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Vol. III, by William Wordsworth

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Title: The Poetical Works of William Wordsworth, Vol. III

Author: William Wordsworth

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Wordsworth's



Poetical Works

volume 3




edited by

William Knight



1896

Table of Contents

• 1804
• 1805
• • The Prelude; or, Growth of a Poet's Mind
  • From the Italian of Michael Angelo
• Appendices

Wordsworth's Poetical Works

Volume 3: 1804

Edited by William Knight

1896

Table of Contents

• 1804
• • "She was a Phantom of delight"
  • "I wandered lonely as a cloud"
  • The Affliction of Margaret—
  • The Forsaken
  • Repentance
  • Address to my Infant Daughter, Dora
  • The Kitten and Falling Leaves
  • The Small Celandine
  • At Applethwaite, near Keswick
  • Vaudracour and Julia

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1804

The poems written in 1804 were not numerous; and, with the exception of The Small Celandine, the stanzas beginning "I wandered lonely as a cloud," and "She was a Phantom of delight," they were less remarkable than those of the two preceding, and the three following years. Wordsworth's poetical activity in 1804 is not recorded, however, in Lyrical Ballads or Sonnets, but in The Prelude, much of which was thought out, and afterwards dictated to Dorothy or Mary Wordsworth, on the terrace walk of Lancrigg during that year; while the Ode, Intimations of Immortality was altered and added to, although it did not receive its final form till 1806. In the sixth book of The Prelude, p. 222, the lines occur: '

Four years and thirty, told this very week,
Have I been now a sojourner on earth.'

That part of the great autobiographical poem must therefore have been composed in April, 1804.—Ed.

Contents 1804
Main Contents

"She was a Phantom of delight,"

Composed 1804.—Published 1807

The Poem

[Written at Town-end, Grasmere. The germ of this poem was four lines composed as a part of the verses on the Highland Girl. Though beginning in this way, it was written from my heart, as is sufficiently obvious.—I. F.]

One of the "Poems of the Imagination."—Ed.

The Poem

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Footnote A:   Compare two references to Mary Wordsworth in The Prelude:

'Another maid there was, who also shed
A gladness o'er that season, then to me,
By her exulting outside look of youth
And placid under-countenance, first endeared;'

(Book vi, l. 224).

'She came, no more a phantom to adorn
A moment, but an inmate of the heart,
And yet a spirit, there for me enshrined
To penetrate the lofty and the low;'

(Book xiv, l. 268).—Ed.
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Footnote B:   The poet expressly told me that these verses were on his wife.—H. C. R.
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Note:   It is not easy to say what were the "four lines composed as a part of the verses on the Highland Girl" which the Fenwick note tells us was "the germ of this poem." They may be lines now incorporated in those To a Highland Girl, vol. ii. p. 389, or they may be lines in the present poem, which Wordsworth wrote at first for the Highland Girl, but afterwards transferred to this one. They may have been the first four lines of the later poem. The two should be read consecutively, and compared.

After Wordsworth's death, a writer in the Daily News, January 1859—then understood to be Miss Harriet Martineau —wrote thus:

"In the Memoirs, by the nephew of the poet, it is said that these verses refer to Mrs. Wordsworth; but for half of Wordsworth's life it was always understood that they referred to some other phantom which 'gleamed upon his sight' before Mary Hutchinson."

This statement is much more than improbable; it is, I think, disproved by the Fenwick note. They cannot refer to the "Lucy" of the Goslar poems; and Wordsworth indicates, as plainly as he chose, to whom they actually do refer. Compare the Hon. Justice Coleridge's account of a conversation with Wordsworth (Memoirs, vol. ii. p. 306), in which the poet expressly said that the lines were written on his wife. The question was, however, set at rest in a conversation of Wordsworth with Henry Crabb Robinson, who wrote in his Diary on

"May 12 (1842).—Wordsworth said that the poems 'Our walk was far among the ancient trees' [vol. ii. p. 167], then 'She was a Phantom of delight,'^B and finally the two sonnets To a Painter, should be read in succession as exhibiting the different phases of his affection to his wife."

