. Well, yank them horses out o' their harnesses
an' come to biscuits. They're jest sizzlin' hot."

"All right. We'll be there in about two jerks of a lamb's tail in
fly-time. Bert, grab a tug; I'm hungry as a wolf."

It was about the first of September and the nights were getting cool,
and the steaming supper seemed like a feast to the chilled and stiffened
men coming in a little later and sitting down with the sound of the
girl's cheery voice in their ears. The tea was hot; so were the
biscuits. The pyramid of hot mashed potato had a lump of half-melted
butter in the hollow top, and there were canned peaches and canned
salmon.

"Yes: we're about finished up harvestin'," said Bert, as they settled
themselves at the table, "an' it's about time to talk about gittin' you
off to school."

"Don't worry about that. It ain't no great job, I reckon. I can git
ready in about seventeen jiffies, stop-watch time."

"Not if you are goin' away off to some city in the East--"

"Yes: but I ain't, y' see."

"Oh, yes, you are. Bert an' I've be'n talkin' it all over f'r the last
three weeks. We're goin' to send you back to St. Peter to the seminary."

"I guess not, pap. I'd like to know what you think you're a-doin'
sendin' me 'way back there. Boomtown's good enough fer me."

"There, there, Flaxie; don't git mad. Y' see, we think they ain't
anythin' good enough for you. Nothin' too good for a girl that stays to
home an' cooks f'r two old cusses--"

"You ain't cusses! You're jest as good as you can be; but I ain't
a-goin'--there!"

"Why not?"

"'Cause I ain't; that's why."

"Why, don't y' wan' to go back there where the people have nice houses,
an' where they's a good--"

"Well, I don't know enough; that's why. I ain't goin' back to no
seminary to be laughed at 'cause I don't know beans."

"But you do," laughed Bert, with an attempt to lighten the gloom--"you
know canned beans."

"They'd laff at me, I know, an' call me a little Norsk." She was ready
to cry.

"I'll bet they won't, not when they see our new dress an' our new gold
watch--dress jest the color o' crow's-foot grass, watch thirty carats
fine. I'd laugh to see 'em callin' my babe names then!"

And so by bribing, coaxing, and lying they finally obtained her tearful
consent. They might not have succeeded even then had it not been for a
young lady in Boomtown who was going back to the same school, and who
offered to take her in charge. But there was hardly a day that she did
not fling herself down into a chair and cry out:

"I jest ain't goin'. I'm all right here, an' I don't see why you can't
let me stay here. I ain't made no fuss. Seems as if you thought it was
fun f'r me to go 'way off there where I don't know anythin' an' where I
don't know anybody."

But having come to a conclusion, the men were relentless. They hired
sewing-girls, and skirmished back and forth between Boomtown and the
farm like mad. Their steady zeal made up for her moody and fitful
enthusiasm. However, she grew more resigned to the idea as the days wore
on toward the departure, though her fits of dark and unusual musing were
alarming to Anson, who feared a desperate retreat at the last moment.

He took her over to see Miss Holt one day, but not before he had
prepared the way.

"I s'pose things are in purty good shape around this seminary?" he
asked.

"Oh, yes, indeed. There are three large buildings; libraries,
picture-galleries, and music-rooms. The boarding-halls are carpeted and
the parlors are really elegant."

"Uh-hum!" commented Anson. "Well, now, I'm goin' to bring my girl over
to see you, an' I guess it 'u'd be jest as well if you didn't mention
these fineries an' things. Y' see, she's afraid of all such things. It
'u'd be better to tell her that things weren't very gorgeous
there--about like the graded school in Boomtown, say. She ain't used to
these music-halls an' things. Kind o' make her think St. Peter ain't no
great shakes, anyhow."

"I see," laughed the quick-witted girl. And she succeeded in removing a
good deal of Flaxen's dread of the seminary.

"Wal, babe, to-morrow," said Anson, as they were eating supper, and he
was astonished to see her break out in weeping.

"Why don't you keep harpin' away on that the whole while?" she
exclaimed. "Can't you leave me alone a minute? Seems to me you're jest
crazy to git rid o' me."

"Oh, we are," put in Bert. "We're jest lickin' our chops to git back to
sour flapjacks an' soggy bread. Jest seems as though we couldn't wait
till to-morrow noon, to begin doing our own cookin' again."

This cleared the air a little, and they spent the rest of the evening
without saying very much directly upon the departure. The two men sat up
late after Flaxen had gone to bed. There was the trunk and valise which
would not let them forget even for a moment what was coming on the
morrow. Every time Anson looked at her he sighed and tried to swallow
the lump in his throat.

"Say, Bert, let's let her stay if she wants to," he said suddenly after
they had been in silence for a long time.

"Don't make a cussed fool of yourself, Ans," growled Bert, who saw that
heroic measures were necessary. "Go to bed an' don't you say another
word; we've got to take our medicine like men."




CHAPTER VIII.

AN EMPTY HOUSE.

Anson was the more talkative of the two next morning, however.

"Come, come, brace up, babe! Anybody 'u'd think we'd lost all the rest
of our family, when we're only doin' the square thing by our daughter.
That's all. Why, you'll be as happy as a canary in less'n two weeks.
Young folks is about the same everywhere, an' you'll git acquainted in
less'n two jiffies."

They were on the road to Boomtown to put Flaxen on the train. It was
about the tenth of September, early in the cold, crisp air of a perfect
morning. In the south there was a vast phantom lake, with duplicate
cities here and there along the winding shores, which stretched from
east to west. The grain-stacks stood around so thickly that they seemed
like walls of a great, low-built town, the mirage bringing into vision
countless hundreds of them commonly below the horizon.

The smoke of steam threshing-machines mounted into the still air here
and there, and hung long in a slowly drifting cloud above the land. The
prairie-lark, the last of the singing birds, whistled softly and
infrequently from the dry grass. The gulls were streaming south from the
lakes.

They were driving her to Boomtown to avoid the inquisitive eyes of the
good people of Belleplain. "I may break down an' blubber," said Anson to
Bert; "an' if I do, I don't want them cussed idiots standin' around
laughin'--it's better to go on the C., B. and Q., anyhow."

Notwithstanding his struggle to keep talk going, Anson was unsuccessful
from the very moment that Belleplain faded to an unsubstantial group of
shadows and disappeared from the level plain into the air, just as
Boomtown correspondingly wavered into sight ahead. Silence so profound
was a restraint on them all, and poor Flaxen with wide eyes looked
wistfully on the plain that stretched away into unknown regions. She was
thinking of her poor mother, whom she dimly remembered in the horror of
that first winter. Naturally of a gay, buoyant disposition, she had not
dwelt much upon her future or her past; but now that the familiar plain
seemed slipping from her sight entirely, she was conscious of its
beauty, and, rapt with the associated emotions which came crowding upon
her, she felt as though she were leaving the tried and true for the
unknown and uncertain.

"Boys," she said finally, "do you s'pose I've got any folks?"

"I shouldn't wonder if y' had, babe, somewhere back in the ol' country."

"They couldn't talk with me if I could find 'em, could they?"

"I reckon not, 'less you study so hard that you can learn their lingo,"
said Ans, seeing another opportunity to add a reason for going to
school.

"Well, boys, that's what I'm goin' to do, an' by an' by we'll go over
there an' see if we can't find 'em, won't we?"

"That's the talk; now you're gittin' down to business," rejoined Ans.

"I s'pose St. Peter is a good 'eal bigger'n Boomtown," she said
sighfully, as they neared the "emporium of the sleepy James."

"A little," said the astute Gearheart.

The clanging of the engines and the noise of shouting gave her a sinking
sensation in the chest, and she clung to Anson's arm as they drove past
the engine. She was deafened by the hiss of the escaping steam of the
monster standing motionless, headed toward the east, ready to leap on
its sounding way.

On the platform they found Miss Holt and a number of other friends
waiting. There was a great deal of clanging and whanging and scuffling,
it seemed to the poor, overwrought girl. Miss Holt took her in charge at
once and tried to keep her cheerful. When they had checked her trunk and
the train was about ready to start, Ans looked uneasy and fidgeted
about. Bert looked on, silent and dark. Flaxen, with her new long dress
and new hat, looked quite the woman, and Miss Holt greeted her as such;
indeed, she kept so close to her that Anson looked in vain for a chance
to say something more which was on his mind. Finally, as the train was
about going, he said hesitatingly:

"Elga, jest a minute." She stared for a moment, then came up to him.

"I didn't want to call y' Flaxen afore her," he explained; "but
you--ain't--kissed us good-bye." He ended hesitatingly.

The tears were already streaming down her cheeks, and this was too much.
She flung her arms about his neck and sobbed on his bosom with the
abandon of girlish grief.

"I don't wan' to go 't all, pap."

"Oh, yes, y' do, Elga; yes; y' do! Don't mind us; we'll be all right.
I'll have Bert writin' a full half the time. There, kiss me good-bye an'
git on--Bert here, too."

She kissed him twice through his bristling moustache, and going to Bert
offered her lips, and then came back to Anson and threw herself against
his broad, strong breast. She had no one to love but these two. It
seemed as if she were leaving everything in the world. Anson took her on
his firm arm and helped her on the car, and followed her till she was
seated beside Miss Holt.

"Don't cry, babe; you'll make ol' pap feel turrible. He'll break right
down here afore all these people, an' blubber, if y' don't cheer up.
Why, you'll soon be as happy as a fly in soup. Good-bye, good-bye!"

The train started, and Anson, brushing his eyes with his great brown
hand, swung himself off and stood looking at her. As the train passed
him she rushed to the rear end of the car, and remained there looking
back at the little station till the sympathetic Miss Holt gently led her
back to her seat. Then she flattened her round cheek against the pane
and tried to see the boys. When the last house of the town passed by her
window she sank back in her seat and sobbed silently.

"I feel as if I'd be'n attendin' my own funeral," said Anson, after they
had got into their wagon and the train had gone out of sight in the haze
of the prairie.

"Well, it's pretty tough on that child to go off that way. To her the
world is all a great mystery. When you an' I go to heaven it won't be
any greater change for us than this change for Flaxen--every face
strange, every spot new."

"Wal, she ain't far away but we can look out for her. She ain't poor n'r
fatherless as long as we live, hey?"

And then silence fell on them. As they were jogging homeward they saw
the gray gulls rise from the sod and go home to the lake for the night.
They heard the crickets' evening chorus broaden and deepen to an endless
and monotonous symphony, while behind fantastic, thin, and rainless
clouds the sun sank in unspeakable glory of colour. The air, perfectly
still, was cool almost to frostiness, and, far above, the fair stars
broke from the lilac and gold of the sun-flushed sky. Lights in the
farm-houses began to appear.

Once or twice Anson said: "She's about at Summit now. I hope she's
chirked up."

They met threshing-crews going noisily home to supper. Once they met an
"outfit," engine, tank, separator, all moving along like a train of
cars, while every few minutes the red light from the furnace gleamed on
the man who was stuffing the straw into the furnace-door, bringing out
his face so plainly that they knew him. As the night grew deeper, an
occasional owl flapped across the fields in search of mice.

"We're bound to miss her like thunder, Bert; no two ways about that.
Can't help but miss her on the cookin', hey?"

Bert nodded without looking up. As they came in sight of home at last,
and saw the house silhouetted against the faintly yellow sky, Ans said
with a sigh:

"No light an' no singin' there to-night."




CHAPTER IX.

"BACHING" IT AGAIN.

"The fact is, Flaxen has sp'iled us," laughed Anson, a couple of days
later, when Bert was cursing the soggy biscuit. "We've got so high-toned
that we can't stand common cookin'. Time was we'd 'a' thought ourselves
lucky to git as good as that. Rec'lect them flapjacks we ust to make? By
mighty! you could shoe a horse with 'em. Say, I wish I could jest slip
in an' see what she's a-doin' about now, hey?"

"She's probably writin' a letter. She won't do much of anythin' else for
the first week."

"I hope you're right," said Anson.

They got a queer little letter every Wednesday, each one for several
weeks pitifully like the others.

Dear boys i thought i would take my pen in hand to tell you i dont like
it one bit the school is just as mene as it can be the girls do laugh at
me they call me toe-head. if i catch em right i will fix their heads.
They is one girl who i like she is from pipestone she dont know no moren
i do she says my dress is pritty--ol nig an the drake all rite i wish i
was home.

Elga.

The wish to be home was in all these letters like a sob. The men read
them over carefully and gravely, and finally Anson would put them away
in the Bible (bought on Flaxen's account) for safe-keeping.

As the letters improved in form their exultation increased.

"Say, Bert, don't you notice she writes better now? She makes big I's
now in place o' little ones. Seems 's if she runs the sentence all
together, though."

"She'll come out all right. You see, she goes into the preparatory
department, where they teach writin' an' spellin'. You'll see her hand
improve right along now."

And it did, and she ceased to wail for home and ceased to say that she
hated her studies.

"I am getting along splendid," she wrote some weeks after this. "I like
my teacher; her name is Holt. She is just as nice as she can be. She is
cousin to the one who came with me; I live with her uncle, and I can go
to soshibles whenever I want to; but the other girls cant. I am feeling
pretty good, but I wish you boys was here."

She did not wish to be at home this time!

Winter shut down on the broad land again with that implacable,
remorseless brilliancy of fierce cold which characterises the northern
plain, stopping work on the farm and bolting all doors. Hardly a day
that the sun did not shine; but the light was hard, white, glittering,
and cold, the winds treacherous, the snow wild and restless. There was
now comparatively little danger of being lost even in the fiercest
storms, but still life in one of these little cabins had an isolation
almost as terrible as that of a ship wedged amid the ice-floes of the
polar regions.

Day after day rising to feed the cattle, night after night bending over
the sooty stove listening to the ceaseless voice of the wind as it beat
and brushed, whispered, moaned, and piped or screamed around the windows
and eaves--this was their life, varied with an occasional visit to the
store or the post-office, or by the call of a neighbour. It is easy to
conceive that Flaxen's bright letters were like bursts of bird-song in
their loneliness. Many of the young men, their neighbours, went back
East to spend the winter--back to Michigan, Iowa, New York, or
elsewhere.

"Ans, why don't you go back an' visit your folks?" asked Bert, one day.
"I'll take care o' things."

"Wal, the fact is, I've be'n away so long they don't care whether I'm
alive er dead. I ain't got no near relatives except a sister, an' she's
got all the fam'ly she can 'tend to."

"Same here. We ain't very affectionate, anyway; our fam'ly and I don't
write. Still I'd like to go back, just to see how they all are."

"Why not go?"

"Well, I don't know. I guess I must one o' these days. I've kind o' be'n
waitin' till we got into a little better shape. I hate to go back poor."

"So do I. It's hard work f'r me to give up beat; I ain't goin' to do it
yet awhile."

Sometimes a neighbour dropped in during the middle of the day, and on
pleasant days they would harness up the team and take a drive down to
the store and the post-office; but mainly they vegetated like a couple
of huge potatoes in a cellar, as did most of the settlers. There was
nothing else to do.

It was the worst winter since the first that they had spent in the
country. The snow seemed never still. It slid, streamed, rose in the air
ceaselessly; it covered the hay, drifted up the barn door, swept the
fields bare, and, carrying the dirt of the ploughed fields with it,
built huge black drifts wherever there was a wind-break, corn-field, or
other obstruction.

There were moments when Bert was well-nigh desperate. Only contact with
hard work and cold winds saved him. He was naturally a more ambitious,
more austere man than Anson. He was not content to vegetate, but longed
to escape. He felt that he was wasting his life.

It was in December that the letter first came from Flaxen which
mentioned Will Kendall.

O boys! I had the best time. We had a party at our house and lots of
boys came and girls too, and they were nice, the boys, I mean. Will
Kendall he is the nicest feller you ever seen. He has got black eyes and
brown hair and a gold watch-chain with a locket with some girl's hair in
it, and he said it was his sister's hair, but I told him I didn't
believe it, do you? We had cake and popcorn and lasses candy; and Will
he took me out to supper.

Bert was reading the letter, and at this point he stopped and raised his
eyes, and the two men gazed at each other without a word for a long
time. Then Anson laughed.

"She's gittin' over her homesickness. She's all right now she's got out
to a sociable."

After that there was hardly a letter that did not mention Kendall in
some innocent fashion among the other boys and girls who took part in
the sleigh-rides, parties, and sociables. But the morbidly acute Bert,
if he saw, said nothing, and Anson did not see.

"Who d' y' s'pose this Kendall is?" asked Anson, one night late in the
winter, of Gearheart, who was reading the paper while his companion
reread a letter from Flaxen. "Seems to me she's writin' a good 'eal
about him lately."

"Oh, some slick little dry-goods clerk or druggist," said Bert, with
unwarrantable irritation.

"She seems to have a good 'eal to say about him, anyway," repeated
Anson, in a meditative way.

"Oh, that's natural enough. They are two young folks together," replied
Bert, with a careless accent, to remove any suspicion which his hasty
utterance might have raised in Anson's mind.

"Wal, I guess you're right," agreed Anson, after a pause, relieved. This
relief was made complete when in other letters which came she said less
and less about Kendall. If they had been more experienced, they would
have been disturbed by this suspicious fact.

Then again, when Anson wrote asking "What has become of that Kendall you
wrote so much about?" she replied that he was there, and began writing
of him again in a careless sort of way, with the craft of woman already
manifest in the change of front.

Spring came again, and that ever-recurring miracle, the good green
grass, sprang forth from its covering of ice and snow, up from its
hiding-place in the dark, cold sod.

Again the two men set to work ferociously at the seeding. Up early in
the wide, sweet dawn, toiling through the day behind harrow and seeder,
coming in at noon to a poor and badly cooked meal, hurrying back to the
field and working till night, coming in at sundown so tired that one leg
could hardly be dragged by the other--this was their daily life.

One day, as they were eating their supper of sour bread and canned
beans, Gearheart irritatedly broke out: "Ans, why don't you git married?
It 'u'd simplify matters a good 'eal if you should. 'Old Russ' is no
good."

"What's the matter with your gittin' married?" replied Anson,
imperturbably pinching off the cooked part of the loaf, skilfully
leaving the doughy part.

"I ain't on the marry; that's all."

"Neither am I."

"Well, you ought to be."

"Don't see it."

"Well, now, let me show it. We can't go on this way. I'm gittin' so poor
you can count my ribs through my shirt. Jest think how comfortable it
would make things! No more awful coffee; no more canned baked beans; no
more cussed, infernal, everlastin', leathery flapjacks; no more soggy
bread--confound it!" Here he seized the round inner part of the loaf,
from which the crust had been flaked, and flung it through the open door
far down toward the garden.

"Bert! that's the last bit of bread we've got in the house."

"What's the odds? We couldn't eat it."

"We could 'a' baked it over."

"We could eat dog, but we don't," replied Bert gloomily. His temper was
getting frightful of late.

"We'll be all right when Flaxen comes back," said Ans, laughing.

"Say, now, you've said that a thousand times this winter. You know well
enough Flaxen's out o' this. We ain't countin' on her," blurted
Gearheart, just in the mood to say disagreeable things.

"Wha' d' y' mean? Ain't she comin' back in June?"

"Probably; but she won't stay."

"No: that's so. She'll have to go back in September; but that's three
months, an' we may sell out by that time if we have a good crop. Anyway,
we'll live high fer a spell. We ought to have a letter from her
to-night, hadn't we?"

"I'm goin' down to see, if you'll wash the dishes."

"All right. Take a horse."

"No: the horses are tired. I'll foot it."

"Wal, ain't you too?"

"Want anythin' from the store?"

"Yes: git a hunk o' bacon an' some canned corn, tomatoes, an' some
canned salmon; if y' think we can stand the pressure, bring home a can
o' peaches."

And so Gearheart started off for town in the dusk, afoot, in order to
spare the horse, as though he had not himself walked all day long in the
soft, muddy ground. The wind was soft and moist, and the light of the
stars coming out in the east fell upon his upturned eyes with
unspeakable majesty. Yet he saw them but dimly. He was dreaming of a
face which was often in his mind now--a face not unlike Flaxen's, only
older, more glorified, more womanly. He was asking himself some
searching questions to-night as his tired limbs dragged themselves over
the grassy road.

What was he toiling for, anyway? What mattered all this terrible
tramping to and fro--was it an end or only a means? Would there ever
come anything like satisfaction of desire? Life for him had been a
silent, gloomy, and almost purposeless struggle. He had not looked
forward to anything very definite, though vaguely he had hoped for
something better.

As his eyes fell upon the twinkling, yellow lights of the village his
thoughts came back to Flaxen and to the letter which he expected to
receive from her. He quickened his steps, though his feet were sore and
his limbs stiff and lame.

The one little street presented its usual Saturday-night appearance.
Teams were hitched to the narrow plank walk before the battlemented
wooden stores. Men stood here and there in listless knots, smoking,
talking of the weather and of seeding, while their wives, surrounded by
shy children, traded within. Being Saturday night, the saloons were full
of men, and shouts and the clink of beer-mugs could be heard at
intervals. But the larger crowd was gathered at the post-office: uncouth
farmers of all nationalities, clerks, land-sharks, lawyers, and giggling
girls in couples, who took delight in mingling with the crowd.

Judge Sid Balser was over from Boomtown, and was talking expansively to
a crowd of "leading citizens" about a scheme to establish a horse-car
line between Boomtown and Belleplain.

Colonel Arran, of the Belleplain Argus, in another corner, not ten feet
away, was saying that the judge was "a scoundrel, a blow-hard, and would
down his best lover for a pewter cent," to all of which the placid judge
was accustomed and gave no heed.

Bert paid no attention to the colonel or to the judge, or to any of this
buzzing. "They are just talking to hear themselves make a noise, anyway.
They talk about building up the country--they who are a rope and a
grindstone around the necks of the rest of us, who do the work."

When Gearheart reached his box he found a large, square letter in it,
and looking at it saw that it was from Flaxen directed to Anson. "Her
picture, probably," he said as he held it up. As he was pushing rapidly
out he heard a half-drunken fellow say, in what he thought was an
inaudible tone:

"There's Gearheart. Wonder what's become of his little Norsk."

Gearheart turned, and pushing through the crowd, thrust his eyes into
the face of the speaker with a glare that paralysed the poor fool.

"What's become o' your sense?" he snarled, and his voice had in it a
carnivorous note.

With this warning he turned contemptuously and passed out, leaving the
discomfited rowdy to settle accounts with his friends. But there was a
low note in the ruffian's voice, an insinuating inflection, which stayed
with him all along the way home, like a bad taste in the mouth. He saw
by the aid of a number of these side-lights of late that Flaxen never
could come back to them in the old relation; but how could she come
back?

Gearheart stopped and gazed thoughtfully upward. She must come back as
the wife of Ans or himself. "Pooh! she is only a child," he said,
snapping his finger and walking on. But the insistence remained. "She is
not a child--she is a maiden, soon to be a woman; she has no relatives,
no home to go to but ours after her two or three years of schooling are
over. It must still be her home; no breath of scandal shall touch her if
I can prevent it; and after her two years are up"--after a long,
motionless reverie he strode forward--"she shall choose between us."

There had grown up between the two friends of late a constraint, or, to
be more exact, Gearheart had held himself in before his friend, had not
discussed these problems with him at all. "Ans is just like a boy," he
had said to himself; "he don't seem to understand the case, and I don't
know as it's my duty to enlighten him; he either feels very sure about
her, or he has not understood the situation."

He was thinking this now as he strode across the spongy sod toward the
lighted windows of the shanty. The air was damp and chill, for the ice
was not yet out of the ponds or swamps of tall grasses. An occasional
prairie-cock sent forth a muffled, drowsy "boom"; low-hung flights of
geese, gabbling anxiously, or the less-orderly ducks, with hissing
wings, swept by overhead, darkly limned against the stars. There was a
strange charm in the raw air. The weary man almost forgot his pain as he
drew deep breathings of the night.

It was significant of the restraint that had grown up between him and
Anson that he held the letter from Flaxen unopened in his hand simply
because it was directed to his friend. He knew that it was as much to
him as to Anson, and yet, feeling as he had of late, he would not open
it, for he would have been angry if Anson had opened one directed to
him. He simply judged Anson by himself.

The giant was asleep when he entered. His great, shaggy head lay beside
the lamp on his crossed arms. Bert laid the letter down beside him and
shook him.