(Diary, Reminiscences, and Correspondence of Henry Crabb Robinson, vol. iii. p. 197.)

The use of the word "machine," in the third stanza of the poem, has been much criticised, but for a similar use of the term, see the sequel to The Waggoner (p. 107):

'Forgive me, then; for I had been
On friendly terms with this Machine.'

See also Hamlet (act II. scene ii. l. 124):

'Thine evermore, most dear lady, whilst this machine is to him.'

The progress of mechanical industry in Britain since the beginning of the present century has given a more limited, and purely technical, meaning to the word, than it bore when Wordsworth used it in these two instances.—Ed.

Contents 1804
Main Contents

"I wandered lonely as a cloud"

Composed 1804.—Published 1807

The Poem

[Town-end, 1804. The two best lines in it are by Mary. The daffodils grew, and still grow, on the margin of Ullswater, and probably may be seen to this day as beautiful in the month of March, nodding their golden heads beside the dancing and foaming waves.—I.F.]

This was No. VII. in the series of Poems, entitled, in the edition of 1807, "Moods of my own Mind." In 1815, and afterwards, it was classed by Wordsworth among his "Poems of the Imagination."—Ed.

The Poem

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Footnote A:   It was The Reverie of Poor Susan.—Ed.
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Note:   The following is from Dorothy Wordsworth's Journal, under date, Thursday, April 15, 1802:

"When we were in the woods beyond Gowbarrow Park, we saw a few daffodils close to the water side. We fancied that the sea had floated the seeds ashore, and that the little colony had so sprung up. But as we went along there were more, and yet more; and, at last, under the boughs of the trees, we saw that there was a long belt of them along the shore, about the breadth of a country turnpike road. I never saw daffodils so beautiful. They grew among the mossy stones, about and above them; some rested their heads upon these stones, as on a pillow for weariness; and the rest tossed and reeled and danced, and seemed as if they verily laughed with the wind that blew upon them over the lake. They looked so gay, ever glancing, ever changing. This wind blew directly over the lake to them. There was here and there a little knot, and a few stragglers higher up; but they were so few as not to disturb the simplicity, unity, and life of that one busy highway. We rested again and again. The bays were stormy, and we heard the waves at different distances, and in the middle of the water, like the sea...."

In the edition of 1815 there is a footnote to the lines

'They flash upon that inward eye
Which is the bliss of solitude'

to the following effect:

"The subject of these Stanzas is rather an elementary feeling and simple impression (approaching to the nature of an ocular spectrum) upon the imaginative faculty, than an exertion of it. The one which follows^A is strictly a Reverie; and neither that, nor the next after it in succession, Power of Music, would have been placed here except for the reason given in the foregoing note."

The being "placed here" refers to its being included among the "Poems of the Imagination." The "foregoing note" is the note appended to 'The Horn of Egremont Castle'; and the "reason given" in it is "to avoid a needless multiplication of the Classes" into which Wordsworth divided his poems. This note of 181?^B, is reprinted mainly to show the difficulties to which Wordsworth was reduced by the artificial method of arrangement referred to. The following letter to Mr. Wrangham is a more appropriate illustration of the poem of "The Daffodils." It was written, the late Bishop of Lincoln says, "sometime afterwards." (See Memoirs of Wordsworth, vol. i. pp. 183, 184); and, for the whole of the letter, see a subsequent volume of this edition.

"Grasmere, Nov. 4.

"My Dear Wrangham,—I am indeed much pleased that Mrs. Wrangham and yourself have been gratified by these breathings of simple nature. You mention Butler, Montagu's friend; not Tom Butler, but the conveyancer: when I was in town in spring, he happened to see the volumes lying on Montagu's mantelpiece, and to glance his eye upon the very poem of The Daffodils. 'Aye,' says he, 'a fine morsel this for the Reviewers.' When this was told me (for I was not present) I observed that there were 'two lines' in that little poem which, if thoroughly felt, would annihilate nine-tenths of the reviews of the kingdom, as they would find no readers. The lines I alluded to were these:

'They flash upon that inward eye
Which is the bliss of solitude.'"

These two lines were composed by Mrs. Wordsworth. In 1877 the daffodils were still growing in abundance on the shore of Ullswater, below Gowbarrow Park.