"Hello! got back, hey?" the sleeper said, rousing up sluggishly.
"Anything?" Then he caught sight of the letter. "Oh, bless her little
heart! Wonder what it is? Picture, bet my hat!" Here he opened it.

"Gee whittiker, thunder and turf, gosh-all--Friday!--look a-there! Ain't
she growed!" he yelled, holding the picture by the corner and moving it
into all sorts of positions. "That's my little girl--our Flaxen; she
can't grow so purty but what I'd know her. See that hair done up on the
top of her head! Look at that dress, an' the thingumajigs around her
neck! Oh, she's gittin' there, Smith, hey?"

"She's changing pretty fast," said Bert listlessly.

"Changin' fast! Say, ol' man, what's the matter with you? Are y' sick?"

"I'm played out, that's all."

"Darn my skin! I should think y' would be, draggin' all day, an' then
walkin' all o' four mile to the post-office. Jest lay down on the bed
there, ol' boy, while I read the letter to yeh. Say, ol' man, don't you
git up in the mornin' till you please. I'll look after the breakfast,"
insisted Anson, struck with remorse by the expression on Bert's face.
"But here's the letter. Short an' sweet."

Dear Boys [Bless the little fist that wrote that!]. I send my picture. I
think it is a nice one. The girls say it flatters me, but Will says it
don't [What the devil do we care what Will says?]--I guess it does,
don't you? I wish I had a picture of you both; I want to show the girls
how handsome you are [she means me, of course. No, confound it] how
handsome you are both of you. I wish you would send me your pictures
both of you. I ain't got much to say. I will write again soon.

Elga.

Bert looked at the picture over Anson's shoulder, but did not seem to
pay much attention to it.

"Wal, I'll go out an' shut the barn door. Nights git cold after the sun
goes down. You needn't peel the 'taters to-night. We'll bake 'em,
brussels an' all, to-morrow mornin'."

When Anson had gone, Bert snatched up the picture with great eagerness
and gazed upon it with a steady, devouring glance. How womanly she
looked with her hair done up so, and the broad, fair face and full
bosom.

He heard Anson returning from the barn, and hastily laid the picture
down, and when Anson entered was apparently dropping off to sleep.




CHAPTER X.

FLAXEN COMES HOME ON A VACATION.

It was in June, just before the ending of the school, that Flaxen first
began to write about delaying her return. Anson was wofully
disappointed. He had said all along that she would make tracks for home
just as soon as school was out, and he had calculated just when she
would arrive; and on the second day after the close of school for the
summer he drove down to the train to meet her. She did not come, but he
got a letter which said that one of her friends wanted her to stay two
weeks with her, until after the Fourth of July.

"She's an awful nice girl, and we will have a grand time; she has a rich
father and a piano and a pony and a buggy. It will just be grand."

"I don't blame her none," sighed Anson to Bert. "I don't want her to
come away while she's enjoyin' herself. It'll be a big change for her to
come back an' cook f'r us old mossbacks after bein' at school an' in
good company all these months."

He was plainly disturbed. Her vacation was going to be all too short at
the best, and he was so hungry for the sight of her! Still, he could not
blame her for staying, under the circumstances; as he told Bert, his
feelings did not count. He just wanted her to get all she could out of
life; "there ain't much, anyway, for us poor devils, but what little
there is we want her to have."

The Fourth of July was the limit of her stay, and on the sixth, seventh,
and eighth Anson drove regularly to the evening train to meet her.

On the third day another letter came, saying that she would reach home
the next Monday. With this Anson rode home in triumph. During the next
few days he went to the barber's and had his great beard shaved off.
"Made me look so old," he explained, seeing Bert's wild start of
surprise. "I've be'n carryin' that mop o' hair round so long I'd kind o'
got into the notion o' bein' old myself. Got a kind o' crick in the
back, y' know. But I ain't; I ain't ten years older'n you be."

And he was not. His long blond moustache, shaved beard, and clipped hair
made a new man of him, and a very handsome man, too, in a large way. He
was curiously embarrassed by Bert's prolonged scrutiny, and said
jocosely:

"We've got to brace up a little now. Company boarders comin', young lady
from St. Peter's Seminary, city airs an' all that sort o' thing. Don't
you let me see you eatin' pie with y'r knife. I'll break the shins of
any man that feeds himself with anythin' 'cept the silver-plated forks
I've bought."

Flaxen had been gone almost a year, and a year counts for much at her
age. Besides, Anson had exaggerated ideas of the amount of learning she
could absorb in a year at a boarding-seminary, and he had also a very
vague idea of what "society" was in St. Peter, although he seemed
suddenly to awake to the necessity of "bracing up" a little and getting
things generally into shape. He bought a new suit of clothes and a
second-hand two-seated carriage, notwithstanding the sarcastic
reflection of his partner, who was making his own silent comment upon
this thing.

"The paternal business is auskerspeelt," he said to himself. "Ans is
goin' in on shape now. Well, it's all right; nobody's business but ours.
Let her go, Smith; but they won't be no talk in this neighbourhood when
they get hold of what's goin' on--oh, no!" He smiled grimly. "We can
stand it, I guess; but it'll be hard on her. Ans is a little too
previous. It's too soon to spring this trap on the poor little thing."

They stood side by side on the platform the next Monday when the train
rolled into the station at Boomtown, panting with fatigue from its long
run. Flaxen caught sight of Bert first as she sprang off the train, and
running to him, kissed him without much embarrassment. Then she looked
around, saying:

"Where's ol' pap? Didn't he--"

"Why, Flaxen, don't ye know me?" he cried out at her elbow.

She knew his voice, but his shaven face, so much more youthful, was so
strange that she knew him only by his eyes laughing down into hers.
Nevertheless she kissed him doubtfully.

"Oh, what've you done? You've shaved off your whiskers; you don't look a
bit natural. I--"

She was embarrassed, almost frightened, at the change in him. He "looked
so queer"; his fair, untroubled, smiling face and blond moustache made
him look younger than Bert.

"Nev' mind that! She'll grow again if y' like it better. Get int' this
new buggy--it's ours. They ain't no flies on us to-day; not many," said
Ans in high glee, elaborately assisting her to the carriage, not
appreciating the full meaning of the situation.

As they rode home he was extravagantly gay. He sat beside her, and she
drove, wild with delight at the prairie, the wheat, the gulls,
everything.

"Ain't no dust on our clo'es," said Ans, coughing, winking at Bert, and
brushing off with an elaborately finical gesture an imaginary fleck from
his knee and elbow. "Ain't we togged out? I guess nobody said 'boo' to
us down to St. Peter, eh?"

"You like my clo'es?" said Flaxen, with charming directness.

"You bet! They're scrumptious."

"Well, they ought to be; they're my best, except my white dress. I
thought you'd like 'em; I wore 'em a-purpose."

"Like 'em? They're--you're jest as purty as a red lily er a wild rose in
the wheat--ahem! Ain't she, Bert, ol' boy? We're jest about starvin' to
death, we are."

"I knew you'd be. What'll I stir up for supper? Biscuits?"

"Um, um! Say, what y' s'pose I've got to go with 'em?"

"Honey."

"Oh, you're too sharp," wailed Ans, while Flaxen went off into a peal of
laughter. "Say, Bert's be'n in the damnedest--excuse me--plaguedest
temper fer the last two munce as you ever did see."

While this chatter was going on Bert sat silent and unsmiling on the
back seat. He was absorbed in seeing the exquisite colour that played in
her cheek and the equally charming curves of her figure. She was well
dressed and was wonderfully mature. He was saying to himself: "Ans ain't
got no more judgment than a boy. We can't keep that girl here. More'n
that, the girl never'll be contented again, unless--" He did not allow
himself to go farther. He dared not even think farther.

They had a merry time that night, quite like old times. The biscuits
were light and flaky, the honey was delightsome, and the milk and butter
(procured specially) were fresh. They shouted in laughter as Flaxen
insisted on their eating potatoes with a fork, and opposed the use of
the knife in scooping up the honey from their plates! Even the saturnine
Bert forgot his gloom and laughed too, as Ans laboriously dipped his
honey with a fork, and, finally growing desperate, split a biscuit in
half, and in the good old boyish way sopped it in the honey.

"There, that's the Christian way of doing things!" he exulted, while
Flaxen laughed. How bright she was--how strange she acted! There were
moments when she embarrassed them by some new womanly grace or
accomplishment, some new air which she had caught from her companions or
teachers at school. It was truly amazing how much she had absorbed
outside of her regular studies. She indeed was no longer a girl; she was
a young woman, and to them a beautiful one.

Not a day passed without some added surprise which made Anson exult and
say, "She's gettin' her money's worth down there--no two ways about
that."




CHAPTER XI.

FLAXEN GROWS RESTLESS.

But as the excitement of getting back died out, poor Flaxen grew
restless, moody, and unaccountable. Before, she had always been the same
cheery, frank, boyish creature. As Bert said, "You know where to find
her." Now she was full of strange tempers and moods. She would work most
furiously for a time, and then suddenly fall dreaming, looking away out
on the shimmering plain toward the east.

At Bert's instigation, a middle-aged widow had been hired, at a fabulous
price, to come and do the most of the work for them, thus releasing
Flaxen from the weight of the hard work, which perhaps was all the worse
for her. Hard work might have prevented the unbearable, sleepless pain
within. She hated the slatternly Mrs. Green at once for her meddling
with her affairs, though the good woman meant no offence. She was jocose
in the broad way of middle-aged persons, to whom a love-affair is
legitimate food for raillery.

But Gearheart's keen eye was on Flaxen as well. He saw how eagerly she
watched for the mail on Tuesdays and Fridays, and how she sought a quiet
place at once in order to read and dream over her letters. She was
restless a day or two before a certain letter came, with an eager,
excited, expectant air. Then, after reading it, she was absent-minded,
flighty in conversation, and at last listlessly uneasy, moving slowly
about from one thing to another, in a kind of restless inability to take
continued interest in anything.

All this, if it came to the attention of Anson at all, was laid to the
schooling the girl had had.

"Of course it'll seem a little slow to you, Flaxie, but harvestin' is
comin' on soon, an' then things'll be a little more lively."

But Gearheart was not so slow-witted. He had had sisters and girl
cousins, and knew "the symptoms," as Mrs. Green would have put it. He
noticed that when Flaxen read her letters to them there was one which
she carefully omitted. He knew that this was the letter which meant the
most to her. He saw how those letters affected her, and thought he had
divined in what way.

One day when Flaxen, after reading her letters, sprang up and ran into
her bedroom, her eyes filled with sudden tears, Gearheart crooked his
finger at Ans, and they went out to the barn together.

It was nearly one o'clock on an intolerable day peculiar to the Dakota
plain. A frightfully hot, withering, and powerful wind was abroad. The
thermometer stood nearly a hundred in the shade, and the wind, so far
from being a relief, was suffocating because of its heat and the dust it
swept along with it.

The heavy-headed grain and russet grass writhed and swirled as if in
agony, and dashed high in waves of green and yellow. The corn-leaves had
rolled up into long cords like the lashes of a whip, and beat themselves
into tatters on the dry, smooth spot their blows had made beneath them;
they seemed ready to turn to flame in the pitiless, furnace-like blast.
Everywhere in the air was a silver-white, impalpable mist, which gave to
the cloudless sky a whitish cast. The glittering gulls were the only
living things that did not move listlessly and did not long for rain.
They soared and swooped, exulting in the sounding wind; now throwing
themselves upon it, like a swimmer, then darting upward with miraculous
ease, to dip again into the shining, hissing, tumultuous waves of the
grass.

Along the roads prodigious trains of dust rose hundreds of feet in the
air, and drove like vast caravans with the wind. So powerful was the
blast that men hesitated about going out with carriages, and everybody
watched feverishly, expecting to see fire break out on the prairie and
sweep everything before it. Work in the fields had stopped long before
dinner, and the farmers waited, praying or cursing, for the wheat was
just at the right point to be blighted.

As the two men went out to the shed side by side, they looked out on the
withering wheat-stalks and corn-leaves with gloomy eyes.

"Another day like this, an' they won't be wheat enough in this whole
county to make a cake," said Anson, with a calm intonation, which after
all betrayed the anxiety he felt. They sat down in the wagon-shed near
the horses' mangers. They listened to the roar of the wind and the
pleasant sound of the horses eating their hay, a good while before
either of them spoke again. Finally Bert said sullenly:

"We can't put up hay such a day as this. You couldn't haul it home under
lock an' key while this infernal wind is blowin'. It's gittin' worse, if
anythin'."

Anson said nothing, but waited to hear what Bert had brought him out
here for. Bert speared away with his knife at a strip of board. Anson
sat on a wagon-tongue, his elbows on his knees, looking intently at the
grave face of his companion. The horses ground cheerily at the hay.

"Ans, we've got to send Flaxen back to St. Peter; she's so homesick she
don't know what to do."

Ans' eyes fell.

"I know it. I've be'n hopin' she'd git over that, but it's purty tough
on her, after bein' with the young folks in the city f'r a year, to come
back here on a farm." He did not finish for a moment. "But she can't
stand it. I'd looked ahead to havin' her here till September, but I
can't stand it to see her cryin' like she did to-day. We've got to give
up the idee o' her livin' here. I don't see any other way but to sell
out an' go back East somewhere."

Bert saw that Anson was still ignorant of the real state of affairs, but
thought he would say nothing for the present.

"Yes: that's the best thing we can do. We'll send her right back, an'
take our chances on the crops. We can git enough to live on an' keep her
at school, I guess."

They sat silent for a long time, while the wind tore round the shed,
Bert spearing at the stick, and Anson watching the hens as they vainly
tried to navigate in the wind. Finally Anson spoke:

"The fact is, Bert, this ain't no place f'r a woman, anyway--such a
woman as Flaxen's gittin' to be. They ain't nothin' goin' on, nothin' to
see 'r hear. You can't expect a girl to be contented with this country
after she's seen any other. No trees; no flowers; jest a lot o' little
shanties full o' flies."

"I knew all that, Ans, a year ago. I knew she'd never come back here,
but I jest said it's the thing to do--give her a chance, if we don't
have a cent; now let's go back to the house an' tell her she needn't
stay here if she don't want to."

"Wha' d' ye s'pose was in that letter?"

"Couldn't say. Some girl's description of a pic-nic er somethin'." Bert
was not yet ready to tell what he knew. When they returned to the house
the girl was still invisible, in her room. Mrs. Green was busy clearing
up the dinner-dishes.

"I don't know's I ever see such a wind back to Michigan. Seems as if it
'u'd blow the hair off y'r head."

"Oh, this ain't nothin'. This is a gentle zephyr. Wait till y' see a
wind."

"Wal, I hope to goodness I won't never see a wind. Zephyrs is all I can
mortally stand."

Anson went through the little sitting-room and knocked on Flaxen's door.

"Flaxie, we want to talk to yeh." There was no answer, and he came back
and sat down. Bert pointed to the letter which Flaxen had flung down on
the table. The giant took it, folded it up, and called, "Here's y'r
letter, babe."

The door opened a little, and a faint, tearful voice said:

"Read it, if ye want to, boys." Then the door closed tightly again, and
they heard her fling herself on the bed. Anson handed the letter to
Bert, who read it in a steady voice.

Dear Darling: I have good news to tell you. My uncle was out from
Wisconsin to see me, and he was pleased with what I had done, and he
bought out Mr. Ford, and gave me the whole half interest. I'm to pay him
back when I please. Ain't that glorious? Now we can get married right
off, can't we, darling? So you just show this letter to your father, and
tell him how things stand. I've got a good business. The drug store is
worth $1,200 a year--my half--but knock off fifty per cent and we could
live nicely. Don't you think so? I want to see you so bad, and talk
things over. If you can't come back soon, I will come on. Write soon.

Yours till death,

Will.

From the first word Anson winced, grew perplexed, then suffered. His
head drooped forward on his hands, his elbows rested on his vast, spread
knees. He drew his breath with a long, grieving gasp. Bert read on
steadily to the end, then glanced at his companion with a deep frown
darkening his face; but he was not taken by surprise. He had not had
paternal affection change to the passion of a lover only to have it
swept down like a half-opened flower. For the first time in his life
Anson writhed in mental agony. He saw it all. It meant eternal
separation. It meant a long ache in his heart which time could scarcely
deaden into a tolerable pain.

Gearheart rose and went out, unwilling to witness the agony of his
friend and desiring himself to be alone. Anson sat motionless, with his
hands covering his wet eyes, going over the past and trying to figure
the future.

He began in that storm: felt again the little form and face of the
wailing child; thought of the frightful struggle against the wind and
snow; of the touch of the little hands and feet; of her pretty prattle
and gleeful laughter; then of her helpful and oddly-womanish ways as she
grew older; of the fresh, clear voice calling him "pap" and ordering him
about with a roguish air; of her beauty now, when for the first time he
had begun to hope that she might be something dearer to him.

How could he live without her? She had grown to be a part of him. He had
long ceased to think of the future without her. As he sat so, the
bedroom door opened, and Flaxen's tearful face looked out at him. He did
not seem to hear, and she stole up to him and, putting her arm around
his neck, laid her cheek on his head--a dear, familiar, childish
gesture, used when she wished to propitiate him. He roused himself and
put his arm about her waist, tried to speak, and finally said in a sorry
attempt at humor, wofully belied by the tears on his face and the
choking in his throat:

"You tell that feller--if he wants ye, to jest come an'--git ye--that's
all!"




CHAPTER XII.

FLAXEN SAYS GOOD-BYE.

Elga went back to her friends, the Holts, in the course of a week. It
hurt Anson terribly to see how eager she was to get away, and he grew a
little bitter--a quality of temper Bert did not know he possessed.

"What's that little whipper-snapper ever done for her, that she should
leave us in the shade f'r him--f'rget us an' all we've done f'r her, an'
climb out an' leave us just at his wink? It beats me, but it's all
right. I don't blame her if she feels so--only it does seem queer, now
don't it?"

"It does, that's a fact--'specially the idea of leaving us for a thing
like that."

After arriving at a complete understanding of the matter, they said no
more about it, but went to work to make everything as pleasant for
Flaxen as possible. Again they rode down to the station with her, down
past the wide, level fields of grain which the blazing sun had ripened
prematurely. Again they parted from her at the train, but this time the
girl was eager to go; and yet a peculiar feeling of sadness was mixed
with her eagerness to be off.

"Now, boys, you'll come down just as soon as you can this fall, won't
you?" she said, tearfully, as they stood in the aisle of the car. "I
wish't you'd sell out an' come back there an' live--I want you to."

"Well, we'll try," Anson said, speaking with difficulty, the lump in his
throat was so big and so dry.

They rode home in silence again, but this time there was something
darker and more sullen in their thoughts.

"Well, Ans, that settles it. We're orphaned again, sure." He tried to
give a little touch of jocoseness to it, but failed miserably.

"Yes," Anson sighed deeply, "we'll haf t' stand it, I s'pose, but it's
tough."

It was hard, but it would have been harder had not the rush and push of
the harvest come upon them just as it did. They never spoke of the
matter again, except as a matter settled, till they received a letter
from the young people asking their consent to an early marriage.

They both read the letter, and then Anson said, without raising his
eyes:

"Well, what d' you think of it?"

"Oh, we might as well say yes," replied Bert irritably.

"But she's so young."

"She seems so to us, but my mother was married at fifteen. If she's
going to leave us, why, the sooner she has a home the better, I s'pose."

"I s'pose you're right. But I'd rather have 'em put it off a year."

"Oh, a year wouldn't make any difference, and besides, you can't stop
the thing now. She's out of our hands."

They wrote giving their consent, and the wedding was fixed for late
September to enable the fall's work to be put out of the way. For Elga's
sake they bought new suits and hats before starting on their trip,
though the harvest hardly justified any extravagance.

Under other circumstances they would have rejoiced over the trip, for it
was carrying them back to the gleam of leaf-dappled streams and waving
trees and deep, cool forests. It made their nostrils dilate with
pleasure as they whirled past fern-filled ravines, out of which the
rivulets stole with stealthy circuits under mossy rocks. They were both
forest-born, and it was like getting back home out of a strange desert
country to come back into "the States."

St. Peter was a small town, situated on the steep bank of a broad
river--that is to say, the business street was there, but the seminary
and the residence part of the town was on a high and beautiful plateau.
The country was well diversified with wood and prairie.

Kendall and Elga met them at the station. Elga with flushed face was
searching the car-windows with eager glance, when Anson appeared on the
platform. The quick rush she made for him drove out all his bitterness.
It made him understand that she loved him as if he were her father.

She greeted Bert with a little less warmth, and chattering with joy she
led the way up the street with Anson. She had a hundred things to tell
him, and he listened in a daze. She seemed so different from his Flaxen.
Bert walked behind with Kendall, who did not impress him favourably.

He was a harmless little creature enough--small, a little inclined to
bow-legs, and dudish in manner and dress. His hair was smoothed till it
shone like ebony, and he wore the latest designs in standing collars,
high on his slim neck. His hands were beautifully small and white and
held several rings. He had the manners of a dry-goods clerk.

"He can't abuse her, that's one good thing about the whelp," thought
Bert as he crushed the young bridegroom's hand in his brown palm, just
to see him cringe.

As for Kendall, he was a little afraid of these big fellows, so sullen
and strong; and he tried his best to please them, chirping away brightly
upon all kinds of things, ending up by telling them his business plans.

"We're one o' the best cities on the river. Couldn't be a better place
fer a business stand, don't you see? And we're getting to the front with
our wholesale department (of course--ha! ha! my wife's father ought to
know how I'm getting on), so you're welcome to look over my books. Our
trade is a cash trade so far as our retail trade goes, and we're mighty
careful who gets tick from us on the wholesale trade. We're developing a
great business."

Bert and Anson made no replies to his chatter, and he pattered along by
Anson's side like a small boy, showing them the town and its beauties.
Anson inwardly despised the little man, but held it a sort of treason to
think so, and tried to look upon him kindly.

The wedding took place in the house of the Holt family, and was in
charge of Miss Holt, Elga's teacher. Kendall's parents could not be
present, which was a great disappointment to Elga, but Will was secretly
glad of it. His father was a very crusty and brutal old fellow, and he
would not have fitted in smoothly beside Bert and Anson, who were as
uncomfortable as men could well be. Both wished to avoid it, but dared
not object.

Anson stood bravely through the ceremony as the father of the bride, and
bore himself with his usual massive, rude dignity. But he inwardly
winced as he saw Elga, looking very stately and beautiful in her bride's
veil, towering half a head above the sleek-haired little clerk. Not a
few of the company smiled at the contrast, but she had no other feeling
than perfect love and happiness.

When the ceremony was over and Anson looked around for Bert, he was
gone. He couldn't stand the pressure of the crowd and the whispered
comments, and had slipped away early in the evening.

Among the presents which were laid on the table in the dining-room was a
long envelope addressed to Mrs. Will Kendall. It contained a deed for a
house and lot in one of the most desirable parts of the suburbs. It was
from Gearheart, but there was no other written word. This gift meant the
sale of his claim in Dakota.

When Anson got back to the hotel that night, wondering and alarmed at
his partner's absence, he found a letter from him. It was savage and
hopeless.

This climate is getting too frigid for my lungs. I'm going to emigrate
to California. I made a mistake: I ought to have gone in for stand-up
collars, shiny hair, and bow-legs. You'd better skip back to Dakota and
sell your claim. Keep my share of the stock and tools; it ain't worth
bothering about. Don't try to live there alone, old man. If you can't
sell, marry. Don't let that girl break you all up too. We are all fools,
but some can get over it quicker than others.

If that little bow-legged thing gets under your feet or abuses her, jest
get your toe under him and hoist him over into the alley.

Good-bye and good luck, old man.

Bert.

And the next day the doubly bereaved man started on his lonely journey
back to the Dakota claim, back to an empty house, with a gnawing pain in
his heart and a constriction like an iron band about his throat; back to
his broad fields to plod to and fro alone.

As he began to realize it all and to think how terrible was this loss,
he laid his head down on the car-seat before him and cried. His first
great trial had come to him, and meeting it like a man, he must now weep
like a woman.




CHAPTER XIII.

FLAXEN'S GREAT NEED.

Flaxen wrote occasionally, during the next year, letters all too short
and too far between for the lonely man toiling away on his brown farm.
These letters were very much alike, telling mainly of how happy she was,
and of what she was going to do by and by, on Christmas or Thanksgiving.
Once she sent a photograph of herself and husband, and Anson, after
studying it for a long time, took a pair of shears and cut the husband
off, and threw him into the fire.