Compare the last four lines of James Montgomery's poem, The Little Cloud:

'Bliss in possession will not last:
Remembered joys are never past:
At once the fountain, stream, and sea,
They were—they are—they yet shall be.'

Ed.

Contents 1804
Main Contents

The Affliction of Margaret—^A

Composed 1804.—Published 1807

The Poem

[Written at Town-end, Grasmere. This was taken from the case of a poor widow who lived in the town of Penrith. Her sorrow was well known to Mrs. Wordsworth, to my sister, and, I believe, to the whole town. She kept a shop, and when she saw a stranger passing by, she was in the habit of going out into the street to enquire of him after her son.—I.F.]

Included by Wordsworth among his "Poems founded on the Affections."—Ed.

The Poem

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Contents 1804
Main Contents

The Forsaken

Composed 1804.—Published 1842

The Poem

[This was an overflow from 'The Affliction of Margaret', and was excluded as superfluous there, but preserved in the faint hope that it may turn to account by restoring a shy lover to some forsaken damsel. My poetry has been complained of as deficient in interests of this sort,—a charge which the piece beginning, "Lyre! though such power do in thy magic live," will scarcely tend to obviate. The natural imagery of these verses was supplied by frequent, I might say intense, observation of the Rydal torrent. What an animating contrast is the ever-changing aspect of that, and indeed of every one of our mountain brooks, to the monotonous tone and unmitigated fury of such streams among the Alps as are fed all the summer long by glaciers and melting snows. A traveller observing the exquisite purity of the great rivers, such as the Rhone at Geneva, and the Reuss at Lucerne, when they issue out of their respective lakes, might fancy for a moment that some power in nature produced this beautiful change, with a view to make amends for those Alpine sullyings which the waters exhibit near their fountain heads; but, alas! how soon does that purity depart before the influx of tributary waters that have flowed through cultivated plains and the crowded abodes of men.—I. F.]

Included by Wordsworth among his "Poems founded on the Affections."—Ed.

The Poem

Repentance

A Pastoral Ballad

Composed 1804.—Published 1820

The Poem

[Written at Town-end, Grasmere. Suggested by the conversation of our next neighbour, Margaret Ashburner.—I. F.]

This "next neighbour" is constantly referred to in Dorothy Wordsworth's Grasmere Journal.

Included in 1820 among the "Poems of Sentiment and Reflection"; in 1827, and afterwards, it was classed with those "founded on the Affections."—Ed.

The Poem

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Contents 1804
Main Contents

Address to my Infant Daughter, Dora^A

On Being Reminded that She was a Month Old that Day, September 16

Composed September 16, 1804.—Published 1815

Included by Wordsworth among his "Poems of the Fancy."—Ed.

The Poem

Footnote A:   The title from 1815 to 1845 was Address to my Infant Daughter, on being reminded that she was a Month old, on that Day. After her death in 1847, her name was added to the title.—Ed.
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Footnote B:  See Dryden's poem, To the pious memory of the accomplished young lady, Mrs. Anne Killigrew, I. l. 15.—Ed.
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Note:   The text of this poem was never altered.—Ed.

Contents 1804
Main Contents

The Kitten and Falling Leaves^A

Composed 1804.—Published 1807

The Poem

[Seen at Town-end, Grasmere. The elder-bush has long since disappeared; it hung over the wall near the cottage: and the kitten continued to leap up, catching the leaves as here described. The Infant was Dora.—I. F.]

One of the "Poems of the Fancy." In Henry Crabb Robinson's Diary, etc., under date Sept. 10, 1816, we find,

"He" (Wordsworth) "quoted from 'The Kitten and the Falling Leaves' to show he had connected even the kitten with the great, awful, and mysterious powers of Nature."

Ed.