"That fellow gives me the ague," he muttered.

Bert did not write, and there was hardly a night that Ans lay down on
his bed that he did not wonder where his chum was, especially as the
winter came on unusually severe, reminding him of that first winter in
the Territory. Day after day he spent alone in his house, going out only
to feed the cattle or to get the mail. The sad wind was always in his
ears. But with the passage of time the pain in his heart lost its
intensity.

One day he got a letter from Flaxen that startled and puzzled him. It
was like a cry for help, somehow.

"Dear old pap, I wish you was here," and then in another place came the
piteous cry, "Oh, I wish I had some folks!"

All night long that cry rang in the man's head with a wailing, falling
cadence like the note of a lost little prairie-chicken.

"I wonder what that whelp has been doin' now. If he's begun to abuse her
I'll wring his neck. She wants me an' da'sn't ask me to come. Poor
chick, I'll be pap an' mam to ye, both," he said at last, with sudden
resolution.

The day after the receipt of this letter a telegram was handed to him at
the post-office, which he opened with trembling hands:

Anson Wood: Your daughter is ill. Wants you. Come at once.

Dr. Dietrich.

He got into his wagon mechanically and lashed his horses into a run. He
must get home and arrange about his stock and catch the seven o'clock
train. His mind ran the round of the possibilities in the case until it
ached with the hopeless fatigue of it. When he got upon the train for an
all-night ride, he looked like a man suffering some great physical pain.

He sat there all night in a common seat--he could not afford to pay for
a sleeper; sat and suffered the honest torture that can come to a
man--to sit and think the same dread, apprehensive wondering thoughts;
to strain at the seat as if to push the train faster, and to ache with
the desire to fly like the eagle. He tried to be patient, but he could
only grow numb with the effort.

A glorious winter sun was beginning to light up the frost foliage of the
maples lining St. Peter's streets when Anson, stiff with cold and
haggard with a night of sleepless riding, sprang off the train and
looked about him. The beauty of the morning made itself felt even
through his care. These rows of resplendent maples, heavy with
iridescent frost, were like fairy-land to him, fresh from the treeless
prairie. As he walked on under them, showers of powdered rubies and
diamonds fell down upon him; the colonnades seemed like those leading to
some enchanted palace, such as he had read of in boyhood. Every shrub in
the yards was similarly decked, and the snug cottages were like the
little house which he had once seen at the foot of the Christmas-tree in
a German church years before.

Feet crunched along cheerily on the sidewalks, bells of dray-teams were
beginning to sound, and workmen to whistle.

Anson was met at the door by a hard-faced, middle-aged woman.

"How's my girl?" he asked.

"Oh, she's nicely. Walk in."

"Can I see her now?"

"She's sleepin'; I guess you better wait a little while till after
breakfast."

"Where's Kendall?" was his next question.

"I d'n' know. Hain't seen 'im sence yesterday. He don't amount to much,
anyway, and in these cases there ain't no dependin' on a boy like that.
It's nachel fer girls to call on their mothers an' fathers in such
cases."

Anson was about to ask her what the trouble was with his girl, when she
turned away. She could not be dangerously ill; anyway, there was comfort
in that.

After he had eaten a slight breakfast of bad coffee and yellow biscuits,
Mrs. Stickney came back.

"She's awake an' wants to see yeh. Now don't get excited. She ain't
dangerous."

Anson was alarmed and puzzled at her manner. Her smile mystified him.

"What is the matter?" he demanded.

Her reply was common enough, but it stopped him with his foot on the
threshold. He understood at last. The majesty and mystery of birth was
like a light in his face, and dazzled him. He was awed and exalted at
the same time.

"Open the door; I want to see her," he said in a new tone.

As they entered the darkened chamber he heard his girl's eager cry.

"Is that you, pap?" wailed her faint, sweet voice.

"Yes: it's me, Flaxie." He crossed the room and knelt by the bed. She
flung her arms round his neck.

"O pappy! pappy! I wanted you. Oh, my poor mamma! O pap, I don't like
her," she whispered, indicating the nurse with her eyes. "O pap, I hate
to think of mother lying there in the snow--an' Bert--where is Bert,
pap? Perhaps he's in the blizzard too--"

"She's a little flighty," said the nurse in her matter-of-fact tone.

Anson groaned as he patted the pale cheek of the sufferer.

"Don't worry, Flaxie; Bert's all right. He'll come home soon. Why don't
you send for the doctor?" he said to the nurse.

"He'll be here soon. Don't worry over that," indicating Flaxen, who was
whispering to herself. "They of'n do that."

"Do you s'pose I can find my folks if I go back to Norway?" she said to
Anson a little after.

"Yes: I guess so, little one. When you get well, we'll try an' see."

"Perhaps if I found my aunt she'd look like mamma, an' I'd know then how
mamma looked, wouldn't I? Perhaps if the wheat is good this year we can
go back an' find her, can't we?" Then her words melted into a moan of
physical pain, and the nurse said:

"Now I guess you'd better go an' see if you can't hurry the doctor up.
Yes: now he's got to go," she went on to Flaxen, drowning out her voice
and putting her imploring hands back upon the bed.

Anson saw it all now. In her fear and pain she had turned to him--poor,
motherless little bird--forgetting her boy-husband or feeling the need
of a broader breast and stronger hand. It was a beautiful trust, and as
the great, shaggy man went out into the morning he was exalted by the
thought. "My little babe--my Flaxen!" he said with unutterable love and
pity.

Again his mind ran over the line of his life--the cabin, the dead woman,
the baby face nestling at his throat, the girl coming to him with her
trials and triumphs. His heart swelled so that he could not have spoken,
but deep in his throat he muttered a dumb prayer. And how he suffered
that day, hearing her babble mixed with moanings every time the door
opened. Once the doctor said:

"It's no use for you to stand here, Wood. It only makes you suffer and
don't help her a particle."

"It seems 's if it helped her, an' so--I guess I'll stay. She may call
for me, an' if she does," he said resolutely, "I'm goin' in, doctor. How
is she now?"

"She's slightly delirious now, but still she knows you're here. She now
and then speaks of you, but doesn't call for you."

But she did call for him, and he went in, and kneeling by her side he
talked to her and held her hands, stroked her hair and soothed her as he
used to when a little child unable to speak save in her pretty Norseland
tongue, and at last when opiates were given, and he rose and staggered
from the room, it seemed as though he had lived years.

So weary was he that, when the doctor came out and said, "You may go to
sleep now," he dropped heavily on a lounge and fell asleep almost with
the motion. Even the preparations for breakfast made by the
hoarse-voiced servant-girl did not wake him, but the drawling, nasal
tone of Kendall did. He sat up and looked at the oily little clerk. It
was after seven o'clock.

"Hello!" said Kendall, "when d' you get in?"

"Shortly after you went out," said Anson in reply.

Kendall felt the rebuke, and as he twisted his cuffs into place said,
"Well, y' see I couldn't do no good--a man ain't any good in such cases,
anyway--so I just thought I'd run down to St. Paul an' do a little
buying."

Anson turned away and went into the kitchen to wash his face and to comb
his hair, glad to get rid of the sight of Kendall for a moment. Mrs.
Stickney was toasting some bread.

"She's awake an' wants to see you when you woke up. It's a girl--thought
I'd tell ye--yes: she's comfortable. Say, 'tween you an' me, a man 'at
'u'd run off--waal--" she ended, expressively glancing at Kendall.

Once more Anson caught his breath as he entered the darkened chamber. He
was a rough, untaught man, but there was something in him that made that
room holy and mysterious. But the figure on the bed was tranquil now,
and the voice, though weak and low, was Flaxen's own.

He stopped as his eyes fell on her. She was no longer a girl. The
majesty of maternity was on her pale face and in her great eyes. A
faint, expectant smile was on her lips; her eyes were fixed on his face
as she drew the cover from the little red, weirdly-wrinkled face at her
throat.

Before he could speak, and while he was looking down at the mite of
humanity, Kendall stepped into the room.

"Hello, Ellie! How are--"

A singular revulsion came out on her face. She turned to Anson. "Make
him go 'way; I don't want him."

"All right," said Kendall cheerfully, glad to escape.

"Isn't she beautiful?" the mother whispered. "Does she look like me?"
she asked artlessly.

"She's beautiful to me because she's yours, Flaxie," replied Anson, with
a delicacy all the more striking because of the contrast with his great
frame and hard, rough hands. "But there, my girl, go to sleep like baby,
an' don't worry any more."

"You ain't goin' away while I'm sick?" she asked, following him with her
eyes, unnaturally large.

"I won't never go 'way again if you don't want me to," he replied.

"Oh, I'm so glad!" she sighed restfully.

He was turning to go when she wailed reproachfully, "Pap, you didn't
kiss baby!"

Anson turned and came back. "She's sleepin', an' I thought it wasn't
right to kiss a girl without she said so."

This made Flaxen smile, and Anson went out with a lighter heart than he
had had for two years. Kendall met him utside and said confidentially:

"I don't s'pose it was just the thing for me to do; but--confound it! I
never could stand a sick-room, anyway. I couldn't do any good,
anyway--just been in the way. She'll get over her mad in a few days.
Think so?"

But she did not. Her singular and sudden dislike of him continued, and
though she passively submitted to his being in the room, she would not
speak a word to him nor look at him as long as she could avoid it; and
when he approached the baby or took it in his arms a jealous frown came
on her face.

As for Anson, he grew to hate the sound of that little chuckle of
Kendall's; the part in the man's hair and the hang of his cut-away coat
made him angry. The trim legs, a little bowed, the big cuffs hiding the
small, cold hands, and the peculiar set of his faultless collar, grew
daily more insupportable.

"Say, looky here, Kendall," said he in desperation one day, "I wish you
didn't like me quite so well. We don't hitch first rate--at least, I
don't. Seems to me you're neglectin' your business too much."

He was going to tell him to keep away, but he relented as he looked down
at the harmless little man, with his thin, boyish face.

"Oh, my business is all right. Gregory looks after it mostly, anyhow.
But, I say, if you wanted to go into the dray business, there's a
first-class opening now. Clark wants to sell."

It ended in Anson seeing Clark and buying out his line of drays, turning
in his claim toward the payment--a transaction which made Flaxen laugh
for joy, for she had not felt certain before that he would remain in St.
Peter. She was getting about the house now, looking very wifely in her
long, warm wraps, her slow motions contrasting strongly with the old
restless, springing steps Anson remembered so well.

Night after night, as he sat beside the fire and held baby, listening to
the changed voice of his girl and watching the grave, new expressions of
her face, the tooth of time took hold upon him powerfully, and he would
feel his shaggy head and think, "I'll soon be gray, soon be gray!" while
the little one cooed, and sprang, and pulled at his beard, which had
grown long again and had white hairs in it.

Kendall spent most of his time at the store, or downtown somewhere, and
so all of those long, delicious winter evenings were Flaxen's and
Anson's. And his enjoyment of them was pathetic. The cheerful little
sitting-room, the open grate, the gracious, ever-growing womanliness of
Elga, the pressure of soft little limbs, and the babble of a liquid baby
language, were like the charm of an unexpected Indian-summer day between
two gray November storms.




CHAPTER XIV.

KENDALL STEPS OUT.

One night Kendall did not come home, but as he had been talking of going
to St. Paul they were not disturbed about it--in fact, they both took
but very mild interest in his coming or going. In the morning, while
they were at breakfast, there came a knock at the door.

"Come in," shouted Anson in the Western way, not rising.

McDaniel, the county sheriff, entered.

"Where's Kendall?" he asked without ceremony.

"I don't know; went away yesterday."

The sheriff looked at his companion. "Skipped between two days."

"What's up?" asked Anson, while Elga stared and baby reached slyly for
the sugar-bowl.

"Nothing," the sheriff said in a tone which meant everything. "Come out
here," he said to Anson. Anson went out with him, and he told him that
Kendall had purchased goods on credit and gambled the money away, and
was ruined.

His stock of goods was seized, and the house was saved only through the
firmness of Anson.

Flaxen shut her lips and said nothing, and he could not read her
silence. One day she came to him with a letter.

"Read that!" she exclaimed scornfully. He saw that it was dated from Eau
Claire, Wisconsin:

Dear Darling Wife: I'm all right here with father. It was all Gregory's
fault--he was always betting on something. I'm coming back as soon as
the old man can raise the money to pay Fitch. Don't worry about me. They
can't take the house, anyway. You might rent the house, sell the
furniture on the sly, and come back here. The old man will give me
another show. I don't owe more than a thousand dollars, anyway. Write
soon. Your loving

Will.

She did not need to say what she thought of the advice the little
villain gave.

Anson went quietly on with his work, making a living for himself and
Flaxen and baby. It never occurred to either of them that any other
arrangement was necessary. Kendall wrote once or twice a month for a
while, saying each time, "I'll come back and settle up," and asking her
to come to him; but she did not reply, and never referred to him outside
her home, and when others inquired after him she replied evasively:

"He's in Wisconsin somewhere; I don't know where."

"Is he coming back?"

"I don't know."

She often spoke of Bert, and complained of his silence. Once she said:

"I guess he's forgot us, pap."

"I guess not. More likely he's thinkin' we've fergot him. He'll turn up
some bright mornin' with a pocketful o' rocks. He ain't no spring
chicken, Bert ain't." ("All the same, I wish't he'd write," Anson said
to himself.)

The sad death of Kendall came to them without much disturbing force. He
had been out of their lives so long that when Anson came in with the
paper and letter telling of the accident, and with his instinctive
delicacy left her alone to read the news, Flaxen was awed and saddened,
but had little sense of personal pain and loss.

"Young Kendall," the newspaper went on under its scare-heads, "was on a
visit to La Crosse, and while skating with a party on the bayou, where
the La Crosse River empties into the Father of Waters, skated into an
air-hole. The two young ladies with him were rescued, but the fated man
was swept under the ice. He was the son," etc.

When Anson came back Flaxen sat with the letter in her hand and the
paper on her lap. She was meditating deeply, but what was in her mind
Anson never knew. She had grown more and more reticent of late. She
sighed, rose, and resumed her evening tasks.




CHAPTER XV.

BERT COMES BACK.

One raw March evening, when the wind was roaring among the gray branches
of the maples like a lion in wrath, some one knocked on the door.

"Come in!" shouted Anson, who was giving baby her regular ride on his
boots.

"Come in!" added Flaxen.

Gearheart walked in slowly, closed the door behind his back, and stood
devouring the cheerful scene. He was poorly dressed and wore a wide,
limp hat; they did not know him till he bared his head.

"Bert!" yelled Anson, tossing the baby to his shoulder and leaping
toward his chum, tramping and shaking and clapping like a madman,
scaring the child.

"My gosh-all-hemlock! I'm glad to see ye! Gimme that paw again. Come to
the fire. This is Flaxie" (as though he had not had his eyes on her face
all the time). "Be'n sick?"

Bert's hollow cough prompted this question.

"Yes. Had some kind of a fever down in Arizony. Oh, I'm all right now,"
he added in reply to an anxious look from Flaxen.

"An' this is--"

"Baby--Elsie," she replied, putting a finishing touch to the little
one's dress, mother-like.

"Where's he?" he asked a little later.

Anson replied with a little gesture, which silenced Bert at the same
time that it explained. And when Flaxen was busy a few moments later,
Anson said:

"Gone up the spout."

At the table they grew quite gay, talking over old times, and Bert's
pale face grew rosier, catching a reflection of the happy faces
opposite.

"Say, Bert, do you remember the time you threw that pan o' biscuits I
made out into the grass an' killed every dog in the township?" Then they
roared.

"I remember your flapjacks that always split open in the middle, an' no
amount o' heat could cook 'em inside," Bert replied.

Then they grew sober again when Bert said with a pensive cadence: "Well,
I tell you, those were days of hard work; but many's the time I've
looked back at 'em these last three years, wishin' they'd never ended
an' that we'd never got scattered."

"We won't be again, will we, pap?"

"Not if I can help it," Anson replied.

"But how are you, Bert? Rich?"

Bert put his hand into his pocket and laid a handful of small coins on
the table.

"That's the size o' my pile--four dollars," he said, smiling faintly;
"the whole o' my three years' work."

"Well, never mind, ol' man. I've got a chance fer yeh. Still an ol'
bach?"

"Still an old bach." He looked at Flaxen, irresistibly drawn to her
face. She dropped her eyes; she could not have told why.

And so "Wood & Gearheart" was painted on the sides of the drays, and
they all continued to live in the little yellow cottage, enjoying life
much more than the men, at least, had ever dared to hope; and little
Elsie grew to be a "great girl," and a nuisance with her desire to
"yide" with "g'an'pap."

There is no spot more delightful in early April than the sunny side of
the barn, and Ans and Bert felt this, though they did not say it. The
eaves were dripping, the doves cooing, the hens singing their
harsh-throated, weirdly suggestive songs, and the thrilling warmth and
vitality of the sun and wind of spring made the great, rude fellows
shudder with a strange delight. Anson held out his palm to catch the
sunshine in it, took off his hat to feel the wind, and mused:

"This is a great world--and a great day. I wish't it was always spring."

"Say," began Bert abruptly, "it seems pretty well understood that you're
her father--but where do I come in?"

"You ought to be her husband." A light leaped into the younger man's
face. "But go slow," Anson went on gravely. "This package is marked
'Glass; handle with care.'"

The End.



D. Appleton & Co's Publications.
Appleton's Summer Series, 1891

TOURMALIN'S TIME CHEQUES. By F. Anstey, author of "Vice Versâ," "The
Giant's Robe," etc.

"Its author has struck another rich vein of whimsicality and
humor."--San Francisco Argonaut.

"His special gift is in making the impossible appear probable."--St.
Louis Republic

"A curious conceit and very entertaining story."--Boston Advertiser.

"Each cheque is good for several laughs."--New York Herald.

"Certainly one of the most diverting books of the season."--Brooklyn
Times.

"Sets a handsome example for the 'Summer Series,' with its neat and
portable style of half cloth binding and good paper and
typography."--Brooklyn Eagle.

FROM SHADOW TO SUNLIGHT. By the Marquise of Lorne.

"In these days of princely criticism--that is to say, criticism of
princes--it is refreshing to meet a really good bit of aristocratic
literary work, albeit the author is only a prince-in-law.... The theme
chosen by the Marquis makes his story attractive to Americans."--Chicago
Tribune.

"A charming book."--Cincinnati Enquirer.

ADOPTING AN ABANDONED FARM. By Kate Sanborn.

"It may be mythical, but it reads like a true narrative taken from a
strong memory that has been re-enforced by a diary and corrected by the
parish register. It is not only as natural as life, but, as Josh
Billings used to say, 'even more so.'"--New York Journal of Commerce.

"A sunny, pungent, humorous sketch.... A bright, amusing book, which is
thoughtful as well as amusing, and may stimulate, somewhere, thinking
that shall bear fruit in some really effective remedial
action."--Chicago Times.

ON THE LAKE OF LUCERNE, AND OTHER STORIES. By Beatrice Whitby.

"Six short stories carefully and conscientiously finished, and told with
the graceful ease of the practiced raconteur."--Literary Digest.

"The stories are pleasantly told in light and delicate vein, and are
sure to be acceptable to the friends Miss Whitby has already made on
this side of the Atlantic."--Philadelphia Bulletin.

"Very dainty, not only in mechanical workmanship but in matter and
manner."--Boston Advertiser.

Each, 16mo, half cloth, with specially designed cover, 50 cents.
Recent Issues in Appletons' Town and Country Library

STEPHEN ELLICOTT'S DAUGHTER. By Mrs. J. H. Needell, author of "The Story
of Philip Methuen." 12mo. Paper, 50 cents; cloth, $1.00.

"I am desirous to bear my humble testimony to the great ability and high
aim of the work."--Hon. W. E. Gladstone.

"From first to last an exceptionally strong and beautiful
story."--London Spectator.

ONE REASON WHY. By Beatrice Whitby, author of "The Awakening of Mary
Fenwick," "Part of the Property," etc. 12mo. Paper, 50 cents; cloth,
$1.00.

"A remarkably well-written story.... The author makes her people speak
the language of every-day life, and a vigorous and attractive realism
pervades the book, which provides excellent entertainment from beginning
to end."--Boston Saturday Evening Gazette.

THE TRAGEDY OF IDA NOBLE. By W. Clark Russell, author of "The Wreck of
the Grosvenor," etc. 12mo. Paper, 50 cents; cloth, $1.00.

"The best sea-story since 'The Wreck of the Grosvenor.' It shows a
determination to abandon the well-worn tracks of fiction and to evolve a
new and striking plot.... There is no sign of exhausted imagination in
this strong tale."--Philadelphia Public Ledger.

THE JOHNSTOWN STAGE AND OTHER STORIES. By Robert H. Fletcher, author of
"A Blind Bargain," etc. 12mo. Paper, 50 cts.; cloth, $1.00.

"A collection of as charming short stories as one could wish to find,
most of them Western in scene."--San Francisco Argonaut.

"Nine real stories, not studies of character, but narratives of interest
... vivaciously and pleasantly told."--Boston Pilot.

A WIDOWER INDEED. By Rhoda Broughton and Elizabeth Bisland. 12mo. Paper,
50 cents; cloth, $1.00.

"Done with masterly skill. The whole work is strong and well worth
reading."--New York Journal of Commerce.

"The story is written with great strength, and possesses a powerful
interest that never flags."--Boston Home Journal.

THE FLIGHT OF THE SHADOW. By George MacDonald, author of "Malcolm,"
"Annals of a Quiet Neighborhood," etc. 12mo. Paper, 50 cents; cloth,
$1.00.

"It is extremely entertaining, contains a charming love-story, and is
beautifully written, like everything from Mr. MacDonald's pen."--St.
Paul Pioneer-Press.

LOVE OR MONEY. By Katharine Lee, author of "A Western Wildflower," "In
London Town," etc. 12mo. Paper, 50 cents; cloth, $1.00.

"In point of cleverness this novel is quite up to the standard of the
excellent Town and Country Library in which it appears. Most of the
characters are well drawn, and there are some singularly strong scenes
in the book."--Charleston News and Courier.

NOT ALL IN VAIN. By Ada Cambridge, author of "The Three Miss Kings," "My
Guardian," etc. 12mo. Paper, 50 cents; cloth, $1.00.

"A worthy companion to the best of the author's former efforts, and in
some respects superior to any of them."--Detroit Free Press.

"A better story has not been published in many moons."--Philadelphia
Inquirer.

IT HAPPENED YESTERDAY. By Frederick Marshall, author of "Claire
Brandon." 12mo. Paper, 50 cents; cloth, $1.00.

"An odd, fantastic tale, whose controlling agency is an occult power
which the world thus far has doubted and wondered at alternately rather
than studied."--Chicago Times.

"A psychological story of very powerful interest"--Boston Home Journal.

MY GUARDIAN. By Ada Cambridge, author of "The Three Miss Kings," "Not
All in Vain," etc. 12mo. Paper, 50 cents; cloth, $1.00.

"A story which will, from first to last, enlist the sympathies of the
reader by its simplicity of style and fresh, genuine feeling.... The
author is au fait at the delineation of character.--Boston Transcript.

"The dénoûment is all that the most ardent romance-reader could
desire."--Chicago Evening Journal.

ELINE VERE. By Louis Couperus. Translated from the Dutch by J. T. Grein.
With an Introduction by Edmund Gosse. Holland Fiction Series. 12mo.
Cloth, $1.00.

"The established authorities in art and literature retain their
exclusive place in dictionaries and hand-books long after the claim of
their juniors to be observed with attention has been practically
conceded at home. For this reason, partly, and partly also because the
mental life of Holland receives little attention in this country, no
account has yet been taken of the revolution in Dutch taste which has
occupied the last six or seven yean. I believe that the present occasion
is the first on which it has been brought to the notice of any
English-speaking public.... 'Eline Vere' is an admirable
performance."--Edmund Gosse, in Introduction.

"Most careful in its details of description, most picturesque in its
coloring."--Boston Post.

"A vivacious and skillful performance, giving an evidently faithful
picture of society, and evincing the art of a true
story-teller."--Philadelphia Telegraph.

"Those who associate Dutch characters and Dutch thought with ideas of
the purely phlegmatic, will read with astonishment and pleasure the
oft-times stirring and passionate sentences of this novel."--Public
Opinion.