The Poem

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Footnote A:   In the editions of 1807-1832 the title was The Kitten and the Falling Leaves.—Ed.
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Sub-Footnote a:  Dora Wordsworth died in July 1847. Probably the change of text in 1849—one of the latest which the poet made—was due to the wish to connect this poem with memories of his dead daughter's childhood, and her "laughing eye."—Ed.
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Contents 1804
Main Contents

The Small Celandine^A

Composed 1804.—Published 1807

The Poem

[Grasmere, Town-end. It is remarkable that this flower coming out so early in the spring as it does, and so bright and beautiful, and in such profusion, should not have been noticed earlier in English verse. What adds much to the interest that attends it, is its habit of shutting itself up and opening out according to the degree of light and temperature of the air. —I. F.]

In pencil on opposite page "Has not Chaucer noticed it?"—W. W.

This was classed by Wordsworth among his "Poems referring to the Period of Old Age."-Ed.

The Poem

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Note:   With the last stanza compare one from [Volume 2 link: The Fountain], vol. ii. p. 93:

'Thus fares it still in our decay:
And yet the wiser mind
Mourns less for what age takes away
Than what it leaves behind.'

Compare also the other two poems [Volume 2 links: To the Celandine and To the Same Flower] on the Celandine, vol. ii. pp. 300, 303, written in a previous year.—Ed.]

Contents 1804
Main Contents

At Applethwaite, near Keswick

1804

Composed 1804.—Published 1842

The Poem

[This was presented to me by Sir George Beaumont, with a view to the erection of a house upon it, for the sake of being near to Coleridge, then living, and likely to remain, at Greta Hall, near Keswick. The severe necessities that prevented this arose from his domestic situation. This little property, with a considerable addition that still leaves it very small, lies beautifully upon the banks of a rill that gurgles down the side of Skiddaw; and the orchard and other parts of the grounds command a magnificent prospect of Derwent Water, the mountains of Borrowdale and Newlands. Not many years ago I gave the place to my daughter.—I. F.]

In pencil on the opposite page in Dora Wordsworth's (Mrs. Quillinan's) handwriting—"Many years ago, Sir; for it was given when she was a frail feeble monthling."

One of the "Miscellaneous Sonnets."—Ed.

The Poem

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Footnote A:  In the edition of 1842 the following footnote is given by Wordsworth,

"This biographical Sonnet, if so it may be called, together with the Epistle that follows, have been long suppressed from feelings of personal delicacy."

The "Epistle" was that addressed to Sir George Beaumont in 1811.—Ed.
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Note:   This little property at Applethwaite now belongs to Mr. Gordon Wordsworth, the grandson of the poet. It is a "sunny dell" only in its upper reaches, above the spot where the cottage —which still bears Wordsworth's name—is built. This sonnet, and Sir George Beaumont's wish that Wordsworth and Coleridge should live so near each other, as to be able to carry on joint literary labour, recall the somewhat similar wish and proposal on the part of W. Calvert, unfolded in a letter from Coleridge to Sir Humphry Davy.—Ed.

Contents 1804
Main Contents

Vaudracour and Julia

Composed 1804.—Published 1820

The Poem

The following Tale was written as an Episode, in a work from which its length may perhaps exclude it.^A The facts are true; no invention as to these has been exercised, as none was needed.—W. W. 1820.

[Written at Town-end, Grasmere. Faithfully narrated, though with the omission of many pathetic circumstances, from the mouth of a French lady,^B who had been an eye-and-ear witness of all that was done and said. Many long years after, I was told that Dupligne was then a monk in the Convent of La Trappe.—I. F.]

This was included among the "Poems founded on the Affections."—Ed.

The Poem

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Footnote A:  The work was The Prelude. See book ix., p. 310 of this volume.—Ed.
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Footnote B:  Compare The Prelude, book ix. l. 548, p. 310, where Wordsworth says it was told him "by my Patriot friend."—Ed.
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Note:   In the preface to his volume, "Poems of Wordsworth chosen and edited by Matthew Arnold," that distinguished poet and critic has said (p. xxv.),

"I can read with pleasure and edification ... everything of Wordsworth, I think, except Vaudracour and Julia."

Ed.

Contents 1804
Main Contents

Wordsworth's Poetical Works

Volume 3: 1805

Edited by William Knight

1896

Table of Contents

• 1805
• • French Revolution
  • Ode to Duty
  • To a Sky-Lark
  • Fidelity
  • Incident characteristic of a Favourite Dog
  • Tribute to the Memory of the same Dog
  • To the Daisy (4)
  • Elegiac Stanzas
  • Elegiac Verses
  • When, to the Attractions of the Busy World"
  • The Cottager to her Infant
  • The Waggoner

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1805

During 1805, the autobiographical poem, which was afterwards named by Mrs. Wordsworth The Prelude, was finished. In that year also Wordsworth wrote the Ode to Duty, To a Sky-Lark, Fidelity, the fourth poem To the Daisy, the Elegiac Stanzas suggested by a Picture of Peele Castle in a Storm, the Elegiac Verses in memory of his brother John, The Waggoner, and a few other poems.—Ed.

Contents 1805
Main Contents

French Revolution

As it Appeared to Enthusiasts at its Commencement

Reprinted from The Friend

Composed 1805.—Published 1809

The Poem

[An extract from the long poem on my own poetical education. It was first published by Coleridge in his Friend, which is the reason of its having had a place in every edition of my poems since.—I. F.]

These lines appeared first in The Friend, No. 11, October 26, 1809, p. 163. They afterwards found a place amongst the "Poems of the Imagination," in all the collective editions from 1815 onwards. They are part of the eleventh book of The Prelude, entitled "France—(concluded)," ll. 105-144. Wordsworth gives the date 1805, but these lines possibly belong to the year 1804.—Ed.

The Poem

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Note:   Compare Coleridge's remarks in The Friend, vol. ii. p. 38, before quoting this poem,

"My feelings and imagination did not remain unkindled in this general conflagration; and I confess I should be more inclined to be ashamed than proud of myself if they had! I was a sharer in the general vortex, though my little world described the path of its revolution in an orbit of its own," etc.

Ed.

Contents 1805
Main Contents

Ode to Duty

Composed 1805.—Published 1807

The Poem

"Jam non consilio bonus, sed more eò perductus, ut non tantum rectè facere possim, sed nisi rectè facere non possim." ^A

[This Ode is on the model of Gray's Ode to Adversity, which is copied from Horace's Ode to Fortune. Many and many a time have I been twitted by my wife and sister for having forgotten this dedication of myself to the stern law-giver. Transgressor indeed I have been from hour to hour, from day to day: I would fain hope, however, not more flagrantly, or in a worse way than most of my tuneful brethren. But these last words are in a wrong strain. We should be rigorous to ourselves, and forbearing, if not indulgent, to others; and, if we make comparison at all, it ought to be with those who have morally excelled us.—I. F.]

In pencil on the MS.,

"But is not the first stanza of Gray's from a chorus of Æschylus? And is not Horace's Ode also modelled on the Greek?"

This poem was placed by Wordsworth among his "Poems of Sentiment and Reflection."—Ed.

The Poem

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Footnote A:   This motto was added in the edition of 1837.—Ed.
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Footnote B:   Compare S. T. C. in The Friend (edition 1818, vol. iii. p. 62),

"Its instinct, its safety, its benefit, its glory is to love, to admire, to feel, and to labour."

Ed.
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Footnote C:  Compare Churchill's Gotham, i. 49:

'An Englishman in chartered freedom born.'

Ed.
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Footnote D:   Compare in Sartor Resartus,

"Happy he for whom a kind of heavenly sun brightens it [Necessity] into a ring of Duty, and plays round it with beautiful prismatic refractions."

Ed.
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Footnote E:   Compare Persius, Satura, ii. l. 38:

'Quidquic calcaverit hic, rosa fiat.'

And Ben Jonson, in The Sad Shepherd, act I. scene i. ll. 8, 9:

'And where she went, the flowers took thickest root,
As she had sow'd them with her odorous foot.'

Also, a similar reference to Aphrodite in Hesiod, Theogony, vv. 192 seq.—Ed.
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Footnote F:   Compare S. T. C. in The Friend (edition 1818), vol. iii. p. 64.—Ed.
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Footnote G:   In the original MS. sent to the printer, I find that this stanza was transcribed by Coleridge.—Ed.
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Note:   Mr. J. R. Tutin has supplied me with the text of a proof copy of the sheets of the edition of 1807, which was cancelled by Wordsworth, in which the following stanzas take the place of the first four of that edition:

'There are who tread a blameless way
In purity, and love, and truth,
Though resting on no better stay
Than on the genial sense of youth:
Glad Hearts! without reproach or blot;
Who do the right, and know it not:
May joy be theirs while life shall last
And may a genial sense remain, when youth is past.