"The dénoûment is tragical, thrilling, and picturesque."--New York
World.

"If modern Dutch literature has other books as good as this to offer, we
hope that they will soon find a translator."--Chicago Evening Journal.

A PURITAN PAGAN. By Julien Gordon, author of "A Diplomat's Diary," etc.
12mo. Cloth, $1.00.

"Mrs. Van Rensselaer Cruger grows stronger as she writes.... The lines
in her story are boldly and vigorously etched."--New York Times.

"The author's recent books have made for her a secure place in current
literature, where she can stand fast.... Her latest production, 'A
Puritan Pagan,' is an eminently clever story, in the best sense of the
word clever."--Philadelphia Telegraph.

"Has already made its mark as a popular story, and will have an
abundance of readers.... It contains some useful lessons that will repay
the thoughtful study of persons of both sexes."--New York Journal of
Commerce.

"This brilliant novel will without doubt add to the repute of the writer
who chooses to be known as Julien Gordon.... The ethical purpose of the
author is kept fully in evidence through a series of intensely
interesting situations."--Boston Beacon.

"It is obvious that the author is thoroughly at home in illustrating the
manner and the sentiment of the best society of both America and
Europe."--Chicago Times.

THE FAITH DOCTOR. By Edward Eggleston, author of "The Hoosier
Schoolmaster," "The Circuit Rider," etc. 12mo. Cloth, $1.50.

"An excellent piece of work.... With each new novel the author of 'The
Hoosier Schoolmaster' enlarges his audience, and surprises old friends
by reserve forces unsuspected. Sterling integrity of character and high
moral motives illuminate Dr. Eggleston's fiction, and assure its place
in the literature of America which is to stand as a worthy reflex of the
best thoughts of this age."--New York World.

"One of the novels of the decade."--Rochester Union and Advertiser.

"It is extremely fortunate that the fine subject indicated in the title
should have fallen into such competent hands."--Pittsburgh
Chronicle-Telegraph.

"Much skill is shown by the author in making these 'fads' the basis of a
novel of great interest.... One who tries to keep in the current of good
novel-reading must certainly find time to read 'The Faith
Doctor.'"--Buffalo Commercial.

"A vivid and life-like transcript from several phases of society. Devoid
of literary affectation and pretense, it is a wholesome American novel
well worthy of the popularity which it has won."--Philadelphia Inquirer.

"The author of 'The Hoosier Schoolmaster' has enhanced his reputation by
this beautiful and touching study of the character of a girl to love
whom proved a liberal education to both of her admirers."--London
Athenæum.

AN UTTER FAILURE. By Miriam Coles Harris, author of "Rutledge." 12mo.
Cloth, $1.25.

"A story with an elaborate plot, worked out with great cleverness and
with the skill of an experienced artist in fiction. The interest is
strong and at times very dramatic.... Those who were attracted by
'Rutledge' will give hearty welcome to this story, and find it fully as
enjoyable as that once immensely popular novel."--Boston Saturday
Evening Gazette.

"The pathos of this tale is profound, the movement highly dramatic, the
moral elevating."--New York World.

"In this new story the author has done some of the best work that she
has ever given to the public, and it will easily class among the most
meritorious and most original novels of the year."--Boston Home Journal.

"The author of 'Rutledge' does not often send out a new volume, but when
she does it is always a literary event.... Her previous books were
sketchy and slight when compared with the finished and trained power
evidenced in 'An Utter Failure.'"--New Haven Palladium.

"Exhibits the same literary excellence that made the success of the
author's first book."--San Francisco Argonaut.

"American girls with a craving for titled husbands will find instructive
reading in this story."--Boston Traveller.

ON THE PLANTATION. By Joel Chandler Harris, author of "Uncle Remus."
With 23 Illustrations by E. W. Kemble, and Portrait of the Author. 12mo.
Cloth, $1.50.

"The book is in the characteristic vein which has made the author so
famous and popular as an interpreter of plantation
character."--Rochester Union and Advertiser.

"Those who never tire of Uncle Remus and his stories--with whom we would
be accounted--will delight in Joe Maxwell and his exploits."--London
Saturday Review.

"Altogether a most charming book."--Chicago Times.

"Really a valuable, if modest, contribution to the history of the civil
war within the Confederate lines, particularly on the eve of the
catastrophe. Two or three new animal fables are introduced with effect;
but the history of the plantation, the printing-office, the black
runaways, and white deserters, of whom the impending break-up made the
community tolerant, the coon and fox hunting, forms the serious purpose
of the book, and holds the reader's interest from beginning to
end."--New York Evening Post.

UNCLE REMUS: His Songs and his Sayings. The Folk-lore of the Old
Plantation. By Joel Chandler Harris. Illustrated from Drawings by F. S.
Church and J. H. Moser, of Georgia. 12mo. Cloth, $1.50.

"The idea of preserving and publishing these legends, in the form in
which the old plantation negroes actually tell them, is altogether one
of the happiest literary conceptions of the day. And very admirably is
the work done.... In such touches lies the charm of this fascinating
little volume of legends, which deserves to be placed on a level with
Reincke Fuchs for its quaint humor, without reference to the
ethnological interest possessed by these stories, as indicating,
perhaps, a common origin for very widely severed races."--London
Spectator.

"We are just discovering what admirable literary material there is at
home, what a great mine there is to explore, and how quaint and peculiar
is the material which can be dug up. Mr. Harris's book may be looked on
in a double light--either as a pleasant volume recounting the stories
told by a typical old colored man to a child, or as a valuable
contribution to our somewhat meager folk-lore.... To Northern readers
the story of Brer (Brother--Brudder) Rabbit may be novel. To those
familiar with plantation life, who have listened to these quaint old
stories, who have still tender reminiscences of some good old mauma who
told these wondrous adventures to them when they were children, Brer
Rabbit, the Tar Baby, and Brer Fox come back again with all the past
pleasures of younger days."--New York Times.

"Uncle Remus's sayings on current happenings are very shrewd and bright,
and the plantation and revival songs are choice specimens of their
sort."--Boston Journal.

THE LAST WORDS OF THOMAS CARLYLE. Including Wotton Reinfred, Carlyle's
only essay in fiction; the Excursion (Futile Enough) to Paris; and
letters from Thomas Carlyle, also letters from Mrs. Carlyle, to a
personal friend. With Portrait. 12mo. Cloth, gilt top, $1.75.

"The interest of 'Wotton Reinfred' to me is considerable, from the
sketches which it contains of particular men and women, most of whom I
knew and could, if necessary, identify. The story, too, is taken
generally from real life, and perhaps Carlyle did not finish it, from
the sense that it could not be published while the persons and things
could be recognized. That objection to the publication no longer exists.
Eveybody is dead whose likenesses have been drawn, and the incidents
stated have long been forgotten."--James Anthony Froude.

"'Wotton Reinfred' is interesting as a historical document. It gives
Carlyle before he had adopted his peculiar manner, and yet there are
some characteristic bits--especially at the beginning--in the Sartor
Resartus vein. I take it that these are reminiscences of Irving and of
the Thackeray circle, and there is a curious portrait of Coleridge, not
very thinly veiled. There is enough autobiography, too, of interest in
its way."--Leslie Stephen.

"No complete edition of the Sage of Chelsea will be able to ignore these
manuscripts."--Pall Mall Gazette.

MEN, MINES, AND ANIMALS IN SOUTH AFRICA. By Lord Randolph S. Churchill.
With Portrait, Sixty-five Illustrations, and a Map. 8vo. 337 pages.
Cloth, $5.00.

"The subject-matter of the book is of unsurpassed interest to all who
either travel in new countries, to see for themselves the new
civilizations, or follow closely the experiences of such travelers. And
Lord Randolph's eccentricities are by no means such as to make his own
reports of what he saw in the new states of South Africa any the less
interesting than his active eyes and his vigorous pen naturally make
them."--Brooklyn Eagle.

"Lord Randolph Churchill's pages are full of diversified adventures and
experience, from any part of which interesting extracts could be
collected.... A thoroughly attractive book."--London Telegraph.

"Provided with amusing illustrations, which always fall short of
caricature, but perpetually suggest mirthful
entertainment."--Philadelphia Ledger.

"The book is the better for having been written somewhat in the line of
journalism. It is a volume of travel containing the results of a
journalist's trained observation and intelligent reflection upon
political affairs. Such a work is a great improvement upon the ordinary
book of travel. Lord Randolph Churchill thoroughly enjoyed his
experiences in the African bush, and has produced a record of his
journey and exploration which has hardly a dull page in it."--New York
Tribune.

LIFE IN ANCIENT EGYPT AND ASSYRIA. By G. Maspéro, late Director of
Archæology in Egypt, and Member of the Institute of France. Translated
by Alice Morton. With 188 Illustrations. 12mo. Cloth, $1.50.

"A lucid sketch, at once popular and learned, of daily life in Egypt in
the time of Rameses II, and of Assyria in that of Assurbanipal.... As an
Orientalist, M. Maspéro stands in the front rank, and his learning is so
well digested and so admirably subdued to the service of popular
exposition, that it nowhere overwhelms and always interests the
reader."--London Times.

"Only a writer who had distinguished himself as a student of Egyptian
and Assyrian antiquities could have produced this work, which has none
of the features of a modern book of travels in the East, but is an
attempt to deal with ancient life as if one had been a contemporary with
the people whose civilization and social usages are very largely
restored."--Boston Herald.

"The ancient artists are copied with the utmost fidelity, and verify the
narrative so attractively presented."--Cincinnati Times-Star.

THE THREE PROPHETS: Chinese Gordon; Mohammed-Ahmed; Araby Pasha. Events
before, during, and after the Bombardment of Alexandria. By Colonel
Chaille-Long, ex-Chief of Staff to Gordon in Africa, ex-United States
Consular Agent in Alexandria, etc. With Portraits. 16mo. Paper, 50
cents.

"Comprises the observations of a man who, by reason of his own military
experience in Egypt, ought to know whereof he speaks."--Washington Post.

"Throws an entirely new light upon the troubles which have so long
agitated Egypt, and upon their real significance."--Chicago Times.

THE MEMOIRS OF AN ARABIAN PRINCESS. By Emily Ruete, née Princess of Oman
and Zanzibar. Translated from the German. 12mo. Cloth, 75 cents.

"A remarkably interesting little volume.... As a picture of Oriental
court life, and manners and customs in the Orient, by one who is to the
manner born, the book is prolific in entertainment and
edification."--Boston Gazette.

"The interest of the book centers chiefly in its minute description of
the daily life of the household from the time of rising until the time
of retiring, giving the most complete details of dress, meals,
ceremonies, feasts, weddings, funerals, education, slave service,
amusements, in fact everything connected with the daily and yearly
routine of life."--Utica (N. Y.) Herald.

THE SOVEREIGNS AND COURTS OF EUROPE. The Home and Court Life and
Characteristics of the Reigning Families. By "Politikos." With many
Portraits. 12mo. Cloth, $1.50.

"A remarkably able book.... A great deal of the inner history of Europe
is to be found in the work, and it is illustrated by admirable
portraits."--The Athenæum.

"Its chief merit is that it gives a new view of several sovereigns....
The anonymous author seems to have sources of information that are not
open to the foreign correspondents who generally try to convey the
impression that they are on terms of intimacy with royalty."--San
Francisco Chronicle.

"The anonymous author of these sketches of the reigning sovereigns of
Europe appears to have gathered a good deal of curious information about
their private lives, manners, and customs, and has certainly in several
instances had access to unusual sources. The result is a volume which
furnishes views of the kings and queens concerned far fuller and more
intimate than can be found elsewhere."--New York Tribune.

"... A book that would give the truth, the whole truth, and nothing but
the truth (so far as such comprehensive accuracy is possible), about
these exalted personages, so often heard about but so seldom seen by
ordinary mortals, was a desideratum, and this book seems well fitted to
satisfy the demand. The author is a well-known writer on questions
indicated by his pseudonym."--Montreal Gazette.

"A very handy book of reference."--Boston Transcript.

MY CANADIAN JOURNAL, 1872-'78. By Lady Dufferin. Extracts from letters
home written while Lord Dufferin was Governor-General of Canada. With
Portrait, Map, and Illustrations from sketches by Lord Dufferin. 12mo.
Cloth, $2.00.