Serene would be our days and bright;
And happy would our nature be;
If Love were an unerring light;
And Joy its own security.
And bless'd are they who in the main,
This creed, even now, do entertain,
Do in this spirit live; yet know
That Man hath other hopes; strength which elsewhere must grow.

I, loving freedom, and untried;
No sport of every random gust,
Yet being to myself a guide,
Too blindly have reposed my trust;
Resolv'd that nothing e'er should press
Upon my present happiness,
I shov'd unwelcome tasks away:
But henceforth I would serve; and strictly if I may.

O Power of Duty! sent from God
To enforce on earth his high behest,
And keep us faithful to the road
Which conscience hath pronounc'd the best:
Thou, who art Victory and Law
When empty terrors overawe;
From vain temptations dost set free,
From Strife, and from Despair, a glorious Ministry!^G'

Ed.

Contents 1805
Main Contents

To a Sky-Lark

Composed 1805.—Published 1807

The Poem

[Rydal Mount, 1825.^A—I. F.]

In pencil opposite,

"Where there are no skylarks; but the poet is everywhere."

In the edition of 1807 this is No. 2 of the "Poems, composed during a Tour, chiefly on foot."^B In 1815 it became one of the "Poems of the Fancy."—Ed.

The Poem

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Footnote A:  So it is printed in the Prose Works of Wordsworth (1876); but the date was 1805.—Ed.
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Footnote B:  In a MS. copy this series is called "Poems composed 'for amusement' during a Tour, chiefly on foot."—Ed.
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Note:   Compare this poem with Shelley's Skylark, and with Wordsworth's poem, on the same subject, written in the year 1825, and the last five stanzas of his Morning Exercise written in 1827; also with William Watson's First Skylark of Spring, 1895.—Ed.

Contents 1805
Main Contents

Fidelity

Composed 1805.—Published 1807

The Poem

[The young man whose death gave occasion to this poem was named Charles Gough, and had come early in the spring to Patterdale for the sake of angling. While attempting to cross over Helvellyn to Grasmere he slipped from a steep part of the rock where the ice was not thawed, and perished. His body was discovered as described in this poem. Walter Scott heard of the accident, and both he and I, without either of us knowing that the other had taken up the subject, each wrote a poem in admiration of the dog's fidelity. His contains a most beautiful stanza:

"How long did'st thou think that his silence was slumber!
When the wind waved his garment how oft did'st thou start!"

I will add that the sentiment in the last four lines of the last stanza of my verses was uttered by a shepherd with such exactness, that a traveller, who afterwards reported his account in print, was induced to question the man whether he had read them, which he had not.—I. F.]

One of the "Poems of Sentiment and Reflection."—Ed.

The Poem

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Footnote A:   Tarn is a small Mere or Lake mostly high up in the mountains,—W. W.
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Footnote B:   Compare the reference to Helvellyn, and its "deep coves, shaped by skeleton arms," in the Musings near Aquapendente (1837). Wordsworth here describes Red Tarn, under Helvellyn, to the east; but Charles Gough was killed on the Kepplecove side of Swirell Edge, and not at Red Tarn. Bishop Watson of Llandaff, writing to Hayley (see Anecdotes of the Life of Bishop Watson, p. 440), writes about Charles Gouche (evidently Gough). He had been lodging at "the Cherry Inn," near Wytheburn, sometime before his death.—Ed.
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Footnote C:   Compare The Excursion, book iv. ll. 1185-94.—Ed.
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Note:   Thomas Wilkinson—referred to in the notes to The Solitary Reaper, vol. ii. pp. 399, 400, and the verses To the Spade of a Friend, in vol. iv.—alludes to this incident at some length in his poem, Emont Vale. Wilkinson attended the funeral of young Gough, and writes of the incident with feeling, but without inspiration. Gough perished early in April, and his body was not found till July 22nd, 1805. A reference to his fate will be found in Lockhart's Life of Scott (vol. ii. p. 274); also in a letter of Mr. Luff of Patterdale, to his wife, July 23rd, 1805. Henry Crabb Robinson records (see his Diary, Reminiscences, etc., vol. ii. p. 25) a conversation with Wordsworth, in which he said of this poem, that "he purposely made the narrative as prosaic as possible, in order that no discredit might be thrown on the truth of the incident."—Ed.

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Incident characteristic of a Favourite Dog^A

Composed 1805.—Published 1807

The Poem

[This dog I knew well. It belonged to Mrs. Wordsworth's brother, Mr. Thomas Hutchinson, who then lived at Sockburn-on-the-Tees, a beautiful retired situation, where I used to visit him and his sisters before my marriage. My sister and I spent many months there after my return from Germany in 1799— I. F.]

One of the "Poems of Sentiment and Reflection."—Ed.

The Poem

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Footnote A:   In 1807 and 1815 the title was Incident, Characteristic of a favourite Dog, which belonged to a Friend of the Author.—Ed.
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Tribute to the Memory of the same Dog

Composed 1805.—Published 1807

The Poem

[Was written at the same time, 1805. The Dog Music died, aged and blind, by falling into a draw-well at Gallow] Hill, to the great grief of the family of the Hutchinsons, who, as has been before mentioned, had removed to that place from Sockburn.—I. F.]

One of the "Poems of Sentiment and Reflection."—Ed.

The Poem

Variant 1:   In the editions of 1807 to 1820 the following lines began the poem. They were withdrawn in 1827.

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To the Daisy (4)

Composed 1805.—Published 1815

Placed by Wordsworth among his "Epitaphs and Elegiac Pieces."—Ed.

The Poem

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Variant 4:   In the edition of 1827 and subsequent ones, Wordsworth here inserted a footnote, asking the reader to refer to No. VI. of the "Poems on the Naming of Places," beginning "When, to the attractions of the busy world," p. 66. His note of 1837 refers also to the poem which there precedes the present one, viz. the Elegiac Stanzas.—Ed.
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Elegiac Stanzas^A

Composed 1805.—Published 1807

The Poem

[Sir George Beaumont painted two pictures of this subject, one of which he gave to Mrs. Wordsworth, saying she ought to have it; but Lady Beaumont interfered, and after Sir George's death she gave it to Sir Uvedale Price, at whose house at Foxley I have seen it.—I. F.]

Placed by Wordsworth among his "Epitaphs and Elegiac Pieces."—Ed.

The Poem

Variant 1:  

The edition of 1832 returns to the text of 1807.^a
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The whole of this stanza was omitted in the editions of 1820-1843.
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Footnote A:   The original title, in MS, was Verses suggested, etc,—Ed.
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Footnote B:   Miss Arnold wrote to me, in December 1893:

"I have never doubted that the Peele Castle of Wordsworth is the Piel off Walney Island. I know that my brother Matthew so believed, and I went with him some years ago from Furness Abbey over to Piel, visiting it as the subject of the picture and the poem."

Ed.
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Sub-Footnote a:   Many years ago Principal Shairp wrote to me,

"Have you noted how the two lines, 'The light that never was,' etc., stood in the edition of 1827? I know no other such instance of a change from commonplace to perfection of ideality."

The Principal had not remembered at the time that the "perfection of ideality" was in the original edition of 1807. The curious thing is that the prosaic version of 1820 and 1827 ever took its place. Wordsworth's return to his original reading was one of the wisest changes he introduced into the text of 1832.—Ed.
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Note:   There is a Peele Castle, on a small rocky island, close to the town of Peele, in the Isle of Man; yet separated from it, much as St. Michael's Mount in Cornwall is separated from the mainland. This castle was believed by many to be the one which Sir George painted, and which gave rise to the foregoing lines. I visited it in 1879, being then ignorant that any other Peele Castle existed; and although, the day being calm, and the season summer, I thought Sir George had idealized his subject much—(as I had just left Coleorton, where the picture still exists)—I accepted the customary opinion. But I am now convinced, both from the testimony of the Arnold family^B, and as the result of a visit to Piel Castle, near Barrow in Furness, that Wordsworth refers to it. The late Bishop of Lincoln, in his uncle's Memoirs (vol. i. p. 299), quotes the line

"I was thy neighbour once, thou rugged pile,"

and adds,

"He had spent four weeks there of a college summer vacation at the house of his cousin, Mr. Barker."