"A graphic and intensely interesting portraiture of out-door life in the
Dominion, and will become, we are confident, one of the standard works
on the Dominion.... It is a charming volume."--Boston Traveller.

"In every place and under every condition of circumstances the
Marchioness shows herself to be a true lady, without reference to her
title. Her book is most entertaining, and the abounding good-humor of
every page must stir a sympathetic spirit in its readers."--Philadelphia
Bulletin.

"The many readers of Lady Dufferin's Journal of 'Our Vice-Regal Life in
India' will welcome this similar record from the same vivacious pen,
although it concerns a period antecedent to the other, and takes one
back many years. The book consists of extracts from letters written home
by Lady Dufferin to her friends (her mother chiefly) while her husband
was Governor-General of Canada; and describes her experiences in the
same chatty and charming style with which readers were before made
familiar."--Cincinnati Commercial-Gazette.

HAND-BOOKS OF SOCIAL USAGES.

SOCIAL ETIQUETTE OF NEW YORK. Rewritten and enlarged. 18mo. Cloth, gilt,
$1.00.

Special pains have been taken to make this work represent accurately
existing customs in New York society. The subjects treated are of
visiting and visiting-cards, giving and attending balls, receptions,
dinners, etc., débuts, chaperons, weddings, opera and theatre parties,
costumes and customs, addresses and signatures, and funeral customs,
covering so far as practicable all social usages.

DON'T; or, Directions for avoiding Improprieties in Conduct and Common
Errors of Speech. By Censor. Parchment-Paper Edition, square l8mo, 30
cents. Vest-Pocket Edition, cloth, flexible, gilt edges, red lines, 30
cents. Boudoir Edition (with a new chapter designed for young people),
cloth, gilt, 30 cents. 130th thousand.

"Don't" deals with manners at the table, in the drawing-room, and in
public, with taste in dress, with personal habits, with common mistakes
in various situations in life, and with ordinary errors of speech.

WHAT TO DO. A Companion to "Don't." By Mrs. Oliver Bell Bunce. Small
18mo, cloth, gilt, uniform with Boudoir Edition of "Don't," 30 cents.

A dainty little book, containing helpful and practical explanations of
social usages and rules. It tells the reader how to entertain and how to
be entertained, and it sets forth the etiquette of engagements and
marriages, introductions and calls.

"GOOD FORM" IN ENGLAND. By An American, resident in the United Kingdom.
12mo. Cloth, $1.50.

"The raison d'être of this book is to provide Americans--and especially
those visiting England--with a concise, comprehensive, and
comprehensible hand-book which will give them all necessary information
respecting 'how things are' in England."--From the Preface.

HINTS ABOUT MEN'S DRESS: Right Principles Economically Applied. By a New
York Clubman. 18mo. Parchment-paper, 30 cents.

A useful manual, especially for young men desirous of dressing
economically and yet according to the canons of good taste.

New York: D. APPLETON & CO., 1, 3, and 5 Bond Street.




Transcriber's Notes.


Introduction.

Welcome to Project Gutenberg's edition of A Little Norsk, or Ol' Pap's
Flaxen by Hamlin Garland. This novel was published in 1892, and it was
not reprinted. A scanned copy of this book is available through
Hathitrust, courtesy of the University of California.

Emendations.

We have made the following emendations to the text:


Chapter 9.

On Page 102: The mark in the book between Gee whittiker is assumed to be
an imperfection in the page.

Chapter 11.

On Page 121: The mark in the book between drug store is assumed to be an
imperfection in the page. There are three other occurrences of drug
store in the novel without the hyphen, and none with.

D. Appleton and Co.

Page DA11: removed single quote before ending double quote (after
England) in 'how things are' in England.'



*** END OF THIS PROJECT GUTENBERG EBOOK A LITTLE NORSK ***

***** This file should be named 21850-h.htm or 21850-h.zip *****

This and all associated files of various formats will be found in:
http://www.gutenberg.org/2/1/8/5/21850/

Updated editions will replace the previous one--the old editions will be
renamed.

Creating the works from public domain print editions means that no one
owns a United States copyright in these works, so the Foundation (and
you!) can copy and distribute it in the United States without permission
and without paying copyright royalties. Special rules, set forth in the
General Terms of Use part of this license, apply to copying and
distributing Project Gutenberg™ electronic works to protect the Project
Gutenberg™ concept and trademark. Project Gutenberg is a registered
trademark, and may not be used if you charge for the eBooks, unless you
receive specific permission. If you do not charge anything for copies of
this eBook, complying with the rules is very easy. You may use this
eBook for nearly any purpose such as creation of derivative works,
reports, performances and research. They may be modified and printed and
given away--you may do practically anything with public domain eBooks.
Redistribution is subject to the trademark license, especially
commercial redistribution.

*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE

Please read this before you distribute or use this work.

To protect the Project Gutenberg™ mission of promoting the free
distribution of electronic works, by using or distributing this work (or
any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg™ License (available with this file or online at
http://gutenberg.net/license).

Section 1. General Terms of Use and Redistributing Project Gutenberg™
electronic works

1.A. By reading or using any part of this Project Gutenberg™ electronic
work, you indicate that you have read, understand, agree to and accept
all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all the
terms of this agreement, you must cease using and return or destroy all
copies of Project Gutenberg™ electronic works in your possession. If you
paid a fee for obtaining a copy of or access to a Project Gutenberg™
electronic work and you do not agree to be bound by the terms of this
agreement, you may obtain a refund from the person or entity to whom you
paid the fee as set forth in paragraph 1.E.8.

1.B. "Project Gutenberg" is a registered trademark. It may only be used
on or associated in any way with an electronic work by people who agree
to be bound by the terms of this agreement. There are a few things that
you can do with most Project Gutenberg™ electronic works even without
complying with the full terms of this agreement. See paragraph 1.C
below. There are a lot of things you can do with Project Gutenberg™
electronic works if you follow the terms of this agreement and help
preserve free future access to Project Gutenberg™ electronic works. See
paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg™ electronic works. Nearly all the individual works in the
collection are in the public domain in the United States. If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you
from copying, distributing, performing, displaying or creating
derivative works based on the work as long as all references to Project
Gutenberg are removed. Of course, we hope that you will support the
Project Gutenberg™ mission of promoting free access to electronic works
by freely sharing Project Gutenberg™ works in compliance with the terms
of this agreement for keeping the Project Gutenberg™ name associated
with the work. You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg™ License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are in
a constant state of change. If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg™ work. The Foundation makes no representations concerning the
copyright status of any work in any country outside the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg™ License must appear prominently
whenever any copy of a Project Gutenberg™ work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with almost
no restrictions whatsoever. You may copy it, give it away or re-use it
under the terms of the Project Gutenberg License included with this
eBook or online at www.gutenberg.net.

1.E.2. If an individual Project Gutenberg™ electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges. If you are redistributing or providing access to a work with
the phrase "Project Gutenberg" associated with or appearing on the work,
you must comply either with the requirements of paragraphs 1.E.1 through
1.E.7 or obtain permission for the use of the work and the Project
Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder. Additional terms will be linked
to the Project Gutenberg ™ License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form. However, if you provide access to or
distribute copies of a Project Gutenberg™ work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg™ web site (www.gutenberg.net),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form. Any alternate format must include the full Project Gutenberg™
License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg™ works unless
you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing access
to or distributing Project Gutenberg™ electronic works provided that

 •  You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg™ works calculated using the method you
already use to calculate your applicable taxes. The fee is owed to the
owner of the Project Gutenberg™ trademark, but he has agreed to donate
royalties under this paragraph to the Project Gutenberg Literary Archive
Foundation. Royalty payments must be paid within 60 days following each
date on which you prepare (or are legally required to prepare) your
periodic tax returns. Royalty payments should be clearly marked as such
and sent to the Project Gutenberg Literary Archive Foundation at the
address specified in Section 4, "Information about donations to the
Project Gutenberg Literary Archive Foundation."
 •  You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he does
not agree to the terms of the full Project Gutenberg™ License. You must
require such a user to return or destroy all copies of the works
possessed in a physical medium and discontinue all use of and all access
to other copies of Project Gutenberg ™ works.
 •  You provide, in accordance with paragraph 1.F.3, a full refund of
any money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days of
receipt of the work.
 •  You comply with all other terms of this agreement for free
distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™
electronic work or group of works on different terms than are set forth
in this agreement, you must obtain permission in writing from both the
Project Gutenberg Literary Archive Foundation and Michael Hart, the
owner of the Project Gutenberg™ trademark. Contact the Foundation as set
forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg™ collection.
Despite these efforts, Project Gutenberg™ electronic works, and the
medium on which they may be stored, may contain "Defects," such as, but
not limited to, incomplete, inaccurate or corrupt data, transcription
errors, a copyright or other intellectual property infringement, a
defective or damaged disk or other medium, a computer virus, or computer
codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES: Except for the "Right of
Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg™ trademark, and any other party distributing a Project
Gutenberg™ electronic work under this agreement, disclaim all liability
to you for damages, costs and expenses, including legal fees. You agree
that you have no remedies for negligence, strict liability, breach of
warranty or breach of contract except those provided in Paragraph F3.
You agree that the Foundation, the trademark owner, and any distributor
under this agreement will not be liable to you for actual, direct,
indirect, consequential, punitive or incidental damages even if you give
notice of the possibility of such damage.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND: If you discover a defect
in this electronic work within 90 days of receiving it, you can receive
a refund of the money (if any) you paid for it by sending a written
explanation to the person you received the work from. If you received
the work on a physical medium, you must return the medium with your
written explanation. The person or entity that provided you with the
defective work may elect to provide a replacement copy in lieu of a
refund. If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund. If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS', with no other
warranties of any kind, express or implied, including but not limited to
warranties of merchantibility or fitness for any purpose.

1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law. The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY: You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg™ electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg™ electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg™
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg™ work, and (c) any Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg ™ is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers. It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need, is critical to reaching Project Gutenberg's™ goals
and ensuring that the Project Gutenberg™ collection will remain freely
available for generations to come. In 2001, the Project Gutenberg
Literary Archive Foundation was created to provide a secure and
permanent future for Project Gutenberg™ and future generations. To learn
more about the Project Gutenberg Literary Archive Foundation and how
your efforts and donations can help, see Sections 3 and 4 and the
Foundation web page at http://www.pglaf.org.

Section 3. Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the state
of Mississippi and granted tax exempt status by the Internal Revenue
Service. The Foundation's EIN or federal tax identification number is
64-6221541. Its 501(c)(3) letter is posted at
http://pglaf.org/fundraising. Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations. Its business office is located at 809
North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
business@pglaf.org. Email contact links and up to date contact
information can be found at the Foundation's web site and official page
at http://pglaf.org.

For additional contact information:

Dr. Gregory B. Newby
Chief Executive and Director
gbnewby@pglaf.org

Section 4. Information about Donations to the Project Gutenberg Literary
Archive Foundation

Project Gutenberg™ depends upon and cannot survive without wide spread
public support and donations to carry out its mission of increasing the
number of public domain and licensed works that can be freely
distributed in machine readable form accessible by the widest array of
equipment including outdated equipment. Many small donations ($1 to
$5,000) are particularly important to maintaining tax exempt status with
the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations where
we have not received written confirmation of compliance. To send
donations or determine the status of compliance for any particular state
visit http://pglaf.org.

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any
statements concerning tax treatment of donations received from outside
the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses. Donations are accepted in a number of other ways
including including checks, online payments and credit card donations.
To donate, please visit: http://pglaf.org/donate.

Section 5. General Information About Project Gutenberg™ electronic
works.

Professor Michael S. Hart is the originator of the Project Gutenberg™
concept of a library of electronic works that could be freely shared
with anyone. For thirty years, he produced and distributed Project
Gutenberg™ eBooks with only a loose network of volunteer support.

Project Gutenberg™ eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S. unless
a copyright notice is included. Thus, we do not necessarily keep eBooks
in compliance with any particular paper edition.

Most people start at our Web site which has the main PG search facility:
http://www.gutenberg.net

This Web site includes information about Project Gutenberg™, including
how to make donations to the Project Gutenberg Literary Archive
Foundation, how to help produce our new eBooks, and how to subscribe to
our email newsletter to hear about new eBooks.