This house was at Rampside, the village opposite Piel, on the coast of Lancashire. The "rugged pile," too, now "cased in the unfeeling armour of old time," painted by Beaumont, is obviously this Piel Castle near Barrow. I took the engraving of his picture with me, when visiting it: and although Sir George—after the manner of landscape artists of his day—took many liberties with his subjects, it is apparent that it was this, and not Peele Castle in Mona, that he painted. The "four summer weeks" referred to in the first stanza, were those spent at Piel during the year 1794.

With the last verse of these Elegiac Stanzas compare stanzas ten and eleven of the Ode, Intimations of Immortality, vol. viii.

One of the two pictures of "Peele Castle in a Storm"—engraved by S. W. Reynolds, and published in the editions of Wordsworth's poems of 1815 and 1820—is still in the Beaumont Gallery at Coleorton Hall.

The poem is so memorable that I have arranged to make this picture of "Peele Castle in a Storm," the vignette to vol. xv. of this edition. It deserves to be noted that it was to the pleading of Barron Field that we owe the restoration of the original line of 1807,

'The light that never was, on sea or land.'

An interesting account of Piel Castle will be found in Hearne and Byrne's Antiquities. It was built by the Abbot of Furness in the first year of the reign of Edward III.—Ed.

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Elegiac Verses

In Memory of My Brother, John Wordsworth, Commander of the E. I. Company's Ship, The Earl Of Abergavenny, in which He Perished by Calamitous Shipwreck, Feb. 6th, 1805.

Composed 1805.—Published 1842

The Poem

Composed near the Mountain track, that leads from Grasmere through Grisdale Hawes, where it descends towards Patterdale.

["Here did we stop; and here looked round, While each into himself descends."

The point is two or three yards below the outlet of Grisedale Tarn, on a foot-road by which a horse may pass to Patterdale— a ridge of Helvellyn on the left, and the summit of Fairfield on the right.—I. F.]

This poem was included among the "Epitaphs and Elegiac Pieces."—Ed.

The Poem

Footnote A:   See 2nd vol. of the Author's Poems, page 298, and 5th vol., pages 311 and 314, among Elegiac Pieces.—W. W. 1842.

These poems are those respectively beginning:

"When, to the attractions of the busy world ..."

"I was thy neighbour once, thou rugged Pile! ..."

"Sweet Flower! belike one day to have ..."

Ed.
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Note:   The plant alluded to is the Moss Campion (Silene acaulis, of Linnæus). See note at the end of the volume.—W. W. 1842.

See among the "Poems on the Naming of Places," No. VI.—W. W. 1845.

The note is as follows:

"Moss Campion (Silene acaulis). This most beautiful plant is scarce in England, though it is found in great abundance upon the mountains of Scotland. The first specimen I ever saw of it in its native bed was singularly fine, the tuft or cushion being at least eight inches diameter, and the root proportionably thick. I have only met with it in two places among our mountains, in both of which I have since sought for it in vain.

Botanists will not, I hope, take it ill, if I caution them against carrying off inconsiderately rare and beautiful plants. This has often been done, particularly from Ingleborough and other mountains in Yorkshire, till the species have totally disappeared, to the great regret of lovers of nature living near the places where they grew."—W. W. 1842.

See also The Prelude, book xiv. 1. 419, p. 379.—Ed.


This poem underwent no change in successive editions.

At a meeting of "The Wordsworth Society" held at Grasmere, in July 1881, it was proposed by one of the members, the Rev. H. D. Rawnsley, then Vicar of Wray, to erect some memorial at the parting-place of the brothers. The brothers John and William Wordsworth parted at Grisedale Tarn, on the 29th September 1800. The originator of the idea wrote thus of it in June 1882: